Lew Hopson Movies

A welcome exception to the slasher-stalker-kidnapper films usually seen on the USA cable network, After the Shock is a tribute to the courage and heroism of Bay Area residents following the San Francisco earthquake of October 17, 1989. Director Gary A. Sherman opts for a "cinema verite" approach, utilizing a hand-held camera to recreate the style of the original on-the-spot TV reporting. The cast includes Scott Valentine, Rue McClanahan, Yaphet Kotto, Jack Scalia and Richard Anthony Crenna as various firefighters, paramedics, law officials and private citizens. One of the best performances is offered by Nick Zaninovich, a real-life quake survivor who spent seven hours trapped in his car, which was buried under a collapsed stretch of the Nimitz freeway. After the Shock debuted September 12, 1990. ~ Hal Erickson, Rovi

In this glossy L.A. crime drama by Mike Figgis, Andy Garcia stars as Sgt. Raymond Avila, a cop who just joined the Internal Affairs division of the L.A.P.D. An investigation into police corruption has led Avila and his partner, Sgt. Amy Wallace (Laurie Metcalf), to Officer Dennis Peck (Richard Gere). Avila suspects something about Peck from the beginning; his influence and dominance over others seems to extend further than the reach of his badge. When officers who wish to testify against Peck start dying, the depth of his corruption becomes increasingly clear; at his disposal, he has an army of cops and criminals alike. He even agrees to assassinate a sleazy businessman's own parents, and humiliates the businessman while they make the deal. In his drive to dominate others, Peck attempts to seduce almost every woman around him and is obsessed with children and fatherhood. Peck is most dangerous when the investigation threatens his territory and his extended family; he stalks Avila and turns him against his wife (Nancy Travis). ~ Jonathan E. Laxamana, Rovi

In this mystery, based on a novel by L.A. Morse, retired L.A. detective Jake Spanner enlists the aide of a group of senior citizens to help him find an ex-mobster's daughter. ~ Sandra Brennan, Rovi

Although many genre filmmakers have managed to blend horror and humor with great success, movies employing this formula often run the risk of both elements canceling each other out, resulting in a horror comedy that is neither scary nor funny. Alas, Dead Heat is a textbook example of this kind of failure. It details the weird misadventures of a pair of mismatched L.A. cops -- the straitlaced and by-the-book Roger Mortis (Treat Williams) and wisecracking loose cannon Doug Bigelow (muscle-headed Saturday Night Live alum Joe Piscopo). Their quest is to reach the heart of a sinister crime ring that employs indestructible undead henchmen. In a strange twist, their inept handling of the case results in both cops -- first Williams, then Piscopo -- being killed in action and subsequently reanimated in a secret laboratory managed by the barely seen Vincent Price (whose walk-on role is more entertaining than the combined performances of the two leads). The potential for "splatstick" comedy in the mode of Evil Dead 2 or Peter Jackson's Bad Taste is defeated by two major obstacles: first, the painfully unfunny mugging of Piscopo, who was unwisely allowed to ad-lib much of his performance; and second, the MPAA's trimming of several minutes from Steve Johnson's sensational makeup effects in order to avoid the dreaded X rating -- including a clever scene involving a zombie go-go girl played by Linnea Quigley. ~ Cavett Binion, Rovi

A cop discovers that there's something unusual about his new partner in this unusual sci-fi thriller. A seemingly well-mannered stock broker one day snaps, robbing a bank, stealing a Ferrari, and driving straight into a police barricade without any thought for his own safety, and he's mowed down by a hail of bullets. The detective assigned to the case, Tom Beck (Michael Nouri), thinks that he notices a strange look in the eye of the thief, but when FBI agent Lloyd Gallagher (Kyle MacLachlan) informs Tom that he's also been assigned to the case, he thinks that he sees the same curious look in Lloyd's eyes as well. Lloyd also has an odd way of carrying himself, as if he's not entirely in control of his own body, and in time, Tom discovers what the two men have in common -- both are actually aliens from another planet. They are creatures from another world capable of entering a human (or animal) body at will and using it as a vessel as long as they need. When the stockbroker died, the rogue alien simply crept into another body to begin his crime spree all over again. Lloyd has been sent to Earth to bring the thief's reign of terror to a halt and has taken over the body of an FBI agent with that in mind. A major cult favorite, The Hidden also features Clu Gulager, Ed O'Ross, and Claudia Christian. ~ Mark Deming, Rovi

The stage is set for a series of confrontations when photographer Mark Jefferson (Tom Eplin) agrees to help his friend Roger (John Mayall) defend his night club against a handful of organized crime figures. Mark has an added incentive for becoming involved as his ex-girlfriend Carol (Cheri Cameron Newell) sings at the club. But the gangsters are willing to use mayhem and murder in order to take over Roger's business. It appears that the petty mobsters are out to sell illegal weapons to anyone who wants them, especially L.A.'s youth, instead of using the club as a front for a prostitution ring as Roger suspects. Soon Mark and his trusty motorcycle have their work cut out for them. ~ Eleanor Mannikka, Rovi