Julian Holloway Movies

Fear and Loathing in Las Vegas star Johnny Depp returns to the wild world of Hunter S. Thompson in writer/director Bruce Robinson's adaptation of the Gonzo journalist's "lost" autobiographical novel of the same name. Dejected over life in New York City and at bitter odds with the Eisenhower-era conventions of the 1950s, nomadic journalist Paul Kemp (Depp) flees to Puerto Rico, where he quickly lands a job as a reporter for a San Juan newspaper. Drawing inspiration from author Ernest Hemingway's popular theory about "The Lost Generation," the newly liberated journalist develops a taste for rum as he becomes slowly entangled in the lives of American beauty Chenault (Amber Heard) and her shady husband, Sanderson (Aaron Eckhart), a wealthy real-estate developer. Later, as Sanderson's underhanded business dealings begin to emerge, Kemp's principles come into focus, and his writing style begins to mature in ways he never dreamed possible. ~ Jason Buchanan, Rovi

It is not generally known that the CGI-animated NBC sitcom Father of the Pride was the second cartoon program inspired by the spectacular career of Vegas-based illusionists Siegfried and Roy. The first, a four-part miniseries titled Siegfried & Roy: Masters of the Impossible, was seen in off-network syndication in 1996. Ironically, the title of the earlier series provides the acronymic name "Sarmoti" for one of the principal characters on Father of the Pride! The NBC series took us backstage and into the private lives of two of the white lions employed in Siegfried and Roy's act: Larry (voiced by John Goodman) and his wife Kate (voiced by Cheryl Hines). Despite their fame and fortune, the two lions had to endure the usual trials and tribulations of sitcom-style domesticity. Kate's father Sarmoti (voiced by Carl Reiner) was a loudmouth who insisted upon arguing with Larry over anything and everything, while Larry's best pal, a gopher named Snack (voiced by Orlando Jones), was forever hatching idiotic schemes that got everyone in big trouble. Add to this several dashes of toilet and sex humor, and you had an animated "funny animal" series that was far better suited for grown-ups than for kids. Produced by DreamWorks SKG Animation as NBC's answer to such popular cutting-edge cartoon efforts as Fox's The Simpsons and Comedy Central's South Park, Father of the Pride was in production in late 2003 when magician Roy (aka Roy Horn) was seriously injured when he was mauled on the stage of the Mirage Inn by one of his trained lions. For a while, the network balked at introducing the CGI series, worried that it might suffer from the publicity surrounding Roy's injuries. Once the magician was off the critical list, however, Father of the Pride began its 11-week NBC run on August 31, 2004 (two of the thirteen episodes would not be seen until the series was released on DVD). ~ Hal Erickson, Rovi

A made for TV, two-part series, this is the story of a Southern attorney who suddenly finds himself embroiled in politics, a particularly controversial murder trial and a public battle with a vindictive journalist -- all at the same time. ~ Tana Hobart, Rovi

In the second episode of the three-part story "Survival," the Doctor (Sylvester McCoy) and Ace (Sophie Aldred) are baffled by the strange goings-on in Ace's hometown of Perivale. While trying to help Sgt. Paterson (Julian Holloway) solve a series of disappearances, Ace herself vanishes, only to reappear in the Hunting World, where death is not the worst thing that can happen to her -- at least, not so long as the Cheetah People are around and about. First telecast on December 12, 1989, "Survival, Episode 2" was written by Rona Munro. ~ Hal Erickson, Rovi

In the conclusion of the three-part story "Survival," the Doctor (Sylvester McCoy), Ace (Sophie Aldred), and Sgt. Paterson (Julian Holloway) have been whisked away to the Hunting World, where they find themselves the quarry of the dreaded Cheetah People. Pulling the strings of this situation is the Doctor's perennial nemesis, the Master (Anthony Ainley), who has aligned himself with the Cheetah People -- an alliance that may have devastating consequences on everyone in the universe, including the Master. It is up to the Doctor to set things right by summoning what a psychiatrist might refer to as "The Inner Beast." Written by Rona Munro, "Survival, Episode 3" was originally seen on December 19, 1989, at which point the 26-year-old series Doctor Who went into mothballs until the 30th anniversary special four years later. ~ Hal Erickson, Rovi

Gregory Peck had made scattered television appearances before, but the 3-hour Scarlet and the Black was his first starring assignment in a made-for-TV movie. Peck plays Monsignor Hugh O'Flaherty, a real-life cleric who, during World War II, rescued thousands of escaped POWs from the Gestapo. Christopher Plummer co-stars as the Rome-based SS official who tries to catch O'Flaherty in the act. The film won several industry and religious awards, and earned three Emmy nominations. Based on J. P. Gallagher's book The Scarlet Pimpernel in the Vatican, The Scarlet and the Black premiered on February 2, 1983. ~ Hal Erickson, Rovi

This caper film stars Martin Sheen as Stephen Booker, an unemployed American architect in London who needs to jump-start his finances. Enter criminal mastermind Mike Daniels (Albert Finney), who gathers a group of thieves together to rob an impregnable London bank of millions by coming in through the sewers. Needing the money and the chance, Stephen, when offered, willingly joins the gang in their robbery attempt. ~ Paul Brenner, Rovi

Notorious international jewel thief Jack Rhodes (Burt Reynolds) is out to steal $30 million in uncut diamonds in this visually opulent, uneven comedy. Chief Inspector Cyril Willis (David Niven) is Rhodes' nemesis. He wants to retire from Scotland Yard but would like to capture Rhodes as a final, dramatic cap to his career. In order to achieve his ambition, he sets up lissome Gillian Bromley (Lesley-Anne Down) as Rhodes' erstwhile partner in crime. The unpredictable happens when Rhodes and Bromley fall for each other, leaving the best-laid plans open to unexpected amendments. Three different directors had a hand in this film though their imprints are remarkably homogenous up to but not including the ending. ~ Eleanor Mannikka, Rovi

The long-running series of British "Carry On" comedies was nearing the end of the line when this 28th film in the cycle was released in 1976. Set in World War II, Carry On England explores what happens when the British military decides to set up an experimental mixed-gender anti-aircraft battery. While commanding officer Captain Melly (Kenneth Connor) is a stickler for military discipline, it soon becomes obvious that the interaction of male and female soldiers doesn't lend itself to a crack fighting unit, though it makes for plenty of broad physical comedy, especially with Major Bloomer (Windsor Davies), Melly's second-in-command, on deck. Judy Geeson, Patrick Mower, Jack Douglas, and Joan Sims lead the supporting cast. This feature was followed by That's Carry On (1977), a "greatest hits" collection of highlights from the series, and Carry On Emmanuelle (1978), which marked the end of the series until 1992's Carry On Columbus. ~ Sandra Brennan, Rovi

This bawdy entry in the long-running series of British "Carry On" comedies is set in the court of King Henry the VIII and centers on the gang's attempt to freshen up the odiferous Queen Marie and thereby save her head. ~ Sandra Brennan, Rovi

This is the 20th feature in the successful "Carry On" series of bawdy slapstick comedies. Sidney Bliss (Sidney James) and his faithful assistant Sophie (Hattie Jacques) run a bogus matrimonial agency designed to unite people looking for love and romance. One couple never speaks a word in the film but are seen kissing in strange and familiar places. Three love-starved ladies offer their services to anyone who asks, and an excellent pie fight harkens back to the days of the classic silent comedies, with continual running gags and sexual innuendo permeating the film. ~ Dan Pavlides, Rovi

The "Carry On" gravy train continues in this entry that registers high on the randiness and vulgarity levels. Sid Boggle (Sidney James) and his best pal Bernie Lugg (Bernard Bresslaw) take off for the holidays with their girlfriends Joan Fussey (Joan Sims) and Anthea meeks (Dilys Laye). The gals know that the boys are taking them camping -- what they don't know it that it is also a nudist camp. Once there they are attracted to other campers -- particularly a group of gals from the Chayste Place Finishing School. Sexual innuendoes and double entendres become the order of the day. . . and night. ~ Paul Brenner, Rovi