Ian Holm Movies
Popularly known as "Mr. Ubiquitous" thanks to his versatility as a stage and screen actor, Ian Holm is one of Britain's most acclaimed -- to say nothing of steadily employed -- performers. Although the foundations of his career were built on the stage, he has become an increasingly popular onscreen presence in his later years. Holm earned particular plaudits for his work in Atom Egoyan's The Sweet Hereafter (1997), in which he played an emotionally broken lawyer who comes to a small town that has been devastated by a recent school bus crash.Born on September 12, 1931, Holm came into the world in a Goodmayes, Ilford, mental asylum, where his father resided as a psychiatrist and superintendent. When he wasn't tending to the insane, Holm's father took him to the theatre, where he was first inspired, at the age of seven, by a production of Les Miserables starring Charles Laughton. The inspiration carried him through his adolescence -- which, by his account, was not a happy one -- and in 1950, Holm enrolled at London's Royal Academy of Dramatic Art. Coincidentally, while a student at RADA, he ended up acting with none other than Laughton himself.
Following a year of national service, Holm joined the Royal Shakespeare Company, making his stage debut as a sword carrier in Othello. In 1956, after two years with the RSC, he debuted on the London stage in a West End production of Love Affair; that same year, he toured Europe with Laurence Olivier's production of Titus Andronicus. Holm subsequently returned to the RSC, where he stayed for the next ten years, winning a number of awards. Among the honors he received were two Evening Standard Actor of the Year Awards for his work in Henry V and The Homecoming; in 1967, he won a Tony Award for his performance in the Broadway production The Homecoming.
The diminutive actor (standing 5'6") made his film debut as Puck in Peter Hall's 1968 adaptation of A Midsummer Night's Dream, a production that Holm himself characterized as "a total disaster." Less disastrous was that same year's The Bofors Gun, a military drama that earned Holm a Best Supporting Actor BAFTA. He went on to appear in a steady stream of British films and television series throughout the '70s, doing memorable work in films ranging from Mary, Queen of Scots (1971) to Alien (1978), the latter of which saw him achieving a measure of celluloid immortality as Ash, the treacherous android. Holm's TV work during the decade included a 1973 production of The Homecoming and a 1978 production of Les Miserables, made a full 40 years after he first saw it staged with Charles Laughton.
Holm began the '80s surrounded by a halo of acclaim garnered for his supporting role as Harold Abrahams' coach in Chariots of Fire (1981). Nominated for a Best Supporting Actor Oscar, he won both a BAFTA and Cannes Festival Award in the same category for his performance. Not content to rest on his laurels, he played Napoleon in Terry Gilliam's surreal Time Bandits that same year; he and Gilliam again collaborated on the 1985 future dystopia masterpiece Brazil. Also in 1985, Holm turned in one of his greatest -- and most overlooked -- performances of the decade as Desmond Cussen, Ruth Ellis' steadfast, unrequited admirer in Dance with a Stranger. He also continued to bring his interpretations of the Bard to the screen, providing Kenneth Branagh's Henry V (1989) with a very sympathetic Fluellen and Franco Zeffirelli's Hamlet (1990) with a resolutely meddlesome Polonius.
The following decade brought with it further acclaim for Holm on both the stage and screen. On the stage -- from which he had been absent since 1976, when he suffered a bout of stage fright -- he won a number of honors, including the 1998 Olivier Award for Best Actor for his eponymous performance in King Lear; he also earned Evening Standard and Critics Circle Awards for his work in the play, as well as an Emmy nomination for its television adaptation. On the screen, Holm was shown to great effect in The Madness of King George (1994), which cast him as the king's unorthodox physician, Atom Egoyan's aforementioned The Sweet Hereafter (1997), and Joe Gould's Secret (1999), in which he starred in the title role of a Greenwich Village eccentric with a surprising secret. In 2000, Holm took on a role of an entirely different sort when he starred as Bilbo Baggins in Peter Jackson's long awaited adaptation of J.R.R. Tolkien's Lord of the Rings. Holm, who was made a Commander of the Order of the British Empire in 1989, was knighted by Queen Elizabeth II in 1998 for his "services to drama."
After the final installment in the Lord of the Rings trilogy was released in 2003, Holm took a role in completely different kind of film. 2004's Garden State was a far cry from the epic, big-budget fantasy he'd just starred in and rather, was a quiet, independent film written, directed, produced by and starring the young Zach Braff. Holm's portrayal of the flawed but well-meaning father a confused adult son was a great success, and he went on to play equally complex and enjoyable supporting roles in a variety of films over the next year, from the Strangers with Candy movie to Lord of War.
In 2006, Holm signed on to lend his voice to the casts of two animated films: the innovative sci-fi noir, Renaissance, and the family feature Ratatouille--slated for release in 2006 and 2007 respectively. He also joined the cast of the controversial drama O Jerusalem, a movie about a friendship between a Jewish and Arab man during the creation of the state of Israel. After five years away from the big screen, he returned to play Bilbo Baggins yet again in Peter Jackson's adaptations of The Hobbit.
~ Rebecca Flint Marx, Rovi
- 1991
In 1985, a group of black workers instituted a railway strike in a township near Johannesburg, and the response of the apartheid regime was such that violence was elicited all around. Not long after that, Mbongeni Ngema directed a play called Township Fever, which explored the climate of fear which surrounded the strike and its bloody aftermath. The play was wildly controversial within South Africa, and this documentary explores both the play and its effects on the culture and community of the country, and the original strike itself. Key figures in both the play and the strike are interviewed, and important scenes from the play are shown. ~ Clarke Fountain, Rovi
- 1991
- PG13
Steve Soderbergh did a 180 degree turnaround from his debut film sex, lies, and videotape with Kafka, a stark art-film fable for literature majors. Jeremy Irons plays a fictional Franz Kafka, living in Prague in 1919. By day, Kafka works in a massive, impersonal insurance company. At night, he spends his time alone writing stories about men who turn into giant cockroaches. Although quiet and solitary, he becomes a suspect in a murder investigation conducted by Inspector Grubach (Armin Mueller-Stahl) when a friend of his turns up dead. Rather than being harassed by Grubach, Kafka decides to investigate his friend's murder on his own. Kafka speaks to his dead friend's girlfriend, Gabriela (Theresa Russell) and talks with gravestone carver Bizzlebek (Jeroen Krabbe). Kafka follows the clues to the Castle, a menacing tower that casts its shadow over the city and houses files on everything. He winds his way through the cellars and tunnels of the Castle, where he encounters the evil and insidious Dr. Murnau (Ian Holm), whom he hopes holds the solution to the murder. ~ Paul Brenner, Rovi
- Starring:
- Jeremy Irons, Theresa Russell, (more)
This cinematic/literary hybrid fuses motifs from Beat writer William S. Burroughs's novel of the same name with elements of the author's biography and plenty of the cerebral alienation and biomorphic special effects fans of creepy cult director David Cronenberg have come to expect. Bill Lee (Peter Weller) wants to write, but he exterminates bugs to pay the bills. His wife, Joan (Judy Davis), becomes addicted to Bill's bug powder dust, and soon he joins her in a world of unorthodox hallucinogens; he visits the kindly yet sinister Dr. Benway (Roy Scheider) and walks away with his first dose of the black meat -- a narcotic made from the flesh of the giant aquatic Brazilian centipede. Soon, monstrous beetles are whispering conspiracy theories in Bill's ears and his nebbish writer friends Hank (Nicholas Campbell) and Martin (Michael Zelniker) are sleeping with Joan under his nose. When a party trick involving a liquor glass and a gun goes awry, killing Joan, Bill flees to Interzone, a Mediterranean city full of talking insectoid typewriters, double agents, offbeat aesthetes, and plots within plots. As he navigates this paranoid landscape, Bill begins ingesting another drug called mugwump jism and writes fragments that Hank and Martin soon assemble into a novel under the title Naked Lunch. As beat literature aficionados know, Interzone is based on Tangiers -- the city where Burroughs wrote Naked Lunch. The incident in the film in which Hank and Martin appropriate Bill's writing and have it published closely approximates the real-life circumstances of the novel's publication, although it was Allen Ginsberg and Jack Kerouac who helped out the real-life Burroughs. The William Tell incident that kills Bill's wife is also drawn from the author's real life. "William Lee" is both Burroughs' literary stand-in and the name under which he published his first autobiographical novel Junky. Ian Holm, who plays Joan Frost's husband, Tom, would appear in Cronenberg's similarly experimental eXistenZ several years later. ~ Brian J. Dillard, Rovi
- Starring:
- Peter Weller, Judy Davis, (more)
- 1991
Season of Giants succeeds more in ambition than in execution. This 195-minute TV movie proposes that a great professional rivalry existed between Renaissance geniuses Michelangelo (Mark Frankel) and Leonardo da Vinci (John Glover). While the Florentine and Roman scenery is authentic, certain elements of the story cause the viewer to doubt its credibility. For starters, both Michelangelo and Da Vinci weather several years' time without either aging or changing their clothes; also, the "creative process" is minimized, with both artists going from inspiration to final product in what seems to be a matter of hours (maybe Michelangelo used a roller on the Sistine Chapel). Season of Giants was originally shown in two parts over the TNT Cable service, with a surprising paucity of advertising fanfare. ~ Hal Erickson, Rovi
Franco Zeffirelli directs his third Shakespeare adaptation (after Romeo and Juliet and Otello) with this film version of the tragedy Hamlet. The titular prince of Denmark (Mel Gibson), returns home to his family's castle of Elsinore after years of attending school in Germany to find out his father has died and his uncle Claudius (Alan Bates) is the new king. To make matters worse, Claudius has married Hamlet's mother, Queen Gertrude (Glenn Close), whom he has unusually strong feelings for. Hamlet is visited by his father's ghost (Paul Scofield), who asks him to seek revenge for his murder. In order to find out who the real killer is, Hamlet stages a theatrical scene resembling his father's death. Claudius is upset by the production and leaves to arrange for Hamlet's murder. In the ensuing confusion, Hamlet accidentally kills Polonious (Ian Holm) instead of Claudius; Hamlet's lover, Ophelia (Helena Bonham Carter), goes mad and commits suicide; and eventually Hamlet and Claudius both meet their fate. ~ Andrea LeVasseur, Rovi
- Starring:
- Mel Gibson, Glenn Close, (more)
- 1989
John Michael Phillips directs this British live-action musical, based on the children's story by Beatrix Potter. A tailor (Ian Holm) needs to finish a project before Christmas, so a group of mice help him out unexpectedly. Also starring Thora Hird, Jude Law, and students from the Royal Ballet School. ~ Andrea LeVasseur, Rovi
- Starring:
- Ian Holm
- 1989
The "endless game" is espionage, which goes on and on despite government upheavals and changing international attitudes. Albert Finney plays a retired secret agent called back to active duty. Finney is entrusted with the task of finding out why his fellow retirees are being killed off. One of the victims is a woman who'd once been Finney's lover. Anthony Quayle makes his final screen appearance in this made-for-cable suspenser. Endless Game was written and directed by Bryan Forbes--surprisingly, his first foray into the spy-film genre. ~ Hal Erickson, Rovi
Kenneth Branagh makes his feature-film directorial debut with this adaptation of William Shakespeare's Henry V. After the Chorus (Derek Jacobi) introduces the play, young king of England Henry V (Kenneth Branagh) begins an angry dialogue with King Charles of France (Paul Scofield). The king's son, Dauphin (Michael Maloney), insults Henry and the argument escalates into war. In flashback, Henry is seen as a young man drinking in a tavern with Falstaff (Robbie Coltrane), Bardolph (Richard Briers), Nym (Geoffrey Hutchings), Pistol (Robert Stephens), and Mistress Quickly (Judi Dench). Meanwhile, Henry and his captain, Fluellen (Ian Holm), assemble an army and invade France. The French greatly outnumber the British troops, yet Henry leads them to victory in the Battle of Agincourt after delivering his famous St. Crispin's Day Speech. Throughout this struggle, Henry also courts Katherine (Emma Thompson) and eventually wins her over. ~ Andrea LeVasseur, Rovi
- Starring:
- Kenneth Branagh, Derek Jacobi, (more)
Grad-school administrative head Marion Post (Gena Rowlands) is in the midst of writing a book. The walls are thin in the apartment she's taken for work purposes, and soon Marion begins listening to the sessions conducted by her neighbor, an analyst. One of the patients is Hope (Mia Farrow), whose marriage is in tatters. As Hope prattles on, Marion begins flashing back to highlights (and lowlights) of her own marriage. Her musings are constantly interrupted by the memory of the man (Gene Hackman) she'd once ardently loved. Later on, chance encounters with old friends force Marion to face the fact that she has lived her life sheltering herself from her true emotions. Director Woody Allen's career-long indebtedness to Ingmar Bergman is underlined in Another Woman via Bergman's frequent cinematographer Sven Nykvist. ~ Hal Erickson, Rovi
- Starring:
- Gena Rowlands, Mia Farrow, (more)
- 1986
In this interesting mystery, famed novelist Agatha Christie has just decided to kill off her popular character, the Belgian detective Hercule Poirot in her latest novel Curtain. Just as she is about to do so, the detective comes to call. ~ Sandra Brennan, Rovi
- 1985
- PG
Irreverent British writer Dennis Potter speaks aloud what many literary historians have only postulated in whispers in Dreamchild. The film is set in 1932, on the 100th anniversary of the birth of Alice in Wonderland creator Lewis Carroll. The guest of honor at the New York-based celebration is 80-year-old Alice Liddell (Coral Browne), who as a child inspired Carroll's whimsical novels. Amidst the cajoling of both devoted fans and fast-buck hustlers, the grim-faced Alice tries to remain calm and dignified. What none of the idolaters suspect is that Alice harbors a long-suppressed secret concerning her "very special" relationship with Carroll -- a secret revealed in an extremely tasteful fashion during a flashback sequence, featuring Amelia Shankley as young Alice and Ian Holm as Charles Dodgson, the virginal, child-obsessed clergyman whom the world knew as Lewis Carroll. The darkness of Dennis Potter's vision is lightened by Muppeteer Jim Henson's marvelous three-dimensional renditions of the Wonderland and Looking Glass characters. ~ Hal Erickson, Rovi
- Starring:
- Coral Browne, Ian Holm, (more)
In a novel and intriguing approach to storytelling, director David Hare has created an engaging mystery and human drama that ostensibly focuses on an innocent dinner party but is really about something else. Jean Travers (Vanessa Redgrave) is an old-maid schoolmarm who has lived in Wetherby, a small town in northeastern Yorkshire, all of her life. She is still haunted by memories of a passionate love affair with a young man who was later murdered while on military duty in Malaysia nearly 35 years ago in the '50s. One evening, Jean invites a group of friends over for dinner; the group is comprised of two couples, one of which spends the time sniping at each other. A young man, John Morgan (Tim McInnerny) is also in the dinner party. Jean thinks he was brought along by one of the couples; the couples, in turn, believe he was invited by Jean -- in short, he is a total stranger that everyone assumes is a friend of someone there. As the evening progresses, political topics of the moment are brought up and chewed over; Margaret Thatcher, Richard Nixon, and other notables of the era are discussed, and various comments are made on the laziness of today's youth. The dinner party ends, and the next day John Morgan comes back to visit Jean. While she is in the midst of preparing tea for them both, he takes out a gun and kills himself. The shock waves from his senseless act later reverberate among the dinner-party guests, as the police investigator tries to piece together the man's background and the dinner party itself. Questions are raised about his motives, and viewers see the dinner party again, moment by moment, in an entirely new light. ~ Eleanor Mannikka, Rovi
- Starring:
- Vanessa Redgrave, Ian Holm, (more)
Brazil constitutes Terry Gilliam's enormously ambitious follow-up to his 1981 Time Bandits. It also represents the second installment in a trilogy of Gilliam films on imagination versus reality, that began with Bandits and ended in 1989 with The Adventures of Baron Munchausen. To create this wild, visually audacious satire, Gilliam combines dystopian elements from Orwell, Huxley and Kafka (plus a central character who mirrors Walter Mitty) with his own trademark, Monty Python-esque, jet black British humor and his gift for extraordinary visual invention. The results are thoroughly unprecedented in the cinema.
Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. It's a world marred by oppressive automatization and towering bureaucracy, and populated by tyrannical guards who strongarm lawbreakers. And Lowry is stuck in the middle of this nightmare. Whenever real life becomes too oppressive, Sam fantasizes (to the tune of Ary Baroso's 1930s hit "Brazil") about sailing through the clouds as a winged superhero, and rescuing beautiful Jill Layton (Kim Greist) from a giant, Samurai warrior. The omnipresent computer that controls everything in the "real" world malfunctions, causing an innocent citizen to be arrested and tortured to death. When Sam routinely investigates the error, he meets - and pursues Jill , literally the girl of his dreams. But in real life, she's a tough-as-nails truck driver who initially wants nothing to do with him. It turns out that she is suspected of underground activities, in connection with a terrorist network wanted for bombing public places. The price Sam pays for his association with her is a close encounter with the man in charge of torturing troublesome citizens (Michael Palin). He is rescued - at the last minute - by maintenance man Harry Tuttle (Robert de Niro) who moonlights as a terrorist, but that only represents the beginning of his plight, for now the "system" is onto him.
Gilliam ran into enormous problems with Brazil. Universal - which produced the picture - originally slated it for release in 1984, but the studio - intimidated by the film's whopping length of 142 minutes - demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam's insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work; many critics regarded it at the time as the best film of the eighties. ~ Nathan Southern, Rovi
Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. It's a world marred by oppressive automatization and towering bureaucracy, and populated by tyrannical guards who strongarm lawbreakers. And Lowry is stuck in the middle of this nightmare. Whenever real life becomes too oppressive, Sam fantasizes (to the tune of Ary Baroso's 1930s hit "Brazil") about sailing through the clouds as a winged superhero, and rescuing beautiful Jill Layton (Kim Greist) from a giant, Samurai warrior. The omnipresent computer that controls everything in the "real" world malfunctions, causing an innocent citizen to be arrested and tortured to death. When Sam routinely investigates the error, he meets - and pursues Jill , literally the girl of his dreams. But in real life, she's a tough-as-nails truck driver who initially wants nothing to do with him. It turns out that she is suspected of underground activities, in connection with a terrorist network wanted for bombing public places. The price Sam pays for his association with her is a close encounter with the man in charge of torturing troublesome citizens (Michael Palin). He is rescued - at the last minute - by maintenance man Harry Tuttle (Robert de Niro) who moonlights as a terrorist, but that only represents the beginning of his plight, for now the "system" is onto him.
Gilliam ran into enormous problems with Brazil. Universal - which produced the picture - originally slated it for release in 1984, but the studio - intimidated by the film's whopping length of 142 minutes - demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam's insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work; many critics regarded it at the time as the best film of the eighties. ~ Nathan Southern, Rovi
- Starring:
- Jonathan Pryce, Michael Palin, (more)
This darkly haunting slightly fictionalized film is a retelling of the life and death of Ruth Ellis (Miranda Richardson), the last woman to be executed in England. Ellis, a divorcee and ex-prostitute works as a "hostess" in a tacky nightclub. There she meets and begins an obsessive love affair with upper-class David Blakely (Rupert Everett), who eventually discards her. Still obsessed and jealous because of David's upcoming marriage to a woman of his own class, Ellis murders him. Miranda Richardson, in a stark, knock-out performance is outstanding as the cold, calculating Ellis, unscrupulous in her use of everyone to get what she wants. Ian Holm, in an often-overlooked performance, is superb as the man who loves Ellis, supporting her and her teenage son, without ever gaining her love. He is her mainstay and the surrogate father to her teenage son, who Ellis has little time for. In his own, quiet way he is as obsessed as Ellis. The screenplay, adapted by Shelagh Delaney remains faithful to the true story, taking only minor dramatic license. Dance With a Stranger is an uncompromising look at obsessive love and its consequences on others. The story is made even more poignant because of the sad life and eventual suicide of Ellis' real son. ~ Linda Rasmussen, Rovi
- Starring:
- Miranda Richardson, Rupert Everett, (more)
- 1984
- PG
- Add Greystoke: The Legend of Tarzan, Lord of the Apes to Queue Add Greystoke: The Legend of Tarzan, Lord of the Apes to top of Queue
Greystoke: The Legend of Tarzan, Lord of the Apes is a reverent retelling of the Edgar Rice Burroughs original, with a 1980s-sensibilities slant. Shipwrecked on the coast of Africa, Lord Jack Clayton (Paul Geoffrey) and his pregnant wife Lady Alice (Cheryl Campbell) attempt to survive in the hostile environment, but both die shortly after the birth of their son John. Abandoned in the wilderness, the orphaned John is adopted by a family of rather highly evolved apes, and raised as one of their own. Years later, John-now known as Tarzan, and now played by Christopher Lambert-comes across a party of white hunters. Rescuing one of the intruders, Belgian Captain Phillipe D'Arnot (Ian Holm) from a horrible death , Tarzan is taught to speak English by the grateful D'Arnot. Coming across the remains and possessions of Tarzan's parents, D'Arnot discovers that the Lord of the Jungle is actually the Earl of Greystoke. Brought back to England, Tarzan is introduced to society, where his crude, apelike manners offend everyone--except the likeable (and painfully senile) 6th Lord of Greystoke (Ralph Richardson, in his final film role) and Greystoke's American ward, Jane Porter (Andie McDowell, whose Southern-fried voice is dubbed by Glenn Close). Disturbed at the notion of Tarzan's inheriting Greystoke manner, his more greedy relatives begin plotting against him. But it is Tarzan himself who decides that he cannot adapt himself to England-especially after a painful reunion with his ape foster father, imprisoned in a science-lab cage. ~ Hal Erickson, Rovi
- Starring:
- Ralph Richardson, Ian Holm, (more)
- 1984
Singleton (Ian Holm) is a determined British farmer with a gaggle of holiday geese ready for market. It should be a simple task for Singleton to get his honking cargo to town, but it isn't. For starters, his drivers have gone on strike, so Singleton must take the geese himself. The hundred-mile trek to market is fraught with peril and hilarity, and by the time Singleton is halfway there, he's become a national hero. A fond hark back to the Ealing Studios comedies of yore, Singleton's Pluck is a captivating paean to the unquenchability of the human spirit, expertly realized by Ian Holm. ~ Hal Erickson, Rovi
- 1982
The two-part TV movie Inside the Third Reich was based on the extraordinary revelatory (if self-serving) autobiographical book by Albert Speer. Played herein by Rutger Hauer, Speer is a young man of privilege in pre-Hitler Germany who happens to be a brilliant architect. Becoming a member of Hitler's inner circle, Speer is appointed the Nazi regime's master builder. According to this film, Speer is egomaniacal and ambitious, but somewhat blinded to the inherent evils of Nazism. Though he'd later claim to be ignorant of Hitler's horrific policies aimed at the Jews, he was certainly aware of the use of Jewish prisoners as slave labor: as Germany's armaments minister during World War II, Speer exploited these enslaved unfortunates as much as anyone, if not more so. The cast includes Derek Jacobi as Hitler, Blythe Danner as Speer's wife Margarethe, John Gielgud as Speer's father, Ian Holm as Goebbels, Maurice Roeves as Hess, and George Murcell as Goering. Originally running 5 hours, Inside the Third Reich was filmed in Munich; it was first telecast on May 9 and 10, 1982. ~ Hal Erickson, Rovi
The returning soldier is amnesia victim Alan Bates, who remembers nothing of his life before suffering shell-shock--not even his long-term marriage to snooty Julie Christie. Spinsterish Ann-Margret, who has long harbored a fondness for Bates, hopes to take advantage of his memory loss. But both Christie and Ann-Margret are challenged by a third woman, Bates' childhood sweetheart Glenda Jackson. Poor Bates deals with all of this by not dealing with it. A fairly faithful rendition of the Rebecca West novel on which it is based, Return of the Soldier ambles along at its own languid pace to a inconclusive conclusion. ~ Hal Erickson, Rovi
- Starring:
- Julie Christie, Alan Bates, (more)
A young boy joins a group of renegade dwarves on an unpredictable journey through time in this humorous fantasy. Monty Python animator Terry Gilliam mostly achieves a tricky balancing act in his second feature as sole director, creating a dark, irreverent comedy disguised as a family adventure. Particularly amusing are the boy's encounters with various historical figures, including an entertainment-starved Napoleon (Ian Holm), a powerful Agamemnon (Sean Connery), and a surprisingly stuffy Robin Hood, embodied by Gilliam's Python cohort John Cleese. Episodic by nature, the film is less successful when dealing with the larger narrative, which concerns the pursuit of the dwarves and their time-traveling map by the Supreme Being. However, the combination of Gilliam's visual exuberance and the witty script (by Gilliam and Michael Palin) ensures an entertaining, if erratic, journey. ~ Judd Blaise, Rovi
- Starring:
- John Cleese, Sean Connery, (more)
Based on a true story, Chariots of Fire is the internationally acclaimed Oscar-winning drama of two very different men who compete as runners in the 1924 Paris Olympics. Eric Liddell (Ian Charleson), a serious Christian Scotsman, believes that he has to succeed as a testament to his undying religious faith. Harold Abrahams (Ben Cross), is a Jewish Englishman who wants desperately to be accepted and prove to the world that Jews are not inferior. The film crosscuts between each man's life as he trains for the competition, fueled by these very different desires. As compelling as the racing scenes are, it's really the depth of the two main characters that touches the viewer, as they forcefully drive home the theme that victory attained through devotion, commitment, integrity, and sacrifice is the most admirable feat that one can achieve. (Ian Holm was nominated for an Oscar as Best Supporting Actor in his role as Abrahams' coach), and this powerful film ended up with four Academy Awards: Best Picture, Best Original Screenplay, Best Costume Design, and Best Original Score. ~ Don Kaye, Rovi
- Starring:
- Ben Cross, Ian Charleson, (more)
Ian Holm starred in this three-part British miniseries as James M. Barrie, the author of such whimsical works as The Admirable Crichton, A Kiss for Cinderella, and, of course, Peter Pan. The dramatic focus in this series was on the latter work, which according to screenwriter Andrew Birkin, drew its inspiration from the friendship between Barrie and the Llewellyn-Davies family. As fond as he was of "progressive" parents Arthur and Sylvia Llewelyn-Davies (Tim Piggott-Smith and Anna Cropper), Barrie was enchanted by the couple's sons: George, Jack, Peter, Michael, and Nico (played by different actors at various stages of the kids' lives). It was George in fact who described death as "an awfully big adventure," a line which Barrie would ultimately immortalize in his novel and play about Peter Pan, the little boy who never grew up. Upon the deaths of both Arthur and Sylvia from cancer, Barrie became the legal guardian of the Llewelyn-Davies boys, a responsibility that yielded equal shares of happiness and heartbreak. The Lost Boys originally aired over the BBC in 1979. ~ Hal Erickson, Rovi
- Starring:
- Ian Holm, Tim Pigott-Smith, (more)
An Anglo-American co-production, S.O.S. Titanic is a costly, 150-minute reenactment of the infamous sea disaster of 1912. Heading the cast is David Janssen as millionaire John Jacob Astor, who went down with the Titanic, and Cloris Leachman as raucous Denver dowager Molly Brown, who didn't (for the record, Leachman had previously played Brown on a 1957 episode of the TV anthology Telephone Time). Third-billed is Susan Saint James as fictional passenger Leigh Goodwin, who carries most of the dramatic load. Written by Hallmark Hall of Fame veteran James Costigan, the made-for-television S.O.S. Titanic premiered September 23, 1979. In subsequent network and syndicated showings, the film was pared down to 102 minutes. ~ Hal Erickson, Rovi
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