Stuart Holmes Movies

Like its TV-sitcom counterpart of the 1960s, the original film version of The Ghost and Mrs. Muir was based on the novel by R.A. Dick. Gene Tierney plays turn-of-the-century widow Lucy Muir, who escapes her impossible in-laws by moving into an old house on the English seacoast. Despite the warnings of realtor Combe (Robert Coote) that the house might be haunted, the tenacious young widow calmly establishes residence with her young daughter Anna (Natalie Wood) and housekeeper Martha (Edna Best) in tow. Sure enough, the place is haunted by the spirit of its previous owner-a bombastic, profane, yet somehow attractive sea captain named Daniel Gregg (Rex Harrison). When Lucy steadfastly refuses to be frightened by Captain Gregg, he takes a liking to her, and the two become close friends (in standard ghost-movie tradition, only Lucy can hear or see the Captain). Realizing that Lucy is in dire financial straits, the Captain offers to dictate his colorful memoirs to her, which she promptly parlays into a best-seller and a lasting literary career. Slowly but surely, Gregg falls in love with Lucy. ~ Hal Erickson, All Movie Guide

It's The Champ all over again, with Wallace Beery as a down-and-out prizefighter and Dean Stockwell as the small boy whom he adopts. Mighty McGurk also borrows from Beery's earlier The Bowery (33) by placing its story in that New York neighborhood in 1900. The final echo from Wally Beery's movie past is Aline McMahon, who costarred with Beery in Ah, Wilderness (35). The plot of Mighty McGurk involves Beery's rescuing of the orphaned Stockwell, an English lad, from the clutches of his evil guardian Edward Arnold. The boy in turn inspires Beery to return to the boxing ring after several years of boozy grub work as a Bowery waiter. ~ Hal Erickson, All Movie Guide

In this crime drama, a former card shark finally gets paroled and decides to take his singing niece to Chicago to make a new start. Unfortunately, the musical niece ends up working at a gangster's nightclub and the gambler, unable to resist the lure of easy money, returns to card playing. Later an investigating attorney falls in love with the singer whose boss he has been assigned to ultimately prosecute. Songs include: "In Love with Love," "Mam'selle Is on Her Way" (George Waggner, Milton Rosen), "Tango" (Edgar Fairchild), and "Cuddle Up a Little Closer" (Karl Hoschna, Otto Harbach). ~ Sandra Brennan, All Movie Guide

The Last Ride was also the last production to emanate from Warner Bros.' B-picture division. The plot involves the illicit wartime market in stolen tires (rubber was, of course, a priority), with Richard Travis and Charles Lang as Pat and Mike Harrigan, brothers on the opposite sides of the law. Borrowing a few elements from the 1936 Warners film Bullets or Ballots, police detective Pat Harrigan is dishonorably discharged from the force, but it's merely a ploy to bring the black-market tire thieves out in the open. The plan hinges on whether or not Pat can convince Mike to turn honest before the final reel. Eleanor Parker plays Kitty Kelly, whose primary function in the film is to get kidnapped during the climactic showdown. The Last Ride was directed by D. Ross Lederman, whose legendary ability to match new footage with old stock shots is given quite a workout here. ~ Hal Erickson, All Movie Guide

Made in 1942 but released early in 1943, Secret Enemies is a Warner Bros. espionage quickie, putting the studio's second-echelon contractees to good use. Craig Stevens, Faye Emerson and John Ridgely are the leads in this hour-long meller about a Nazi spy ring operating covertly in America. The FBI sniffs out the "secret enemies," striking another blow against Uncle Adolf. Secret Enemies enabled Faye Emerson to step up into "A" pictures and secured a contract extension for reliable utility player John Ridgely. But Craig Stevens was drafted almost immediately after the film's release; unable to regain his lost footing after the war, it would take Stevens until 1958 to establish himself as a full-fledged star on the TV series Peter Gunn. ~ Hal Erickson, All Movie Guide

In this upbeat drama, a lovely European heiress is disturbed to discover from her lawyer that her father made his fortune by cheating his own partner. This precipitates her hasty return to the US where she meets the partner's granddaughter. The heiress then moves into the girl's boarding house and gives her a million dollars. Unfortunately, her newfound wealth causes the girl, untold trouble as her lover, a proud musician, refuses to marry a woman with more money than he. The girl solves the problem by donating her fortune to charity. ~ Sandra Brennan, All Movie Guide

As part of his new contract with Warner Bros., Edward G. Robinson agreed to appear in the gangster comedy Brother Orchid on the condition that the studio permit him to play the leading role in the lavish biopic A Dispatch from Reuters. Robinson is cast as Baron Paul Julius Reiter, who in 1833 inaugurates a "pigeon post" messenger service which is soon rendered obsolete by the invention of the telegraph. Eventually adapting to the new communications process, Reuters is able to extends his links to the major capitals of Europe, achieving success by scooping his competition with a transcription of a speech by Louis Napoleon. By 1858, Reuters has expanded his operation to the English-speaking countries, seriously over-extending himself financially. Ultimately, Reuters is rescued from bankruptcy in 1865 when he broadcasts on a worldwide basis the news of President Lincoln's assassination-even before the American ambassador in England has been informed of the tragedy. Throughout the highs and lows of his career, Reuters is encouraged by his loyal and loving wife Ida (Edna Best), who continually reminds him that he is a communicator and not a grandstander. Though not as entertaining and satisfying as Robinson's previous biographical film Dr. Ehrlich's Magic Bullet, A Dispatch from Reuters' benefits immeasurably from the almost terrifying expertise of the Warners production staff and its stellar supporting cast (Eddie Albert, Gene Lockhart, Nigel Bruce, Otto Kruger et. al.) ~ Hal Erickson, All Movie Guide

Though set during WW1, British Intelligence was obviously thrown together to capitalize on the outbreak of WW2. A remake of the 1930 espionager Three Faces East, the film stars Boris Karloff as Valder, the sinister butler of a British cabinet minister. It is quite possible that Valder is a German spy, and equally likely that the mysterious Helene von Lorbeer (Margaret Lindsay) is likewise working for the enemy. In fact, the audience is never quite certain who the good guys and bad guys really are until the climax, which takes place during a German zeppelin raid of London. As a balm to 1940 audiences, the film includes an early comedy scene in which German military protocol is upset by a clumsy corporal (Willy Kaufman) who bears a startling resemblance to a certain Nazi dictator. ~ Hal Erickson, All Movie Guide

This second film version of Elmer Rice's play On Trial stars Edward Norris as a green lawyer on his first case. He is assigned to defend alleged killer John Litel, who makes Norris' job doubly hard by refusing to defend himself. Through flashbacks, Norris discovers the reason behind Litel's recalcitrance. The young attorney also reunites the convicted man with his missing wife (Margaret Lindsay) and his little daughter (Janet Chapman). The original Broadway production of On Trial gained a near-legendary reputation through its ground breaking use of flashbacks and its surprise ending; these elements aren't quite as innovative in the film version, but they still retain their effectiveness. ~ Hal Erickson, All Movie Guide

Otis Ferguson has said of Each Dawn I Die that "the story is of the kind you would have to see to disbelieve." And to be sure, the film is nothing more than a sampler of '30s prison-film conventions. But with the brilliant acting by James Cagney and the fast-paced and hard-edged direction of William Keighley, the film clatters past like an express train. Cagney plays Frank Ross, an innocent newspaperman who is railroaded into prison by a corrupt district attorney. In prison, he meets hardened-con Stacey (George Raft). Frank, at first, doesn't want to associate with Stacey and the other prisoners, but trapped in the hellhole prison, he more and more turns into a bitter con. Finally granted a hearing from the parole board, Frank pleads his innocence, but the parole board is headed by Grayce (Victor Jury), the man responsible for his imprisonment, and his parole is denied, and Frank becomes more hardened and embittered. By this point, Stacey has befriended him and agrees to help Frank prove his innocence. ~ Paul Brenner, All Movie Guide

Based upon an idea by Broadway columnist Mark Hellinger, The Roaring Twenties opens during World War I as doughboys Eddie Bartlett (James Cagney), Lloyd Hart (Jeffrey Lynn), and George Hally (Humphrey Bogart) discuss what they will do when the war is over. Bartlett wants to go back to repairing cabs, and Hart yearns to be a lawyer, but it becomes clear that Hally has less reputable plans in mind for himself. Come the end of the war, things are not as easy for veterans like Bartlett as they should be. He is unable to get his old job back and ends up driving a cab for little money. One night he is asked to deliver a package (which turns out to be whiskey) to an address that turns out to be a speakeasy. This starts him on a life of crime, as he gets deeper involved as a bootlegger. Things are not made easy by a rival bootlegger -- who turns out to be Hally. The two join forces and prosper. Hart shares in their prosperity, as Bartlett engages him to take care of his legal matters. Unfortunately, Hart is also interested in Jean Sherman (Priscilla Lane), a young woman that Bartlett has had an eye on for quite some time. He loses her to Hart at about the same time that his criminal empire crumbles, and he is reduced to driving a cab again while Hally continues to prosper with his ruthless ways. Eventually, Hart -- now a crusading prosecutor -- runs afoul of Hally, who tells Jean that he will kill him if he doesn't change his ways. Jean begs Bartlett to intercede with Hally; because he still is carrying a torch for her, Bartlett agrees -- but by doing so, he may have signed his own death warrant. ~ Craig Butler, All Movie Guide

James Cagney stars in the humorous Western The Oklahoma Kid, set during the land rush of 1893. John Kincaid (Hugh Sothern) and his son, Ned (Harvey Stephens), try to settle on a plot of land, but they are met by the villainous Whip McCord (Humphrey Bogart) and his band of miscreants. McCord runs a saloon and ends up turning the town of Tulsa into a haven of gambling and drinking. Wanting to clean up the town, John runs for mayor and Ned runs for sheriff. McCord doesn't want to lose his power, so he has John framed, jailed, and eventually lynched. Soon, Jim Kincaid (James Cagney) shows up in town and joins his brother Ned in seeking revenge for his father's murder. They stage a big shoot-out in McCord's saloon in order to bring him to justice. Also starring Rosemary Lane as Ned's girlfriend Jane, the daughter of the good Judge Hardwick (Donald Crisp). This movie features James Cagney singing the tunes "Rockabye Baby" and "I Don't Want to Play in Your Yard." ~ Andrea LeVasseur, All Movie Guide