Fred Hoose Movies

Judy Canova continues to bring home the box-office bacon for Republic Pictures in Oklahoma Annie. Judy plays Judy, Queen of the Cowgirls, a backwoods shopkeeper who falls in love with new sheriff Dan Fraser (John Russell). In order to stay in close proximity with the handsome lawkeeper, Judy performs an act of courage which earns her a deputy's badge. Working together, Judy and Dan do their best to rid their community of corrupt politicians, beginning with their assault on a local gambling den. When Dan is kidnapped by the bad guys, Judy rallies all the womenfolk in town and heads to the rescue. Even nonfans of Judy Canova will enjoy this rambunctious musical comedy, with the star functioning full-force on all eight cylinders. ~ Hal Erickson, Rovi

Of the many attempts by Republic Pictures' CEO Herbert J. Yates to turn his lady friend Vera Ralston into a star, Surrender is one of the better efforts. Ralston plays a conscienceless "femme fatale" who works out a complex scheme to secure her financial comfort. The plan, enacted in a western border town, involves bigamy, betrayal, and ultimately murder. She plays one man against another all too well; in the end Vera's perfidy backfires, and she falls victim to her own machinations. Vera Ralston tries hard indeed but the audience can sense that she is basically too nice to be making such mean faces. ~ Hal Erickson, Rovi

Cole Porter's Broadway musical Mexican Hayride was optioned by Universal in the mid-1940s, then remained in "development hell" until 1948. By the time the property made it to the screen, the entire Porter score had been removed, and the play's original star Bobby Clark was replaced by Bud Abbott and Lou Costello. The story takes place South of the Border, where American fugitive from justice Joe Bascom (Costello) searches for con man Harry Lambert (Abbott), for whom Bascom had been a fall guy. Also in Mexico is Joe's hometown-sweetheart Mary (Virginia Grey), now known as Montana, the country's foremost female bullfighter. Joe catches up with Harry at the bull arena, where Montana is about to choose the "Amigo Americano" in a publicity scheme cooked up by Harry. When she spots Joe in the crowd, Montana (angry at our tubby hero for bilking her out of her life savings -- it was actually Harry's doing), furiously throws her hat at him. When Joe catches the hat, he's elected Amigo Americano and extended every hospitality that Mexico can afford. Sensing yet another opportunity to make a dishonest dollar, Harry exploits Joe's newfound celebrity to promote a phony gold-mining scheme. The gorgeous Dagmar (Luba Malina), Harry's partner in crime, romances Joe to secure his cooperation. Somehow all of this ends up back in the bull ring, with poor Joe facing a very belligerent "el toro." A bit too plot-heavy for Abbott & Costello, Mexican Hayride still has several choice moments, including a priceless verbal exchange involving gold ore ("gold or what?") and a "Mother Lode." ~ Hal Erickson, Rovi

Having worked as a duo in the first three entries of Monogram's low-budget "Trail Blazers" series, veteran Western stars Ken Maynard and Hoot Gibson were joined by Bob Steele in the fourth, Death Valley Rangers -- reportedly much to Maynard's dismay. Although not much younger than his august partners, Steele was still nimble enough to take care of the more strenuous fisticuffs and he was even somewhat believable in romantic clinches -- as opposed to his co-stars, whose ever expanding waistlines did not allow for tender scenes. This time, "The Trail Blazers," government agents, investigate a series of gold shipment thefts in Death Valley committed by a gang headed by Jim Kirk (Weldon Heyburn, whose name was misspelled "Hayburn" in the on-screen credits!). Kirk has hired a crooked scientist, Doc Thorne (Karl Hackett), who has discovered a method to pour the stolen gold back into the rock, where it will be indistinguishable from virgin ore. Steele infiltrates the gang and with the help of his partners, Death Valley is soon safe from Kirk and his gang. Like most of the "Trail Blazers" Westerns, Death Valley Rangers was filmed at Corriganville, actor Ray "Crash" Corrigan's movie ranch in Simi Valley, California. ~ Hans J. Wollstein, Rovi

The second entry in Monogram's low-budget "Trail Blazers" B-Western series, The Law Rides Again marked the final directorial effort of Alan J. Neitz (alias Alan James), a veteran genre specialist whose career dated back to 1916. Aging lawmen Ken Maynard and Hoot Gibson are this time assigned to determine why an Indian tribe is breaking their treaty with the United States government. Aligning themselves with a notorious criminal (Jack LaRue), Ken and Hoot discover that the tribe is being cheated out of their government sanctioned cattle by a crooked Indian agent (Kenneth Harlan) and his Indian co-cohort (Chief Many Treatise. Filmed on the cheap at Corriganville, actor Ray "Crash" Corrigan's movie ranch in Simi Valley, California, The Law Rides Again's only novelty was stunt-rider Betty Miles) playing a female stage driver. Chief Thundercloud, here playing the Indian chief, would later replace the increasingly difficult Ken Maynard in the final two "Trail Blazers" entries, Outlaw Trail and Sonora Stagecoach (both 1944). ~ Hans J. Wollstein, Rovi

After several years of mediocre westerns, cowboy star Tom Keene finally managed to find a winning formula in his 1941-42 vehicles for Monogram. Lone Star Law Men stars Keene as a deputy US marshal, sworn to help his boss rout a gang of border outlaws. Our hero elects to go undercover by joining the crooks himself-an old ploy, but one that works beautifully here. For the rest of the film, Keene has quite a time staying on camera with such formidable scene-stealers as comic sidekick Frank Yaconelli and all-around heavy Charles King as competition. Like many Tom Keene oaters of the period, Lone Star Law Men gives over a goodly amount of screen time to moppet Sugar Dawn, whom Monogram was obviously grooming for bigger things (which never materialized). ~ Hal Erickson, Rovi

Stuntman extraordinaire David Sharpe is the human star of the adventure quickie Silver Stallion. The bulk of the story, however, is carried by the title horse, who is forced to defend himself and his turf against the villainous Black Stallion (played by Black Jack). Silver Stallion's best friend turns out to be a police dog named Captain Boots. Meanwhile, aspiring horse-thief Davey (Sharpe) is dissuaded from his intention to pilfer the Silver Stallion by the love of a good woman named Jan. The ingenue role is filled by radio actress Janet Waldo, who was still active in the 1990s as the voice of cartoon heroine Judy Jetson. ~ Hal Erickson, Rovi

In this western, a rancher's son rides out for revenge against the rustlers who killed his father. The pursuit stretches between Montana to Arizona and it becomes more difficult because though the son knows the killer's name, he has never seen his face. Fortunately, the killer doesn't know what the son looks like either. Eventually the two come face to face, but neither recognizes the other until the story's end. ~ Sandra Brennan, Rovi

In this western, the good-guy battles his bad-guy double and his band of outlaws to protect a purty gal's ranch. ~ Sandra Brennan, Rovi

Frank Capra's classic comedy-drama established James Stewart as a lead actor in one of his finest (and most archetypal) roles. The film opens as a succession of reporters shout into telephones announcing the death of Senator Samuel Foley. Senator Joseph Paine (Claude Rains), the state's senior senator, puts in a call to Governor Hubert "Happy" Hopper (Guy Kibbee) reporting the news. Hopper then calls powerful media magnate Jim Taylor (Edward Arnold), who controls the state -- along with the lawmakers. Taylor orders Hopper to appoint an interim senator to fill out Foley's term; Taylor has proposed a pork barrel bill to finance an unneeded dam at Willet Creek, so he warns Hopper he wants a senator who "can't ask any questions or talk out of turn." After having a number of his appointees rejected, at the suggestion of his children Hopper nominates local hero Jefferson Smith (James Stewart), leader of the state's Boy Rangers group. Smith is an innocent, wide-eyed idealist who quotes Jefferson and Lincoln and idolizes Paine, who had known his crusading editor father. In Washington, after a humiliating introduction to the press corps, Smith threatens to resign, but Paine encourages him to stay and work on a bill for a national boy's camp. With the help of his cynical secretary Clarissa Sanders (Jean Arthur), Smith prepares to introduce his boy's camp bill to the Senate. But when he proposes to build the camp on the Willets Creek site, Taylor and Paine force him to drop the measure. Smith discovers Taylor and Paine want the Willets Creek site for graft and he attempts to expose them, but Paine deflects Smith's charges by accusing Smith of stealing money from the boy rangers. Defeated, Smith is ready to depart Washington, but Saunders, whose patriotic zeal has been renewed by Smith, exhorts him to stay and fight. Smith returns to the Senate chamber and, while Taylor musters the media forces in his state to destroy him, Smith engages in a climactic filibuster to speak his piece: "I've got a few things I want to say to this body. I tried to say them once before and I got stopped colder than a mackerel. Well, I'd like to get them said this time, sir. And as a matter of fact, I'm not gonna leave this body until I do get them said." ~ Paul Brenner, Rovi