Gloria Holden Movies

Tyrone Power stars in this tear-jerking biography of the beloved but short-lived pianist and bandleader Eddy Duchin. Boston-born Eddy Duchin (Tyrone Power) moves to New York City to pursue a career as a pharmacist. However, Eddy is also a skilled piano player, and when he meets pretty socialite Marjorie Oelrichs (Kim Novak) who hears him play, she encourages him not to short-change his musical abilities. Marjorie helps get Eddy a job playing at the Central Park Casino; his playing goes over well with the crowd, and Eddy goes over well with Marjorie. Able to support himself full-time with his music, Eddy asks Marjorie for her hand in marriage; she accepts, and soon Marjorie is expecting a child. Tragically, she dies while giving birth to their son Peter; Eddy, shattered by the experience, finds himself unconsciously blaming Peter for Marjorie's passing, and leaves the boy behind with his family and their nanny, Chiquita (Victoria Shaw), while Eddy and his manager Lou Sherwood (James Whitmore) head out for the first of many lengthy world tours. Years later, while serving in the Navy during World War II, Eddy realizes the error of his ways, and begins a long and difficult reconciliation with Peter (Rex Thompson), while falling in love with Chiquita. Eddy and Chiquita marry and budding pianist Peter joins Eddy on stage for an emotional duet; however, Eddy's new contentment with life is cut short when he contracts leukemia. Pianist Carmen Cavallaro dubbed in Duchin's piano parts for non-musician Tyrone Power. ~ Mark Deming, All Movie Guide

Douglas Sirk directed this frothy musical comedy set in the 1920s starring Charles Coburn as Samuel Fulton, an elderly man with a multi-million dollar fortune. With no family of his own to whom he can leave his money, Fulton is pondering what to do with his estate. Years ago, he was in love with a woman named Harriet, whom he asked to marry. She turned him down and married another someone else, but he's still fond of her and considers leaving his millions to her family. However, Fulton decides to first give them a test. Posing as an eccentric and threadbare artist, he rents a room from Harriet (Lynn Bari) and her husband Charles (Larry Gates). He then arranges for an anonymous gift of $100,000 to be presented to them so that he can watch their reactions. Sadly, things don't go well; Harriet browbeats the rest of the family into moving into a mansion and tries to convince her daughter Millicent (Piper Laurie) to break up with her boyfriend, poor but good-hearted soda jerk Dan (Rock Hudson), in favor of a wealthier and more socially prominent man. Songs include "Tiger Rag," "When the Red, Red Robin Comes Bob-Bob-Bobbin' Along," "It Ain't Gonna Rain No More," and "Gimme a Little Kiss, Will Ya, Huh?" James Dean has a tiny part as a customer at the soda fountain; it was his first appearance onscreen. ~ Mark Deming, All Movie Guide

Shirley Temple's final starring film, A Kiss for Corliss is a sequel to the actress' 1945 hit Kiss and Tell. The 21-year-old Temple again stars as impulsive teenager Corliss Archer, who on this occasion harbors a crush on notorious playboy Kenneth Marquis (David Niven), who has already been to the altar many times and to the boudoir many more. So moonstruck is she by Marquis (who barely acknowledges her existence) that Corliss begins writing down her imaginary romantic trysts with him in her diary. Naturally, the book falls into the hands of Corliss' parents (Tom Tully and Gloria Holden), who believe every word...especially when Marquis, evidently hoping to teach Corliss a lesson, "verifies" that the diary speaks the truth. Our heroine tries to extricate herself from this embarrassing situation by relying on one of moviedom's oldest clichés; no mean trick, inasmuch as this film is virtually a cliché smorgasbord, albeit an enjoyable one. ~ Hal Erickson, All Movie Guide

When he was first offered the film version of the best-selling Frederick Wakeman novel The Hucksters, Clark Gable turned it down, characterizing the book as "filthy and not entertainment." He finally agreed to star in the film after screenwriter Luther Davis' extensive laundering job. Gable plays Vic Norman, a radio advertising executive just returned from World War II. His wartime experiences have soured him on the phony aspects of his profession; nonetheless, he takes a job with the biggest and phoniest agency in town, headed by the glad-handing Kimberly (Adolphe Menjou). At Kimberly's recommendation, Vic takes over the Beautee Soap account, which brings him in close quarter's with Beautee's boorish head man Evans (Sidney Greenstreet). At their first meeting, Evans unexpectedly spits on his highly polished conference table. "Gentlemen," he growls, summing up his philosophy on advertising, "You have just seen me do a disgusting thing. But you will always remember it!" (Evans was based on George Washington Hill, the colorfully crude president of the American Tobacco Company). Vic's first assignment for Evans is to round up 25 high society women to sign testimonials for Beautee Soap. The least cooperative of the bunch is young widow Mrs. Dorrance (Deborah Kerr, in her American film debut), the stepdaughter of an American war hero. Attracted to Vic, Mrs. Dorrance signs the agreement, but breaks off her personal relationship with Vic when it appears as though he's making unsolicited advances towards her. The ever-demanding Evans then insists that Vic sign up two-bit comedian Buddy Hare (Keenan Wynn) for a radio program. Becoming more and more corrupt with each passing day, Vic obtains Hare's service at a rock-bottom price by blackmailing the comedian's agent (Edward Arnold), Vic's onetime close friend. A demo record is made of Hare and of nightclub singer Jean Ogilvie (Ava Gardner), who is in love with Vic but who eventually gives him up because of his apparent lack of scruples. Returning to the Beautee Soap headquarters, Vic watches dumbstruck as Evans smashes the demo record--then laughs uproariously, telling Vic that the contract is his, along with a $25,000 bonus. By this time, Vic is so disgusted with himself and with Evans' childish baiting tactics that he tells off the soap mogul in no uncertain terms, ending his tirade by dousing Evans with a pitcher of water. Having regained his integrity, Vic is now worthy of the love of Mrs. Dorrance, who has forgiven him his earlier misdeeds. As the film ends, she encourages Vic to use his advertising talents for something clean and honest (and, undoubtedly, starve to death in the process!) To mollify Madison Avenue, screenwriter Davis narrowed the attack on advertisers to one single radio sponsor; to please Gable, Mrs. Dorrance was changed from a still-married woman to a widow, while Vic Rodman is transformed from a "huckster" to an idealist who Does the Right Thing at the end. The Hucksters is one of Clark Gable's best postwar films, as well as one of the finest Hollywood satires of the rarefied world of advertising. ~ Hal Erickson, All Movie Guide

In one of his first "adult" roles (he made his last Andy Hardy vehicle only a year earlier), Mickey Rooney plays Tommy McCoy, a dancer who performs in a going-nowhere nightclub act with his alcoholic father, Brian (James Dunn). Johnny Martin (Mickey Knox), a lightweight boxing champ who is headlining the show that Tommy and his Dad are currently working, admires Tommy's footwork and tells him that he might have a future in the ring. Tommy gives the fight game a try, and he soon proves he's got the goods as a slugger. Before long, Tommy is fighting Johnny for the lightweight title, and after a hard-fought match, Tommy wins -- and Johnny dies. Now dubbed "Killer" McCoy by the press and boxing fans, a distraught Tommy allows his career to be taken over by Jim Caighn (Brian Donlevy), an unscrupulous manager with a gambling problem. Jim drags Tommy through the dirtiest and most dishonest levels of the fight game, but Jim's daughter Sheila (Ann Blyth) sees Tommy's decent side and tries to rescue him. Killer McCoy was a remake of the 1938 Robert Taylor vehicle The Crowd Roars. ~ Mark Deming, All Movie Guide

In this tuneful comedy, an opera talent scout is in the country one day when he overhears a beautiful hillbilly milkmaid singing to her cow. The gal has an exquisite voice and he immediately snaps her up and takes her to the big city to become his newest star. Unfortunately, for all her musical gifts, the poor girl couldn't act her way out of a milk pail and so the wily agent has her sing off-stage while her double performs on stage. Things go okay for a time, but then the singer rebels, finding opera music tiresome and too snobby. One night she decides to sing her own version of Rossini's "William Tell" which she calls "Tillie Tell." The audience goes mad with delight and she becomes a great success. ~ Sandra Brennan, All Movie Guide

In many ways, the history of the cautionary fable Strange Holiday is more fascinating than the film itself. Written and directed by radio's Arch Oboler (of "Lights Out" fame), the story concerns American businessman John Stephenson (Claude Rains), who returns home after an extended vacation to discover that the U.S. has been taken over by a fascist dictatorship. Completed sometime between 1940 and 1942, the film was originally produced by General Motors as a morale-booster for the company's employees (it should be noted that the story insists that the strongest defense against totalitarianism is Big Business!) GM decided not to screen the picture, whereupon Arch Oboler sold the property to MGM. That studio also eventually passed on distributing the film, at which point Oboler and star Claude Rains, forming their own production company, repurchased the film and distributed it on a limited basis in 1945. The following year, Strange Holiday finally received a widespread national release through the auspices of PRC Pictures. ~ Hal Erickson, All Movie Guide

Behind the Rising Sun is a rarity: a WW2 film with a handful of sympathetic Japanese characters. His eyes slanted by the RKO makeup department, Tom Neal plays Taro, the Americanized son of a Japanese diplomat (J. Carroll Naish). During the Sino-Japanese war, Taro's father insists that the boy leave the US and join the Japanese army. Indoctrinated in the "Banzai" mentality of the empirical government, Taro is transformed into an enemy of the West, going so far as to betray his best friend ly inebriated millionaire. ~ Hal Erickson, All Movie Guide

When MGM made a program western, it generally looked more expensive than an entire years' sagebrusher output at Monogram or PRC. MGM's Apache Trail stars Lloyd Nolan and William Lundigan as two brothers; Nolan is a bellicose highwayman, Lundigan a genial chap assigned guard duties. The main thrust of the film involves an Apache uprising triggered by the theft of a peace pipe. American-as-Cherry-Pie Donna Reed (who plays Lundigan's paramour) is herein cast as "Rosalia Martinez"! Based on a story by Ernest (Stagecoach) Haycox, Apache Trail was remade as Apache War Smoke. ~ Hal Erickson, All Movie Guide

The Corsican Brothers is based on theDumas novel about "psychic" twins--one feels the pain and experiences the thoughts of the other. Douglas Fairbanks Jr. plays both Mario and Lucien, siblings separated at birth because of a long-standing feud between various factions of their family. One twin is raised to be evil, the other to be good. In adulthood, the brothers become bitter enemies, not only because of family and political pressures but also because they both fall in love with the beautiful Isabelle (Ruth Warrick). Eventually, however, one twin gives up his life for the sake of the other during a climactic battle with tyrannical Corsican ruler Colonna (Akim Tamiroff). Produced on a virtual shoestring by Edward Small, The Corsican Brothers cannot rely on clever optical effects to convey the idea that Douglas Fairbanks Jr. is two people (some of the process work is embarrassing); instead, Fairbanks carries the story on the strength of his acting, subtly differentiating the two characters so that the audience is seldom confused as to which is which. Incidentally, the actor doubling for Fairbanks in the two-shots, his face averted from the camera, is Peter Cushing. ~ Hal Erickson, All Movie Guide

A Child is Born is a remake of 1932's Life Begins, softened to conform to stricter movie censorship and lengthened to qualify as an "A" picture. The film is an episodic account of one particularly busy night in a maternity hospital. A generous portion of screen time is lavished on a gangster's moll (Geraldine Fitzgerald), about to give birth to her illegitimate baby. The young woman dies in childbirth, but other subplots end more happily. Even at 79 minutes, A Child is Born seems more padded and protracted than its 1932 predecessor--notably in a contrived sequence wherein the only surgeon qualified to perform a delicate operation is blinded in an accident. ~ Hal Erickson, All Movie Guide

Merlini the Magician, Clayton Rawson's crime-solving illusionist, has been singularly ill-used by Hollywood, having appeared in a mere two films, "starring" in only one. Miracles for Sale compounds the oversight by rechristening Merlini as "Michael Morgan", in the person of Robert Young. The picture starts well, with a grisly political execution revealed to be an elaborate bit of stage magic perpetrated by the personable Morgan. The story then goes into a fraud and murder scheme perpetrated by Dave Duvallo (Henry Hull), whose consummate skill with makeup and Houdinilike escape devices comes in handy for phony spiritualist Madame Rapport (Gloria Holden). The film's highlight finds Morgan exposing several tricks utilized by magicians and fortune-tellers to gull the public, a sequence which incurred the wrath of the Pacific Coast Association of Magicians, who took a dim view at having the secrets of their trade revealed for the cost of a movie ticket. Of historical interest is the fact that Miracles for Sale was the final directorial effort of Tod Browning (Dracula, Freaks etc.) ~ Hal Erickson, All Movie Guide