Claude Bailey Movies

Fans of British film star Anna Neagle had a field day with her bravura Technicolor vehicle Elizabeth of Ladymead--though not enough fans showed up back in 1948 to make the film a success. Neagle portrays four different characters from four different historical periods, each named Elizabeth. The first, Beth, lives in 1854 London, as the Crimean War rages thousands of miles away. The second, Elizabeth, lives in 1903, just after the Boer war. The third, Betty, is a girl of 1919, the year after World War I. And the fourth, Liz, is a contemporary lass of post-World War II London. We watch as each of the four Elizabeths emerges as a woman of independence while the menfolk are off to war. Whenever the film becomes too repetitious, Elizabeth of Ladymead scores on the charm of Anna Neagle and her attractive deportment while wearing period costumes. ~ Hal Erickson, Rovi

Margaret Lockwood is cast against type as a "black widow" in the British Bedelia. Wealthy but naïve Charlie Carrington (Ian Hunter) is swept off his feet by the beauteous Bedelia (Lockwood), whose three previous husbands, also wealthy, have died ostensibly of natural causes. While on their honeymoon, the Carringtons are pestered by a young artist named Ben Chaney (Barry K. Barnes), who seems to be falling in love with Bedelia. No matter where they go, the Carringtons are pestered by the persistent Ben. On the verge of tossing the interloper out, Charlie reconsiders-and a good thing, too, since Bedelia has been planning all along to poison him at the first opportunity. In the film's operatic climax, Bedelia discovers that this time she has been set up for a fall! Bedelia is based on a novel by Vera Caspary, of Laura fame. ~ Hal Erickson, Rovi

Don't Take It to Heart is an amiable entry in the 1940s cycle of "ghost comedies". A British castle is rocked by a German bombing raid, releasing a jaunty wraith (Richard Greene) from his house-haunting job. As long as he's got the run of the castle, the ghost decides to take a hand in the romance between mistress-of-the-house Patricia Medina and young researcher Richard Bird. Also in line for ghostly visitation is the nasty landlord who holds the local townsfolk in his avaricious clutches. Don't Take It to Heart received almost uniformly good reviews from the British press, which during wartime was often resistant to comedy films. ~ Hal Erickson, Rovi

In this British wartime comedy, a Mayor will do anything to save the Olympic Theater from further damage by the war. He decides to buy the rights to an alcoholic writer's newest play. He manages to evade the bill collectors and stage the show. Unfortunately he is unable to avoid the angered students of a dramatic academy that he cheated. They show up to destroy the show. ~ Sandra Brennan, Rovi

That ubiquitous British character actor Frederick Leister essayed one of his largest and most rewarding screen roles in The Hundred Pound Window. Leister plays Ernest Draper, a mild-mannered race-track auditor who has spent his entire life playing it safe financially. All of this changes dramatically when Draper is put in charge of the track's "Hundred Pound Window", where the highest wagers are registered and the clientele consists of the Rich and Famous-and not a few crooked gamblers. A subplot involving a gang of black marketeers is handled by up-and-coming romantic lead David Farrar as Scotland Yard inspector George Graham. Filmed by England's Teddington Studios, The Hundred Pound Window was released stateside by Teddington's Hollywood "sister studio" Warner Bros. ~ Hal Erickson, Rovi

Bob Randall (Richard Greene) is a reporter who gets to witness first-hand the British retreat from Dunkirk in May of 1940. He returns to his job in a London now facing nightly German bombing raids, and finds himself saddled with Carol Bennett (Valerie Hobson), a neophyte reporter. Bob is eager to take on the Nazis and, in the absence of any on the ground that he can fight, he turns to the leaders of a pacifist movement, The People for Peace. But no sooner does he start to look into who they are than he finds himself being shadowed by mysterious men and stirring up a hornet's nest of activity in his wake. While Carol tries to keep up and do her bit, and Bob tries to look out for her and find out just what he's stepped into -- which soon involves kidnappings and murder -- the German bombers keep coming and the newspaper's survival is threatened. Bob and Carol are drawn together romantically in the midst of these overlapping crises, and manage to find some time for each other while helping their long-suffering editor (Brefni O'Rorke) save the newspaper and the British secret service save the country. ~ Bruce Eder, Rovi

In this horror movie, a psycho professor experiments on resuscitating the dead. One night a prowler comes to rob his house. The professor's butler, an ex-con, kills the burglar and brings the corpse to his master. Unfortunately, something goes wrong during the experiment and the professor dies. ~ Sandra Brennan, Rovi