Anthony Holland Movies

Supporting actor, onscreen from the '60s; often played comedic big-city neurotics. ~ All Movie Guide
1982  
 
Directed by George Schaefer, this light made-for-television drama is based upon the novel of the same name by Robert Oliphant. Starring Bette Davis as Esther Cimino, a 73-year-old widow, the film traces the events following Esther's son George's (George Hearn) decision that she is no longer capable of caring for herself in her ederly state. Despite her protests, Esther is ruled incompetent by the legal system, leading her to wage a court battle to regain not only her estate but her dignity as well. Also starring Penny Fuller and Christopher Guest, A Piano for Mrs. Cimino first aired on February 3, 1982 on CBS and was later nominated for an Emmy for Outstanding Film Editing. ~ Matthew Tobey, All Movie Guide

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1979  
R  
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"It's showtime!" In this part film à clef, part musical phantasmagoria, director/choreographer Bob Fosse takes a Felliniesque look at the life of a driven entertainer. Joe Gideon (Roy Scheider, channeling Fosse) is the ultimate work (and pleasure)-aholic, as he knocks back a daily dose of amphetamines to juggle a new Broadway production while editing his new movie, not to mention ex-wife Audrey (Leland Palmer), steady girlfriend Kate (Ann Reinking), a young daughter, and various conquests. Joe cannot, however, avoid intimations of mortality from white-clad vision Angelique (Jessica Lange) that lead him to look back at his life as he heads for a near-inevitable coronary and his departure from this mortal coil with the appropriate razzle-dazzle. Taking his cue from Federico Fellini's 8 1/2 (1963), Fosse moves from realistic dance numbers to extravagant flights of cinematic fancy, as Joe meditates on his life, his women, and his death. Following a similarly dark revisionist vein as Martin Scorsese's New York, New York (1977), Fosse shows the stiff price that entertaining exacts on entertainers (among other things, he intercuts graphic footage of open-heart surgery with a song and dance), mercilessly reversing the feel-good mood of classical movie musicals. Critics praised Fosse's daring even as they damned his self-indulgence, while Scheider was lauded for giving the best performance of his career. Though not a disastrous failure, All That Jazz came nowhere near the popularity of 1978's Grease, as late '70s audiences increasingly turned away from "difficult" movies. For all its excesses, Fosse's fiercely personal approach turned All That Jazz into another striking work from one of the few directors able to make, and experiment with, movie musicals after the 1960s. ~ Lucia Bozzola, All Movie Guide

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Starring:
Roy ScheiderJessica Lange, (more)
1968  
 
Bye Bye Braverman is a bittersweet adaptation of Wallace Markfield's coldly cynical novel To an Early Grave. Braverman, an idealistic minor author, dies; his four best friends, writers who in one way or another have all sold out, decide to attend his funeral. The foursome includes a disenchanted magazine writer (George Segal), a poet (Jack Warden), a book reviewer (Sorrell Booke), and an embittered bellyacher (Joseph Wiseman). Taking a picaresque journey from Greenwich Village to Brooklyn, the quartet never quite gets to the funeral, but their odyssey unearths many a self-revelation and previously unspoken truth. Like its four leading characters, Bye Bye Braverman loses its way towards the end, bringing this otherwise insightful comedy/drama to a muddied conclusion. ~ Hal Erickson, All Movie Guide

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Starring:
George SegalJack Warden, (more)
1987  
 
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The Duke boys (John Schneider, Tom Wopat) return to play different characters: arguing brothers who are forced to take a shipment of toys to a remote Alaskan town. ~ John Bush, All Movie Guide

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Starring:
John SchneiderTom Wopat, (more)
1964  
 
Cut off from the rest of King Company in enemy territory, Saunders (Vic Morrow) and Caje (Pierre Jalbert) must now laboriously make their back to their own lines. En route, the two men are joined by several awkward stragglers, among them a pair of non-coms, a brace of rookies, and an overly pugnacious sergeant (Steve Gravers). Featured in the cast is George Savalas, who under the stage name Demosthenes later played Detective Stavros on his brother Telly Savalas' TV series Kojak. ~ Hal Erickson, All Movie Guide

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1967  
 
In this eccentric independent comedy filmed in Chicago, Frank (Jon Voight) is a hayseed who heads north to the big city of Chicago, only to run afoul of gangsters and wind up murdered. Frank soon finds himself resurrected as a virtuous superhero, Fearless Frank, but a mad scientist (Severn Darden) soon crafts an evil twin, False Frank, to do his sinister bidding. Monique Van Vooren plays Plethora, one of the gangster's molls, and novelist Nelson Algren appears as Needles; much of the supporting cast was drawn from the Second City comedy troupe, including David Steinberg and Ben Carruthers. Frank's Greatest Adventure was the first solo directorial credit for Philip Kaufman and the screen debut for Jon Voight, though it would not receive wide distribution until after his breakthrough role in Midnight Cowboy. ~ Mark Deming, All Movie Guide

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Starring:
Jon VoightMonique Van Vooren, (more)
1964  
 
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The Hebrew prophet Elijah (played by Lou Gilbert) comes from Lake Michigan--rather than Gilead of Biblical legend--into the city of Chicago in the appearance of an elderly tramp. He proceeds to wander about, coming into contact with various characters and their assorted problems. Among those who meet him are a sculptor, the sculptor's pregnant ex-girlfriend, a violinist/beggar and the like. Even the Chicago author Nelson Algren appears onscreen as himself, pondering the difficult choices an artist must face. After his many adventures throughout the city of Chicago, Elijah vanishes back into the lake. Though interpretations of this work vary, it is most likely a retelling of the Biblical story in modern times. Regardless of symbolism or metaphor, Goldstein successfully captured the attention of critics at the time of its release. This was the first film for screenwriters/directors Benjamin Manaster and Philip Kaufman. Kaufman would go on to direct and/or write such critically acclaimed features such as Raiders of the Lost Ark (1981), The Right Stuff (1983) and The Unbearable Lightness of Being (1988). ~ Kristie Hassen, All Movie Guide

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Starring:
Lou GilbertThomas Erhart, (more)
1972  
R  
Loosely based on the Faust legend, Hammersmith is Out stars Richard Burton as the title character, a mental patient confined to the sanitarium owned by a loony doctor (Peter Ustinov, who also directed). Befriending a lackadaisical orderly named Billy Breedlove (Beau Bridges), the satanic Hammersmith offers Billy untold wealth and power if he'll help him escape. Once on the outside, Hammersmith keeps his promises to Billy, with the help of slovenly hash-slinger Jimmie Jean Jackson (Elizabeth Taylor). When time comes to pay the piper, however, Hammersmith and Jimmie Jean conspire to leave Billy hanging out to dry. ~ Hal Erickson, All Movie Guide

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Starring:
Elizabeth TaylorRichard Burton, (more)
1986  
R  
In this comedy, a would-be writer's dreams come true when his uncle hires him to be an assistant detective. Assigned to save a troubled woman, the bumbling writer ends up finding a cache of Nazi treasure and winning the heart of the girl. ~ Sandra Brennan, All Movie Guide

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Starring:
Dave FoleyRoberta Weiss, (more)
1978  
PG  
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Recently widowed Dr. Nichols (Walter Matthau) finds himself ill at ease in re-entering the singles scene. Then he meets Ann Atkinson (Glenda Jackson), a patient recuperating from a jaw operation. Freshly divorced from a philandering spouse, Jackson is as reluctant to inaugurate a lasting commitment as Walter--but inaugurate they do, in a hilarious scene wherein Jackson and Walter try to emulate those romantic couples in 1930s movies who were forced by the censors to keep one foot on the floor while lying in bed. It is Jackson who encourages Matthau to stand up for his ideals during a lawsuit involving senile head physician Dr. Willoughby (Art Carney, who is unbearably funny at times). Richard Benjamin rounds off the cast of polished farceurs who add so much sparkle to House Calls. The film was later adapted into a TV sitcom starring Wayne Rogers in the Matthau role, Lynn Redgrave (and later Sharon Gless) in the Jackson counterpart, and David Wayne as a less aphasiatic version of the Carney character. ~ Hal Erickson, All Movie Guide

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Starring:
Walter MatthauGlenda Jackson, (more)
1983  
 
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Jane Doe, played by Karen Valentine, is an amnesiac with no clue as to her true identity. She does know that she's recovering from a brutal attempted murder. She also knows that a psychopath--a serial killer known as the Roadside Strangler--is tracking her every move. But why? William Devane plays the detective on the case, David Huffman appears as Doe's husband, and Stephen E. Miller is sufficiently menacing as the Strangler. But don't be lulled into complacency: there's a surprise ending. Originally telecast March 12, 1983, Jane Doe was written by Cynthia Mandelberg and Walter Halsey Davis. ~ Hal Erickson, All Movie Guide

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Starring:
Karen ValentineWilliam Devane, (more)
1978  
R  
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Not surprisingly, this fascinating dissection of Gypsy life in America was vilified by several ethnic special-interest groups, who'd previously delivered their mimeoed missives to novelist Peter Maas, on whose book the film was based. Sterling Hayden is the "king" of a New York-based gypsy tribe, who on his deathbed passes his crown to his reluctant grandson, Eric Roberts. Roberts' scuzzy father Judd Hirsch, envious that he's been passed over, begins plotting the demise of his own son. It appears at first that the boy, a thoroughly assimilated Manhattanite, would be more than willing to give up his invisible throne to Hirsch, but there's something about his heritage that always draws him back to his own people. Several genuine gypsies took part in the film as extras, bit players and technical advisers; reportedly, they also spent much of the shooting time trying to cadge a few dishonest dollars from cast and crew. ~ Hal Erickson, All Movie Guide

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Starring:
Sterling HaydenShelley Winters, (more)
1955  
 
King's Rhapsody was the second screen teaming of beloved British star Anna Neagle and Hollywood's "bad boy" Errol Flynn. Based on a musical play by Ivor Novello, the film casts Flynn as a European prince who falls in love with commoner Neagle. The prince pulls an "Edward VIII" and goes into exile so he may set up house with the woman he loves. When the King dies, Flynn is obliged to return to his throne and marry a hand-picked princess (Patrice Wymore, who was Mrs. Flynn at the time). Years later, the prince, finally free to marry, seeks out Neagle. She still loves him, but sends him on his way, realizing that his true place is with his people. Although Anna Neagle's husband Herbert Wilcox was producer-director of King's Rhapsody, her songs were cut from the final release print, leaving her with literally nothing to do but stand around and look radiant. Perhaps as a result, King's Rhapsody was one of the few Neagle/Wilcox failures. ~ Hal Erickson, All Movie Guide

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Starring:
Anna NeagleErrol Flynn, (more)
1971  
R  
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The first part of his "paranoia trilogy," Alan J. Pakula's 1971 thriller details the troubled life of a Manhattan prostitute stalked by one of her tricks. Investigating the disappearance of his friend Tom Gruneman (Robert Milli), rural Pennsylvania private eye John Klute (Donald Sutherland) follows a lead provided by Gruneman's associate Peter Cable (Charles Cioffi) to seek out a call girl who Gruneman knew in New York City. The call girl is Bree Daniels (Jane Fonda), an aspiring actress who turns tricks for the cash and to be free of emotional bondage. Klute follows Bree's every move, observing the city's decadence and her isolation, eventually contacting her about Gruneman. Bree claims not to know Gruneman, but she does reveal that she has received threats from a john. As Bree becomes involved in Klute's search and realizes that she is in danger, she reluctantly falls in love with Klute, despite her wish to remain unattached to any man. When she finally comes face to face with the killer, however, she is forced to reconsider her detached urban life. ~ Lucia Bozzola, All Movie Guide

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Starring:
Jane FondaDonald Sutherland, (more)
1970  
 
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Lovers and Other Strangers became a "sleeper" hit, based on a play by Renée Taylor and Joseph Bologna. The story is essentially a series of vignettes and anecdotes, unified by an impending marriage. Father of the bride Hal (Gig Young) has problems with his long-suffering mistress, Cathy (Anne Jackson), who spends much of the film sitting on the toilet, crying her eyes out; Wilma (Anne Meara), the bride's sex-starved sister, can't wrest her husband, Johnny (Harry Guardino), away from the TV; and Frank (Richard S. Castellano), as the groom's father, slips comfortably into Bartlett's Familiar Quotations with his oft-repeated query "So what's the story?" Twelfth-billed Diane Keaton makes her film debut as a garrulous wedding guest. ~ Hal Erickson, All Movie Guide

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Starring:
Bea ArthurBonnie Bedelia, (more)
1975  
PG  
During the Prohibition era, Walker (Burt Reynolds) and Kibby (Gene Hackman) run a liquor smuggling operation in Mexico; they team up with Claire (Liza Minnelli), a cabaret entertainer who has an "in" with several big-time nightclub owners. Complications ensue when both men fall in love with Claire, and she can't make up her mind between them. Escaping both the law and a murderous gang of rival crooks, the threesome set sail on a small boat called the "Lucky Lady." ~ Hal Erickson, All Movie Guide

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Starring:
Gene HackmanLiza Minnelli, (more)
1969  
R  
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Based on a James Leo Herlihy novel, British director John Schlesinger's first American film dramatized the small hopes, dashed dreams, and unlikely friendship of two late '60s lost souls. Dreaming of an easy life as a fantasy cowboy stud, cheerful Texas rube Joe Buck (Jon Voight) heads to New York City to be a gigolo, but he quickly discovers that hustling isn't what he thought it would be after he winds up paying his first trick (Sylvia Miles). He gets swindled by gimpy tubercular grifter Rico "Ratso" Rizzo (Dustin Hoffman) but, when Joe falls in the direst of straits, Ratso takes Joe into his condemned apartment so that they can help each other survive. Things start to look up when Joe finally lands his first legit female customer (Brenda Vaccaro) at a Warhol-esque party; Ratso's health, however, fails. Joe turns a final trick to get the money for one selfless goal: taking Ratso out of New York to his dream life in Miami. One of the first major studio films given the newly minted X rating for its then-frank portrayal of New York decadence, Midnight Cowboy was critically praised for Schlesinger's insight into American lives, with the intercut mosaic of Joe's memories and Ratso's dreams lending their characters and actions greater psychological complexity. While they may have been drawn by the seamy content (tame by current standards), the young late '60s audience responded to Joe's and Ratso's confusion amidst turbulent times and to the connection they make with each other despite their alienation from the surrounding culture. Midnight Cowboy became one of the major financial and artistic hits of 1969, winning Oscars for Best Picture (the first for an X-rated film), Best Director, and former blacklistee Waldo Salt's screenplay. Though the one-two punch of Midnight Cowboy and The Graduate (1967) proved Hoffman's range and Voight's Joe Buck made him a star, both lost Best Actor to classical cowboy John Wayne for True Grit. ~ Lucia Bozzola, All Movie Guide

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Starring:
Dustin HoffmanJon Voight, (more)
1986  
 
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Marlo Thomas fully justifies her star status in the made-for-television Nobody's Child. Ms. Thomas portrays the real-life Marie Balter, a Massachusetts woman consigned to a mental hospital after a suicide attempt at age 16. For the next 20 years, Marie is and out of the institution, mostly under the care of a sensitive doctor (Caroline Cava) who treats her for panic disorder and depression. Finally able to curb her inner demons without the use of drugs and therapy, Marie leaves the hospital for good, hoping to pursue a normal life. She falls in love with another ex-mental patient (Ray Baker), and strives successfully to earn a college diploma (she later became a health administrator). Aside from Marlo Thomas' Emmy-winning performance, Nobody's Child boasts the stunning camerawork of longtime Ingmar Bergman associate Sven Nykvist. One scene, in which Marie Balter imagines she sees serpents emerging from a typewriter, is as frightening a piece of celluloid as has ever been presented on television. ~ Hal Erickson, All Movie Guide

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1980  
PG  
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In this mild sequel to the 1977 appearance of George Burns as God, the Heavenly Father shows up again, this time to talk to Tracy (Louanne), a young girl whose earthly father (David Birney) is in the advertising business. God's intention is to promote himself among the children first. Tracy comes up with a way to further awareness of the Supreme Being with posters and graffiti that say "Think God." She and her classmates set out on this campaign, but Tracy ends up facing a phalanx of psychiatrists for talking to an invisible God. Being who He is, God decides to finally make an appearance for the benefit of everyone. ~ Eleanor Mannikka, All Movie Guide

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Starring:
George BurnsSuzanne Pleshette, (more)
1972  
 
This drama contains a strongly anti-military message as it presents the supposed abuses that go on inside US military stockades. The story is set in the fictitious Fort Nix (based on Fort Dix, New Jersey where many of the accounts the film is based on came from), and contains scenes of graphic violence as it tells the prisoners' tales. ~ Sandra Brennan, All Movie Guide

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1969  
 
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Striving for a better life for his two sons, a Puerto Rican immigrant named Popi (Alan Arkin) goes about his mission in a singularly eccentric fashion in this comedy from director Arthur Hiller. So intent is Harlem resident Abraham "Popi" Rodriguez (Arkin) upon providing his boys with the American dream, that he puts off marrying his beautiful girlfriend Lupe (Rita Moreno) in order to carry out the mother of all harebrained schemes. After instructing his boys how to row with lessons in Central Park, Popi takes them to Florida and sets them adrift on the ocean, knowing that two cute "refugees from Cuba" seeking asylum in the U.S. will become celebrity cases and probably be adopted by rich WASP's. Popi's plan works like a charm, with his sons even earning an audience with the president, but a visit to the hospital where they're recovering from their ordeal at sea sinks his big plans. ~ Karl Williams, All Movie Guide

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Starring:
Alan ArkinRita Moreno, (more)
1977  
 
This lively romance follows the exploits of two New York bicycle couriers who fall in love. ~ Sandra Brennan, All Movie Guide

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1982  
PG  
Add Tempest to QueueAdd Tempest to top of Queue
This comedy is set upon a remote Greek island and is very loosely based on Shakespeare's classic play. The tale centers on a middle-aged New York architect who abandons his wife and moves to the island with his teen-age daughter and his new lover, a Greek singer, in hopes of finding meaning in his life. The only resident of the island is an old hermit, and the father is finally happy until his wife, her lover, his son and others get in a shipwreck and end up marooned on the island with him. ~ Sandra Brennan, All Movie Guide

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Starring:
John CassavetesGena Rowlands, (more)
1988  
R  
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Based on a real-life 1983 incident, The Accused tells the story of Sarah Tobias (Jodie Foster), a working-class party girl who likes to live it up with her friends and flirt hard with the guys. After a fight with her boyfriend, she heads to a local bar to cool down -- and after a few drinks, plus some dancing and flirting, she finds herself thrown on top of a pinball machine and gang-raped by a bunch of locals, while others watch and cheer the proceedings. District attorney Kathryn Murphy (Kelly McGillis) takes Sarah's case but quickly negotiates a plea bargain in which the attackers' charges are reduced to reckless endangerment. Her reason: defense attorneys could use Sarah's not-so-pretty past to paint her as "asking for it," getting their clients off completely. But a stunned Sarah accuses Murphy of selling her out, and when the lawyer sees how the incident continues to destroy Sarah's life, she decides she must seek true justice. This time, she goes after the crowd of onlookers for "criminal solicitation" -- those who were egging the rapists on. Foster won the Best Actress Oscar for her performance. ~ Don Kaye, All Movie Guide

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Starring:
Kelly McGillisJodie Foster, (more)
1971  
PG  
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This breathlessly paced high-tech thriller stars Sean Connery as Anderson, a career criminal who's just been released from his latest prison term. Seeking a quick financial turnover, Anderson uses mob funding to finance an ambitious robbery. With a gang of expert thieves, Anderson sets about to rob every wealthy tenant of a fancy East Side apartment building. What he doesn't know is that every move he makes is being monitored and taped by several law-enforcement agencies, who hope that Anderson will lead them to the Mob kingpins. Though the film may look like a "comment" on the Watergate break-in, The Anderson Tapes actually preceded that third-rate burglary by nearly two years. The Anderson Tapes boasts an impressive supporting cast, many of whom play wildly against type, including Alan King as an aging and infirm Mafia don. ~ Hal Erickson, All Movie Guide

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Starring:
Sean ConneryDyan Cannon, (more)

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