W.E. Holloway Movies

Released in Britain as Crash of Silence, Mandy is a straightforward story about a handicapped child's efforts to adapt to a normal world. Born deaf, Mandy is mute for most of her childhood. Her desperate parents enroll her in special education classes. It's a slow, uphill climb, but by film's end Mandy is talking and playing happily with non-impaired children. A well-intentioned effort, Mandy unfortunately falls prey to corniness, save for the thoroughly convincing performance by child actress Mandy Miller (who was not deaf). ~ Hal Erickson, All Movie Guide

In this murder mystery, a woman pretends to be her murdered sister's ghost in an effort to catch the killer. She is assisted by a stranger. Later the two discover that it was the brother-in-law who committed the crime and together they get their revenge. ~ Sandra Brennan, All Movie Guide

This lush 18th century period romance, based on historical fact, was the first color film from Britain's famed Ealing Studios, but it proved to be such a box office disappointment that Ealing never attempted such a lavish costume drama again. Sophie Dorothea (Joan Greenwood) is a young woman forced into a loveless marriage with Prince George Louis of Hanover (Peter Bull). George Louis is later crowned King George I of England. Despairing of ever experiencing true love, the depressed queen finds life at court no solace. Sophie then falls for a dashing Swedish soldier of fortune, Count Konigsmark (Stewart Granger). The feeling is mutual, and an affair begins, the couple carefully plotting to flee England to begin a new life together. Disaster strikes when they are overheard by Countess Platen (Flora Robson), a jealous former lover of Konigsmark's who takes her information to the king. Adapted from the Helen Simpson novel, Saraband for Dead Lovers (1948) was an early film for writer Alexander Mackendrick, who would later direct the classic Sweet Smell of Success (1957). ~ Karl Williams, All Movie Guide

In this patriotic drama, the courage of a German pastor is presented as he makes a public stand against Nazi philosophies and actions. Unfortunately, the outspoken fellow is sent to a concentration camp where he is beaten and tortured. Still he manages to escape and give one final sermon to his congregation before he is gunned down. The story is based on an actual event. ~ Sandra Brennan, All Movie Guide

The unusual amalgam of documentary maven Robert Flaherty and pure-entertainment producer Zoltan Korda resulted in the 1937 money-spinner Elephant Boy. In his screen debut, eleven-year-old Indian-born Sabu plays the title character, a mahout named Toomai. When his father is killed by a tiger, Toomal is left alone and unprotected and not long afterward loses his beloved elephant to a sadistic "driver." Stealing back the pachyderm and heading into the wilderness, Toomal stumbles across a herd of wild elephants, which the British government has long been seeking. With visions of a huge reward in his head, Toomal offers to lead the authorities to the elusive herd -- whereupon the "dramatic" portion of the story gracefully gives way to the "documentary" portion. More intriguing than entertaining, Elephant Boy was nonetheless one of the most successful films of its kind. ~ Hal Erickson, All Movie Guide

It's a tossup as to which George Eliot novel has most often been adapted to the screen, though it appears that Mill on the Floss has nosed out Silas Marner. Set in early 19th century England, the story focuses on the long-standing rivalry between two Lincolnshire families. The animosity stems from the refusal of mill owner Mr. Tulliver (Sam Livesey) to relinquish his water rights to demonic solicitor Mr. Wakem (Felix Aylmer). Caught in the legal crossfire is Tulliver's daughter Maggie (Geraldine Fitzgerald), in love with Wakem's good-hearted (albeit physically challenged) son Philip (Frank Lawton). When Maggie's good name is compromised by scandal, it is Philip who champions her cause, allowing them both a brief respite of happiness before the inevitable tragic denoument, in which the Floss River itself becomes a "character". Released in the US at 82 minutes, Mill on the Floss has since been restored to its original 94 minutes. ~ Hal Erickson, All Movie Guide