Alice Hollister Movies
Although she would make the character her very own, Theda Bara was not screen history's first "vamp." That distinction should in all likelihood go to Alice Hollister, a dark-haired Kalem stock company player who appeared as Mary Magdalene in From the Manger to the Cross (1912). The following year, Hollister even starred as The Vampire and, like Bara, she did not play a blood-sucking demon but a man-eating femme fatale. Convent educated in Massachusetts and Quebec, Hollister had joined the Kalem company along with her husband, cameraman George K. Hollister, in April 1910 and both were included when the company shipped a troupe to Ireland in 1910 and 1911. Nicknamed the "O'Kalems," the travelers filmed such popular melodramas as The Colleen Bawn (1911) and Arrah-Na-Pogue (1911), both based on the works of Irish playwright Dion Boucicault and featuring Alice Hollister in leading roles. Like most of her contemporaries, Hollister's career declined along with the importance of short films but she continued to appear in supporting roles until the mid-'20s. ~ Hans J. Wollstein, RoviThis drama (adapted from the play by Gerald du Maurier and Viola Tree) was typical for its era: a jazz baby parties up a storm and pays the price for her sins. Tony (George O'Brien) and Una (Madge Bellamy) are childhood sweethearts who promise to marry when they grow up. Tony travels to South America, where he opens up a successful saloon and dance hall. One of the dancers, Maxine (Alma Rubens), falls in love with him, but he remains true to Una. Una, however, has immersed herself in a round of wild parties and she totally forgets Tony. She allows one of her admirers, Evan Carruthers (Freeman Wood), to take advantage of her. Tony becomes very wealthy upon his uncle's death, and he returns home to settle his affairs and marry Una. Although Una's aunt insists that she keep her affair with Evan a secret, Una's guilt is overwhelming. Finally, as they are about to be married, she confesses all to Tony. He forgives her, but she takes poison and dies anyhow. Tony returns to South America and weds Maxine. ~ Janiss Garza, Rovi
- Starring:
- George O'Brien, Alma Rubens, (more)
Pauline Frederick stars in this romance, based on the Louis Joseph Vance novel Mrs. Paramor. Nelly (Frederick) is so intent on her writing career, that she neglects her appearance and her husband, Wayne (Huntly Gordon). Jill Wetherell (Mae Busch), who is looking for a rich husband, finds Wayne to be easy prey and Nelly catches them together. She divorces Wayne and travels to Europe. Jill, however, throws Wayne over for Perley Rex (Conrad Nagel). Nelly becomes a writer of note under the pseudonym Mrs. Paramor. She also takes advantage of her easy access to the latest Paris fashions and becomes a truly stylish and beautiful woman. Along the way, she meets Rex and discovers he is married to Jill. They all take the same ship back to the States, and while Jill is seasick in her room, Nelly steals Rex's affection. When Jill goes to "the other woman" to beg for her husband, she is surprised to see that it's Nelly. Nelly lets Jill have Rex, but she realizes she has never stopped loving Wayne. She calls for him, and they are reunited. One novel scene near the end of the film shows Nelly hosting a banquet and mahjong party which is attended by an impressive group of movie stars, including Mae Murray, Norma Shearer, John Gilbert, Aileen Pringle, and many others; all of them, of course, signed to Metro-Goldwyn, the studio that released the picture. ~ Janiss Garza, Rovi
- Starring:
- Pauline Frederick, Conrad Nagel, (more)
This confusing melodrama finds Jean Jacques Barbille (James Kirkwood) as the wealthy young man from a small town in Quebec. Returning from a tour of Europe, he meets Carmen Delores (Alice Hollister), the daughter of a Spanish adventurer. The two are married, much to the dismay of the other women who coveted the towns most eligible bachelor. The two have a baby girl, but Carmen is driven into the arms of George Masson (Alan Hale) when Jean fails to give her the required attention. Jean discovers the illicit affair but spares George's life after he realizes he has only himself to blame for the break-up. Carmen and the daughter leave for Montreal, and she places the child in a convent when she gets a job as a chorus girl. Jean is left penniless when his mill burns down and his unscrupulous father-in-law steals his money. When Jean refuses to allow his other daughter to marry, she elopes with her lover. Jean is left to wander as a homeless vagabond, but he meets his daughter in Montreal by a simple twist of fate. After father and daughter are reunited, his other daughter returns with her prosperous husband and vows to care for their indigent father. ~ Dan Pavlides, Rovi
- Starring:
- James Kirkwood, Alice Hollister, (more)
When Blanche Warren (Irene Rich) finds out that her sister, Adele (Ora Carew), is about to marry the notorious Hugh Sainsbury (Alan Hale), she and Adele's sweetheart, Chester Thomas (William Scott), rush to the sanitarium where Sainsbury works. Blanche arrives first and the next morning Sainsbury is found murdered. A deaf patient claims that she saw Blanche commit the crime, and she is arrested. A blind patient arrives who heard the murder being committed and when he hears Blanche's voice, he says she is not the killer. When a nurse comes in and speaks, the blind man points her out as the guilty party. The nurse confesses that Sainsbury had betrayed her, and that is why she murdered him. Adele apologizes to Thomas and they are reunited. Blanche is freed and she is able to be with her own sweetheart, Harland Day (Ramsey Wallace). ~ Janiss Garza, Rovi
The Knife was adapted from the same-named stage play by Eugene Walter. Alice Brady headed the cast as Southern belle Kate Tarleton, who comes to New York in search of her destiny. Unwise in the ways of the Wicked City, Kate is soon picked up by a no-good who plies her with drugs and then seduces her. Her hometown sweetheart is all for killing the man who "done her wrong" but is dissuaded by surgeon Robert Manning (Frank Morgan), who believes he can "cure" the caddish seducer via a radical form of brain surgery. Adding texture to the tale is the fact that Dr. Manning is the brother of his experimental patient. According to the trade magazine Variety, the harsher elements of the original stage play were toned down to accommodate the recently strengthened censorship limitations of the period. ~ Hal Erickson, Rovi
Theda Bara may have been the "vamp" of the silver screen in 1915, but it was Olga Petrova who played the leading role in Metro's The Vampire. The story begins at a resort in the Adirondacks, where injured motorist Jane Lagrange (Petrova) is brought to recover from her wounds. Once she's out of danger, Jane proves to be a most bewitching "guest," and before long she has wrapped every one of the male hotel patrons around her little finger. She has a particularly powerful effect over married men, who need only take one look at Jane before deciding to desert their wives and families. Eventually, Jane is "invited" to leave the hotel, whereupon she embarks for Europe in search of more poor fools whom she can seduce. Such is her fame on the continent that she is known only as "The Vampire," loved by all but loving no one in return. All this changes when a handsome American arrives in Paris on a diplomatic mission. Falling deeply and truly in love with the American, Jane cannot bring herself to betray him as she has so many others. Guess who dies nobly at the end of this one. ~ Hal Erickson, Rovi
Adapted from a play by Adolphe D'Ennery and Eugene Cormon, A Celebrated Case managed to squeeze all of the playwrights' convolutions into 4 reels, or approximately 50 minutes' running time. Guy Coombs plays a French soldier who is sent to prison for the murder of his wife. Coombs is innocent, but his little girl doesn't know that-and she was the prosecution's chief witness. Years later, the grown-up daughter (Alice Joyce) tries to make amends. A Celebrated Case was one of the last feature films produced by the pioneering Kalem Studios. ~ Hal Erickson, Rovi
During its brief but colorful history, the pioneering Kalem company turned out a number of box-office successes. Foremost among these was From the Manger to the Cross, a tableaulike reenactment of the Passion Play. Robert Henderson-Bland played Jesus, while Gene Gaunthier and Jack Clark were seen as Mary and Joseph. Though the costumes were sometimes anachronistic, the film's overall authenticity was heightened by the expensive decision to lens the picture on location in The Holy Land. Made during Easter week of 1912, From the Manger to the Cross was still being exhibited by religious groups well into the late 1930s. ~ Hal Erickson, Rovi


