Anthony Holland Movies
Supporting actor, onscreen from the '60s; often played comedic big-city neurotics. ~ All Movie Guide
- 1989
A wealthy woman (Robin Givens) is stalked by her ex-boyfriend, who escaped from an asylum. He traps her in her penthouse. ~ All Movie Guide
- 1987
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The Duke boys (John Schneider, Tom Wopat) return to play different characters: arguing brothers who are forced to take a shipment of toys to a remote Alaskan town. ~ John Bush, All Movie Guide
- Starring:
- John Schneider, Tom Wopat, (more)
- 1986
Local bullies find themselves the recipients of a Christmas miracle when they perform in the Christmas pageant. ~ Kristie Hassen, All Movie Guide
Marlo Thomas fully justifies her star status in the made-for-television Nobody's Child. Ms. Thomas portrays the real-life Marie Balter, a Massachusetts woman consigned to a mental hospital after a suicide attempt at age 16. For the next 20 years, Marie is and out of the institution, mostly under the care of a sensitive doctor (Caroline Cava) who treats her for panic disorder and depression. Finally able to curb her inner demons without the use of drugs and therapy, Marie leaves the hospital for good, hoping to pursue a normal life. She falls in love with another ex-mental patient (Ray Baker), and strives successfully to earn a college diploma (she later became a health administrator). Aside from Marlo Thomas' Emmy-winning performance, Nobody's Child boasts the stunning camerawork of longtime Ingmar Bergman associate Sven Nykvist. One scene, in which Marie Balter imagines she sees serpents emerging from a typewriter, is as frightening a piece of celluloid as has ever been presented on television. ~ Hal Erickson, All Movie Guide
Christmas Star is a two-hour whimsy assault, originally telecast December 14, 1986 on The Disney Sunday Movie. Ed Asner plays an escaped convict who adopts a stolen Santa Claus suit as a disguise. Several impressionable youngsters, believing Asner to be the genuine Santa, latch onto him. He decides to use these moppets to help him find his ill-gotten loot, which his partner has hidden in department store Christmas decorations. The ending is as misty-eyed as it is predictable. ~ Hal Erickson, All Movie Guide
- 1985
A trio of rich ex-cops begin to investigate a murder involving baseball and gangsters. ~ Kristie Hassen, All Movie Guide
- Starring:
- Ted Wass, Markie Post, (more)
- 1984
Aimed primarily at the television audience, this somewhat predictable prison drama centers on Danny Baker (Winston Rekert), a lifer put into solitary confinement. Though shut off from most of the outside world, Baker supplies needed information to Joan Tremblay (Andrée Pelletier) in her fight against the practice of isolating prisoners for long periods of time. After Danny is released from solitary, he is falsely accused of having drugs and is about to be sent back to the same confinement. Threatened, he and a few others take Tremblay hostage to protest the use of solitary as punishment -- a risk that does not bode well for anyone concerned. The stereotyped dialogue in this uneven film is set against some gruesome prison scenes, meant to underscore the inhumanity of prison conditions in general. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Andree Pelletier, Winston Rekert, (more)
Jane Doe, played by Karen Valentine, is an amnesiac with no clue as to her true identity. She does know that she's recovering from a brutal attempted murder. She also knows that a psychopath--a serial killer known as the Roadside Strangler--is tracking her every move. But why? William Devane plays the detective on the case, David Huffman appears as Doe's husband, and Stephen E. Miller is sufficiently menacing as the Strangler. But don't be lulled into complacency: there's a surprise ending. Originally telecast March 12, 1983, Jane Doe was written by Cynthia Mandelberg and Walter Halsey Davis. ~ Hal Erickson, All Movie Guide
- Starring:
- Karen Valentine, William Devane, (more)
- 1982
Directed by George Schaefer, this light made-for-television drama is based upon the novel of the same name by Robert Oliphant. Starring Bette Davis as Esther Cimino, a 73-year-old widow, the film traces the events following Esther's son George's (George Hearn) decision that she is no longer capable of caring for herself in her ederly state. Despite her protests, Esther is ruled incompetent by the legal system, leading her to wage a court battle to regain not only her estate but her dignity as well. Also starring Penny Fuller and Christopher Guest, A Piano for Mrs. Cimino first aired on February 3, 1982 on CBS and was later nominated for an Emmy for Outstanding Film Editing. ~ Matthew Tobey, All Movie Guide
- 1976
Renee Taylor and Joseph Bologna cowrote as well as starred in this 1976 TV remake of the 1941 Tracy-Hepburn vehicle Woman of the Year. Except for a handful of updated details, the storyline is substantially the same in both versions: A down-to-earth male sportswriter (Bologna, in the Spencer Tracy part) marries a high-profile female international news commentator (Taylor, in the Katharine Hepburn part). In fine "golden age" tradition, the stars are complemented with an excellent supporting cast, including Richard Bakalyan as a punch-drunk bartender, Leon Belasco as a refugee Russian musician and John Fiedler as a justice of the peace. Only Anthony Holland's swishy male secretary strikes a discordant note. The remake's "reconciliation" finale wisely avoids the ponderous, sexist slapstick setpiece at the end of the original film, wherein Katharine Hepburn nearly destroys her kitchen by cooking her first breakfast. A surefire audience pleaser, Woman of the Year was curiously premiered in July of 1976, a time when most potential viewers were out of the house. ~ Hal Erickson, All Movie Guide
- 1972
This drama contains a strongly anti-military message as it presents the supposed abuses that go on inside US military stockades. The story is set in the fictitious Fort Nix (based on Fort Dix, New Jersey where many of the accounts the film is based on came from), and contains scenes of graphic violence as it tells the prisoners' tales. ~ Sandra Brennan, All Movie Guide
Lovers and Other Strangers became a "sleeper" hit, based on a play by Renée Taylor and Joseph Bologna. The story is essentially a series of vignettes and anecdotes, unified by an impending marriage. Father of the bride Hal (Gig Young) has problems with his long-suffering mistress, Cathy (Anne Jackson), who spends much of the film sitting on the toilet, crying her eyes out; Wilma (Anne Meara), the bride's sex-starved sister, can't wrest her husband, Johnny (Harry Guardino), away from the TV; and Frank (Richard S. Castellano), as the groom's father, slips comfortably into Bartlett's Familiar Quotations with his oft-repeated query "So what's the story?" Twelfth-billed Diane Keaton makes her film debut as a garrulous wedding guest. ~ Hal Erickson, All Movie Guide
- Starring:
- Bea Arthur, Bonnie Bedelia, (more)
Striving for a better life for his two sons, a Puerto Rican immigrant named Popi (Alan Arkin) goes about his mission in a singularly eccentric fashion in this comedy from director Arthur Hiller. So intent is Harlem resident Abraham "Popi" Rodriguez (Arkin) upon providing his boys with the American dream, that he puts off marrying his beautiful girlfriend Lupe (Rita Moreno) in order to carry out the mother of all harebrained schemes. After instructing his boys how to row with lessons in Central Park, Popi takes them to Florida and sets them adrift on the ocean, knowing that two cute "refugees from Cuba" seeking asylum in the U.S. will become celebrity cases and probably be adopted by rich WASP's. Popi's plan works like a charm, with his sons even earning an audience with the president, but a visit to the hospital where they're recovering from their ordeal at sea sinks his big plans. ~ Karl Williams, All Movie Guide
- Starring:
- Alan Arkin, Rita Moreno, (more)
- 1968
The inner workings of the U.S. government are spoofed by members from Chicago's Second City comedy troupe. Set in the future, the largely improvised film centers on president Fillard Millmore who finds himself a pawn in a battle between self-serving cabinet members. ~ Sandra Brennan, All Movie Guide
- 1968
Bye Bye Braverman is a bittersweet adaptation of Wallace Markfield's coldly cynical novel To an Early Grave. Braverman, an idealistic minor author, dies; his four best friends, writers who in one way or another have all sold out, decide to attend his funeral. The foursome includes a disenchanted magazine writer (George Segal), a poet (Jack Warden), a book reviewer (Sorrell Booke), and an embittered bellyacher (Joseph Wiseman). Taking a picaresque journey from Greenwich Village to Brooklyn, the quartet never quite gets to the funeral, but their odyssey unearths many a self-revelation and previously unspoken truth. Like its four leading characters, Bye Bye Braverman loses its way towards the end, bringing this otherwise insightful comedy/drama to a muddied conclusion. ~ Hal Erickson, All Movie Guide
- Starring:
- George Segal, Jack Warden, (more)
- 1967
In this eccentric independent comedy filmed in Chicago, Frank (Jon Voight) is a hayseed who heads north to the big city of Chicago, only to run afoul of gangsters and wind up murdered. Frank soon finds himself resurrected as a virtuous superhero, Fearless Frank, but a mad scientist (Severn Darden) soon crafts an evil twin, False Frank, to do his sinister bidding. Monique Van Vooren plays Plethora, one of the gangster's molls, and novelist Nelson Algren appears as Needles; much of the supporting cast was drawn from the Second City comedy troupe, including David Steinberg and Ben Carruthers. Frank's Greatest Adventure was the first solo directorial credit for Philip Kaufman and the screen debut for Jon Voight, though it would not receive wide distribution until after his breakthrough role in Midnight Cowboy. ~ Mark Deming, All Movie Guide
- Starring:
- Jon Voight, Monique Van Vooren, (more)
The Hebrew prophet Elijah (played by Lou Gilbert) comes from Lake Michigan--rather than Gilead of Biblical legend--into the city of Chicago in the appearance of an elderly tramp. He proceeds to wander about, coming into contact with various characters and their assorted problems. Among those who meet him are a sculptor, the sculptor's pregnant ex-girlfriend, a violinist/beggar and the like. Even the Chicago author Nelson Algren appears onscreen as himself, pondering the difficult choices an artist must face. After his many adventures throughout the city of Chicago, Elijah vanishes back into the lake. Though interpretations of this work vary, it is most likely a retelling of the Biblical story in modern times. Regardless of symbolism or metaphor, Goldstein successfully captured the attention of critics at the time of its release. This was the first film for screenwriters/directors Benjamin Manaster and Philip Kaufman. Kaufman would go on to direct and/or write such critically acclaimed features such as Raiders of the Lost Ark (1981), The Right Stuff (1983) and The Unbearable Lightness of Being (1988). ~ Kristie Hassen, All Movie Guide
- Starring:
- Lou Gilbert, Thomas Erhart, (more)
- 1964
Cut off from the rest of King Company in enemy territory, Saunders (Vic Morrow) and Caje (Pierre Jalbert) must now laboriously make their back to their own lines. En route, the two men are joined by several awkward stragglers, among them a pair of non-coms, a brace of rookies, and an overly pugnacious sergeant (Steve Gravers). Featured in the cast is George Savalas, who under the stage name Demosthenes later played Detective Stavros on his brother Telly Savalas' TV series Kojak. ~ Hal Erickson, All Movie Guide
- 1955
King's Rhapsody was the second screen teaming of beloved British star Anna Neagle and Hollywood's "bad boy" Errol Flynn. Based on a musical play by Ivor Novello, the film casts Flynn as a European prince who falls in love with commoner Neagle. The prince pulls an "Edward VIII" and goes into exile so he may set up house with the woman he loves. When the King dies, Flynn is obliged to return to his throne and marry a hand-picked princess (Patrice Wymore, who was Mrs. Flynn at the time). Years later, the prince, finally free to marry, seeks out Neagle. She still loves him, but sends him on his way, realizing that his true place is with his people. Although Anna Neagle's husband Herbert Wilcox was producer-director of King's Rhapsody, her songs were cut from the final release print, leaving her with literally nothing to do but stand around and look radiant. Perhaps as a result, King's Rhapsody was one of the few Neagle/Wilcox failures. ~ Hal Erickson, All Movie Guide
- Starring:
- Anna Neagle, Errol Flynn, (more)
Based on a real-life 1983 incident, The Accused tells the story of Sarah Tobias (Jodie Foster), a working-class party girl who likes to live it up with her friends and flirt hard with the guys. After a fight with her boyfriend, she heads to a local bar to cool down -- and after a few drinks, plus some dancing and flirting, she finds herself thrown on top of a pinball machine and gang-raped by a bunch of locals, while others watch and cheer the proceedings. District attorney Kathryn Murphy (Kelly McGillis) takes Sarah's case but quickly negotiates a plea bargain in which the attackers' charges are reduced to reckless endangerment. Her reason: defense attorneys could use Sarah's not-so-pretty past to paint her as "asking for it," getting their clients off completely. But a stunned Sarah accuses Murphy of selling her out, and when the lawyer sees how the incident continues to destroy Sarah's life, she decides she must seek true justice. This time, she goes after the crowd of onlookers for "criminal solicitation" -- those who were egging the rapists on. Foster won the Best Actress Oscar for her performance. ~ Don Kaye, All Movie Guide
- Starring:
- Kelly McGillis, Jodie Foster, (more)
The "wise guys" referred to in the title, Harry Valentini (Danny DeVito) and Moe Dickstein (Joe Piscopo), turn out to be not so wise after all in this crime-oriented comedy. Harry and Moe run the risk of certain death when they steal money from a Mafia don (Dan Hedaya) and then try to multiply their ill-gotten gains at the horse races. Naturally, they lose the bundle and the next thing they know they're running from hitmen and trying to come up with enough cash to pay back their debt. Wise Guys' blend of comedy and action represented something of a change of pace for director Brian DePalma, best known for his offbeat thrillers and Hitchcock homages. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Danny DeVito, Joe Piscopo, (more)
- 1986
- R
In this comedy, a would-be writer's dreams come true when his uncle hires him to be an assistant detective. Assigned to save a troubled woman, the bumbling writer ends up finding a cache of Nazi treasure and winning the heart of the girl. ~ Sandra Brennan, All Movie Guide
- Starring:
- Dave Foley, Roberta Weiss, (more)
- 1983
- R
This undistinguished drama goes no further than clichéd views about women who gain success by bedding down those who have it. Pia Zadora stars as Jerilee, just out of high school and married to a prominent Hollywood screenwriter, with her own heart-felt aspirations to get her screenplays noticed by the right producers. Her marriage fails for many reasons and once on her own, she comes to the difficult decision that she really will go nowhere fast unless she uses her sexual charms to pave the way to recognition -- and so she does, with a bit of revenge thrown in at the end for good measure. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Pia Zadora, Lloyd Bochner, (more)
"It's showtime!" In this part film à clef, part musical phantasmagoria, director/choreographer Bob Fosse takes a Felliniesque look at the life of a driven entertainer. Joe Gideon (Roy Scheider, channeling Fosse) is the ultimate work (and pleasure)-aholic, as he knocks back a daily dose of amphetamines to juggle a new Broadway production while editing his new movie, not to mention ex-wife Audrey (Leland Palmer), steady girlfriend Kate (Ann Reinking), a young daughter, and various conquests. Joe cannot, however, avoid intimations of mortality from white-clad vision Angelique (Jessica Lange) that lead him to look back at his life as he heads for a near-inevitable coronary and his departure from this mortal coil with the appropriate razzle-dazzle. Taking his cue from Federico Fellini's 8 1/2 (1963), Fosse moves from realistic dance numbers to extravagant flights of cinematic fancy, as Joe meditates on his life, his women, and his death. Following a similarly dark revisionist vein as Martin Scorsese's New York, New York (1977), Fosse shows the stiff price that entertaining exacts on entertainers (among other things, he intercuts graphic footage of open-heart surgery with a song and dance), mercilessly reversing the feel-good mood of classical movie musicals. Critics praised Fosse's daring even as they damned his self-indulgence, while Scheider was lauded for giving the best performance of his career. Though not a disastrous failure, All That Jazz came nowhere near the popularity of 1978's Grease, as late '70s audiences increasingly turned away from "difficult" movies. For all its excesses, Fosse's fiercely personal approach turned All That Jazz into another striking work from one of the few directors able to make, and experiment with, movie musicals after the 1960s. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Roy Scheider, Jessica Lange, (more)
