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Edna Holland Movies

Enjoying a stage, screen, and television career that lasted almost seven decades, former child actress Edna Holland (often billed Edna M. Holland) appeared on stage under the management of the legendary David Belasco -- just like Mary Pickford, whom Holland followed into films in 1915. Cast as "The Other Woman," Holland menaced Pickford's rival Mary Miles Minter in Always in the Way (1915) and was equally intolerant of Hazel Dawn in The Feud Girl (1916), Marjorie Rambeau in Mary Moreland (1917), and Ruth Stonehouse in The Masked Rider (1919). The latter was a blood-and-thunder serial in 15 chapters and Holland played Juanita, scheming with arch villain Paul Panzer against the lissome Miss Stonehouse. By 1920, she was billing herself the rather formidable Mrs. E.M. Holland and returned to the stage. Surprisingly, Holland was back in films by the late '30s, now mostly playing professional women, such as teachers, nurses or secretaries. Making her television debut on the Lone Ranger program in 1949, Holland went on to appear on such popular shows as Lassie, Annie Oakley and The Andy Griffith Show. She retired after a bit part in Inside Daisy Clover (1965) and died from a ruptured aneurysm in 1982. ~ Hans J. Wollstein, Rovi
1966  
 
Don Knotts makes a return visit to The Andy Griffith Show in the role of ex-deputy Barney Fife. The occasion is the Mayberry High School reunion, where Barney hopes to rekindle his romance with Thelma Lou. But there are more than a few surprises in store for ol' Barn' as the evening draws to a conclusion. This episode earned Don Knotts another Emmy Award, and deservedly so. First telecast on January 10, 1966, "The Return of Barney Fife" was written by Bill Idelson and Sam Bobrick ~ Hal Erickson, Rovi

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Starring:
Don Knotts
 
1965  
 
Daisy Clover (Natalie Wood) goes from teenage girl to movie star practically overnight when her demented mother enters her voice in a talent-search contest. From a broken-down carnival on the Santa Monica Pier, in no time at all she is attending glamorous Hollywood parties. But Daisy soon learns that misery and pain go hand-in-hand with fame and fortune. Before Daisy completes her first film, the studio execs have her mother committed to an asylum without permission. Daisy tries to find happiness in a series of unfulfilling romances, her one-day marriage to Wade Lewis (Robert Redford) leaving her alone and divorced. After her mother dies, Daisy has a nervous breakdown and refuses to work, but the cold-hearted studio moguls threaten her with starvation if she does not report back to the soundstage. Christopher Plummer, Ruth Gordon (in an Oscar-nominated performance) and Roddy McDowell co-star in this story of a Hollywood dream that turns into a nightmare. ~ Dan Pavlides, Rovi

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Starring:
Natalie WoodChristopher Plummer, (more)
 
1959  
 
Though he has been acquitted of murdering his wife, Paul Martin (Ross Martin cannot escape the suspicions of his neighbors, so he moves to a different town far, far away. Once he is settled in his new home, Martin glances into a mirror--and sees the reflection of himself being killed by an unknown assailant. Not long afterward, Martin's brother-in-law Roger Wiley (Edward Kemmer) drops in unexpectedly, claiming to be delivering a message from the late Mrs. Martin--and if Paul isn't guilty of murder up to now, chances are he soon will be. ~ Hal Erickson, Rovi

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1957  
 
A rare comedy effort by director Robert Wise, This Could Be the Night is based on a series of short stories Cordelia Baird Gross. Jean Simmons stars as Anne Leeds, a prim, proper and very level-headed grade-school teacher who takes a night job as secretary to rough-and-tumble nightclub owner Rocco (Paul Douglas). Despite his raffish exterior, Rocco has a heart of gold, and he does is best to protect Anne from Broadway predators in general and ladies'-man Tony Armotti (Anthony Franciosa) in particular. As she struggles to put Rocco's questionable business practices in order, Anne also encourages the efforts of immigrant busboy Hussein (Rafael Campos) to earn his American citizenship, and helps sexy chorine Ivy (Neile Adams) realize her dream of becoming a famous chef. Several veteran thespians add spice to the proceedings, including J. Carroll Naish, Joan Blondell, Murvyn Vye and ZaSu Pitts, while music is provided by the Ray Anthony Orchestra. ~ Hal Erickson, Rovi

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Starring:
Jean SimmonsPaul Douglas, (more)
 
1957  
 
This American-International horror potboiler was originally issue on a double bill with I Was a Teenage Frankenstein (also directed by Herbert L. Strock). The lovely and graceful Sandra Harrison is quite appealing as Nancy Perkins, an innocent girl who falls under the spell of e-vil chemistry teacher Miss Branding (Louise Lewis). Putting Nancy under hypnosis, Miss Branding converts the poor damsel to vampirism, committing murders and then forgetting all about them. The villainess receives her comeuppance when Nancy refuses to snap out of her spell, transforming into a slavering vampiric beast. To cover all bets, Blood of Dracula includes a soft-rock musical number, performed by one of Nancy's potential male victims. ~ Hal Erickson, Rovi

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Starring:
Sandra HarrisonGail Ganley, (more)
 
1957  
 
When an Army general is appointed to the sensitive diplomatic post that the powerful publisher of a prominent news magazine had hoped would go to a particularly qualified civilian, she launches a vitriolic campaign to discredit the general. First the publisher orders one of her cameraman to snap a few incriminating photographs of the general. In order to get them, she invites the general out for a night on the town. No matter how hard she tries to get him drunk, the general remains sober. Unfortunately, she ends up quiet tipsy and falls in a pool where she nearly drowns until the general rescues her. The sodden but grateful publisher kisses him and it is at that point that they realize that animosity is rapidly turning to love, at least for her. When she discovers that her newborn love is fated to remain unrequited because of things from the general's past, the jealous publisher pens a poisonous article about him. This creates all kinds comical obstacles and further misunderstandings. ~ Sandra Brennan, Rovi

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Starring:
Susan HaywardKirk Douglas, (more)
 
1956  
 
The MGM melodrama These Wilder Years marked the first onscreen pairing of Hollywood stars James Cagney and Barbara Stanwyck. Lonely middle-aged businessman Steve Bradford (Cagney) returns to his old town in hopes of finding the son he fathered 20 years earlier. Choosing his career over marriage and family, he got a girl pregnant and she gave the baby up for adoption. He goes to an orphanage ran by Ann Dempster (Barbara Stanwyck) to find out information about his son. They are attracted to each other, but she refuses to release the confidential files that could help him. He hires a lawyer, James Rayburn (Walter Pigeon), and proceeds to sue the adoption agency. Though he loses the case in the climactic courtroom scene, Steve ends up finding his son on his own, but he decides it's too late to forge a relationship. Instead, Ann introduces him to pregnant teenager Suzie (Betty Lou Keim), who needs his help. ~ Andrea LeVasseur, Rovi

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Starring:
James CagneyBarbara Stanwyck, (more)
 
1956  
 
This forgettable piece of 1950s sleaze stars Cleo Moore as a voluptuous blonde who becomes a successful commercial photographer. Richard Crenna, making a major break from his TV image as Our Miss Brooks' Walter Denton, plays a reporter who takes a special interest in Moore's career. The beauteous picture taker becomes involved in a blackmail plot when she goes to work for a Confidential-type magazine, nearly losing her life to mobsters. It was the opinion of many contemporary reviewers that the title Over-Exposed referred not to the photographs taken by Moore but to the generous amounts of cleavage displayed by the actress' low cut gowns. Though Cleo Moore has become a "cult" favorite thanks to her appearances in the turgid melodramas directed by Hugo Haas, Over-Exposed demonstrates that her minimal acting talent vanished altogether without Haas' guiding hand. ~ Hal Erickson, Rovi

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Starring:
Cleo MooreRichard Crenna, (more)
 
1956  
 
Planning to murder his wife for her insurance money, antiques dealer Laurence Appleby (Robert H. Harris) prepares for the crime by reading a book about accidental deaths. After killing his spouse and making it appear accidental, Appleby marries a wealthy widow named Martha Sturgis (Meg Mundy). When wife number two proves to be as contentious as wife number one, Appleby decides that a second murder is in order -- little realizing that Martha is also a voracious reader. ~ Hal Erickson, Rovi

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1955  
 
With the exception of the vastly superior Caged, Columbia's Women's Prison was the quintessential "babes behind bars" drama of the 1950s. Ida Lupino (who else?) stars as Amelia VanZant, the sadistic supervisor of the titular prison. Unable to establish any sort of relationship with a man, Amelia takes it out on her long-suffering inmates. When prison psychiatrist Clark (Howard Duff) tries to improve conditions for the women, he too is targetted for destruction by the vituperous Ms. VanZant. The cast includes such perennial "hard-boiled dames" as Jan Sterling, Cleo Moore, Audrey Totter, Phyllis Thaxter, Gertrude Michael and Mae Clarke. Not taken very seriously in the first place, Women's Prison was elevated to the level of "high camp" by youthful film buffs of the 1960s and 1970s. ~ Hal Erickson, Rovi

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Starring:
Ida LupinoJan Sterling, (more)
 
1955  
 
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In this 1955 Otto Preminger film, Gary Cooper stars as World War I hero Brigadier General Billy Mitchell. The film recounts Mitchell's efforts to prove the viability of a strong air force. The hidebound military higher-ups refuse to finance aviation any further, figuring that the strength of the United States lies in its navy. When a friend is killed by flying a faulty plane, Mitchell charges the War and Navy department with incompetence and criminal negligence. When the brass tries to quietly court-martial Mitchell, they are forced into the open by the strength of public opinion, largely in Mitchell's favor. Subjected to the grilling of prosecutor Alan Guillon (Rod Steiger) during his trial, Mitchell sticks to his guns, even outlining a potential Japanese attack on Pearl Harbor unless the military wises up and strengthens its air power. Elizabeth Montgomery makes her film debut in the role of Margaret Landsdowne. ~ Hal Erickson, Rovi

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Starring:
Gary CooperCharles Bickford, (more)
 
1955  
 
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The highly variable Audie Murphy delivers his best screen performance as "himself" in Universal's To Hell and Back. Based on the star's autobiography, this is the story of how Murphy became America's most-decorated soldier during WW II. After dwelling a bit on Murphy's hard-scrabble Texas upbringing, the story moves ahead to 1942, when, as a teenager, Audie joined the army. Within a year, he was a member of the 7th Army, serving in North Africa, Italy, France and ultimately Germany and Austria. One by one, the members of Murphy's Company B are killed in the war, until only three men from the original company are left (the others appear at the finale as ghostly images, a standard visual cliché of 1950s war films). The bulk of the film is given over to Murphy's conspicuous acts of combat bravery, and his killing of 240 enemy soldiers. Highlighted by excellent battle sequences, To Hell and Back is a serviceable tribute to a most complex individual. ~ Hal Erickson, Rovi

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Starring:
Audie MurphyMarshall Thompson, (more)
 
1955  
 
Hoping to square his debts before his retirement, Frank Patridge (Sidney Blackmer) talks his wife Mildred (Virginia Gregg) into a scheme to defraud the insurance company. Mildred will drop out of sight for seven years, at the end of which she will be declared legally dead so that Frank can collect her life insurance. During Mildred's disappearance, a diligent insurance detective (Robert Emhardt) dogs Mr. Partridge's trail, certain that Frank killed Mildred and buried her body somewhere. As it turns out, there is a "death in the family" by episode's end, but not in a manner that either Frank or Mildred could have possibly anticipated. ~ Hal Erickson, Rovi

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1954  
 
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Randolph Scott is tall in the saddle once more in the Scott-Brown production Ten Wanted Men. The star is cast as John Stewart, who attempts to establish law and order on his vast Arizona spread without resorting to violence. Less peacefully inclined is Stewart's chief rival Wick Campbell (Richard Boone), who believes that might is right. To this end, Campbell recruits the services of hired gun Frank Scavo (Leo Gordon) and eight other pluguglies to drive all competition out of the territory. Jocelyn Brando costars as the woman in Stewart's life, while Donna Martell plays Campbell's much-abused mistress. Also registering well is Skip Homeier as Stewart's resentful nephew, who'd rather be anywhere else but Arizona. Ten Wanted Men might have been better had Budd Boetticher handled the direction instead of the competent but pedestrian H. Bruce Humberstone. ~ Hal Erickson, Rovi

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Starring:
Randolph ScottJocelyn Brando, (more)
 
1953  
 
Treasure of the Golden Condor is a Technicolor remake of 1942's Son of Fury; both films were based on the same novel by Edison Marshall. Cornel Wilde stars in the old Tyrone Power role as Jean-Paul, a Frenchman cheated of his birthright by his duplicitous uncle (George Macready). Retreating to South America with lovable reprobate MacDougal (Finlay Currie), Jean-Paul searches for buried treasure in the jungles of Guatemala. He also romances MacDougal's comely daughter Clara (Constance Smith). Eventually, Jean-Paul must bid Clara goodbye and return to France, there to settle accounts with his uncle. Clara prays for the day that Jean-Paul will come back for her and as the closing music swells . . . . ~ Hal Erickson, Rovi

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Starring:
Cornel WildeConstance Smith, (more)
 
1953  
 
Attractively filmed in Cinecolor, Roar of the Crowd is a better-than-average actioner from Allied Artists. Howard Duff plays Johnny Tracy, scion of a racecar-driving family. Johnny wants a crack at the Indianapolis 500 above all else, but his girl friend Marcy Parker (Helene Stanley) wants him to quit the racetrack. Finally, a compromise is reached: Johnny will retire from racing if Marcy allows him to prepare for the 500. Alas, Johnny is injured in a pre-Indy accident, and it looks like he hasn't a chance. While the outcome is predictable, a few surprises still await the audience in the final reel. A few months before Roar of the Crowd went into release, stock footage from the racing sequences were seen in the Bowery Boys epic Jalopy. ~ Hal Erickson, Rovi

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Starring:
Howard DuffHelene Stanley, (more)
 
1952  
 
Loretta Young plays a guilt-ridden hit-and-run driver in Paula. After leaving the scene of an accident, Paula (Young) discovers that her victim, a young boy named David Larson (Tommy Rettig), may have permanently lost the power of speech. Her maternal instinct overcoming her desire for self-preservation, Paula makes it her mission in life to teach David how to talk again. Still, she never reveals to the boy that it was she who was responsible for his condition. Inevitably, however, he finds out, setting the stage for the film's tear-stained denouement. Paula strains credibility quite a bit, though Loretta Young's strong performance makes the whole thing more believable than it sounds. ~ Hal Erickson, Rovi

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Starring:
Loretta YoungKent Smith, (more)
 
1952  
 
Despite its ebullient title and the presence of lightweight dancing star Dan Dailey, Meet Me at the Fair has a lot more meat on its bones than most musicals of the early 1950s. Dailey plays an early-1900s medicine show huckster who finds himself the reluctant guardian of orphanage escapee Chet Allen. As he grows fond of the boy, Dailey becomes determined to thwart the corrupt system that allows substandard orphan asylums to operate while political hacks get rich on government funding. Dailey wins the confidence (and love) of orphan committee member Diana Lynn, who helps to foil the machinations of crooked district attorney Hugh O'Brien. The darker aspects of Meet Me at the Fair are lightened by director Douglas Sirk's marvelous recreations of backstage life at the turn of the century. The film is also a special treat for fans of Scatman Crothers, who is never less than terrific as Dan Dailey's sidekick. ~ Hal Erickson, Rovi

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Starring:
Dan DaileyDiana Lynn, (more)
 
1952  
 
Douglas Sirk directed this frothy musical comedy set in the 1920s starring Charles Coburn as Samuel Fulton, an elderly man with a multi-million dollar fortune. With no family of his own to whom he can leave his money, Fulton is pondering what to do with his estate. Years ago, he was in love with a woman named Harriet, whom he asked to marry. She turned him down and married another someone else, but he's still fond of her and considers leaving his millions to her family. However, Fulton decides to first give them a test. Posing as an eccentric and threadbare artist, he rents a room from Harriet (Lynn Bari) and her husband Charles (Larry Gates). He then arranges for an anonymous gift of $100,000 to be presented to them so that he can watch their reactions. Sadly, things don't go well; Harriet browbeats the rest of the family into moving into a mansion and tries to convince her daughter Millicent (Piper Laurie) to break up with her boyfriend, poor but good-hearted soda jerk Dan (Rock Hudson), in favor of a wealthier and more socially prominent man. Songs include "Tiger Rag," "When the Red, Red Robin Comes Bob-Bob-Bobbin' Along," "It Ain't Gonna Rain No More," and "Gimme a Little Kiss, Will Ya, Huh?" James Dean has a tiny part as a customer at the soda fountain; it was his first appearance onscreen. ~ Mark Deming, Rovi

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Starring:
Piper LaurieRock Hudson, (more)
 
1951  
 
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Love Nest is a thoroughly likeable formula comedy with a most engaging cast. William Lundigan plays Jim Scott, an aspiring writer who, together with his wife Connie (June Haver), moves into the basement of an apartment building that they've bought. Scott's hopes to keep financially solvent are thwarted by the everyday travails of maintaining the building and ministering to the needs of the tenants. The episodic plotline settles on the activities of charming con artist Charley Patterson (Frank Fay), who targets tenant Eadie Gaynor (Leatrice Joy) as his latest victim. When Patterson is finally arrested, he generously offers to tell his life story to Scott, thereby launching the latter's writing career in earnest. Love Nest was frequently revived throughout the 1950s and 1960s because of the supporting-cast presence of future sex symbol Marilyn Monroe and TV talk host Jack Paar. ~ Hal Erickson, Rovi

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Starring:
June HaverWilliam Lundigan, (more)
 
1951  
PG  
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In one of Alfred Hitchcock's suspense classics, tennis pro Guy Haines (Farley Granger) chances to meet wealthy wastrel Bruno Anthony (Robert Walker) on a train. Having read all about Guy, Bruno is aware that the tennis player is trapped in an unhappy marriage to to wife Miriam (Laura Elliott) and has been seen in the company of senator's daughter Ann Morton (Ruth Roman). Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). As Guy listens with detached amusement, Bruno discusses the theory of "exchange murders." Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? With no known link between the two men, the police would be none the wiser, would they? When he reaches his destination, Guy bids goodbye to Bruno, thinking nothing more of the affable but rather curious young man's homicidal theories. And then, Guy's wife turns up strangled to death. Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of everyday life and ordinary men. ~ Hal Erickson, Rovi

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Starring:
Farley GrangerRobert Walker, (more)
 
1950  
NR  
In this 1951 comedy Irene Dunne stars as Kay, a Manhattan-based songwriter who marries widowed rodeo cowboy Chris (Fred MacMurray). In the tradition of The Egg and I, Kay suffers a great deal of culture shock when she moves into Chris' western ranch. When she isn't being bedeviled by her new step-children, poor Kay is subjected to bumps and bruises as she tries to become an expert horsewoman. Nothing happens in Never a Dull Moment that isn't thoroughly predictable, though the stars bring a degree of freshness to the proceedings. This film was one of several produced for RKO by Harriet Parsons, daughter of gossip columnist Louella Parsons. ~ Hal Erickson, Rovi

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Starring:
Irene DunneFred MacMurray, (more)
 
1950  
 
A woman is torn between a comfortable lie and the painful truth in this drama. After she is abandoned by her unfaithful boyfriend Stephen Morely (Lyle Bettger), Helen Ferguson (Barbara Stanwyck) discovers that she's pregnant, and she has no choice but to go home to her family. Shortly after boarding the train, Helen meets Hugh and Patrice Harkness (Richard Denning and Phyllis Thaxter), a recently married couple who are travelling to visit Hugh's parents, who have yet to met his bride. Patrice, who is also with child, strikes up a conversation with Helen, and allows her to try on her beautiful wedding ring. Moments later, the train becomes involved in a terrible accident in which Hugh and Patrice are killed; because she was still wearing Patrice's ring, Helen is mistaken for the late Mrs. Harkness by Hugh's parents (Jane Cowl and Henry O'Neill), and is taken home with them as she recovers and has her baby. Helen begins to feel a part of the family until Stephen arrives, demanding money to keep her true identity a secret. No Man of Her Own was remade in 1996 as the comedy Mrs. Winterbourne. ~ Mark Deming, Rovi

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Starring:
Barbara StanwyckJohn Lund, (more)
 
1949  
 
Shep Comes Home was the belated sequel to Screen Guild's My Dog Shep (1946). The title pooch is played by "Flame" (who also starred in Columbia's "Rusty" series), while his orphaned master Larry is portrayed by Billy Kimberly. Escaping from an orphanage, Larry and Shep hit the road, with a sympathetic old sheriff (J. Farrell McDonald) in pursuit. The boy and his dog come to the rescue of an innocent emigrant (Martin Garralaga) who has been blamed for the perfidy of a two-bit crook (Sheldon Leonard). Thankfully, the film's inherent sentiment never gets too gooey. ~ Hal Erickson, Rovi

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Starring:
Robert LoweryBilly Kimbley, (more)
 
1949  
 
Film historian Leonard Maltin has labelled this final entry in Monogram's "Charlie Chan" series as "embarrassing," but it's not quite as bad as its reputation would indicate. True, star Roland Winters steadfastly refuses to take his characterization of Charlie Chan seriously, but that's part of the fun. Much of the action takes place on an airliner, where someone has drugged the passengers and crew and killed a courier who was carrying a quarter of a million dollars. The suspect list is a dream-come-true for movie buffs, populated with such reliable supporting players as Iris Adrian, Eleana Verdugo, Tim Ryan, Milburn Stone, Lyle Talbot, Paul Maxey and John Eldredge. Noel Neill, everyone's favorite Lois Lane, is also on hand as a stewardess. And of course, Charlie Chan is aided and abetted by Number One Son Lee Chan (Keye Luke) and pop-eyed chauffeur Birmingham Brown (Mantan Moreland). Though out of favor with dyed-in-the-wool Charlie Chan fans, Sky Dragon opened to good business and better-than-average reviews. ~ Hal Erickson, Rovi

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Starring:
Roland WintersKeye Luke, (more)