Ram John Holder Movies

A woman looking for the man of her dreams turns to a computer with unexpected results in the British comedy Virtual Sexuality. Justine (Laura Fraser) is 17 year old and a virgin, a situation she's none too happy about. She has her eye on Alex (Kieran O'Brien), one of her classmates, and has been plotting a seduction following the advice of her friends Fran (Marcelle Duprey) and Chas (Luke de Lacey). However, when Alex breaks their date to go out with Hoover (Natasha Bell), Justine is crushed; to take her mind off this turn of events, she goes to a computer show with Chas. Justine notices a virtual-reality makeover machine on display, and after toying with her own image for a while uses the computer to design her ideal man. Something goes wrong with the hall's power supply, and the computer explodes. The dust settles to reveal Jake (Rupert Penry-Jones), who looks like the man Justine was designing -- except he's wearing her clothes and thinks he's her. Justine eventually returns and is introduced to Jake; she finds she likes him quite a bit, not realizing he's merely a manifestation of her own personality. However, Jake also has also attracted the attention of her nemesis Hoover. Virtual Sexuality was based on a novel by British author Chloe Rayban. ~ Mark Deming, Rovi

Racism and several other issues come up in this experimental film that looks at the problems of black citizens in the U.K. from different perspectives. In the first half of the film, an unnamed man and woman speak out about black issues in their own way (slightly belligerent in the one instance and impassioned but restrained in the other). They are set in a desert landscape which highlights their isolation and their feelings. In the second half, a family and its own particular cultural, generational, and sexual hang-ups get an airing. ~ Eleanor Mannikka, Rovi

After the death of his wife and his subsequent descent into alcoholic near-agoraphobia, a crotchety Pakistani intellectual convinces his shady entrepreneur brother to provide work for his son in this multi-layered portrait of the immigrant experience in Great Britain. Young Londoner Omar (Gordon Warnecke) isn't sure what he wants out of life, but his uncle Nasser (Saeed Jaffrey) provides a corrupt, capitalist role model as Omar graduates from washing cars for the old crook to running his run-down laundromat. After a chance meeting with Johnny (Daniel Day-Lewis), an old school chum whose flirtation with fascism deeply wounded Omar's principled Papa (Roshan Seth), Omar hires the young thug to work for him. Soon, the pair begin a romantic relationship that remains as under wraps as the illicit drug-running and enforcement work they perform for Nasser's associate, Salim (Derrick Branche). On the domestic front, Omar must balance his knowledge of Nasser's long-running affair with posh Brit Rachel (Shirley Ann Field) with his own loyalty and attraction to Nasser's westernized daughter, Tania (Rita Wolf). After successfully transforming his laundrette into a vision of resplendent pastel suds and providing a bright spot in his otherwise squalid London neighborhood, Omar seems to have a bright future in Nasser's organization. The spectre of Johnny's past, however, combines with Omar's conflicted immigrant loyalties to threaten the sense of identity the young man has managed to stake out for himself. British-born, half-Pakistani playwright and novelist Hanif Kureishi won an Oscar nomination for his screenplay for My Beautiful Laundrette, which was originally filmed for BBC television. Kureishi collaborated again with director Stephen Frears on Sammy and Rosie Get Laid. ~ Brian J. Dillard, Rovi

In this drama, Britain's first all-black film, the son of Caribbean émigrés does all he can to adopt the ways of the whites, but encounters racism nonetheless. Not only does he have difficulty with the Anglo-English, his renunciation of his heritage causes problems in his family. ~ Sandra Brennan, Rovi

The 1972 film Robinson Crusoe is a fine animated version of the classic Daniel Defoe story of a shipwrecked sailor who has to struggle to survive on a deserted island. ~ Stephen Thomas Erlewine, Rovi

A black Jamaican lawyer shares an apartment with a liberal white man in Two Gentlemen Sharing. Andrew (Hal Frederick), the lawyer, longs to become part of London's middle class while Roddy (Robin Phillips) is the waspish advertising executive who wishes to escape the problems caused by his middle-class upbringing. Both share their views and outlooks on life. Andrew has a difficult time fitting in to the conservative traditions of a prejudiced London, and Roddy finds out his girlfriend has a black stepfather. Roddy is disillusioned when he is not accepted by the black world, and Andrew comes to the realization that he will never be welcomed in the still-racist business community of London. Both men contemplate changes for their lives in this situation comedy with dramatic social insights to race relations and prejudice. ~ Dan Pavlides, Rovi