Michael Ealy

Academy Award nominee Will Smith reunites with the director and producers of The Pursuit of Happyness for this emotional drama concerning an IRS agent whose quest for redemption is unexpectedly complicated after he inadvertently falls in love. Ben Thomas is an IRS agent with a fateful secret. Assuming the identity of his younger brother, Ben sets out in search of redemption. Instead, Ben discovers true love while forever changing the lives of seven complete strangers. Woody Harrelson, Rosario Dawson, Michael Ealy, and Barry Pepper co-star. ~ Jason Buchanan, All Movie Guide

Originally telecast March 6, 2005, by ABC, this "Oprah Book Club" TV movie is adapted from Zora Neale Hurston's novel Their Eyes Were Watching God, a certified classic of African-American literature. Covering the first 30 years of the 20th century, the film is set in Eatonville, FL, a largely black community and the home of free-spirited Janie Crawford (Halle Berry). Forced into marriage with a much older and much wealthier man at age 16, Janie endures both this unhappy union and a second equally dismal marriage, trapped not only by the bonds of matrimony but also by the rigid patriarchal society of the period. Her only happiness is manifested in her ongoing illicit romance with a younger, none too reliable gent known as Tea Cake (Michael Ealy) -- much to the shock and dismay of her very proper neighbors. Devotees of the original novel expressed displeasure over the film's sketchy portrayal of the protagonist, a multidimensional character reduced to an impulsive hedonist for the purposes of the screenplay (though Halle Berry's towering performance more than compensates for the weaknesses of the scripts). More than that, the fans of the Hurston original bemoaned the loss of the novel's pronounced racial content, which harshly criticized the caste system within the Southern black community of the early 20th century, whereby a light-skinned woman was regarded as "superior," and thus more desirable, than her darker-skinned sisters. No one, however, could find fault with performance of the great Ruby Dee as Nanny, nor the film's lush production trappings. ~ Hal Erickson, All Movie Guide

Michael Ealy (Barbershop) stars as a young bipolar Brooklynite in Jellysmoke, the first feature from writer/director Mark Banning. When Jacob (Ealy) is found throwing rocks at the side of a building in Times Square, he is remanded to a psychiatric facility for treatment. Returning to his Brooklyn home following a successful stay, Jacob has clearly stabilized, but only with the help of a prescribed regimen of anti-depressants. At home, Jacob is met with varying degrees of denial by his mother (Angela Nirvana) and brother (Harvey Moore) -- the former handling him with kid gloves, the latter wanting to shake him. Jacob's devoted childhood friend Paul (Andre Royo) is his one true champion willing to stick by him despite his unpredictable nature. Jacob finds his new anesthetized routine more palatable when he meets Cindy (Opal Alladin), a single mother of a young boy, Joshua (Joshua Asante). Although Cindy is immediately attracted to Jacob, on their first date she comments that he seems sluggish. Having kept his diagnosis a secret, Jacob can't explain his behavior, so he stops taking his pills in the hopes that he'll become more alert and social. However, when he shows up in the middle of the night bearing gifts for Joshua, Cindy starts to sense that there's something not quite right about her new love interest. Jellysmoke received the Target Filmmaker Award for Best Narrative Feature at the 2005 Los Angeles Film Festival, and was nominated for an Independent Spirit Award for best feature made for under 500,000 dollars. ~ Derek Armstrong, All Movie Guide

Kevin Rodney Sullivan steps in to direct the urban comedy sequel Barbershop 2: Back in Business. The whole gang -- Eddie (Cedric the Entertainer), Jimmy James (Sean Patrick Thomas), Terri (Eve), Isaac (Troy Garity), Ricky (Michael Ealy), and Dinka (Leonard Earl Howze) -- are still there in the same old barbershop in the south side of Chicago. Owner Calvin Palmer (Ice Cube) tries to keep his family business alive in order to pass it on to his own son one day. However, the beloved neighborhood barber shop is threatened by a hair salon franchise called Nappy Cuts. This time around, the old friends are joined by Gina (Queen Latifah) from the beauty shop next door. ~ Andrea LeVasseur, All Movie Guide

From a script by first-time screenwriter Benjamin Brand, filmmaker Greg Harrison helmed this fantastical, psychological drama, the follow-up to his 2000 Independent Spirit-award nominated debut, Groove. Courteney Cox Arquette (TV's Friends) stars as Sophie Jacobs, a photographer who is stricken with feelings of guilt and sadness when her boyfriend is murdered during a robbery. Haunted by a belief that she could have somehow prevented the death, Sophie soon begins to see things that ought not be there and is forced to question the reality around her. Also starring James LeGros and Anne Archer, November had its premiere at the 2004 Sundance Film Festival. ~ Matthew Tobey, All Movie Guide

A cab driver is murdered, sending Briscoe (Jerry Orbach) and Green (Jesse L. Martin) on another clue-gathering expedition. The trail leads to a lost book, a brace of authors, and a onetime child prodigy. The story takes a bizarre twist when the suspect demands to be sentenced to death. And, oh, yes, also figuring in the proceedings is the former law school professor and mentor of ADA Serena Southerlyn (Elisabeth Rohm). ~ Hal Erickson, All Movie Guide

Told in reverse chronology, this episode details the 24 hours leading to the disastrous misdiagnosis that may spell the end of Kovac's (Goran Visnjic) medical career. The whole story stems from a Christmas party at the home of Dr. Susan Lewis (Sherry Stringfield), where an apparently inebriated Kovac makes a play for med student Erin Harkins (Leslie Bibb). Things come to a head in a car accident which leaves one passenger seriously injured and another with apparently irreversible brain damage. ~ Hal Erickson, All Movie Guide

A woman searching for the perfect man instead discovers the perfect woman in this romantic comedy. Jessica Stein (Jennifer Westfeldt) is a woman with a solid career as a copy editor, but her love life isn't much to write home about; she's been through a long series of disastrous first dates that refuse to evolve into second dates, and the well-intended advice of her best friend Joan (Jackie Hoffman) and former boyfriend Josh (Scott Cohen) isn't helping a bit. One day, Jessica is scanning personal ads in the newspaper with her friends, and she sees one with a quote from her favorite poet. Jessica reads on to discover that she has a lot in common with the person who placed the ad -- too much so, since it turns out the notice is from a woman, Helen Cooper (Heather Juergensen), who manages an art gallery. Jessica figures it would at least be nice to hang out with someone who shares her interests, and she gives Helen a call. Jessica and Helen quickly strike up a close friendship that evolves into something more intimate, though neither of them has ever been involved with another woman ... and Helen is a bit more avid about her new romantic horizons than Jessica. As their relationship progresses, Jessica finds herself struggling with her feelings about her new sexual outlook, and she isn't sure how to break the news about her relationship to her mother (Tovah Feldshuh) as she tries to decide if she should bring Helen along to her brother's wedding. Kissing Jessica Stein was based on the off-Broadway play Lipschtick, which was written by Jennifer Westfeldt and Heather Juergensen, who starred in the original stage production as well as this film adaptation; the film won both the Critics' Special Jury Award and the Audience Award at the 2001 Los Angeles Film Festival. ~ Mark Deming, All Movie Guide

The then-current efforts to impeach President Bill Clinton were clearly the inspiration of this episode, the first in a two-part story. A Baltimore official is murdered in New York's Battery Park, compelling the NYPD's Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) to work side by side with Baltimore homicide cops John Munch (Richard Belzer) and Rene Sheppard (Michael Michele). It turns out that the victim was killed on Munch and Sheppard's home turf before being dumped in Briscoe and Curtis' backyard. The ensuing investigation involves a high-level Washington cover-up, a lesbian romance, and an FBI-protected witness, culminating in a clash between ADA Jack McCoy (Sam Waterston) and duplicitous Independent Counsel William Dell (George Hearn, who, coincidentally, bears a strong physical resemblance to the redoubtable Kenneth Starr). This two-parter was Law & Order's third and final crossover with the NBC crime drama Homicide: Life on the Street; the conclusion originally aired as an installment of Homicide February 19, 1999. ~ Hal Erickson, All Movie Guide