Douglas Hodge Movies

Ken Russell's adaptation of Oscar Wilde's Salome, Salome's Last Dance takes the form of a play within a film. Wilde (Nickolas Grace) arrives at a brothel with his lover, Bosey (aka Lord Alfred Douglas played by Douglas Hodge), where the proprietor, Alfred (Stratford Johns), has gathered his staff and assorted other colorful characters to mount a simple production of Wilde's new play. And so, with Alfred playing Herod, and Bosey playing John the Baptist, and with Wilde himself looking on with varying degrees of interest, the play is performed. Salome (Imogen Millais-Scott) is the daughter of Herodias (Glenda Jackson), who has abandoned her husband, since murdered, for his brother, Herod. Herod has an eye for Salome, but she mocks his interest. One evening, she hears the ranting of John the Baptist, who is Herod's prisoner, and demands that he be brought before her. She is very taken with the prophet, and attempts to seduce him while the captain of the guards, who is smitten with her, looks on. The young captain kills himself, and the prophet spurns her and is beaten. Still, she insists that she will kiss him, as he is brought away. Salome manipulates the horny Herod, who promises her anything if she will dance for him. She agrees, against the wishes of Herodias. While she performs, Wilde slips off with a young male performer, arousing Bosey's jealousy. After Salome's erotic dance (at the end of which she momentarily changes sexes), she confounds Herod by demanding the prophet's head. Russell himself has a small role in the film, as a photographer of ill repute. ~ Josh Ralske, All Movie Guide

Dark Obsession is a slow, English-made, psychological thriller dealing with erotic obsession, guilt and betrayal. Sir Hugo Buckton (Gabriel Byrne), an aristocrat strapped for money, is married to beautiful, sensual and successful Virginia (Amanda Donohoe). His alcoholism and his envy of her lead to his obsessive jealousy and belief in her lack of fidelity. During one drunken evening while out driving with friends, Hugo hits and kills a pedestrian who resembles Virginia. When Hugo begins to receive vague blackmail letters, he suspects one of his friends, and the group begins to plot a murder. Dark Obsession has all the ingredients of a first-rate thriller but fails despite its excellent cast to generate any excitement. The pace of the film is languid, the motivations of the characters are unclear, and after the accidental death, nothing much really happens. Dark Obsession, originally released as Diamond Skulls, despite the best efforts of its cast, is a thriller that fails to thrill. ~ Linda Rasmussen, All Movie Guide

A young man in the '60s deals with his estranged parents and the desire to find a career in rock 'n' roll. Based on the book by Nigel Hinton, who also wrote the screenplay, this music related drama stars Chesney Hawkes, Roger Daltrey and Sharon Duce. ~ Kristie Hassen, All Movie Guide

In this 1994 BBC adaptation of George Eliot's novel, altruism, social reform, and romantic love struggle to survive against snobbery, economic oppression, and self-indulgence. Set in the fictional town of Middlemarch in the 1830s, the film begins when Dr. Tertius Lydgate (Douglas Hodge) arrives in the community to begin a medical practice. Because of his knowledge of the latest medical techniques and his desire to do humanitarian work and pioneering laboratory research, Lydgate becomes the ideal candidate for the pro bono position of superintendent of a new Middlemarch hospital. Meanwhile, Dorothea Brooke (Juliet Aubrey), a well-to-do resident of the nearby town of Tipton Grange, desperately searches for a noble cause to occupy her time. She and her sister Celia, both orphans, live with their uncle, Arthur Brooke (Robert Hardy), in a spacious home where they enjoy a comfortable life. After Dorothea observes the plight of poor tenant farmers during a horseback ride in the country, she decides to promote new housing for the farmers. But Dorothea and Lydgate both encounter obstacles as they attempt to realize their dreams. In Dorothea's case, her own uncle, Mr. Brooke, who operates the worst of the tenant farms, refuses to endorse her housing plan. As a self-satisfied member of the local establishment and a possible candidate for Parliament, he deems it wise to maintain the status quo. In Lydgate's case, a corrupt banker, Nicholas Bulstrode (Peter Jeffrey), threatens to block the physician's appointment as hospital superintendent unless he supports Bulstrode's candidate for the hospital chaplaincy. Against his better judgment, Lydgate compromises his integrity and backs Bulstrode's man rather than the man better-suited for the job. But the problems of Dorothea and Lydgate don't stop there. Dorothea, who is strikingly attractive, intelligent, and sensitive, chooses a middle-aged husband, the Rev. Edward Casaubon (Patrick Malahide), because she thinks she can contribute to his scholarly pursuits. But after marrying him, she discovers he is cold and conceited -- a walking book with an attitude. Her real love, though she doesn't fully realize it, is Will Ladislaw (Rufus Sewell), a handsome painter and social reformer who now must keep his distance from the married woman. Lydgate, deeply in love with pretty Rosamond Vincy (Trevyn McDowell), marries her only to discover that she is a self-centered spendthrift. While he dotes on her, she dotes on his bank account. Subplots emerge to add suspense and intrigue. One involves Rosamond's brother, Fred (Jonathan Firth), who abandons his studies for the ministry against his father's wishes to work the land and to pursue a young woman below his social status. Another involves the grasping banker Bulstrode, who is being blackmailed for acquiring money illegally. Casaubon dies of a heart ailment less than two years after he marries Dorothea, but he manages to hold onto her from the grave. His will states that she must forfeit all the property she inherits if she marries Ladislaw. Because she has already committed portions of her considerable inheritance to charitable causes, she rejects Ladislaw, but cannot tell him why. By this time, Rosamond has bankrupted Lydgate. Suspense builds as the film moves toward its conclusion and discloses the fate of the central characters -- Dorothea, Ladislaw, Lydgate, Rosamond, Bulstrode, and the others. ~ Mike Cummings, All Movie Guide

Violence and anti-gay prejudice combine to make a heated custody battle all the more ugly in this tense domestic drama. Hannah Wyatt (Joely Richardson) is a single mother who lives with her nine-year-old son Oliver (Sam Bould) and her boyfriend Frank Donally (Jason Flemyng). Hannah was married to Martyn (Martin Donovan), but their relationship ended bitterly when Martyn chose to finally acknowledge his homosexuality and left her to move in with his lover Tom Dixon (Ian Hart). Oliver has suffered several unexplained injuries in recent months, and one day Hannah comes home from work to discover that Frank has severely wounded Oliver's hand when he lashed out with violence over a minor bit of misbehavior. Hannah kicks Frank out of the house, but when he returns -- tearfully begging forgiveness and claiming he'll never hurt Oliver again -- she takes him back. Martyn learns of Frank's violence against his son, and she sues to have full custody of Oliver for the sake of the child's safety. However, Hannah is terrified of both losing her son and being left without a man in her life; she and Frank join forces in court against Martyn, using his homosexuality as their chief weapon against him and trying to poison Oliver's mind with homophobia against his father. Hollow Reed's soundtrack features selections recorded for the film by Elvis Costello, Annie Lennox, and Paul Weller. ~ Mark Deming, All Movie Guide

The six-part British miniseries The Way We Live Now was adapted from the satirical 1875 novel by Anthony Trollope. The central character was Augustus Melmotte (David Suchet), a mysterious international financier of questionable parentage. Invading the uppermost circles of Victorian society, Melmotte inveigled a considerable number of prominent Londoners in a spectacular get-rich-quick scheme. Among those involved were the Carburys, an aristocratic but cash-poor family anxious to recoup their fortunes by whatever means necessary. Details essential to the plot include the somewhat one-sided romance between Melmotte's rebellious daughter Marie (Shirley Henderson) and caddish Sir Felix Cadbury (Matthew MacFadyen), the exploits of an American adventuress (Miranda Otto) with a predilection for shooting her lovers, and a high-born author of trashy romance novels. Though written in the late 19th century, the story line had a queasily contemporary significance to those burned by such financial peccadillos as the Enron scandal in the early 21st century. Originally telecast by the BBC beginning November 11, 2001, The Way We Live Now was shown in America (as a four-parter) on PBS' Masterpiece Theatre starting April 1, 2002. ~ Hal Erickson, All Movie Guide

William Makepeace Thackeray's witty assessment of the British class system, as seen through the experiences of one young woman, is brought to the screen with some serious star power in this period comedy drama. Becky Sharp (Reese Witherspoon) is a bright and ambitious girl born to a poor British family. Becky is determined to make something of herself however she can, and after accepting a job as a nanny for the children of the powerful and aristocratic Sir Pitt Crawley (Bob Hoskins), she wastes no time ingratiating herself with the family. Pretty Becky catches the eye of Crawley's handsome and eligible son Rawdon (James Purefoy), and becomes chummy with sharp-tongued Aunt Matilda (Eileen Atkins). Between the two of them, Becky is introduced to London's most exclusive social circle, where she becomes re-acquainted with Amelia Sedley (Romola Garai), a former school chum who is amused by Becky's efforts to scale the ladder of social influence. Becky weds Rawdon, but following initial happiness, the social and economic stability she dreamed of begins to collapse when he begins drowning his troubles in gambling and drink, and soon she turns to the powerful Marquess of Steyne (Gabriel Byrne) for support. Meanwhile, Amelia's fortunes fall even harder following the death of her husband. Vanity Fair was directed by Mira Nair, who enjoyed a surprise international success with 2002's Monsoon Wedding. ~ Mark Deming, All Movie Guide