Maynard Holmes Movies

Fresh from radio and TV, "America's Favorite Family" stars in Here Come the Nelsons. That's right: this harmless little comedy is purely a vehicle for Ozzie, Harriet, David and Ricky. Since there must be a plot, the scriptwriters contrive to have Harriet uncharacteristically express jealousy over the presence of Ozzie's former schoolmate Barbara Schutzendorf (Barbara Lawrence). Meanwhile, Ozzie seethes when handsome young Charlie Jones (Rock Hudson) pays a bit too much attention to Harriet. To prove that he's still got what it takes, Ozzie competes against Charlie in a rodeo held in honor of the town's centennial (this sort of plot device usually happened to David or Ricky on the TV show). For no reason other than there are extra reels to go, little Ricky is kidnapped by a pair of bank robbers, played by Sheldon Leonard and Ed Max. Here Come the Nelsons was directed by Frederick De Cordova, whose other credits for Universal included such deathless entries as Bedtime for Bonzo. ~ Hal Erickson, All Movie Guide

The second entry in Monogram's "Father" series was 1949's Leave It to Henry. Raymond Walburn returns as small-town blowhard Henry Latham, while Walter Catlett reprises his portrayal of bombastic Mayor Colton. Preparing for their town's Centennial celebration, Henry and the Mayor stage a reenactment of a famous steamboat fire. Things get out of hand, and the upshot of this is a stiff jail term for poor Henry. The supporting cast includes such never-fail character players as Ida Moore, Olin Howlin and Harry Harvey. But the principal attraction of Leave it to Henry is the comic rapport between Raymond Walburn and Walter Catlett (who, offscreen, had been close friends since boyhood). ~ Hal Erickson, All Movie Guide

Casbah is a musical remake of the 1938 film Algiers, which was itself a remake of the French film Pepe Le Moko. Tony Martin stars in the old Jean Gabin/Charles Boyer role as Pepe Le Moko, a master thief who lives in the Casbah section of Algiers. A French police inspector (Peter Lorre) would love to capture Pepe, but realizes that as long as the thief remains in the Casbah he is protected by his vast network of criminals. When Pepe falls in love with a beautiful tourist (Marta Toren), he schemes for the first time to leave his little "empire". Betrayed by a former lover (Yvonne De Carlo), Pepe is shot down by the police as he emerges from his sanctuary. Casbah lacks the atmosphere of the earlier non-musical versions of the story, but Tony Martin is reasonably convincing as Pepe Le Moko, even when bursting into song. ~ Hal Erickson, All Movie Guide

The Lady From Shanghai, a complex, involving puzzle-within-a-puzzle mystery story, is a showcase for Orson Welles, showing his singular talents and sensibilities as few other films have. The story is superficially simple: a seaman Michael O'Hara (Welles) is hired as a crew member on the yacht of the wealthy Banister (Everett Sloane). His beautiful but mysterious wife Elsa (Rita Hayworth) has met O'Hara earlier, when he saved her from a mugging. What ensues is a complicated and bizarre pattern of deception, fraud and murder, with O'Hara finding himself implicated in a murder, despite his innocence. The film is best remembered for its final sequence when the plot comes to a literally smashing climax in the famous "hall of mirrors" sequence, with Elsa and Banister shooting it out amidst shards of shattering glass. Orson Welles, who produced, directed, wrote and starred in the film, is sometimes self-indulgent in his use of visual tricks and techniques, which at times sacrifice plot for visual brilliance, but he pulls it together in the end to produce a stunning, difficult film. Rita Hayworth gives one of her best performances as the deceptive, seductive temptress, hard-edged and cynical. The film confounds, unsettles and disorients the viewer, very much as Welles intended to do. While not an easy film, it is well worth the attention required to follow it, and Welles offers no easy solutions or any false happy endings to his tour-de-force mystery. ~ Linda Rasmussen, All Movie Guide

Based on a novel by Yolanda Foldes, this confusing romantic adventure concerns a love affair and international espionage. Told in flashback, British officer Ralph Denistoun (Ray Milland) recounts the story to American journalist Quentin Reynolds. Before WWII, British Intelligence officers Ralph and Richard (Bruce Lester) were held captive by Nazis who wanted to know about Prof. Otto Krosigk's (Reinhold Schunzel) secret formula. Ralph and Richard escape, deciding to look for Krosigk separately with the plan to meet up again in Stuttgart. Then Ralph meets gypsy woman Lydia (Marlene Dietrich) in the forest. She disguises him, gives him golden earrings to wear, and leads him through the forest. Ralph eventually fights the gypsy leader Zoltan (Murvyn Vye) and wins his respect. He joins the band of gypsies and heads to Stuttgart where he meets Richard and reads the horrible fate in his palm. He then meets Krosigk, who gives him the secret formula. He is then able to escape, but promises to return for Lydia. The story ends with Lydia and Ralph meeting again in the forest after the war is over. ~ Andrea LeVasseur, All Movie Guide

This Monogram "special" stars Frank Albertson as the title character, a police reporter named Larry Doyle. Our hero solves a murder case in Chicago, then moves on to St. Louis-but not voluntarily, since he has been kidnapped by the minions of the Windy City gang leader (Max Hoffman Jr.) against whom he is scheduled to testify. Eluding his captors, Doyle befriends another "lost soul" named Ann (Joan Woodbury). Together, Doyle and Ann manage to make their way back to Chicago, but not before the imprisoned mobster has arranged to frame our hero on a robbery rap. One of the lesser gangsters is played by future movie and TV favorite Arthur O'Connell, while perennial "3 Stooges" foil Christine McIntyre shows up as a telegraph girl. Rollo Lloyd, nearly always enlisted as an actor, authored the script in 1935; it was produced in 1942, four years after his death. ~ Hal Erickson, All Movie Guide

Star-Spangled Rhythm is a typical wartime all-star musical-comedy melange, this time from Paramount Pictures. The slender plot involves the efforts by humble studio doorman Pop Webster (Victor Moore) to pass himself off as a big-shot Paramount executive for the benefit of his sailor son Jimmy (Eddie Bracken). The overall level of humor can be summed up by the scene in which Webster is advised that the best way to pretend to be a studio big-shot is to say "It stinks!" to everything -- whereupon Cecil B. DeMille shows up to ask Webster's opinion about his current production. Betty Hutton, cast as studio switchboard operator and co-conspirator Polly Judson, is at her most rambunctiously appealing here. The huge lineup of guest performers includes Bing Crosby (and his 8-year-old son Gary!), Bob Hope, Veronica Lake, Dorothy Lamour, Dick Powell, Mary Martin, Alan Ladd, Fred MacMurray, William Bendix, Paulette Goddard, and Eddie "Rochester" Anderson, most (but not all) of them going through their characteristic paces. Highlights include a surrealistic rendition of That Old Black Magic with Johnnie Johnston and Vera Zorina; a frantic staging of the old George S. Kaufman sketch "If Men Played Cards as Women Do" with MacMurray, Ray Milland, Franchot Tone, and Lynn Overman; and The Sweater, the Sarong and the Peekaboo Bang, first performed by Goddard, Lamour and Lake, then lampooned in drag by Arthur Treacher, Sterling Holloway and Walter Catlett! PS: The actor playing Rochester's chauffeur in the Smart as a Tack number is John Ford "regular" Woody Strode. ~ Hal Erickson, All Movie Guide

One of the most schizophrenic films ever to come out of the Paramount "B" mill, The Monster and the Girl starts out as a white-slavery melodrama and ends up as a horror picture! Emerging from the fog, heroine Susan Webster (Ellen Drew) tells her woeful tale to the audience. A young innocent from The Sticks, Susan arrives in New York to seek work as an actress, but instead is tricked into a sham marriage with Larry Reed (Robert Paige). Awakening "the morning after", Susan is informed that her missing husband is not her husband, and that, as a fallen woman, there is only one avenue of livelihood open to her-as one of the "paid hostesses" in the stable of gangster Bruhl (Joseph Calleia). Learning of his sister's plight, church organist Scot Webster (Philip Reed) shows up in town to set things right, only to be framed for murder by Bruhl and his mob. After his execution, Scot's body is appropriated by mad scientist Dr. Parry (George Zucco), who hopes to transplant the dead man's brain into the body of a gorilla. Driven by impulses it can't resist, the big ape escapes from his cage to kill off all those responsible for Susan's ruin and Scot's death. Undeniably fascinating, The Monster and the Girl is also undeniably silly at times, especially in the opening scenes, in which the censor-plagued screenwriters work overtime not to overtly state that Susan Daniels has been forced into prostitution. ~ Hal Erickson, All Movie Guide

Top Sergeant Mulligan was Monogram Pictures' attempt to cash in on the popularity of such service comedies as Abbott & Costello's Buck Privates and Laurel & Hardy's Great Guns. Frank Faylen and Charlie Hall (a longtime Laurel & Hardy foil) star as Dolan and Doolittle, a pair of goofy druggists who join the army to escape the wrath of bill collector Mulligan (Nat Pendleton, a carryover from Buck Privates). So guess who turns out to be our heroes' drill sergeant? (Hint: the film's title gives it away). Evidently deciding that Faylen and Hall couldn't carry the picture by themselves, Monogram stocked the supporting cast with an abundance of top laughmakers, including black comedian Wonderful Smith, late of Red Skelton's radio show. The film's two leading ladies are Carol Hughes (Mrs. Frank Faylen in real life) and Marjorie Reynolds, the latter singing (in a dubbed voice) the topical song hit "21 Dollars a Day-Once a Month." ~ Hal Erickson, All Movie Guide

Flash Casey (Eric Linden), per his nickname, is an ace photojournalist--at least, he will be once he gets out of high school. After winning a prize in a photography contest, Flash vows that within two years of his graduation, he'll own his own newsphoto agency. To attain his goal, Flash goes after a big scoop, and nearly breaks his neck in the process. Co-starring as Eric's faithful girl is Boots Mallory, at one time the sister-in-law of James Cagney. Here's Flash Casey is an agreeable piece of non-think entertainment from the Grand National quickie mills. ~ Hal Erickson, All Movie Guide

While John Huston's screen adaptation of Dashiell Hammett's The Maltese Falcon is widely regarded as a screen classic, it wasn't the first time Hammett's novel had been brought to the screen, and this comedy drama offers a decidedly different spin on the same story. Detective Ted Shayne (Warren William) is hired by a woman named Valerie Purvis (Bette Davis) to find a woman named Mme. Barrabas (Alison Skipworth). Valerie, however, won't tell Ted what she wants from her, and as he tries to track down Barrabas, Barrabas' people come to him in search of Valerie. When Ted and Barrabas finally meet, she claims Valerie has a valuable piece of her property -- a jewel-encrusted ram's horn -- and she'll gladly pay Ted to return it to her. Certain Valerie hasn't been on the level with him, Ted asks his partner to trail her, but when Valerie discovers she's being watched, she kills the second detective. Unaware that she's killed Ted's partner, Valerie asks that Ted pick up a package for her from a ship arriving from Asia the next day, which Ted realizes is the precious horn that has caused all the trouble. Satan Met a Lady was actually the second feature film based on The Maltese Falcon; the first, also called The Maltese Falcon, was released in 1931. ~ Mark Deming, All Movie Guide

Go West, Young Man represented the first time that Mae West starred in a film not originally written with her in mind. Based on Lawrence Riley's stage comedy Personal Appearance (which starred Gladys George on Broadway), the film casts La West as Mavis Alden, a pretentious and somewhat stupid movie star who is shipped out on a nationwide promotional tour of her latest picture, Drifting Lady. Stranded in a backwater Pennsylvania town, she finds time for a chaste romance with local gas-station attendant Bud (Randolph Scott). Her enthusiastic press agent tries to stage-manage a wedding between the two casual lovers, whereupon West wriggles out of the commitment by renouncing Scott -- repeating the flowery dialogue from her newest cinematic masterpiece. Mae West is moderately amusing in an uncharacteristic assignment, but one wonders what the results would have been if Paramount had allowed her to star in her first choice of assignments: A satirical biography of Catherine the Great. ~ Hal Erickson, All Movie Guide

When he's shipped off to prison on a tax-evasion charge, millionaire Van Dyke (Walter Connolly) breathes a sigh of relief: at least he'll be free of his dizzy, spendthrift wife (Billie Burke) and spoiled-rotten daughter Carol (Joan Bennett). Once behind bars, Van Dyke strikes up a friendship with amiable reformed bootlegger Ricardi (George Raft). Since Ricardi is to be sprung first, Van Dyke suggests that the ex-crook take on the task of "taming" the incorrigible Carol. Unwilling to be stifled by a former jailbird (even a good-looking one), Carol decides to get even by persuading one of Ricardi's former cohorts, a shady character named Tex (Lloyd Nolan) to stage a fake kidnapping. Trouble is, Tex kidnaps the girl for real, obliging Ricardi to race to her rescue -- but only after deliberately breaking every traffic law known to man, so that he'll be pursued by a veritable battalion of motorcycle cops (this hilarious finale was later re-used in the 1941 Buster Keaton two-reeler So You Won't Squawk). A heady blend of screwball comedy and crime melodrama, She Couldn't Take It is one of the fastest and funniest films of 1935. ~ Hal Erickson, All Movie Guide