David Holt Movies

Once again, Friday (Jack Webb) and Smith (Ben Alexander) are on the trail of a supermarket bandit. The first big break in the case comes unexpectedly when a watch owned by one of the suspects turns up in a repair shop. Featured in the cast is character actor Henry Corden, best remembered by cartoon fans of the 1970s and 1980s as the voice of Fred Flintstone. This episode is a remake of the Dragnet radio broadcast of May 25, 1954. ~ Hal Erickson, All Movie Guide

Jack Broder Productions sidestepped its usual distributor United Artists to release Combat Squad through Columbia. Set in Korea, the film focuses on the strained relationship between WW II veteran Sgt. Fletcher (John Ireland) and inexperienced, terrified Private Martin (Lon McAllister). Only after several confrontations with the enemy is Martin able to overcome his fear of combat. Actual footage of the Korean "police action" is integrated into the action. TV personality Hal March provides the obligatory (and intrusive) comedy relief, while Jill Dansworth, Linda Danson, Neva Gilbert and Eileen Howe do cheesecake duty as a quartet of USO entertainers. ~ Hal Erickson, All Movie Guide

This seedy anti-marijuana tract was distributed as She Shoulda Said No. The star is one Lila Leeds, who gained notoriety in 1948 when she and Robert Mitchum were arrested during a Hollywood pot party. Leeds plays an impressionable chorus girl who is hooked onto marijuana by her collegiate brother. Going from bad to worse, the girl becomes a dope pusher to support her reefer habit. Ultimately, she goes "cold turkey" and becomes a narc, working with the feds to smash the dope peddlers once and for all. Like most films of its ilk, Wild Weed is an unintentional laugh riot when seen today. The cast is a surprisingly good one, including Alan Baxter, Lyle Talbot, Michael Whalen and pianist Rudolf Friml Jr. Director "Sherman Scott" also travelled under the name of Sam Newfield. ~ Hal Erickson, All Movie Guide

Brothers Henry and Wayne Cooper (Grant Withers and William Haade) have a mission to help their younger, shyer sister, Geraldine Jane Withers, who has just received a large inheritance from their mother. It was their dying mother's request that the brother's find a suitable suitor for their younger sister. Geraldine, however, rejects all the men they bring courting, including her current beau Willy Briggs Jimmy Lydon. They must chase her as she flies to London, trying to keep her out of harm's way as she lives up her new-found freedom to the hilt. ~ All Movie Guide

This musical is a remake of a 1933 film. Like the first, it is set on campus and chronicles the romantic travails of the school rowing champion who has recently come back from a military stint abroad. A young coed is mighty pleased to see him, but he keeps avoiding her. A subplot concerns a group of crooks who are trying to fix a boat race. Songs include: "Sweetheart of Sigma Chi" (F. Dudleigh Vernon, Byron D. Stokes), "Penthouse Serenade" (Will Jason, Val Burton, sung by Phil Regan), "It's Not I'm Such a Wolf, It's Just You're Such a Lamb" (Merle Maddern, Lanier Darwin, sung by Phil Brito), "And Then It's Heaven" (Edward Seiler, Sol Marcus, Al Kaufman, sung by Brito), "Cement Mixer" (Slim Gaillard, Lee Ricks, sung by Gaillard), "Yeproc-Heresi" (Gaillard, sung by Gaillard), "Bach Meets Carle" (a Bach pastiche by Frankie Carle), and "Five Minutes More" (Jule Styne, Sammy Cahn, sung by Brito). ~ Sandra Brennan, All Movie Guide

A snooty blue-blooded English family learns a bitter lesson about the realities of lower class living in this British comedy. It all happens because the ditzy wife makes a terrible mistake with their money and loses a fortune. Her husband, a banker is at his wit's end as he scrambles about looking for much-needed cash. He tries his wife's wealthy, ailing uncle, but he has bequeathed his fortune to the actress he loved as a boy, (a woman he has never met). The aging star, who long ago disappeared from the screen, has no idea she is an heiress. Meanwhile, just before Christmas the daughter of the family brings home a boozy hambone of a fallen theater star who is short on cash. It is he who finds the missing actress and brings her into the house after convincing her that she and the family are related. Things go swimmingly and wealth is restored until the actor gets drunk and tells her the truth. ~ Sandra Brennan, All Movie Guide

Reckless Age is a by-the-numbers Universal musical, elevated by the presence of perky songstress Gloria Jean. The star plays Linda Wadsworth, the granddaughter of fabulously wealthy department-store magnate J. H. Wadsworth (Henry Stephenson). Rebelling against Wadsworth's close-minded tyranny, Linda assumes an alias and takes a job at one of his stores. She also moves into a boarding house for Wadsworth employees, overseen by stern-but-kindly Mrs. Connors (Jane Darwell). Oddly, there is no romantic subplot to speak of; like Deanna Durbin before her, Gloria Jean plays a sexless "Little Miss Fixit" who saves the day when all looks bleak. The film is noteworthy only as the screen debut of that matchless comic actor Jack Gilford, then starring in the Broadway revue Meet the People, whose budding film and TV career was egregiously cut short by the Hollywood Blacklist. ~ Hal Erickson, All Movie Guide

A nostalgic and patriotic film from director Henry King similar to such later films as The Corn Is Green (1945). Claudette Colbert, stars as Nora Trinell, an aging schoolteacher awaiting a meeting with presidential candidate Dewey Roberts (Shepperd Strudwick). As Nora waits, she reflects on the past. It seems that a young Dewey (Douglas Croft) is Nora's pupil many years earlier in 1916, and has developed a schoolboy crush on his teacher, who encourages him to pursue his dreams. Nora, however, is quietly married to a fellow teacher, Dan Hopkins (John Payne), which inspires Dewey's jealousy when he discovers the truth. Tragedy awaits Dan, however, when he joins with the Canadian forces entering World War I. ~ Karl Williams, All Movie Guide

This second of three movie versions of P.C. Wren's adventure novel Beau Geste is a virtual scene-for-scene remake of the 1927 silent version. We open on the now-famous scenes of a remote, burning desert fort, manned by the dead Foreign Legionnaires, then flash back to the early lives of the Geste brothers. As children, the Gestes swear eternal loyalty to one another and to their family. One of the boys, young Beau (played as a youth by Donald O'Connor), witnesses his beloved aunt (Heather Thatcher) apparently stealing a valuable family jewel in order to finance the Geste home; Beau chooses to remain silent rather than disgrace his aunt. Years later, the grown Beau (Gary Cooper) again protects his aunt by confessing to the theft and running off to join the Foreign Legion. He is joined in uniform by faithful brothers John (Ray Milland) and Digby (Robert Preston), who in turn are pursued by a slimy thief (J. Carroll Naish). The crook is in cahoots with sadistic Legion Sgt. Markov (Brian Donlevy, in one of the most hateful portrayals ever captured on celluloid), who is later put in charge of Fort Zinderneuf, where Beau and John are stationed. When the Arabs attack, Markov proves himself a valiant soldier; it is he who hits upon the idea of convincing the Arabs that the fort is still fully manned by propping up the corpses of the casualties at the guard posts. Beau is seriously wounded, and while the greedy Markov searches for the jewel supposedly hidden on Beau's person, he is held at bay by loyal John. The suddenly enervated Beau kills Markov, then dies himself--but not before entrusting two notes to John, one of which requests that John give Beau the "Viking funeral" he'd always wanted (this is why the fort is in flames at the beginning of the film). After the battle, Digby Geste, a bugler with the relief troops, comes upon Beau's dead body, and appropriates the notes. As it turns out, John Geste is the only one who survives to return to England. He gives his aunt Beau's letter, which explains why Beau had confessed and run off--"a 'beau geste', indeed" comments his tearful aunt. No one missed nominal leading lady Susan Hayward in this essentially all-male entertainment. For years available only in muddily processed or truncated versions, Beau Geste was restored to its pristine glory by the American Film Institute in the late 1980s. ~ Hal Erickson, All Movie Guide

The 1938 version of Adventures of Tom Sawyer appears to be producer David O. Selznick's dry run for Gone with the Wind, what with its similarities in period, costumes, color scheme and production design (both films shared the services of the great Hollywood art director William Cameron Menzies). Selected from hundreds of applicants (a precursor to Selznick's upcoming search for Wind's Scarlet O'Hara), Tommy Kelly is visually perfect as Mark Twain's Tom Sawyer though his acting varies from scene to scene. Better cast is Jackie Moran as the laconic, pipe-smoking Huck Finn (Moran would show up in Wind as Dr. Meade's son). Never forcing its pace, the film manages to include most of Twain's classic sequences, including the fence-whitewashing episode, Tom's rescue of Becky Thatcher (Anne Gillis) from the wrath of their schoolmaster (Olin Howlin), Tom and Huck's "death and resurrection" after the boys briefly skipped town for an idyll on a remote island, the murder trial of town drunk Muff Potter (Walter Brennan) and ultimately unmasking of the vicious Injun Joe (Victor Jory) as the real killer, and of course the chilling climax in the cave, wherein Tom protects Becky from the fugitive Injun Joe. Originally released at 93 minutes, Adventures of Tom Sawyer was trimmed to 77 minutes for a 1959 reissue; it has since been restored to its full length on videotape. In 1960, Tom Sawyer was syndicated to television by Selznick, with accompanying commentary by the film's now-grown-up "Becky Thatcher", Anne Gillis. ~ Hal Erickson, All Movie Guide

Though its title and cast suggests a lighthearted romantic comedy, Trouble for Two is actually a fairly faithful adaptation of three of Robert Louis Stevenson's "Suicide Club" stories. Robert Montgomery stars as incognito Prince Florizel, who is lured to a gathering of strange characters devoted to suicide and murder. One of the conclave members is the enigmatic Miss Vandelur (Rosalind Russell) -- who, unbeknownst to Florizel, is actually the princess he is slated to marry. It soon develops that the Suicide Club is being used as a blind by a gang of international terrorists, bent on toppling Florizel from his throne. Louis Hayward has a fascinating bit as "The Man with the Cream Tarts," whose burning desire to end his own life leads Florizel into the clutches of the villains. ~ Hal Erickson, All Movie Guide

Curt Hayden (Ralph Bellamy), a witness from the mob, is hidden away in a remote mountain cabin for his own safety. Accompanying Hayden is his young son Johnny (David Holt), who resents his father for planning to remarry. But Johnny loyally rushes to his dad's defense when a pair of gunmen invade the cabin during Hayden's absence. As the assassins await Hayden's return, Johnny concocts a deucedly clever scheme to disarm them. This tension-laden climax is the best part of the picture, which otherwise is a traditional crime melodrama with romantic undertones. ~ Hal Erickson, All Movie Guide