Harold Hopkins Movies

This Australian animal adventure begins at a Queensland farm where young Billy (Jamie Croft), who lives with his widowed mother Penny (Rebecca Gibney), likes to watch the kangaroos, including baby Joey. Mean-spirited neighbor Dixon (Errol O'Neill) hires brutish Kanga Catcher (Harold Hopkins) to remove the 'roos. They are drugged and carted off, leaving Joey without a mother, so Billy heads for the city with Joey in his backpack. After he teams with Linda Ross (Alex McKenna), free-spirited daughter of American ambassador Ted Ross (Ed Begley Jr.), the two youths take off to reunite Joey with the kidnapped kangaroos. Sydney street scenes shown here are actually in Brisbane. ~ Bhob Stewart, Rovi

Filmed in the Australian outback, but set in an unnamed country, this stylish and decidedly liberal drama attempts to be the inspirational tale of workers and rural folk who band together to quash their oppressors: greedy corporate types and the military dictatorship that uses violence to protect the businesses. ~ Sandra Brennan, Rovi

The life of a teen in an isolated small town is the subject of Australian writer/director John Duigan's film, set in 1962 in New South Wales. Duigan's coming-of-age story has many familiar elements -- Danny Embling (Noah Taylor) discovers his sexual attraction to a childhood playmate (Leone Carmen as Freya), he undergoes the taunts of bullies at his school, rages against the narrow-minded views of his parents and many of the townspeople, and comes under the influence of a sympathetic adult (Bruce Spence as Jonah, a would-be writer who lives in an abandoned railroad car). The twist is that Danny's rival for Freya's affections, Trevor (Ben Mendelsohn), is a Jewish jock who becomes Danny's friend by standing up to the bullies and treating Freya with more respect than the other boys do. Duigan, who had been making films in Australia since the mid-'70s, broke through to U.S. audiences with this film and its sequel, Flirting, in which Noah Taylor reprises the lead role. ~ Tom Wiener, Rovi

The Australian Highest Honor is comparatively little-known outside its country of origin, which is a shame. Set during World War II, the film details the unusual relationship between an Australian army captain and his captor, a Japanese security officer. The war has made these kindred spirits "enemies," and we, like the protagonists, are never allowed to forget the seriousness of the world conflict. Still, we are shown how even the exigencies of war cannot completely snuff out such qualities as honor and decency. John Howard plays Captain Robert Page, while Astuo Nakamura co-stars as Winoyu Tamira. Highest Honor is based on a true story. ~ Hal Erickson, Rovi

The Australian Winds of Jarrah was inspired by a "Harlequin Romance" novel. Running away from a failed romance, stunning Englishwoman Susan Lyons heads to 19th century Australia. Here she pulls a "Jane Eyre", becoming nanny for the children of woman-hating Terence Donovan. The tried-and-true formula soon kicks in, and a bodice-ripping affair commences. Sure, Winds of Jarrah is trash...but it's classy trash. ~ Hal Erickson, Rovi

Ginger Meggs (Paul Daniel) is a young "Dennis the Menace" who first appeared in Australian comic strips in 1921. In this film meant for the pre-teen set, Ginger is constantly getting himself in trouble in spite of his good intentions -- at the same time, he prevaricates, he disobeys his teachers and parents, he skips school, or while in school, fights it out with the bullies -- all activities that are bound to capture the attention of children who can vicariously enjoy the forbidden behavior. ~ Eleanor Mannikka, Rovi

Bruce Beresford directed this adaptation of David Williamson's play (Williamson also scripted) about the ever-widening gap between professional sport and its boardroom intrigues. Jack Thompson is Laurie, a once popular ball player on the Australian Rules football circuit, but now an ineffective coach who tries to spark a mediocre football team into winning the league championship. But as he struggles to motivate his players, he becomes increasingly disenchanted with the sport as he witnesses how big business interests have become the main motivation of the game that has turned the game that he has devoted his life to into a heartless and insensitive sports franchise. ~ Paul Brenner, Rovi

This easygoing drama offers a look back at the early days of the Australian movie business, and it was based on the real-life adventures of pioneering Aussie exhibitor Lyle Penn. Maurice "Pop" Pym (John Meillon) loves motion pictures, and he wants to open a cinema of his own. But shortly after the turn of the century, financial support for such a venture is hard to come by, so Pop does the next best thing; with his young son and a piano player in tow, Pop carts his collection of silent films and a portable projection system from one small town to another across the continent, showing his pictures wherever and whenever he can. However, Pop quickly learns that he already has a rival; Mr. Palmer (Rod Taylor) has decided to go into the movie business as well, and with deeper pockets, he's able to afford better equipment than Pop's shoestring budget can provide. Ironically, Rod Taylor plays a character who was born in Texas but emigrated to Australia; Taylor was in fact born in Australia and became a film star when he moved to the U.S. ~ Mark Deming, Rovi

This futuristic political drama stars Joe James as the Australian minister of defense. In seeking a military alliance with Asia, James is thwarted by his antiwar son Gerard Maguire. The film's "generation gap" seems to be its sole raison d'etre, and as such the story seems terribly antiquated when seen today (and difficult to follow, thanks to the actors' thick regional accents). Still, The Demonstrator was an important stepping stone in the revitalization of the long-dormant Australian film industry. Scripter Kit Denton adapted the film from an original story by Elizabeth Campbell and Don Campbell. ~ Hal Erickson, Rovi

James Mason is Bradley Morahan, an Australian artist far away from home and trying to prod his muse in the bowels of New York City. Disgusted with life in the big city, Bradley decides to return to his roots and heads back home to Australia. Once there, he decides to become a Gauguin primitive and sets up shop on a deserted island on the Great Barrier Reef. To his disappointment, however, he discovers the island is populated by a drunken old harridan (Neva Carr-Glyn) and her attractive granddaughter Cora (Helen Mirren). One look at Cora, and Bradley excitedly begins to mix his pigments, offering Cora a job as his model. Soon enough, Cora goes native and poses for Bradley in the raw. Love is, of course, in the air. But just as things seem to being going fine in every way, Bradley's old friend Nat (Jack MacGowran) appears on the island out of the blue and proceeds to rob Bradley blind. Barely recovered from the theft, Bradley must also deal with an irate grandma, who discovers that Cora has been posing nude for Bradley and has been keeping her earnings hidden from granny. Bradley's island paradise is shattered and he finds he has to deal with an old woman threatening to turn him in to the authorities for having a minor pose naked before him and his easel. The character of Morahan was based on real-life Bohemian artist Norman Lindsay, who later became the subject of John Duigan's Sirens (1994). ~ Paul Brenner, Rovi