Basil Hoffman Movies

On her deathbed, mean-spirited millionairess Lily Tomlin has her will amended so that her soul will pass into the body of young, healthy Victoria Tennant. Thanks to a mix-up in transmutation, Tomlin winds up instead trapped in the body of upright (and uptight) attorney Steve Martin. The plot involves the fragility of male-female relationships, the importance of making commitments, and the antics of goofy guru Richard Libertini. As ridiculous as it sounds, All of Me is completely credible, thanks to Steve Martin's remarkable "body language" when conveying the notion that he's two different people with two different sets of emotions and gestures. Though the circumstances of the plot won't allow Martin to connect with the lovely Tennant, in real life things were different: the two costars were married shortly after filming wrapped. Phil Alden Robinson and Henry Olek adapted the script from Ed Davis' novel Me Too. ~ Hal Erickson, All Movie Guide

Peter Bogdanovich's attempt to direct a homage to the great musicals of the 1930s is now remembered as one of the embarrassments of the 1970s. The film's thin plot, standard for the genre, centers on the romantic entanglements and misunderstandings among six stock characters: the bored playboy (Burt Reynolds), his never-ruffled valet (John Hillerman), the debutante (Cybill Shepherd), the Broadway diva (Madeline Kahn), her gambler boyfriend (Duilio Del Prete), and her maid (Eileen Brennan). All six are likely to burst into song and dance at any time, and they often do (the performances were recorded live on the set, not pre-recorded), but sixteen Cole Porter tunes, lavish sets and costumes, and an expensive production cannot hide the fact that Reynolds and Shepherd, the two leads, are way out of their depth. A notorious failure, At Long Last Love left a permanent stain on Bogdanovich's career. ~ Don Kaye, All Movie Guide

Steven Spielberg followed Jaws (1975), his first major box-office success, with this epic science fiction adventure about a disparate group of people who attempt to contact alien intelligence. Roy Neary (Richard Dreyfuss) is an electrical lineman who, while sent out on emergency repairs, witnesses an unidentified flying object, and even has a "sunburn" from its bright lights to prove it. Neary's wife and children are at first skeptical, then concerned, and eventually fearful, as Roy refuses to accept a "logical" explanation for what he saw and is prepared to give up his job, his home, and his family to pursue the "truth" about UFOs. Neary's obsession eventually puts him in contact with others who've had close encounters with alien spacecraft, including Jillian (Melinda Dillon), a single mother whose son disappeared during her UFO experience, and Claude Lacombe (celebrated French filmmaker François Truffaut), a French researcher who believes that we can use a musical language to communicate with alien visitors. Lacombe's theory is put to the test when a band of government researchers and underground UFO enthusiasts (including Neary) join for an exchange with alien visitors near Devil's Tower, Wyoming. In 1980, a "Special Edition" was released. While its primary selling point was the addition of scenes inside the alien spaceship, Spielberg claimed that he also cleaned up some choppy editing in the second act. ~ Mark Deming, All Movie Guide

Adapted by Whitley Strieber from his book about his alleged contacts with aliens, Communion dramatizes a story all the more compelling for the author's insistence that it is true, complemented by Christopher Walken's enigmatic performance as Strieber. The film begins in October 1985, as Strieber is living in New York City with his wife Anne (Lindsay Crouse) and son Andrew (Joel Carlson). He is hunting for new book ideas without making much headway. He spends his days pacing around his apartment, thinking out loud or videotaping himself as he improvises bits of dialogue. It is soon decided that a vacation is in order, so, with their friends Alex (Andreas Katsulas) and Sara (Terri Hanauer), the Striebers head for their cabin in Upstate New York. In the middle of the night, an illumination descends on the cabin and surrounding forest, causing Strieber to wake up abruptly. In the semi-darkness of the cabin, he is able to make out a long face with narrow, tear-shaped eyes quietly observing him from a corner of the room. The next morning, he has forgotten -- or been made to forget -- the whole experience. He even shrugs off Alex's and Sarah's concern about "seeing lights" outside their bedroom window, claiming to have slept through the event. Back in New York, it becomes evident to Strieber and his family that something unusual did happen. He begins to have powerful hallucinations, and, after an inconclusive medical examination, he is encouraged by his wife to seek professional help from psychiatrist Janet Duffy (Frances Sternhagen). During hypnotic regression therapy, Strieber's lifelong contact with the "visitors" is brought to light, as well as the details of his more recent encounters. Still unable to accept these revelations, he returns to the cabin alone and finally communicates with the visitors, discovering that, although they are unable to reveal their true identity, their purpose may be to act as agents of personal transformation for himself and for others. An interesting and uneven film, Communion is bolstered considerably by Christopher Walken, whose role in the film, though appropriate for the subject matter, quickly transforms into a thesis on his own eccentricities as an actor. ~ Anthony Reed, All Movie Guide

Apparently weary of playing victim-of-the-week, Elizabeth Montgomery goes the Joan Crawford route playing a fabulously wealthy and stupendously bored matron who is about to be divorced by her wealthy husband. Hubby conveniently expires while dallying with his mistress. The upshot is that Ms. Montgomery is made executive vice president of the boat-building business that she'd helped her husband establish. Moral: Marry well, ladies, and you too can become a CEO. Basically a very slight TV movie, Jennifer: A Woman's Story is bloated way beyond its worth into a Ross Hunter-type sudser; the British TV series upon which it was based, The Foundation, was more austere, and frankly more enjoyable. ~ Hal Erickson, All Movie Guide

Shelley Winters) guest stars as Evelyn McNeil, widowed sister-in-law of Chief of Detectives Frank McNeil (Dan Frazer). An aficionado of the gambling houses, Evelyn finds herself in over her head with some particularly nasty mobsters. Banking on his lifelone friendship with Kojak (Telly Savalas), McNeil asks the detective to shield Evelyn from harm--but it may already be too late. ~ Hal Erickson, All Movie Guide

George Hamilton confounded his detractors by turning in a first-rate comic performance in Love at First Bite. Hamilton plays Count Dracula, who is evicted from his Transylvanian domicile when the Communist government decides to nationalize his castle. With faithful toady Renfield (Arte Johnson) at his side, Dracula heads for the Big Apple, where he finds the vampire pickings radically different from those on his home turf: for example, ol' Drac suffers the mother of all hangovers when his sinks his fangs into the neck of a wino. Klutzy Cindy Sondheim (Susan Saint James) falls in love with Dracula, not fully aware of his colorful background. But Cindy's stuffy fiance Dr. Jeff Rosenberg (Richard Benjamin), a descendant of Dracula's perennial foe Professor Van Helsing, knows what Dracula's up to and does his best to thwart the vampire's plan. This proves very difficult, since such time-honored remedies as the stake through the heart are frowned upon by the New York City authorities. So successful was Love at First Bite that Hamilton was encouraged to have a satiric go at another literary icon in 1982's Zorro, the Gay Blade. ~ Hal Erickson, All Movie Guide

The well-known short-story writer Ring Lardner, Jr. wrote the screenplay for La Mortadella, an Italian/French production with mostly English dialogue. The story concerns the difficulties and reactions of Madelena (Sophia Loren), an Italian visitor to New York City. She has come to the country carrying a huge mortadella sausage which she intends as a gift for her fiancé. U.S. Customs has other ideas, however, and she is detained until she hits upon the idea of sharing the offending foodstuff with the customs officers. Finally allowed entry into the U.S., she grows disenchanted with her fiancé and other men she meets and is only with difficulty able to make her escape to a more agreeable location. ~ Clarke Fountain, All Movie Guide

Richard Benjamin's directorial debut is an engaging slice of nostalgia, purportedly based on an incident in life of Mel Brooks. Mark Linn-Baker stars as Benjy Stone, junior writer on the popular 1950s TV comedy/variety series The King Kaiser Show. Kaiser (Joseph Bologna)'s guest star this week is Hollywood matinee idol Alan Swann (Peter O'Toole), a swashbuckling Errol Flynn type, right down to his indiscriminate womanizing and fondness for mass quantities of booze. Stone is assigned to keep the actor out of trouble during rehearsals and deliver him sober to the performance. Becoming fast friends, Stone and Swann alternate baby-sitting responsibilities: Swann takes the young writer to the Stork Club and on an early-morning jaunt through Central Park with a "borrowed" police horse, while Stone takes Swann to his home in the Bronx, where the star is fawned over by Benji's mom (Lainie Kazan) and asked embarrassing questions about his love life by Uncle Morty (Lou Jacobi). Despite a few anxious moments, all goes well until Swann, panicking at the discovery that King Kaiser's show will be telecast live and not on film, walks out just before airtime. Shamed by Benjy into honoring his committment, Swann makes a spectacular, timber-smashing entrance, saving the show and rescuing Kaiser from being rubbed out by a gangster (Cameron Mitchell) whom the comedian has offended. Though it fluctuates between wistful realism and the manic exaggeration of a TV comedy sketch, My Favorite Year holds together quite well, delivering a plentitude of solid laughs. Jessica Harper, usually the star of bizarro films like Inserts and Suspiria, is quite appealing as Benjy Stone's girlfriend; that lady dancing with O'Toole at the Stork Club is 1930s film star Gloria Stuart, later an Oscar nominee for Titanic; the King Kaiser Show wardrobe mistress is played by Selma Diamond, a real-life comedy writer for Sid Caesar. My Favorite Year was converted into an unsuccessful Broadway musical in the early 1990s. ~ Hal Erickson, All Movie Guide

Straight-laced Henry Winkler takes a night-shift job as a morgue attendant. Winkler falls under the spell of wheeler-dealer coworker Michael Keaton, whose catchphrase "Is this a great country or what?" is the clarion call for his many get-rich-quick schemes. His latest plan is to turn the morgue into a nocturnal brothel, for the benefit of anything-goes hooker Shelley Long-and incidentally, to line their own pockets. Director Ron Howard and his frequent scripters Lowell Ganz and Babaloo Mandel turn the potentially lurid story material of Night Shift into an endearing comedy, with winning performances from its three often miscast stars. Keep an eye out during one of the party sequences for Kevin Costner as a carousing college boy. ~ Hal Erickson, All Movie Guide

Although he passes on performing songs written by Fred (Redd Foxx), the great B.B. King (playing himself) gives Fred a book, which explains why King starting singing the blues. Turns out that King has been nursing a broken heart ever since he lost his sweetheart to another man. According to the book, King's lost love was someone with the initials E.W. -- the same as Fred's late lamented wife Elizabeth. ~ Hal Erickson, All Movie Guide

Square Pegs follows the hilarious misadventures of Patty (Sarah Jessica Parker, TV's Sex and the City) and Lauren (Amy Linker), two freshmen girls desperate to fit in at Weemawee High School. Befriended by oddball characters Marshall (John Femia), a budding comedian, and Johnny Slash (Merritt Butrick), a wacky new-waver, Patty and Lauren still hope to impress the popular kids: valley girl Jennifer (Tracy Nelson), her tough boyfriend Vinnie (Jon Caliri), and their sassy friend LaDonna (Claudette Wells). And it would "behoove us" to not forget Muffy (Jami Gertz), the ever-peppy preppie!

Screen siren Cameron Diaz and former X-Man James Marsden star in the supernatural horror picture The Box (2008), directed by Donnie Darko cult fave Richard Kelly. The film's premise involves a strange and ominous box granted to a young couple by a mysterious stranger (Frank Langella). They are informed that pressing various buttons on the box will grant them riches while killing a person unknown to them in the process. Executive produced by Ted Hamm, the film was adapted by Kelly from Richard Matheson's 1970 short story Button, Button. ~ Nathan Southern, All Movie Guide