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Gloria Hope Movies

A pretty but unremarkable young actress from Pittsburgh, Gloria Hope was a discovery of screen pioneer D.W. Griffith. Hope played the girl deserted by Henry B. Walthall in the one of the master's lesser efforts, The Great Love, but the role was small and she was much more visible as the girl who comes between Harry Carey and young upstart Cullen Landis in John Ford's Bret Harte Western The Outcasts of Poker Flats (1919). Hope married screen juvenile Lloyd Hughes in 1921 and they both co-starred with Mary Pickford in the latter's second version of Tess of the Storm Country (1922), Hughes as Pickford's rich suitor and Hope as his unfortunate sister. That was perhaps the highlight of a so-so screen career that ended in 1926. The name Gloria Hope, however, would prove popular: A second Gloria Hope played one of The Harvey Girls (1946) and a third appeared in several B-movies in the 1970s. Neither had anything to do with the original Gloria, who remained Mrs. Lloyd Hughes until her death in 1976 ~ Hans J. Wollstein, Rovi
1946  
 
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This glorified Technicolor commercial for the Fred Harvey restaurants stars Judy Garland as a 19th-century mail-order bride. Upon arriving in New Mexico, Garland discovers that her husband-to-be is the town drunk. She cuts her losses and takes a job at the local Harvey restaurant, an establishment which endeavors to bring a little civilization and class to the wide open spaces. Harvey's operation is challenged by saloon-owner John Hodiak, corrupt-judge Preston S. Foster, and local-madam Angela Lansbury. With the help of tenderfoot Ray Bolger, Garland and her fellow waitresses foil the corrupt elements in town. Prominent in the supporting cast are Cyd Charisse, Marjorie Main, Chill Wills, Kenny Baker and Virginia O'Brien (whose musical numbers aren't quite as rambunctious as the contributions of the others, mainly because O'Brien was pregnant during filming). The songs are for the most part perfunctory, with the spectacular exception of the Harry Warren and Johnny Mercer's Oscar-winning "Atchison, Topeka and the Santa Fe." The Harvey Girls is tenuously based on a more sober-sided historical volume by Samuel Hopkins Adams. ~ Hal Erickson, Rovi

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Starring:
Judy GarlandJohn Hodiak, (more)
 
1945  
 
The little-known Twice Blessed was an MGM vehicle for the Wilde Twins, who were first introduced in Andy Hardy's Double Trouble. Not surprisingly, the film is predicated on a mistaken-identity gimmick, with "typical" teenage girl Terry Turner (Lee Wilde) trading places with her high-IQ look-alike Stephanie Hale (Lyn Wilde). Amidst a welter of comic complications, romance blooms between Terry's father Jeff (Preston S. Foster) and Stephanie's mother Mary (Gail Patrick). Fresh from Paramount's "Henry Aldrich" series, Jimmy Lydon co-stars as the boyfriend of one of the twins, though he isn't sure which one. Twice Blessed was directed by Harry Beaumont, whose association with MGM extended back to the early-talkie era. ~ Hal Erickson, Rovi

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Starring:
Preston S. FosterGail Patrick, (more)
 
1926  
 
Pert and pretty Sandy McNeill (Madge Bellamy) is strong-armed by her parents into marrying wealthy Ben Murillo (Bardson Bard). Ben turns out to be a sadistic wife-beater whose cruel excesses lead to the death of Sandy's baby. Fleeing this abusive environment, Sandy falls in love with handsome architect Ramon Worth (played by the "original" Harrison Ford). Her happiness proves short-lived when Ramon's former sweetheart Judith (Gloria Hope) arrives on the scene. Sadly, Sandy moves in with her cousin Isabel (Lillian Leighton) -- whereupon she promptly falls for Isabel's boyfriend Douglas Keith (Leslie Fenton). When Ramon finds out about this, he shoots Sandy and kills himself. To avoid scandal, Douglas valiantly takes responsibility for Ramon's death, but Sandy steps forward to exonerate him in court. ~ Hal Erickson, Rovi

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Starring:
Madge BellamyJoan Standing, (more)
 
1925  
 
Silent cowboy star Fred Thomson, a former army chaplain, played a variation on the Zorro legend in this well-mounted, fast-paced oater from FBO. A Yale graduate, Quemado (Thomson) returns to the border area where once his Spanish forebears reigned supreme. Hiding in the hills, he makes nightly raids on lawless border towns, protecting the weak settlers from ruthless usurpers such as Gretorix (Alan Roscoe). Promising proud Easterner Joanna Thatcher (Gloria Hope that she will someday learn to love him, Quemado watches from afar as the girl is engaged to Gretorix. On the couple's wedding-night, Quemado swoops down from his hill to carry the prospected bride off into the night, forcing her to admit that she does indeed love him. One of Tom Mix's few serious rivals, Thomson was married to prolific screenwriter Frances Marion. He died at the young age of 27 following a gall stone operation. ~ Hans J. Wollstein, Rovi

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Starring:
Fred Thomson
 
1924  
 
This melodrama was made nine or ten years before its release, and one has to wonder why it was released at all. In the first three decades of the 1900s, the art of film was growing by leaps and bounds, so both the production and the exaggerated acting were very dated by 1925. The subject matter -- whether African-Americans could function in white society -- was not a popular one. Nowadays, the plot would make any but the most hardcore racist cringe. Northerner Judge Lowell (Charles K. French) believes that Negroes are the equals of whites and sets out to prove it by hiring an octoroon (Jack Richardson) as his secretary (apparently, trying to bring in a full-blooded African-American was beyond the sensibilities of 1910s Caucasians). The secretary turns out to be a rotten human being -- he commits bigamy by secretly marrying the judge's daughter (Gloria Hope), and then kills the maid. Judge Lowell comes to regret his idea, and the octoroon pays for his dastardly deeds. ~ Janiss Garza, Rovi

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Starring:
Charles FrenchGloria Hope, (more)
 
1922  
 
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Mary Pickford had recently put out a couple of mediocre pictures and her latest, Little Lord Fauntleroy, wasn't an immediate hit with her audience (although it would gross over a million dollars -- an enormous sum in those days -- some fans initially voiced disappointment in the film). It was time for Pickford to pull out a sure thing, and a remake of 1914's Tess of the Storm Country made a lot of sense. Tessibel Skinner is the kind of character her audiences loved -- the ragged but spunky young girl who is willing to make a great sacrifice. And Pickford had been very disappointed with Edwin S. Porter's primitive direction in the earlier version. So she bought the rights to the 1909 Grace Miller White novel and went about making it the right way. The result was an enchanting, if overlong, film. Tess is the daughter of a squatter (Forrest Robinson), and the rich man (David Torrence) who owns the land is dying to get rid of them and the other squatter families. Tess is just as determined to make sure they all stay. The man's son, Frederick Graves (all-American leading man Lloyd Hughes), is on her side. When Frederick's sister Teola (Gloria Hope) becomes pregnant out of wedlock, Tess protects her by claiming the child as her own. She is ostracized and the infant is refused baptism, so Tess sneaks into the church and does her own ritual. Eventually the truth comes out, the elder Graves learns some humility, and all ends well. Tess was a big hit and wound up grossing almost as much as Little Lord Fauntleroy. It also changed the life of Lloyd Hughes and Gloria Hope -- they fell in love on the set and later married. ~ Janiss Garza, Rovi

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Starring:
Mary PickfordLloyd Hughes, (more)
 
1922  
 
In the ads for this comedy-drama, child-star Jackie Coogan looks almost exactly the same as he did in Charles Chaplin's The Kid. Here he's in an orphan asylum, desperately trying to keep his dog with him. Eventually he is adopted by a plumber (Wallace Beery) and his wife Gloria Hope). But this plumber isn't the lovable slob Beery later became in films like The Champ -- he's brutal and mean and neglects his work. Jackie, in fact, goes on a plumbing job in his adopted father's place and causes mayhem in the client's home. But instead of being angry, the woman gives the boy five dollars, which he takes home to his new mother. When the plumber takes the money from his wife and hits her, Jackie leaps into action and fights him. A policeman interferes and the plumber unleashes his wrath on him as well. The cop is saved only when Jackie drops a flower pot on the plumber's head. The plumber is arrested and sent to jail on Jackie's testimony, and the wife's parents come for her, taking the two of them off to a happier life on their farm.
~ Janiss Garza, Rovi

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Starring:
Wallace BeeryGloria Hope, (more)
 
1921  
 
In this adaptation of the Augustus Thomas stage play (he also wrote one called Arizona), the time frame has been updated to post-World War I. Frank Austin (Frank Mayo) shares a gold strike with Tom Doyle (Charles Newton), but gives it up to James Kincaid (Charles LeMoyne), his former commanding officer, in order to keep secret his misconduct in the service. Doyle, meanwhile, believes that Austin is having an affair with his wife (Lillian West), but the truth is he's really in love with their daughter, Kitty (Gloria Hope). Kincaid finally reveals that he has held Austin's honorable discharge papers the whole time, and Doyle discovers that Austin is interested in Kitty, not Mrs. Doyle. So Austin gets back his share of the mine, and the girl. This was the second time Universal Studios filmed this play; the first was in 1915, with Hobart Bosworth as Doyle. ~ Janiss Garza, Rovi

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Starring:
Frank MayoCharles Newton, (more)
 
1921  
 
Although this was a mediocre programmer at best, Jack Holt still manages to shine in an unsympathetic role. Actress Marie Lamont (Phoebe Hunt) has been living well due to a string of lovers and has kept her daughter, Dorothy (Gloria Hope) sequestered in a convent far, far away from her fast lifestyle. But when Dorothy leaves the convent to come live with her mother, Marie decides to reform. She gives up her fancy apartment and her latest lover, Harvey Martin (Holt), to concentrate on her daughter and her career, in that order. But Martin has fallen for Dorothy, and Dorothy cares for him too, even though she is already promised to a young artist, Geoffrey Hutchins (John Harron). Martin sees Dorothy secretly, but eventually Marie finds out and she begs him to stay away from her daughter. Martin, however, persists and finally Marie shoots him in the hand. The truth is that the worldly Martin really does love Dorothy. However, he acknowledges that the situation is wrong, and gives up Dorothy to Hutchins. ~ Janiss Garza, Rovi

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Starring:
Jack HoltGloria Hope, (more)
 
1921  
 
Sidney Franklin, formerly the principal director of the "Fox Kidlettes" series, works with grownups in the silent Courage. Sam DeGrasse plays a brooding Scotsman who spends 18 years in prison on a trumped-up murder charge. Only his wife Naomi Childers believes in DeGrasse's innocence. She nobly awaits her husband's return, ever seeking out the opportunity of exonerating him. Northern California proves an excellent substitute for the crags of Scotland in Courage, which was based on a short story by Andrew Soutar. ~ Hal Erickson, Rovi

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Starring:
Naomi ChildersSam de Grasse, (more)
 
1920  
 
Martha Ryerson (Evelyn Selbie) seeks refuge for herself and her stepdaughter, Ellen Daw (Pauline Starke), with the Cree family. Her brutal husband, Kip (Jack Curtis), comes looking for her and shoots Alderson Cree (Charles Edler). As he is dying, Cree makes his son David swear to avenge his death, but while the boy is off looking for help, he tells Martha to release him from his vow. Martha, however, wants to be rid of her husband and keeps quiet. Storekeeper George Hedrick (George Hernandez) leads a mob to force Ryerson out of town, and then they claim he is dead so that David will not have to do the deed himself. When David grows up (to be played by Bernard Durning), Ryerson returns. Although his fiancée Mary Reddin (Gloria Hope), has tried to talk him out of his pledge, his mother (Eugenie Besserer) insists that he keep it. Ryerson encounters David, but he falls to his death from a mountain trail without much effort on the young man's part. ~ Janiss Garza, Rovi

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1919  
 
In this Harry Carey/John Ford collaboration, Carey plays Texas Ranger Jim Kyneton. Jim's foster brother Nick (Vesta Pegg) has fallen in with a pack of bandits who rob a mine. For this particular Ranger, duty comes before family, and Jim arrests all of them, including Nick. But Roseen (Claire Anderson), a dance-hall girl, is angry because Jim spurned her, so she helps the varmints escape. Jim has to go round them up all over again, which he does -- except for Nick, who commits suicide by riding his horse off a cliff. His job finished, Jim returns to Betty (Gloria Hope), the girl he loved all along. ~ Janiss Garza, Rovi

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1919  
 
Bret Harte's story gets an unusual adaptation in the hands of director John Ford (in the days when he was known as Jack Ford) and western star Harry Carey. Carey takes a break from his usual "Harry Carey" role to play a man in love with a much younger woman (Gloria Hope). He is convinced however, that the much younger Billy Gentry (Cullen Landis) has a better chance at winning her. The older man picks up a copy of Harte's The Outcasts of Poker Flat and the story unfurls: Lonely gentleman gambler John Oakhurst (Carey) adopts a young boy, not knowing that when Tommy grows up (to be played by Landis) that they will be vying for the same girl (Hope again). After many adventures, John decides to sacrifice himself in order for the young people to be happy together. After Oakhurst's death, the film cuts back to the man finishing the last of the book. He puts it down with the comment (in titles), "The feller in the book was a durn fool," and goes to the girl he loves who, it turns out, was his all along. ~ Janiss Garza, Rovi

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1918  
 
When heroine Enid Bennett leaves the small rural community of her birth, she is the epitome of sweet innocence. When she returns home after four months in the Big City, she is something else again. The girl's newfound poise and sophistication throws the community into a tizzy; after all, anyone so "worldly" must also be terribly wicked, right? Well, they're wrong. The girl is just as virtuous now as she was "then," and she proves as much before the "End" title is flashed on the screen. The supporting cast of Naughty, Naughty included director Earle Rodney and stage soubrette Marjorie Bennett, who would still be playing character roles well into the 1960s. ~ Hal Erickson, Rovi

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1918  
 
Wealthy Henry Arlington (William Lloyd) despairs that his profligate nephew Dick (Franklin Farnum) will never amount to anything. At the end of his tether, Arlington announces that he will cut his nephew off without a cent -- but before he can make this decision legal, the old man is shot to death. Certain that he will be accused of the crime, Dick heads for the hills. During his flight, he saves the life of pretty Margaret Hammersley (Gloria Hope). Hero and heroine become engaged, but their wedding plans are scuttled when word gets out that there is a $5000 reward on Dick's head. Convincing Dick to stop running away from his troubles, Margaret transports him back to the scene of the murder, where together they expose the guilty party -- who turns out to be the same fellow who advised Dick to escape the law in the first place! ~ Hal Erickson, Rovi

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1918  
 
This war-time D.W. Griffith film was literally filler -- some of the footage was left over from around the time he shot Hearts of the World. According to reports of the day (the film apparently no longer exists), its modest story and simple approach was a comedown from the director's other, far more impressive work. When World War I breaks out, Jim Young (Robert Harron), of Youngstown goes to Canada to enlist. While training in Britain, he becomes fired up by observing the Dowager Queen and Lady Diana Manners contributing to the war effort (these were actual members of the British royalty and nobility, and were filmed in 1917). He also meets Susie Broadplains (Lillian Gish), a reverend's daughter, but their romance is interrupted by intrigue. Sir Roger Brighton (Henry B. Walthall), who has deserted a girl (Gloria Hope) and come to town, is being courted by a group of German spies. Sir Roger gets interested in Susie when she inherits some money, and this angers Jim, who leaves for the front. Susie naively marries Sir Roger, but when she finds out about his former sweetheart, she spurns him. The spies are to light the way for some planes to bomb an arsenal, but when the driver is captured, Mademoiselle Cointee (Rosemary Theby) is pressed into service. She can't drive, so she convinces Sir Roger to help her. Jim, who has returned, chases after them and smashes their searchlight. Then he uses his own and leads the German fleet to bomb an empty field. In disgrace, Sir Roger takes his own life, leaving Jim and Susie to reunite in the war cause. ~ Janiss Garza, Rovi

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