Harry Holman Movies

Down on his luck in 1934, Erich Von Stroheim accepted a leading role in the Chesterfield Pictures cheapie Fugitive Road, making lemonade from a lemon by offering his services as "supervisor of military detail" (according to some sources, he also contributed to the script). Set during WW I, the film concerns a menage a trois at a border outpost. The players in this romantic triangle are Prussian Captain Oswald Von Traunsee (Von Stroheim), escaped American gunman Riker (Leslie Fenton) and Russo-Hungarian refugee Sonia (Wera Engels). Flying in the face of his "Man You Love to Hate" image, Von Stroheim surprisingly ends up the hero of the piece -- but not before nearly forcing his attentions on the cringing heroine. Unlike most Chesterfield pictures, the bulk of which were photographed by M. A. Anderson, Fugitive Road was atmospherically lensed by Ted McCord. ~ Hal Erickson, All Movie Guide

James Cagney runs a shady missing-heir tracing service, occasionally providing phony heirs in order to collect his fee. He suffers a tinge of jealousy when he takes a gander at the offices of a legitimate tracing firm, where his former girlfriend (Bette Davis) has taken a job. Jimmy soon learns that the reputable organization's boss (Alan Dinehart) is more crooked than Jimmy ever was, but he can't convince the girl of this fact. Using his own street smarts, Cagney exposes the "honest" heir tracer and agrees to go straight if his girl will come back to him. At the time Jimmy the Gent was filmed, James Cagney was getting tired of the formula pictures being handed him; rather than go on suspension, he expressed his displeasure by shaving his hair almost down to the bone, which is why he appears in this film with an uncharacteristic buzz-cut. ~ Hal Erickson, All Movie Guide

The Lost Jungle is a feature-length version of the 12-episode Mascot serial of the same name. Legendary animal trainer Clyde Beatty plays himself, while Cecilia Parker portrays Beatty's screen sweetheart Ruth Robinson. When Ruth and her father are lost in the African jungle during a scientific expedition, Beatty goes to her rescue, flying to Africa via dirigible. The huge airship crashes in a hurricane, but Beatty survives and continues his desperate search. Upon finding Ruth, our hero gets mixed up with a group of bad guys in pursuit of hidden gold. Beatty manages to vanquish the villains and even battle a wild animal or two before the long-awaited happy ending. The Lost Jungle remained in reissue for years, thanks to the presence in the cast of 13-year-old Mickey Rooney. The film was also made available in a "hybrid" version consisting of a 73-minute feature and four 20-minute concluding chapters. ~ Hal Erickson, All Movie Guide

Dry-goods store owner Tillie Prescott (ZaSu Pitts) has promised to marry meek barber Chris Peterson (El Brendel), but he won't marry her until his business has grown successful enough to allow him to get a second chair in his barber shop -- and it's been 10 years, and he's not any closer to getting that second chair. Then, one day, an acting troupe gets stranded in town, and out-of-work showgirl Lulu White (Pert Kelton) sets herself up in Chris's barber shop doing manicures. Lulu knows a lot of the angles, including how to get men to do what she wants most of the time, and suddenly every male in town is eager to get his nails manicured (and hang around for a shave and haircut) just to get near Lulu. Chris's second chair seems like a real possibility, but Tillie gets jealous of Lulu, and is tricked by a smooth-talking salesman (Skeets Gallagher) into signing with a big retail chain that forces her out of the store she founded. Meanwhile, local wise-guy Duke Slater (James Gleason) gets led on by Lulu and decides he's going to set right what's happened to Tillie, and teach Lulu a lesson in the bargain. ~ Bruce Eder, All Movie Guide

Frank Capra's seminal screwball comedy, which won all five major Academy Awards for 1934, is still as breezy and beguiling today. Claudette Colbert plays Ellie Andrews, a spoiled heiress who has married fortune-hunting aviator King Westley (Jameson Thomas), despite her father (Walter Connolly)'s objections. To keep Ellie from marrying this lothario, her father has been holding her prisoner aboard his yacht. But Ellie bolts from the yacht, swims ashore in her clothes, and eventually slips onto a Greyhound bus bound for New York. Aboard the bus is newspaper reporter Peter Warne (Clark Gable), who has recently been fired for drinking on the job. Peter gets the last seat on the bus -- but when he gets up to argue with the bus driver, Ellie takes his seat. Since it is the last seat on the bus, they have to share it. When Ellie has her purse stolen and she refuses to report it, Peter begins to suspect something. The next morning, they both miss the bus after a leisurely breakfast, and Peter reveals that he knows her identity. She makes a deal with him: if he helps her get to New York, he can write a scoop about her for his paper. Peter thinks she is a spoiled brat, however, and refuses a monetary bribe: "I'm not interested in your money or your problem. You, King Westley, your father -- you're all a lot of hooey to me!" But as they travel northward and engage in a series of misadventures, the gruff newspaperman and the spoiled rich girl, thrown together by circumstances, fall in love with each other. This movie set the pace for the "screwball" comedy, the witty and romantic clash of temperaments between a man and a woman mismatched in both personality and social position, a type of movie often associated with Katherine Hepburn in such classics as Bringing Up Baby (1938), The Philadelphia Story (1940), and, with Spencer Tracy, Adam's Rib (1949), Pat and Mike (1952), and Desk Set (1957), among others. The only other movies to win all five major Academy Awards (Best Picture, Actor, Actress, Director, and Screenplay) were One Flew Over the Cuckoo's Nest (1975) and The Silence of the Lambs (1991). ~ Paul Brenner, All Movie Guide

The 1933 State Fair was the first of three film versions of the Phillip Stong bestseller. Some consider it the best of the three because of its stricter adherence to the source material and the presence of star Will Rogers. Rogers plays Abel Frake, patriarch of a family whose individual members are affected by the upcoming Iowa State Fair in various fascinating ways. Abel hopes to enter his prize hog Blue Boy and win the blue ribbon. His wife Melissa (Louise Dresser) wants to enter her mincemeat in a food competition, his son Wayne (Norman Foster) wants to get even with a carnival sharpster who'd outsmarted him during the last state fair, and daughter Margery (Janet Gaynor) just wants to get out of the house for a little fun. The parents win their prizes (though it looks for a while that Blue Boy will succumb to a serious illness) the children have brief romances (one happy, one cautionary), and everyone goes home a little wiser for the experience. Footnote: Fox studios offered to butcher Blue Boy and sell his meat to Will Rogers, but Rogers declined, noting that he wouldn't feel right eating his costar. ~ Hal Erickson, All Movie Guide

Easily the best of Eddie Cantor's gargantuan musical comedies for producer Sam Goldwyn, Roman Scandals begins in the middle-America community of West Rome, where our hero Eddie (Cantor) is employed as a delivery boy. A self-styled authority of Ancient Roman history, Cantor bemoans the fact that the local shanty community is about to be wiped out by scheming politicians, certain that such an outrage could never have happened during Rome's Golden Days. After a blow on the head, Cantor wakes up in Imperial Rome, where he is sold on the slave auction block to good-natured tribune Josephus (David Manners). Cantor soon discovers that the evil emperor Valerius (Edward Arnold) is every bit a crook and grafter as the politicians in West Rome, and he intends to do something about it. He gets a job as food taster for Valerius -- a none-too-secure position, inasmuch as the emperor's wife Agrippa (Veree Teasdale) is constantly trying to poison her husband -- and does his best to smooth the path of romance for Josephus and recently captured princess Sylvia (Gloria Stuart). Cantor's well-intentioned interference earns him a session in the torture chamber, but he escapes and commandeers a chariot, setting the stage for a spectacular slapstick climax. On the verge of recapture, Cantor wakes to find himself in West Rome U.S.A. again, where he quickly foils the modern-day despots and brings about a happy ending for all his friends.

Co-written by George S. Kaufman, Robert E. Sherwood, George Oppenheimer and Arthur Sheekman (the soon-to-be husband of leading lady Gloria Stuart), Roman Scandals manages to get off a few clever satirical licks, but essentially it's a "lappy" lowbrow vehicle for Eddie Cantor, and in this it succeeds immensely. The Busby Berkeley-staged musical numbers, written by Harry Warren, Al Dubin and L. Wolfe Gilbert, must be seen to be believed: In "No More Love", Ruth Etting, playing the Emperor's cast-off mistress Olga, sings a plaintive torch song as dozens of enslaved Goldwyn Girls (including Lucille Ball and Barbara Pepper), wearing nothing but long, blonde wigs, are chained to a rotating pedestal; and in "Keep Young and Beautiful", these same maidens gleefully cavort around a Roman bathhouse in the near-altogether while Cantor, in blackface, hops about, rolls his eyes and claps his hands -- just before a jet of steam "shrinks" him, at which point he metamorphoses into midget Billy Barty! The quintessence of Depression-era escapism, Roman Scandals is must-see entertainment. ~ Hal Erickson, All Movie Guide

Buster the dog is the star of this comedy as he stays loyal to his master through good times and bad times. ~ All Movie Guide

After suffering magnificently in picture after picture at RKO and Paramount, Helen Twelvetrees was subjected to even more agony in Columbia's My Woman. Twelvetrees is cast as Connie, the ever-lovin' wife of vaudeville hoofer Chick (Wallace Ford). After years of tanktowns and two-a-days, Chick finally hits it big as a radio star (adding what was then a "modern" twist to an old story). Success goes to his head almost immediately, whereupon he forgets all about Connie. Inevitably, Chick sabotages his own career, hits the skids, and begs forgiveness from his spouse. Present-day viewers might find it surprising that Connie would prefer the chronically unreliable Chick over her most ardent suitor, the cultured, soft-spoken radio executive Mr. Bradley (Victor Jory in a rare sympathetic role). ~ Hal Erickson, All Movie Guide

Rivalry between two towns for the honor of becoming county seat turns violent in this interesting Ken Maynard Western from low-budget Sono Art-World Wide. Although a notorious troublemaker, the Thunderbolt Kid (alias Ken Peters (Maynard)), is convinced to work on behalf of Coyote Gulch, a small community hoping to land the railroad franchise that will make it the county seat. Rival town Spotted Horse hires the notorious Matthews gang and soon it is all-out war between the communities. Ken, meanwhile, is conned by Matthews henchman One Shot Mallory (Bob Kortman) into attacking a stage supposedly carrying reinforcement. Unfortunately, the passenger, whom Ken publicly humiliates, is railroad president Charles Eaton (Wilfred Lucas). Much to the disgust of Red Matthews (William Gould) and his gang, Eaton awards the franchise to Coyote Gulch. After a climactic encounter between Red and Ken, Eaton persuades the latter to remain and witness the town prosper. ~ Hans J. Wollstein, All Movie Guide

A vicious spiral of revenge in a traveling circus is the basis for this fast-paced thriller. The circus has stopped to perform in a small town when the trouble begins. During the course of the film, much of the cast is killed, planning to kill, or killing each other. ~ Sandra Brennan, All Movie Guide

This Monogram melodrama gets off to a quick start as a young man is shot to death -- while he's being led to the electric chair! The condemned man was planning to make a startling last-minute revelation which would have put a noose around the neck of his murderer. Several other people shared the dead man's secret, and the murderer isn't averse to bumping them off as well. Assistant DA Preston S. Foster and intrepid newspaperwoman Peggy Shannon try to solve the mystery and trap the unknown assassin A good cast of "B"-picture regulars includes Bryant Washburn, George Hayes (still not "Gabby"), Jason Robards Sr., and, as the unfortunate hot-seat candidate, future John Ford regular Paul Fix. ~ Hal Erickson, All Movie Guide