Tim Holt Movies

Charles Boyer and Margaret Sullavan star in this adaptation of Fannie Hurst's tearjerking novel about a woman who chooses to stand beside a man who cannot marry her. Rae (Margaret Sullavan) is a woman from Ohio who meets a dashing gentleman from out of town, Walter (Charles Boyer). They soon fall for each other, but he's due to leave town shortly. As he's about to leave, he calls her from the ship with a question: there's a minister on board who can marry them. Will she join him? As she dashes to the docks, she meets an old flame, and the delay causes her to miss the boat. Five years later, Rae is in New York City and unexpectedly runs into Walter; assuming that she left him behind intentionally, he married another woman. When he realizes that she still loves him, they begin an affair. Rae is content to live her life as "the other woman" until Walter travels to Europe and neglects to call her when he returns; convinced that their romance is over, Rae goes back to Ohio and agrees to marry Curt (Richard Carlson), who loved her long ago. When Walter discovers that Rae has gone back home, he races to Ohio to reclaim her hand. This was the second film version of Back Street, following a 1932 adaptation starring Irene Dunne and John Boles and preceding a 1961 remake with Susan Hayward and John Gavin. ~ Mark Deming, Rovi

For a Tim Holt western, Border Treasure is surprisingly light on action scenes. The plot is the main consideration, as Ed Porter (Holt) and his saddle pal Chito Rafferty (Richard Martin) set about collecting money for an earthquake relief fund. The donations are stolen by the villains, whereupon Porter and Rafferty take chase. They nearly ride into an ambush, but are saved by Stella (Jane Nigh), the repentant girlfriend of one of the outlaws. Before the film's six reels have run their course, Our Heroes find themselves being accused of the robbery. Tim Holt fans won't believe that for a minute! ~ Hal Erickson, Rovi

A remake of the 1933 RKO western of the same name, Come on, Danger! stars Tim Holt in the role originally essayed by Tom Keene. Holt goes after a gang of rustlers, commandeered by an attractive young woman (Julie Haydon in the original, Frances Neal in the remake). The girl has been accused of murder, but the actual culprit is the miscreant who drove the girl into a life of crime in the first place. Leading lady Frances Neal displayed an embryonic star quality in this film, but she retired shortly afterward to marry Van Heflin. Come on Danger was a bit longer than the 1933 version, principally because of the three songs warbled by supporting actor Ray Whitley. ~ Hal Erickson, Rovi

Director Leslie Selander pulls out all the stops in this the last of RKO's Tim Holt Westerns. A wounded parolee, Carver (Walter Reed), hires stagecoach operators Tim and Chito (Richard Martin) to drive him to Mexico. En route, they encounter Emily (Joan Dixon), the local schoolmarm, who recognizes Carver as the man who embezzled 100,000 dollars from her father, a banker who chose suicide rather than face disgrace. But there are plenty others aware of Carver's secret, including his unscrupulous lawyer, Bronson (John Dehner); his greedy girlfriend, Roxie (Dorothy Patrick); and Roxie's newest beau, Dave Warwick (Clayton Moore). Soon everyone is holed up in a deserted roadhouse -- whose owner, Burley (Michael Mark), has mysteriously disappeared. ~ Hans J. Wollstein, Rovi

Tim Holt and Richard Martin, RKO's resident western good guys, are back in Dynamite Pass. Usually cast as cowpunchers, Holt and Martin are construction workers Ross and Chito this time out. Someone is trying to prevent honest road builder Dan (Regis Toomey) from completing his job, and that someone is his unscrupulous rival Thurber (John Dehner), the owner of a profitable toll road. Had Thurber waited a few years, he could have found a job on the Pennsylvania turnpike. As it stands, however, Ross and Chito must stop Thurber before he destroys the road project permanently. Dynamite Pass is distinguished by better-than-usual performances from all concerned. ~ Hal Erickson, Rovi

The first of Tim Holt's 1943 quota of RKO westerns was Fighting Frontier. This time, Holt appears to be cast as a double-dyed villain. Actually, it's all a ruse, cooked up by the Governor to find out the identity of a clever bandit chieftan. It wouldn't be fair to reveal the name of the bad guy, but it's safe enough to report that Ann Summers is the heroine and Cliff "Ukelele Ike" Edwards provides comedy relief. Amidst the shooting and fisticuffs, music fans are treated to two songs, "On the Outlaw Trail" and "The Edwards and the Drews", the latter performed with relish by Cliff Edwards. ~ Hal Erickson, Rovi

Tim Holt stars in Gun Smugglers, stretching his range by playing a character named Tim Holt. Our Hero, once again teamed with wisecracking Chico Rafferty (Richard Martin), is working on behalf of the government. His quarry: A gang of mercenary criminals who steal weapons from the US Army, then sell their contraband to sinister Enemy Agents (most of whom wear baggy suits and drink vodka). There's a surprise in store for Holt when he puts his trust in a small boy (Gary Gray), who turns out to be a member of the gang! Tim Holt's leading lady in Gun Smugglers is the up and coming Martha Hyer, in her sixth film. ~ Hal Erickson, Rovi

Filmed at majestic Lone Pine, CA, this fine B-Western features Tim Holt and sidekick Richard Martin helping an elderly miner, Jason Robards Sr., with an obstinate wagon-wheel. But the two friends become instant suspects when the miner is found murdered for the map to his claim. Although she is attracted to Tim, even the dead man's pretty niece (Nan Leslie) believes in his guilt. But by using a bit of subterfuge, Holt and Martin break out of jail and are soon able to unmask the real culprits. It should come as no surprise that Holt and leading lady Nan Leslie look comfortable together; Guns of Hate was the third of six Westerns they would make together. ~ Hans J. Wollstein, Rovi

This modestly produced film version of Gregor Ziemmer's book Education for Death surprised everyone at RKO--and in the film industry--by becoming one the biggest hits of 1943. The "children" invoked in the title are borne on behalf of Adolf Hitler; according to the film, it is standard operating procedure in Nazi Germany for young girls to willingly submit to being impregnated by Aryan men (with or without the benefit of clergy) in order to sustain the "Master Race." Those who refuse are ticketed for sterilization, or worse. One of the holdouts is Bonita Granville, a German girl raised and educated in America whose taste of democracy has made her utterly resistant to Nazism. In the film's key scene, the near-naked Bonita is publicly flogged for her defiance, whereupon Bonita's lover, "good Nazi" Tim Holt, suddenly has an awakening of conscience and stops the whipping. This act of courage results in the executions of both Holt and Granville, but they willingly go to their deaths rather than accede to Hitler's demands. It is true enough that many people flocked to see Hitler's Children because of the sensational, censor-provoking aspects of the film, but equal numbers of filmgoers and critics also recognized the above-average artistic contributions of director Edward Dmytryk and scriptwriter Emmet Lavery (both of whom received substantial cash bonuses for their work on this film). Hitler's Children was the second biggest moneymaker of RKO's 1943-44 season, only slightly behind the Cary Grant vehicle Mr. Lucky. ~ Hal Erickson, Rovi

An undying love is chronicled in this "women's picture." The sweeping tale begins in a quiet New England village during the late '20s. There an introverted young man and a restless young woman (Henry Fonda and Joan Bennett) are happily in love until a dashing, sophisticated fellow (Alan Marshall) comes to town and sweeps her away to the exotic City of Light. There the two find a charming Parisian loft and live in unwedded bliss with their baby daughter. Unfortunately, the sophisticate turns out to be a lush and dies of alcoholism within ten years. Alone, Bennett returns to her hometown only to find that the townsfolk are still angry with her for breaking Fonda's heart. They are also appalled that she be so wanton as to bear a child out of wedlock. While she was gone, Fonda became a professor of biology and has worked at the local university for many years. Having been once burned, he made a solemn vow to remain forever single so when he sees her again, he pretends he is no longer interested. At the same time, he also tries to discourage the unwanted attentions of a determined young coed from romantically pursuing him. So, will Bennett and Fonda overcome their many obstacles and reunite for a happy ending? Of course, but how they do it will not be revealed here. ~ Sandra Brennan, Rovi

1940's Laddie was the third cinemadaptation of the heartwarming story by Gene Stratton-Porter (the second version, filmed in 1935, was directed by no less than George Stevens). Tim Holt plays the title character, a good-natured Indiana farmer who falls in love with immigrant English girl Pamela (Virginia Gilmore). Though Pamela's irascible father (Miles Mander) intensely dislikes Laddie and his parents, hero and heroine manage to keep romance alive with the help of Laddie's hero-worshipping kid sister (Joan Carroll). Featured in the cast is 16-year-old Joan Brodel, who shortly afterward achieved stardom under the stage name of Joan Leslie. Even further down the cast list is an angular young British actor named Peter Cushing! ~ Hal Erickson, Rovi

Western star Tim Holt and director Lesley Selander continued their collaboration with Law of the Badlands. Holt and his cohort Chico Rafferty (Richard Martin) are lawmen who pose as desperadoes. The plan is to infiltrate a vicious gang of counterfeiters who've been flooding the frontier with funny money. But when Holt's former girl friend Joan Dixon shows up in town, the jig is up. Law of the Badlands was the least expensive Tim Holt western since the mid-1940s, but thanks to postwar inflation the film lost money--as did most of Holt's subsequent RKO B pictures. ~ Hal Erickson, Rovi