Frances Hyland Movies

In this musical comedy, a gang of con artists swindle a group of naive, starstruck investors into backing a dreadful musical that has no hope of succeeding. This garners the crooks a nice chunk of change until one of the investors dies and his lovely, canny executor insures that the show will become a smash. Songs include: "That's My Girl," "The Music in My Heart Is You," "Take It Away" (Jack Elliott), "For You and Me," "Sentimental," "Hitchhike to Happiness" (Kim Gannon, Walter Kent), and "720 in the Books" (Jan Savitt). ~ Sandra Brennan, All Movie Guide

Most of this Republic B-plus mystery yarn is set in a penthouse, next door to a music hall where a strange song-and-dance extravaganza is being staged. This production incorporates several ice-skating sequences--a good excuse as any for the presence of leading lady Vera Hruba Ralston, Republic's answer to Sonja Henie. Ralston and orchestra leader William Marshall come across the body of producer Edward Norris. Almost everyone in the cast is placed under suspicion, since Norris was a cad and blackmailer. The surprise killer is (as usual) not that much of a surprise, though the scenarists keep us going with some last-minute red herrings. Murder in the Music Hall was reissued in a shortened version titled Midnight Melody in 1951. ~ Hal Erickson, All Movie Guide

Mabel Paige, one of Hollywood's most beloved character actresses, was given her one-and-only starring role in this Republic Pictures tearjerker. Paige plays a wealthy old lady embittered by the long-ago disappearance of her son. She lives alone in a downtown hotel, with only the occasional company of her faithful chauffeur (Harry Shannon). When a group of college boys move into the hotel, Mabel befriends the most troublesome of the bunch (John Craven) because she believes he's her grandson. Her harsh attitude toward the world softened by Craven's presence, Paige dies happy, still under the impression that the boy is her own flesh and blood. Based on a story by Ben Ames Williams, it was remade in 1957 as Johnny Trouble, starring Ethel Barrymore in her final screen role. ~ Hal Erickson, All Movie Guide

With its slight resemblance to Destry Rides Again (1939) -- probably not entirely coincidental -- this rousing Western from Republic Pictures remains a joy throughout. John Wayne plays Tom Craig, a mild-mannered druggist from Boston who opens a shop in wild and woolly Sacramento shortly before the Gold Rush. The town is "owned" by the Dawson brothers, Britt (Albert Dekker) and Joe (Dick Purcell), who poison Craig's tonic when saloon hostess Lacey Miller (Binnie Barnes) takes too much of an interest in the handsome newcomer. Town drunk Whitey (Emmett Lynn) has one drink too many, and all of Sacramento is soon in a lynching mood. The news of "gold in them thar hills" saves the druggist in the nick of time, but his business is destroyed. While everyone is heading for the gold fields, Craig prepares to leave town with snobbish debutante Ellen Sanford (Helen Parrish), whom he intends to marry. News of typhoid fever among the prospectors changes his mind, however, and the man once referred to as "a human hitchin' post instead of a two-legged man," risks his own life to save the suffering populace. The Dawson brothers, meanwhile, plan to hijack the medical supplies and sell them to the highest bidder, but when Britt Dawson learns that Lacey is helping the sick and may be stricken with the disease herself, he has a change of heart and eventually confesses to spiking Craig's medicine. Cast against type for most of the film, John Wayne fails to make his amiable druggist entirely believable but remains simply John Wayne throughout -- which is as it should be. Binnie Barnes is rowdy and fun whether leading a chorus of "California Joe" by Johnny Marvin and Fred Rose, or jealously interrupting a tête-à-tête between Wayne and 19-year-old Helen Parrish. Usually cast as glacial "other women" in Hollywood films, the British-born Barnes had actually begun her professional career touring Europe and South Africa with bucolic American headliner Tex McLeod, which was as good a preparation as any to play In Old California's saloon belle. Patsy Kelly, who shoots down her laundry with a Winchester, and Edgar Kennedy, as Wayne's tooth-ache plagued sidekick, add to the general fun. ~ Hans J. Wollstein, All Movie Guide

Free, Blonde and 21 was one of a handful of films directed by former leading man Ricardo Cortez. Two of 20th Century-Fox's busiest leading ladies, Mary Beth Hughes and Lynn Bari, head the cast of this soap opera-style yarn about life in a hotel catering to women. Hughes plays Jerry, a duplicitious wench who gets involved with gangsters ends up behind bars, while Bari plays Carol, an honest lass who is rewarded at fadeout time with a happy marriage to millionaire Dr. Mayberry (Henry Wilcoxon). Joan Davis injects a few moments of hilarity as the hotel chambermaid, while Alan Baxter is his usual steely-eyed self as a stickup man. For its original New York run, Free, Blonde and 21 was paired with Fox's The Grapes of Wrath, leading several reviewers to note that both films would have been better off with a single-feature presentation. ~ Hal Erickson, All Movie Guide

In this lively boxing comedy, Steve Bishop is a cowboy who works a waiter in an Italian restaurant. He agrees to participate in a prizefight for charity. He has a lucky punch and knocks out his famous opponent. This leads him to become a famous and wealthy prizefighter. What he doesn't know is that gamblers have fixed all of his fights. Thinking he is indeed a champion, the fighter soon acquires an ego to match his reputation. This inspires the ire of female sportswriter Julie Harrison. She really likes him, but decides to teach him a humbling lesson before things get too out of hand. ~ Sandra Brennan, All Movie Guide

The Jones Family is at it again in Everybody's Baby, their first 1939 release (previewed in 1938). This time, the Joneses' lives are turned inside-out by the arrival in town of Dr. Pilicoff (Reginald Denny), a famous child-rearing expert. In attempting to put Pilicoff's theories into practice, the townsfolk begin to quarrel over the proper way to raise their children. The limit comes when Herbert Thompson (Russell Gleason), husband of the eldest Jones daughter Bonnie (Shirley Deane), tries to rescue his own baby from the well-intentioned but idiotic ministrations of Pilicoff's disciples-whereupon poor Herbert is arrested for kidnapping. Everything is straightened out when Pa Jones (Jed Prouty) and his pals discover that Pilicoff is a phony, leading to a most satisfying retribution. ~ Hal Erickson, All Movie Guide

While New York Sleeps is when fast-talking reporter Barney Callahan (Michael Whalen) prowls the night beat for a great metropolitan newspaper. At present, Callahan is trying to find out who's responsible for a series of baffling murders. The victims were all bond carriers, and the cops have already targeted the most likely suspects. With the help of photographer Snapper Doolan (Chick Chandler), Callahan bypasses the Obvious and goes after the least likely suspect-who, of course, is the guilty party. When not on the job, Callahan relaxes by romancing long-legged showgirl Judy King (Jean Rogers), as good an excuse as any for an extended nightclub musical number. ~ Hal Erickson, All Movie Guide

In this sunny western, a mischievous young girl living in the Arizona territory during the 1870s, causes all kinds of trouble while trying to prove that her foster-daddy did not steal a gold shipment. Later, the step-dad, a former outlaw, re-gathers his gang to find the real culprit -- a shady sheriff. ~ Sandra Brennan, All Movie Guide

In this drama, a woman is betrothed to a district attorney. When a man is falsely convicted of murder and condemned to death, the woman postpones her wedding to prove him innocent. She enlists the help of a former gangster and eventually succeeds in saving the innocent man's life. ~ Sandra Brennan, All Movie Guide

The 45 Fathers of the title are the elderly members of the Gun and Spear Club, all of whom jointly adopt mischievous orphan girl Judith Frazier (Jane Withers) and her pet monkey. Our heroine wastes no time patching up the various family problems of her new "daddies." Of utmost priority are the travails of Roger Farragut (Thomas Beck), the nephew of old codger Bunny Carrothers (Richard Carle). With Judith's help, Roger is able to straighten out his romantic difficulties with Judith's big sister Elizabeth (Louise Henry). Featured in the cast of 45 Fathers is the popular Broadway song-and-dance team of Paul and Grace Hartman, who perform a ventriloquist routine with the multitalented Jane Withers (Hartman would later play "fixit man" Emmett on TV's The Andy Griffith Show). ~ Hal Erickson, All Movie Guide

Otto Preminger was able to make his directorial debut on Under Your Spell solely because Darryl Zanuck couldn't care less about the film's quality; it was a contractual obligation film for Lawrence Tibbett, who was proving a washout as a film star. In Spell, Tibbett plays Anthony Allen, a world famous singer who has grown tired of the trials that come with celebrity. Seeking to avoid the spotlight, ceaseless publicity and determined fans, Allen enlists the aid of his butler in secretly escaping to a ranch in Mexico. Allen's manager (Gregory Ratoff) is understandably upset with his client's behavior and so sets in motion a scheme of his own. He contacts celebrity-hunting heiress Cynthia Drexel (Wendy Barrie) and lets her know where to find the reluctant star. Drexel quickly hunts down her prey and sticks to him like glue. Although Allen initially is exasperated with her, he soon finds himself attracted to her. In addition to arias from The Marriage of Figaro and Faust, Tibbert performs Arthur Schwartz and Howard Dietz's "Amigo," "My Little Mule Wagon" and the title song. ~ Craig Butler, All Movie Guide