Earl Hodgins Movies

Actor Earle Hodgins has been characterized by more than one western-film historian as a grizzled, bucolic Bob Hope type. Usually cast as snake-oil salesmen, Hodgins would brighten up his "B"-western scenes with a snappy stream of patter, leavened by magnificently unfunny wisecracks ("This remedy will give ya a complexion like a peach, fuzz 'n' all..."). When the low-budget western market died in the 1950s, Hodgins continued unabated on such TV series as The Roy Rogers Show and Annie Oakley. He also made appearances in such "A" films as East of Eden (55), typically cast as carnival hucksters and rural sharpsters. In 1961, Earle Hodgins was cast in the recurring role of wizened handyman Lonesome on the TV sitcom Guestward Ho! ~ Hal Erickson, All Movie Guide
1937  
 
No, we don't get to see Johnny Mack Brown's mother in labor in A Lawman is Born. Brown is "born" as a star packer when he's fully grown. He is moved to slap on his guns by a gang of usurping cattle rustlers. Iris Meredith is the leading lady and Warner Richmond the principal baddie in this reasonably realistic oater. A Lawman is Born was produced independently by A.W. Hackel, and released by Republic Pictures. ~ Hal Erickson, All Movie Guide

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Starring:
Johnny Mack BrownIris Meredith, (more)
1946  
 
Accomplice was the "pilot" for a proposed PRC series based on Frank Gruber's short-tempered detective hero Simon Lash. Commendably, Richard Arlen plays Lash as written-brusque, nasty, antisocial. The plot gets under way when socialite Joyce Bonniwell (Veda Ann Borg) hires Lash to located her missing husband Jim (Edward Earle). The fact that Joyce is Lash's former sweetheart heightens the detective's interest in the case-so much so that, for most of the film's running time, he doesn't realize that he's being set up by a pair of extremely clever con artists. Four murders later, however, Lash ties up all the loose ends and turns the crooks over to the authorities. ~ Hal Erickson, All Movie Guide

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Starring:
Richard ArlenVeda Ann Borg, (more)
1936  
 
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Although slow-moving at times, Aces and Eights is nevertheless a fine little Western and certainly the best of the ten Tim McCoy would make for low-budget (and short-lived) Puritan Pictures. McCoy plays the legendary Wild Bill Hickock in a prologue that depicts how Wild Bill is assassinated during a poker game in which he holds two pair, aces and eights, from that day forward known in the West as the "death hand." Gambler gentleman Tim Madigan (also McCoy) is then introduced as Hickock's successor. After witnessing Madigan accusing a notorious cardshark (John Merton) of cheating, young José Hernandez (Rex Lease), a victim of the crook, pulls his gun and the gambler bites the dust. Madison is accused of the killing and quickly leaves Nevada for California, hotly pursued by the town marshal (Earle Hodgins). En route Tim is reacquainted with José, whose ancestral hacienda is about to be usurped by Ace Morgan (Wheeler Oakman), a notorious gambler in league with nasty saloon proprietor Amos Harden (J. Frank Glendon). To restore the hacienda to José's kind-hearted father (Joseph W. Girard), Tim engages in a high stakes game of poker and wins the Harden saloon. Along the way, Madigan discovers that it was Ace Morgan who killed the gambler back in Nevada and not José. McCoy, who earned a generous 4,000 dollars per picture, delivers his usual solid performance in Aces and Eights, which also benefits by the presence of Hodgins, as the gum-chewing marshal, and Charles Stevens, as a comic opera Mexican captain of police. McCoy filmed three additional Westerns for Puritan before moving on to Victory Pictures. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Tim McCoyJimmy Aubrey, (more)
1937  
 
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Olsen and Johnson's second starring vehicle for Republic was better than their first (Country Gentlemen), but a Hellzapoppin' it wasn't. Ole and Chic play a couple of itinerant vaudevillians, teamed with Sally the Singing Seal ("the eighth wonder of the world"). Heroine Joan Eldredge (Mary Howard) is about to lose the theater left to her by her father, so O&J offer to stage a gala fund-raising show. Unfortunately, one of the potential backers (Eddie Kane) is murdered -- and for a while, it looks like the killer was Sally the Seal! Our heroes decide to capitalize on this setback by offering to reveal the real killer's identity during a nationwide radio hookup -- but first they need a sponsor, so the boys perform their old vaudeville musical act for "The Mackerel King" (played by perennial Laurel & Hardy stooge Jimmy Finlayson). Kidnapped just before the broadcast, Olsen and Johnson escape in time to finger the murderer, whereupon the culprit leads them on a zany chase throughout the darkened theater. All Over Town never really pulls together, but the irrepressible Olsen and Johnson deliver what may well be their funniest joint screen appearance. Incidentally, nominal leading man Harry Stockwell was the singing voice of the Prince in Disney's Snow White and the Seven Dwarfs--and the father of present-day actor Dean Stockwell. ~ Hal Erickson, All Movie Guide

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Starring:
Ole OlsenChic Johnson, (more)
1938  
 
Ace the Wonder Dog, RKO's Rin Tin Tin-wannabe, plays Picardy Max, a mongrel dog adopted by Dan Preston (James Ellison) when both are thrown in jail for vagrancy. Dan's legal problems are quickly done away with but his pretty boarder, Shirley Haddon (Helen Wood), is increasingly troubled by Dan's obsessive competitiveness with fellow dog owner Robert Mabrey (Robert Kent). In fact, the young man's grudge against the entire Mabrey family threatens to ruin his burgeoning relationship with Shirley but everything works out fine when Picardy helps locate a kidnapped Marian Mabrey (June Clayworth). Almost a Gentleman was the second of three programmers starring Ace the Wonder Dog and produced by RKO 1938-1940. Ace also worked for Republic Pictures and was featured in the 1943 serial The Phantom. ~ Hans J. Wollstein, All Movie Guide

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Starring:
James EllisonHelen Wood, (more)
1943  
 
At 54 minutes, Bar 20 is the shortest of the 1943 quota of Hopalong Cassidy pictures. William Boyd, Andy Clyde and George Reeves return to their series roles as Hopalong Cassidy, California Carson and Lin Bradley. Also on hand for villainous purposes is Victor Jory, who'd menaced Hoppy and his pals in the previous Cassidy flick Colt Comrades. The story concerns a gang of outlaws who've pilfered a cache of jewels in a stagecoach holdup. Unfortunately, they've also stolen Hoppy's cattle money, and that makes him reeeeeal mad. Two echoes from the silent-movie days are present in Bar 20; former leading lady Betty Blythe, and Dustine Farnum, the daughter of the late matinee idol Dustin Farnum and niece of veteran western player William Farnum. ~ Hal Erickson, All Movie Guide

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Starring:
William "Hopalong" BoydAndy Clyde, (more)
1938  
 
Barefoot Boy is a throwback to the sort of bucolic family fare in which Monogram Pictures specialized in the early 1930s. Loosely inspired by the John Greenleaf Whittier poem of the same name, the film stars Jackie Moran as Billy Whittaker, a country lad whose idyllic lifestyle is thrown into confusion upon the arrival of arrogant reform-school graduate Kenneth Hale (Bradley Metcalf). Not only does Kenneth tear down everything that Billy holds dear, but he also has the audacity to make a play for Billy's sweetheart Pige Blaine (Marcia Mae Jones). Eventually Kenneth reforms his ways and becomes a "regular guy", but not without a bit of bare-knuckle persuasion from Billy and a brief escapade involving a gang of out-of-town bond swindlers. The film was directed by Karl Brown, a former cinematographer with an unerring eye for gorgeous exterior shots. ~ Hal Erickson, All Movie Guide

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Starring:
Jackie MoranMarcia Mae Jones, (more)
1943  
 
Bob Kane's 1939 Detective Comics superhero The Batman came to the screens in serial form courtesy of Columbia Pictures and producer Rudolph C. Flothow. In time-honored serial fashion, Flothow chose Lewis Wilson for the title role, a relative newcomer, but one with an amazing facial resemblance to the cartoon character. Wilson's athletic ability, however, left a lot to be desired and Douglas Croft, cast as young sidekick Robin, the Boy Wonder, looked too old for his role, especially when doubled by a hairy-legged stunt man. For censorship purposes, the serial Bruce Wayne was not a lone Gotham millionaire crusader but gainfully employed by the Unites States government. Said government is terrorized by evil Dr. Daka (J. Carroll Naish), an emissary from Emperor Hirohito complete with atom-smasher ray guns and a device that turns its wearers into zombies. (The device, placed on the skull of its victim, resembles something from a child's Erector set.) Batman and Robin are aided by lovely Linda Page (Shirley Patterson), whose uncle (Gus Glassmire) becomes one of Dr. Daka's first victims. From the Bat Cave, the three crusaders and Wayne's butler, Alfred (William Austin), venture forth to battle the forces of evil in general and a scenery-chewing Naish in particular -- travelling in a convertible and not the later so familiar batmobile. It takes them 15 chapters and a race through an amusement park to finally destroy the evil Daka and the title of the concluding chapter, "Doom of the Rising Sun," must have brought a ray of hope to a war-weary populace. The Batman was directed by Lambert Hillyer, a veteran who knew something about bats from having previously helmed Dracula's Daughter. The serial was popular enough to merit a sequel, although it would take six more years until Columbia debuted The New Adventures of Batman and Robin (1949). ~ Hans J. Wollstein, All Movie Guide

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Starring:
Lewis WilsonMichael Vallon, (more)
1954  
 
Neither a B nor an A picture, Bitter Creek is a solid western programmer, offering an excellent, unglamorized performance by Wild Bill Elliot. Though officially prohibited to do so by the Production Code, the film is motivated by revenge. Elliot arrives in Bitter Creek seeking retribution for the murders of his brothers. He suspects that powerful rancher Carleton Young is responsible, but has no proof. In the course of events, Elliot behaves with the same cold-blooded ruthlessness as the villains, with no concessions made to the kids in the audience: this, of course, results in a far more powerful film than usual. Beverly Garland is well cast as the vacillating heroine who believes in Young's innocence until it's almost too late. ~ Hal Erickson, All Movie Guide

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Starring:
William "Wild Bill" ElliottCarleton Young, (more)
1951  
 
William Holden plays Boots Malone, a dishonest--and impoverished--jockey's agent. Malone sees a chance to crack the big time through the talents of young jockey John Stewart. Stewart's wealthy mother wants to remove the boy from the rarefied world of the race track, but it is Malone himself who destroys his friendship with Stewart by ordering the boy to throw the race, or else they'll be put on the spot by gangsters. Malone's last-minute regeneration restores Stewart's faith in him. Filmed on location, Boots Malone is a satisfying horse-race drama, though one might expect a little something extra from star William Holden and director William Dieterle. ~ Hal Erickson, All Movie Guide

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Starring:
William HoldenJohn Stewart, (more)
1936  
 
Dick Tracy -- or rather his future portrayer Ralph Byrd -- found himself in the unfamiliar surroundings of the range in this Tim McCoy Western from low-budget company Puritan Pictures. Byrd played Tex Weaver, a G-man going undercover as a bank robber in order to flush out gang leader Buff Brayden (Ted Adams). Assisted by former agent Tim Ross (McCoy) and kindhearted gangster's moll Goldie Harris (Lois January), Tex learns of a forthcoming raid on the Bordertown bank. Unfortunately, while appearing with Tim's medicine show, Tex is killed by a bullet fired offstage simultaneously with Tim's. Accused of murder, Tim makes his escape, rejoins the Justice Department, and manages to not only foil the bank heist but also gather enough evidence to convict both Brayden and his boss, bank examiner Willey Taggart (J. Frank Glendon). McCoy, who had joined Puritan in 1935 after leaving Columbia Pictures, would make ten Westerns for the little company, all of them above-average oaters considering their limited budgets of only 10,000 dollars a picture. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Tim McCoyLois January, (more)
1937  
 
An above-average "Hopalong Cassidy" series entry, Borderland has Hoppy (William Boyd) going undercover as a bandit in a tough Mexican border town in order to trap a notorious bandit known only as The Fox. Not even sidekicks Johnny Nelson (James Ellison) and Windy (George "Gabby" Hayes) are in on the scheme, concocted jointly by Mexican Army Colonel Gonzales (Trevor Bardette) and Texas Ranger Major Stafford (Earle Hodgins). Lodging with widowed Grace Rand (Nora Lane) and her small daughter, Molly (Charlene Wyatt), both of whom he abuses in order to protect his cover, Hoppy learns that The Fox (Stephen Morris aka Morris Ankrum) is himself performing a bit of masquerade, in this case as a halfwit known as Loco. Windy, however, innocently spills the beans and is promptly kidnapped along with Molly. Chased by Hoppy, who is himself tailed by the villain's henchmen, Gonzales' troops, and a wounded Johnny Nelson, The Fox (alias Loco) escapes to his secret hideaway, a cabin stocked with dynamite. There, Hoppy catches up with him and in an exciting finale keeps the master villain at bay until help arrives. ~ Hans J. Wollstein, All Movie Guide

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Starring:
William "Hopalong" BoydJames Ellison, (more)
1948  
 
"This town ain't big enough to hold both of us," saloon owner Dink Davis (Cliff Clark) tells his new rival Steve Mawson (John Phillips) in the opening of this lighthearted Hopalong Cassidy Western. Schoolmarm Lucy Abbott (Anne O'Neal) couldn't agree more; in fact, the spinsterish teacher is outraged that Mawson is establishing his den of inequity more or less in her own backyard and decides to take matters into her own hands. But before she can do much more than hurl a couple of apples through the barroom window, Miss Abbott finds herself the victim of a gang of kidnapping thugs. "I'll box your ears," the aggrieved school mistress promises her abductors, all of whom used to be her pupils. Back in town, Mawson appears the most likely suspect of this newest outrage, but Hoppy (William Boyd) has his doubts. With California Carlson (Andy Clyde) left behind as a substitute teacher, Cassidy and sidekick Lucky Jenkins (Rand Brooks) do a little digging and come up with a most surprising result. ~ Hans J. Wollstein, All Movie Guide

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Starring:
William "Hopalong" BoydAndy Clyde, (more)
1941  
 
In this western, a town finds itself under the tyrannical control of a shady sheriff. He is usurped by an honest outside lawman and his bumbling side-kick. ~ Sandra Brennan, All Movie Guide

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1938  
 
In this episode of the western series, the Mesquitters try to stop a ring of silk thieves while dealing with a shady medicine show man and his kids. One of his offspring is a beautiful young woman. The Mesquiteers must hurry to find the thieves as they too are suspects. ~ Sandra Brennan, All Movie Guide

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Starring:
Max "Alibi" Terhune
1951  
 
While a man recuperates from a heart-attack, he obsesses with the thought that his wife and his doctor are having an affair, so decides to write a letter to the D.A. accusing the two of trying to kill him. After his wife mails the letter for him, he tells her of its contents which provokes his anger and he attacks her, dying on the spot from another heart attack. Though innocent, she is nevertheless desperate to somehow get the letter back. ~ Kristie Hassen, All Movie Guide

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Starring:
Loretta YoungBarry Sullivan, (more)
1942  
 
Though it ain't Noel Coward, Chatterbox is the funniest of the two Judy Canova-Joe E. Brown vehicles for Republic. Brown is hilariously cast as Rex Vane, a pompous radio cowboy star who's never been any further west than his living room. When Rex is signed to appear in a film, it becomes painfully apparent that he can neither ride nor shoot. But rambunctious Judy Boggs (Judy Canova) can do both, and it is Judy who helps guide the vain Vane through his moviemaking experiences. Rex proves himself to be a genuine hero in a slapstick finale "borrowed" from Chaplin's The Gold Rush. Naturally, both Brown and Canova are given ample opportunity to sing, as are guest performers Spade Cooley and the Mills Brothers. ~ Hal Erickson, All Movie Guide

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Starring:
Joe E. BrownJudy Canova, (more)
1943  
 
The winning streak of superior Hopalong Cassidy westerns continued with 1943's Colt Comrades. In this one, Hoppy (William Boyd) and his saddle pals California (Andy Clyde) and Johnny (Jay Kirby) use a large amount of reward money to buy their own ranch. But despotic Jebb Hardin (Victor Jory), who controls the local water rights, makes life difficult for our three heroes and their ranching partner Lin Whitlock (George Reeves). When Hoppy proves a bit too tough and resiliant for Hardin, the villain begins plotting and planning the hero's hasty demise. The film's best moments include an elaborate confidence scam, with California as the sucker and Wildcat Willy (Earl Hodgins) as the suck-ee. ~ Hal Erickson, All Movie Guide

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Starring:
William "Hopalong" BoydAndy Clyde, (more)
1950  
 
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Set just after the close of the Civil War, a former Confederate officer (Ray Milland) joins a vaudeville target-shooting show to avoid detection by the Union army. Working his way West, he falls in league with a group of Southern copper-miners being harassed as they try to make a living. ~ John Bush, All Movie Guide

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Starring:
Ray MillandHedy Lamarr, (more)
1935  
 
Another of cowboy hero Bill Cody's low-grade horse operas for Spectrum Pictures, Cyclone Ranger casts the white-Stetsoned star as the Pecos Kid. Despite his reputation as a cattle rustler, Pecos is a nice guy underneath. He gets to prove it by saving a blind old woman's cattle stock from falling into the hands of the villains. When his work is done, Pecos deposits the baddies in the local calaboose and bids adios to the fuming sheriff. Cyclone Ranger is no prize winner, but it isn't as awful as such future Cody vehicles as Border Menace and Phantom Cowboy. ~ Hal Erickson, All Movie Guide

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Starring:
Bill CodyEddie Gribbon, (more)
1946  
 
Deadline at Dawn represented not only the sole film directorial effort of Broadway's Harold Clurman, but also the only cinematic collaboration between Clurman and his former Group Theatre associate, screenwriter Clifford Odets. While on shore leave in New York, sailor Alex (Bill Williams) is slipped a doped-up drink by B-girl Edna (Lola Lane). When he awakens, Alex discovers that she has been murdered. Though he believes that he's the killer, our hero is talked into locating the actual miscreant by philosophical cab driver gus (Paul Lukas) and nightclub dancer June (Susan Hayward). Adapted from a novel by Cornell Woolrich, Deadline at Dawn leans towards pretentiousness at times, but is redeemed by the no-nonsense performance by Susan Hayward. ~ Hal Erickson, All Movie Guide

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Starring:
Susan HaywardPaul Lukas, (more)
1942  
 
Hoping to increase its box-office allure by adopting the title of a popular song, Deep in the Heart of Texas (clap!clap!clap!clap!) was the first Johnny Mack Brown western of the 1942-43 season. The plot concerns a group of insurrectionists who intend to keep Texas separate from the rest of the USA. Brown is cast as Jim Mallory, son of insurrectionist leader Colonel Mallory (played by William Farnum, who was often called upon to play Brown's dad). At first sympathetic to the separatists out of loyalty to his father, Johnny ultimately realizes that the movement has been corrupted by a criminal element. With the help of governor's emissary Brent Gordon (Tex Ritter), Johnny is instrumental in restoring the Lone Star state to the Union. The title tune is sung con brio by the Jimmy Wakely trio. ~ Hal Erickson, All Movie Guide

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Starring:
Johnny Mack BrownTex Ritter, (more)
1947  
 
Marise Aubert (Greer Garson) has begun seeing a psychiatrist to treat her overwhelming guilt. It seems that Marise was married to Paul (Robert Mitchum), who was sent overseas in World War II. She loved Paul deeply and remained faithful to him. She then receives tragic news that Paul died in action, and months later is visited by Jean Renaud (Richard Hart), one of Paul's friends from the Army. Jean tells Marise that he and Paul were captured by enemy troops, and Paul died in the midst of a heroic attempt to escape. Marise senses that Jean is as lonely and heartbroken as she is, and she allows him to stay at her house. They fall in love, but the situation becomes complicated when a letter arrives from Paul. Jean hides it from Marise, hoping that she will not discover that her husband is still alive. He tries to convince her to sell her home and move away from her troubling memories, but before the sale can go through, Paul appears at the doorstep. While Paul can forgive Marise for betraying him, she is unable to forgive herself. Desire Me was released without a director's credit; the bulk of the principal photography was supervised by George Cukor, but by all accounts it was a troubled shoot, and eventually Mervyn LeRoy] and Jack Conway both worked to finish the picture. Garson nearly drowned while filming one scene, and Mitchum claimed that Cukor put Garson through 125 takes of another scene before she could say the word "No" to his satisfaction. ~ Mark Deming, All Movie Guide

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Starring:
Greer GarsonRobert Mitchum, (more)
1946  
 
After a two-year absence, the "Hopalong Cassidy" western series returned with The Devil's Playground. William Boyd, now executive-producer of the series, returns as Hoppy, with Andy Clyde as California Carson and Rand Brooks as Lucky Jenkins. More plot-oriented than earlier Cassidy efforts, Devil's Playground finds our three heroes coming to the rescue of widowed Mrs. Evans (Elaine Riley). The villain of the piece is Judge Morton (Robert Elliot), who hopes to force the heroine off her property for reasons unknown. Hoppy uncovers Morton's motivations and saves the day, but not without putting up one whale of a good fight. While Devil's Playground upheld the standard set by the previous "Hopalong Cassidy" films, the quality of the series would gradually deteriorate during the next eleven installments. ~ Hal Erickson, All Movie Guide

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Starring:
William "Hopalong" BoydAndy Clyde, (more)
1946  
 
A Hollywood movie company descends on the Ozarks in this pleasant, if low-budget, musical from PRC undoubtedly inspired by the concurrent success of Broadway's Oklahoma! Despairing of the ill-tempered behavior of Shirley, a scientifically raised mule, Dr. Jane Colwell (Martha O'Driscoll) returns to the farm in Missouri's Ozark Mountains. Shirley's indubitable talents, however, are discovered by a movie company, whose producer, Mike Burton (William Wright), sets out to win the affection of both Dr. Colwell and her obstinate animal, a feat accomplished much to the consternation of the company's star, Gloria Baxter (Renee Godfrey). The expected romantic confusion ensues and three professors from the Midland College Deptartment of Agriculture (Will Wright, Chester Clute, and Paul Scardon) descend on the movie location to put a halt to Shirley's promising screen career. But Mike and his flamboyant director (John Carradine) do their best to placate both the prominent faculty and their beast, and soon everyone is enjoying a typical Missouri hayride. Second leads Eddie Dean and Mabel Todd perform "There's a Rose That Grows in the Ozarks" and "Monkey Business"; Renee Godfrey and the Tailor-Maids take care of "Big Town Gal"; leading lady Martha O'Driscoll warbles "Never Knew That I Could Sing" and "I'm So In Love With You"; and the entire company, including John Carradine, performs "There's Nothing Like an Old Missouri Hayride." ~ Hans J. Wollstein, All Movie Guide

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Starring:
Martha O'DriscollJohn Carradine, (more)

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