Earl Hodgins Movies

Man from Rio Grande stars Don "Red" Barry as movie cowboy star Lee Grant. The plot finds Grant coming to the rescue of 8-year-old skating star Twinkle Watts (playing herself), who is being cheated out of an inheritance by scheming John King (Harry Cording). What follows is an unsettling mixture of traditional shoot-'em-up fare and ice-capades stunting. Twinkle Watts was an acquired taste, to say the least, but Republic insisted upon featuring the nimble-footed tyke in the next three Don "Red" Barry westerns. Perhaps as a result, the Barry series came to an abrupt end in late 1943. ~ Hal Erickson, All Movie Guide

In this western, two cowboys ride to the rescue of ranchers who are fighting to keep a land-grabber from taking their land and selling it to the railroad. Things look bleak for a while, but fortunately, one of the heroes is related to the vice--president of the railroad and is able to straighten the whole mess out. ~ Sandra Brennan, All Movie Guide

Bob Kane's 1939 Detective Comics superhero The Batman came to the screens in serial form courtesy of Columbia Pictures and producer Rudolph C. Flothow. In time-honored serial fashion, Flothow chose Lewis Wilson for the title role, a relative newcomer, but one with an amazing facial resemblance to the cartoon character. Wilson's athletic ability, however, left a lot to be desired and Douglas Croft, cast as young sidekick Robin, the Boy Wonder, looked too old for his role, especially when doubled by a hairy-legged stunt man. For censorship purposes, the serial Bruce Wayne was not a lone Gotham millionaire crusader but gainfully employed by the Unites States government. Said government is terrorized by evil Dr. Daka (J. Carroll Naish), an emissary from Emperor Hirohito complete with atom-smasher ray guns and a device that turns its wearers into zombies. (The device, placed on the skull of its victim, resembles something from a child's Erector set.) Batman and Robin are aided by lovely Linda Page (Shirley Patterson), whose uncle (Gus Glassmire) becomes one of Dr. Daka's first victims. From the Bat Cave, the three crusaders and Wayne's butler, Alfred (William Austin), venture forth to battle the forces of evil in general and a scenery-chewing Naish in particular -- travelling in a convertible and not the later so familiar batmobile. It takes them 15 chapters and a race through an amusement park to finally destroy the evil Daka and the title of the concluding chapter, "Doom of the Rising Sun," must have brought a ray of hope to a war-weary populace. The Batman was directed by Lambert Hillyer, a veteran who knew something about bats from having previously helmed Dracula's Daughter. The serial was popular enough to merit a sequel, although it would take six more years until Columbia debuted The New Adventures of Batman and Robin (1949). ~ Hans J. Wollstein, All Movie Guide

In this drama, set at a WW II munitions plant, the lives of five workers are chronicled. Their stories are told via flashback. Though they all ride together to work everyday, and they think they know each other very well, the stories they tell show them otherwise. The group of workers is made up of: a fighter for the French underground who came to America to help her countrymen back home; a race-car driver who, while racing, sustained serious injuries that rendered him unfit for military service; a disillusioned "Miss America"; a prison warden who was ordered to execute his own brother; and a hobo who decided to do something to help his country. ~ Sandra Brennan, All Movie Guide

Best known today as Robert Mitchum's screen-acting debut, this fine entry in the long-running Hopalong Cassidy series features the silver-haired hero (William Boyd) as a Texas lawman posing as a gambler in order to track down a gang of highwaymen and cattle rustlers who have found refuge in lawless Oklahoma Territory. Although quickly identifying scar-faced Tom Jordan (Victor Jory) as the leader of the gang, Hoppy has no jurisdiction in the territory and is forced to lure the gang back to Texas. Hoppy Serves a Writ was the final series entry based on an original story by Clarence E. Mulford, the creator of the "Bar 20" novels. ~ Hans J. Wollstein, All Movie Guide

The best of Joe E. Brown's Columbia starring vehicles, Shut My Big Mouth is also one of Joe's funniest efforts since his heyday at Warner Bros. Brown is cast as wealthy easterner Wellington Holmes, who heads to the Wild West in search of peace and quiet (!) When Wellington's stagecoach is held up by masked bandit Buckskin Bill (Victor Jory), our hero accidentally fires off a lucky shot that sends the villain and his minions scurrying off into the hills. The local townsfolk appoint Wellington sheriff, failing to inform him that this "honor" is tantamount to a death sentence in these here parts. Several unbelievable complications and coincidences later, Wellington dresses up as a Mexican senorita in order to rescue heroine Conchita Montoya (Adele Mara) from Buckskin Bill's clutches. Incredibly, the villain falls madly in love with the disguised Wellington, resulting in the film's biggest bellylaughs. Though pushing fifty, Joe E. Brown could still pull off his "babe in the woods" act, which he does with finesse in Shut My Big Mouth. The film also served as stepping stones in the careers of up-and-coming Columbia contractees Lloyd Bridges and Forrest Tucker, billed eleventh and twelfth respectively. ~ Hal Erickson, All Movie Guide

Hoping to increase its box-office allure by adopting the title of a popular song, Deep in the Heart of Texas (clap!clap!clap!clap!) was the first Johnny Mack Brown western of the 1942-43 season. The plot concerns a group of insurrectionists who intend to keep Texas separate from the rest of the USA. Brown is cast as Jim Mallory, son of insurrectionist leader Colonel Mallory (played by William Farnum, who was often called upon to play Brown's dad). At first sympathetic to the separatists out of loyalty to his father, Johnny ultimately realizes that the movement has been corrupted by a criminal element. With the help of governor's emissary Brent Gordon (Tex Ritter), Johnny is instrumental in restoring the Lone Star state to the Union. The title tune is sung con brio by the Jimmy Wakely trio. ~ Hal Erickson, All Movie Guide

Johnny Mack Brown essays the title role in Universal's Fighting Bill Forgo. Returning to his home town, Bill Fargo takes over the operation of his late father's newspaper. He quickly gets swept up in political intrigue fomented by political boss Hackett (Kenneth Harlan), who has a cute habit of rubbing out any and all honest candidates for the sheriff's office. When one of Hackett's victims manages to snap a photograph of his assassins, Bill intends to publish the picture and expose the crooks-provided he lives that long. The musical interludes are provided by Eddie Dean, who'd be promoted to cowboy-star status himself in the late1940s. ~ Hal Erickson, All Movie Guide

Undercover Man was the first of the "Hopalong Cassidy" series to be released by United Artists rather than Paramount. William Boyd and Andy Clyde return as saddle pals Hoppy and California, while Jay Kirby is cast as their partner-in-adventure Breezy. This time, Hoppy and company take on a gang of outlaws who've been plying their trade on both sides of the US-Mexican border. The plot is thickened by the presence of a mysterious masked rider who's been impersonating both Cassidy and Mexican police official Gonzalez (Antonio Moreno). Most of Undercover Man is an advertisement on behalf of the "good neighbor" policy promoted between North and South America during the War years. ~ Hal Erickson, All Movie Guide

Though it ain't Noel Coward, Chatterbox is the funniest of the two Judy Canova-Joe E. Brown vehicles for Republic. Brown is hilariously cast as Rex Vane, a pompous radio cowboy star who's never been any further west than his living room. When Rex is signed to appear in a film, it becomes painfully apparent that he can neither ride nor shoot. But rambunctious Judy Boggs (Judy Canova) can do both, and it is Judy who helps guide the vain Vane through his moviemaking experiences. Rex proves himself to be a genuine hero in a slapstick finale "borrowed" from Chaplin's The Gold Rush. Naturally, both Brown and Canova are given ample opportunity to sing, as are guest performers Spade Cooley and the Mills Brothers. ~ Hal Erickson, All Movie Guide

Having joined the army in Buck Privates and the navy in In the Navy, Bud Abbott and Lou Costello signed up with Air Force in Keep 'Em Flying. Abbott and Costello play Blackie and Heathcliff, carnival workers who are fired from their jobs along with their pal, reckless stunt pilot Jinx Roberts (Dick Foran). When Jinx joins the Army Air Corps-the better to be nearer pretty USO singer Linda Joyce (Carol Bruce)-Blackie and Heathcliff loyally join up as well, obtaining low-echelon ground crew jobs. While Jinx tries to cure Linda's brother Jim (Charles Lang) of his fear of flying, Heathcliff pursues a romance with wisecracking waitress Gloria Phelps (Martha Raye), never quite catching on that Gloria has an identitical-twin sister (also Martha Raye). A bit too plot-heavy for its own good, Keep 'Em Flying is at its best when concentrating on Abbott & Costello, who in addition to performing their patented cross-talk routines participate in a zany runaway-torpedo chase and a gratuitous but amusing episode in a spooky carnival funhouse. As a bonus, Costello gets to do a bit of "straight" acting, and he's quite good at it. Deleted scenes include a comedy magic act (later restaged in Abbott & Costello's Lost in a Harem) and a wild episode at a skating rink (reworked two years later in Hit the Ice). ~ Hal Erickson, All Movie Guide

In this Gene Autry Western, the valley is threatened by a weed capable of poisoning the cattle. When burning the range proves ineffectual, the local banker, Stacy Bromfield (Frank M. Thomas), sends for a government inspector in desperation. The inspector, played by Autry, quickly suggests spraying the area with a chemical. But the head of the cattlemen's organization, George Larrabee (Robert Homans), foolishly ignores the advice and almost suffers unimaginable consequences when his henchman Frenchy (Hugh Prosser) shoots down a crop duster. Autry, Smiley Burnette, and leading lady Fay McKenzie take time out from battling range weed to warble "Be Honest With Me," "I'll Be True While You're Gone," "Ridin' the Range," "Heebie Jeebie Blues," and the title tune. Sierra Sue was restored in 2001 by Gene Autry Entertainment. ~ Matthew Tobey, All Movie Guide

An average Tim Holt oater from RKO, Riding the Wind is set in the New Mexico desert where the ranchers are at the mercy of nasty Henry Dodge (Eddie Dew), the owner of the Dodge Land and Water Company. Ranchers Clay Stewart (Holt) and Burt Macleod (Earle Hodgins) at first hire lawyer Jackson (Larry Steers) to take care of things legally but the case is stalled in court. In the meantime, the hot-tempered MacLeod suggests dynamiting Dodge's dam, whereas Stewart proposes that the ranchers dig wells and install windmills designed by Ezra Westfall (Charles Phipps). Dodge and his men seek to sabotage these endeavors but Clay and his sidekicks Smokey (Ray Whitley) and Whopper (Lee "Lasses" White) get the last laugh. With Dodge in jail for bribing a judge, Clay, Eza and Ezra's pretty daughter Joan (Mary Douglas) ride on to build more windmills. Heroine Mary Douglas was in reality veteran B-Western leading lady Joan Barclay, a pretty redhead who had begun her career with yet another moniker, Geraine Grear). Miss Barclay was only "Mary Douglas" in this one film. ~ Hans J. Wollstein, All Movie Guide