Charles Bailey Movies

The made-for-television See How She Runs is the story of a 40-year-old divorced teacher (Joanne Woodward) whose life is changed by her decision to enter the Boston Marathon. Woodward won an Emmy for her performance, while her daughter Lissy Newman made her acting debut in the film. ~ Stephen Thomas Erlewine, All Movie Guide

The McCarthy-era "witch hunts" in the entertainment industry set the stage for this comedy drama set in the 1950s. Howard Prince (Woody Allen) is a cashier at a corner bar who works as a small-time bookie on the side, with little success. One day, Howard's old friend Alfred Miller (Michael Murphy), a successful television writer, makes a business proposal to him; Alfred's leftist political views have resulted in him being blacklisted from the major television networks, and he can no longer get work. Alfred asks Howard to act as a "front" -- Howard puts his name on Alfred's scripts, sells them, and takes a cut of the payment for his trouble. Howard's new career as a "writer" is an instant success, and soon Howard is fronting for a handful of blacklisted scribes while earning a healthy income and becoming the toast of the television industry; another fringe benefit is a romance with beautiful network employee Florence Barrett (Andrea Marcovicci). However, comic Hecky Brown (Zero Mostel), who had a brief fling with socialism years before, now finds his past catching up with him, and he's told in order to save his job as host of a weekly television show, he has to get the goods on some suspicious figures, among them Howard Prince, whose background looks a little too clean for comfort. The Front was written by Walter Bernstein, who was himself blacklisted during the 1950s, as were co-stars Zero Mostel, Herschel Bernardi, and Lloyd Gough. ~ Mark Deming, All Movie Guide

Adapted by Waldo Salt and Norman Wexler from Peter Maas's book, Sidney Lumet's drama portrays the real-life struggle of an honest New York City cop against a corrupt system. Neophyte officer Frank Serpico (Al Pacino) is determined not to let his job get in the way of his individuality. Despite his colleagues' leery reactions, he keeps one foot firmly planted in the counterculture, sporting a beard and love beads and living in bohemian Greenwich Village, while he performs his police duties with dispatch. Serpico's peers genuinely ostracize him, however, when he refuses to take bribes like everybody else. Appalled by the extent of police corruption, Serpico goes to his superiors, but when he discovers that they have ignored his charges, he takes the potentially fatal step of breaking the blue wall of silence and going public with his exposé. Serpico's revelations trigger an independent investigation by the Knapp Commission, but they also make him a marked man, permanently changing his life. Shot on location with a gritty emphasis on documentary-style realism, Serpico presents a city in decay both literally and morally, as everybody is in on the take, and the cops and criminals are almost interchangeable. Released in late 1973, after months of revelations of Presidential malfeasance in the breaking Watergate scandal, Serpico's true story of bureaucratic depravity touched a cultural nerve, and the film became a hit with both critics and audiences, particularly for Pacino's complex performance as the honest, long-haired whistleblower. One year after his star-making triumph in The Godfather, Pacino was nominated for an Oscar again, and lost again; Lumet and Pacino would reunite two years later for another true New York story, Dog Day Afternoon. ~ Lucia Bozzola, All Movie Guide

Parents worry about their daughter when she freaks out on drugs and is hospitalized. Arthur (Eli Wallach) and Gerri (Julie Harris) face the reality when Maxie (Deborah Winters) must remain at the facility or return home. Della (Rue McClanahan) is Arthur's straight shooting secretary and mistress who offers an objective opinion of the situation. Dr. Salazar (Nehemiah Persoff) is the concerned physician treating Maxie. David (Hal Holbrook) and Tina (Cloris Leachman) are the neighbors whose son Sandy (Don Scardino) turns out to be a juvenile drug dealer. The story was taken from an award winning 1968 television special but fails to live up to the promise of the initial production. ~ Dan Pavlides, All Movie Guide

Ohio businessman Jack Lemmon is offered a golden job opportunity; all he has to do is relocate himself and wife Sandy Dennis to New York City. What follows has led some critics to complain that playwright Neil Simon has written a "hate letter" to Manhattan. Within a 36 hour period, the couple (a) loses their airplane luggage; (b) are forced to travel from Boston to New York in a greasy old train; ( c ) can't get any sort of service because virtually everyone in Fun City is on strike; (d) are mugged twice, once while they're asleep; (e) are reduced to sleeping on Central Park benches in their day clothes.....and so it goes, until the shabby, disheveled Lemmon tells his prospective bosses off, and he and his wife head back to Ohio---- almost. Punctuated by Sandy Dennis' plaintive "Oh, my Gawwwwd", The Out of Towners tightens the screws and ups the ante on the classic "comedy of errors" formula. Filmed on location, the picture features a who's who of character actors (Milt Kamen, Anne Meara, Phil Bruns, Dolph Sweet, Richard Libertini, Paul Dooley, Robert Walden, Ron Carey etc. etc. etc.) When first shown on network television, the film was shorn of its closing punchline because of an eccentric censorship rule. ~ Hal Erickson, All Movie Guide

This true crime story was hardly "ripped from today's headlines," since the events took place some 20 to 30 years before the movie was released. Still, Murder, Inc. is not afraid to name names, notably those of syndicate boss Louis "Lepke" Buchalter (David J. Stewart) and killer Abe Reles (Peter Falk), who squeals on the Mob to earn immunity. The activities of Buchalter's murder-for-hire operation are played against a fictional story about a nightclub singer (Stuart Whitman) and a dancer (May Britt). Murder, Inc. has a queasy, unsettling quality, due in part to some offbeat casting: TV comedian Henry Morgan co-stars as a dead-serious federal agent, while "human joke machine" Morey Amsterdam shows up as a cabaret entertainer who is stabbed by the Mob. The film was a major boost for the career of Peter Falk, who very nearly managed to parlay his Murder, Inc. supporting role into an Academy Award. ~ Hal Erickson, All Movie Guide