Stanley Holloway Movies

Zany British comedian Frankie Howerd, who'd previously laid waste to Ancient Rome in Up Pompeii, does same with World War II in Up the Front. Howerd plays a timorous servant who undergoes hypnosis. While thus entranced, he imagines himself a fearless warrior, and makes a beeline to the recruiting office. The laughs come fast and furious when Howerd finds himself the recipient of the enemy's war plans--tattooed on his tush. As was customary, Frankie Howerd took several opportunities in Up the Front to directly address the audience and crack wise about the situation at hand. ~ Hal Erickson, All Movie Guide

In Billy Wilder's cinematic homage to the spirit of Sir Arthur Conan Doyle, British stage luminary Robert Stephens plays Holmes, while Colin Blakely is his friend and chronicler Dr. Watson. This self-described "hitherto suppressed and thoroughly fascinating" tale concerns Holmes' search for a missing mining engineer -- a case that may have a far-reaching effect on the national security of England. Along the way, Holmes falls in love for the first time in his life, with enigmatic foreign beauty Gabrielle Valladon (Genevieve Page). In this 1970 film, Wilder emphasizes such then-current topics as homosexuality (notably during the film's prologue) and drug addiction. Christopher Lee, a former screen Holmes himself, has a cameo (minus toupee) as Sherlock's brother Mycroft Holmes. Heavily re-edited and rearranged both before and after its release, The Private Life of Sherlock Holmes was a box-office disappointment when it came out in 1970. Since that time, its reputation has grown immeasurably, especially among those lucky enough to have seen a complete print. ~ Hal Erickson, All Movie Guide

Set up like a version of the Maltese Falcon, this routine detective yarn by Roger Corman features Vic Morrow as Harry Black, a hard-living, tough-skinned American in trouble. Two dangerous factions want to get their hands on some engraving plates stolen from the British mint, and Harry is trapped in the middle. The staged car chases, the seductive woman (Suzanne Pleshette) who wants Harry for her own reasons, Monte Carlo and Istanbul locations, the dramatic musical score, and all the earmarks of a low-grade James Bond spy thriller date this drama to the 1960s. ~ Eleanor Mannikka, All Movie Guide

In this comedy, a homing pigeon wins the big race. Meanwhile the bird's owner continues on with his day. ~ Sandra Brennan, All Movie Guide

In Harm's Way, based on James Bassett's novel Harm's Way, has enough plot in it for four movies or a good miniseries (when it was shown on network television in prime time, it was broken into two very full nights). On the morning of December 7, 1941, a heavy cruiser, commanded by Captain Rockwell Torrey (John Wayne), and the destroyer Cassidy, under acting commander Lieutenant (jg) William McConnell (Thomas Tryon), are two of a handful of ships that escape the destruction of the Japanese attack on Pearl Harbor. Under Torrey's command, the tiny fleet of a dozen ships carries out its orders to seek out and engage the enemy fleet. But lack of fuel and a daring maneuver (but tragic miscalculation) by Torrey causes his ship to be seriously damaged. He's relieved of command and assigned to a desk job routing convoys in the shakeup following the attack, and his exec and oldest friend, Commander Paul Eddington (Kirk Douglas), is reassigned after a brawl, the result of his anger after identifying the body of his wife (Barbara Bouchet) who was killed during the attack while cavorting with an Marine Corps officer.

Torrey's shore assignment leads him to reestablish contact on a very hostile level with his estranged son, Ensign Jere Torrey (Brandon de Wilde), from his long-ended marriage; he establishes a romantic relationship with Lt. Maggie Haynes (Patricia Neal), a navy nurse; and he also befriends Commander Egan Powell (Burgess Meredith), a special-intelligence officer. Partly as a result of his contact with Powell, Torrey is chosen by the commander of the Pacific Fleet (Henry Fonda) to salvage an essential operation called Sky Hook, which has become bogged down through the indecisiveness of its area commander, Vice Admiral Broderick (Dana Andrews). Promoted to rear admiral, with Eddington -- who'd been rotting away on a shore assignment, drunk most of the time -- assigned as his chief of staff, Torrey gets Sky Hook rolling and finally finds his purpose in this war, gaining the belated admiration of his son in the process. Eddington is similarly motivated but is still haunted by the violent, ultimately self-destructive demons that blighted his marriage and his life -- he is particularly attracted to a young nurse, Annalee Dohrn (Jill Haworth), not knowing that she is already involved romantically with Jere Torrey. Meanwhile, McConnell survives the sinking of his ship and is ordered to join Torrey's staff. Matters all come to a head when the Japanese begin a counter-offensive to Torrey's planned troop landing. And just at the time Torrey needs his men at their best, Eddington's violence and rage boil to the surface in a way that will destroy him and blight both men's lives. In a final attempt at redemption, Eddington provides Torrey with the information he needs to set up a battle that he has at least a chance of winning, pitting his small task group of destroyers and cruisers against the Japanese task force led by the Yamato, the largest battleship ever built. ~ Bruce Eder, All Movie Guide

At one time the longest-running Broadway musical, My Fair Lady was adapted by Alan Jay Lerner and Frederick Loewe from the George Bernard Shaw comedy Pygmalion. Outside Covent Garden on a rainy evening in 1912, dishevelled cockney flower girl Eliza Doolittle (Audrey Hepburn) meets linguistic expert Henry Higgins (Rex Harrison). After delivering a musical tirade against "verbal class distinction," Higgins tells his companion Colonel Pickering (Wilfred Hyde-White) that, within six months, he could transform Eliza into a proper lady, simply by teaching her proper English. The next morning, face and hands freshly scrubbed, Eliza presents herself on Higgins' doorstep, offering to pay him to teach her to be a lady. "It's almost irresistable," clucks Higgins. "She's so deliciously low. So horribly dirty." He turns his mission into a sporting proposition, making a bet with Pickering that he can accomplish his six-month miracle to turn Eliza into a lady. This is one of the all-time great movie musicals, featuring classic songs and the legendary performances of Harrison, repeating his stage role after Cary Grant wisely turned down the movie job, and Stanley Holloway as Eliza's dustman father. Julie Andrews originated the role of Eliza on Broadway but producer Jack Warner felt that Andrews, at the time unknown beyond Broadway, wasn't bankable; Hepburn's singing was dubbed by Marni Nixon, who also dubbed Natalie Wood in West Side Story (1961). Andrews instead made Mary Poppins, for which she was given the Best Actress Oscar, beating out Hepburn. The movie, however, won Best Picture, Best Director, Best Actor for Harrison, and five other Oscars, and it remains one of the all-time best movie musicals. ~ Hal Erickson, All Movie Guide

Peter Finch plays Johnnie Byrne, a British member of parliament. When Johnnie loses out on an important cabinet post, he's hardly surprised; he's been a loser so long that it's par for the course. Treated shabbily by his communistic wife Rosalie Crutchley, Johnnie begins an affair with fashion-model Mary Peach. His ardor causes him to miss an important House of Commons meeting, which subsequently leads to his disgrace in the eyes of his leftist political associates. A chance at a reconciliation with his wife is scuttled when Johnnie finds that he will lose a much-coveted cabinet seat if he does not sever his communist ties, both professional and personal. No Love for Johnnie was based on a novel by Wilfred Fienburgh, himself a Socialist MP who evidently knew whereof he spoke. ~ Hal Erickson, All Movie Guide

In direct contrast to his later lush-budgeted international epics, director J. Lee Thompson turns his lenses towards the London slums in the sincere but saccharine No Trees in the Street. Based on the play by Ted Willis, the film is set in the years just before World War II, when England hadn't completely dug itself out of the worldwide depression. Melvyn Hayes is featured as an aimless teenager, who tries to escape his squalid surroundings by entering a life of crime. He falls in with local hoodlum Herbert Lom, who holds the rest of the slum citizens in the grip of fear--including Hayes' own family. No Trees in the Street chronicles Hayes' sordid progress from nickel-and-dime thefts to murder. ~ Hal Erickson, All Movie Guide

Ribald music hall comedian Frankie Howerd stars in the British laughspinner Jumping for Joy. Set in the rarefied world of dog racing, the film stars Howerd as trackboy Willie, who is unceremoniously booted from his job. Teaming up with con artist Jack (Stanley Holloway), Willie decides to get even by raising his own greyhound racer. Unfortunately, the dog Willie and Jack purchase has one paw in the grave. As our heroes nurse the pooch back to health, they are forced to spend their spare time keeping a narcotics gang at bay. The delightful harmonica score in Jumping for Joy is provided by American expatriate Larry Adler. ~ Hal Erickson, All Movie Guide

In this comedy of misunderstanding, a husband misses the train his wife is aboard and ends up staying at the very same hotel where his lovely ex-fiancee is holed up. She too has since married, and things get quite hectic when both of their jealous respective spouses suddenly show up. ~ Sandra Brennan, All Movie Guide

Though Meet Mr. Lucifer reads rather better than it plays, the film is still good for a few healthy laughs. Stanley Holloway plays Hollingsworth, an actor who is playing Lucifer in a stage production. While being hoisted through a trap door, Hollingsworth is knocked cold. While unconscious, he is replaced by the real Lucifer. Seeking about for a new form of deviltry to inflict upon the public, Lucifer comes up with the most hellish device of all: Television! The rest of the film details the effects that the boob tube has on otherwise normal, rational British citizens (there's even time for a swipe at 3D movies). Based on a play by Arnold Ridley, Meet Mr. Lucifer is enhanced by an all-star cast, including Peggy Cummins, Kay Kendall and Ernst Thesiger. ~ Hal Erickson, All Movie Guide

Based on The Hand and the Flower, a novel by Jerrard Tickell, A Day to Remember stars Stanley Holloway as Charley Porter, captain of London darts team. When the team travels to the French town of Boulogne for the annual darts tournament, a good time is had by all--and more besides. Jim Carver (Donald Sinden), one of the team's members, is reunited with a little French girl he'd befriended during the war, who has now developed into a beautiful young woman (Odelle Versois). And Fred Collins (James Hayter) makes a poignant journey to the hotel where he'd honeymooned with his late wife (Brenda DeBanzie). The film works best as a low-key comedy-drama; it is least successful when it ventures into O. Henry territory and strains for "surprise" story twists. ~ Hal Erickson, All Movie Guide