Rafael Baez Movies

A man who has made good in an illegal business discovers going straight is a more complicated matter than he imagined in this urban drama. Victor Rosa (John Leguizamo) is a drug dealer who has made a small fortune selling a heroin-based drug cocktail he's concocted called "Empire." Victor doesn't see himself as a dope pusher; instead, he considers himself an entrepreneur and a businessman who is simply making the most of the economic opportunities presented to him in the ghetto. Through his girlfriend Carmen (Delilah Cotto), Victor makes the acquaintance of Jack Wimmer (Peter Sarsgaard), an upscale investment banker who admires Victor's business savvy and street smarts. Victor is interested in getting out of drug dealing and into a legitimate business, and when Jack offers Victor the chance to buy into a new business, Victor eagerly accepts and makes a good profit in the deal. After this, Victor is all the more enthusiastic when Jack gives him the opportunity to invest in a much bigger project; the price, however, is more than Victor can afford, and he has to borrow from another high-stakes drug dealer, La Columbiana (Isabella Rossellini) in order to make the nut. It isn't long before Victor learns La Columbiana is not a good person to be in debt to -- and that Jack may not be all he imagined him to be. Empire marked the directorial debut of dancer and choreographer Franc Reyes; the supporting cast includes Denise Richards, Sonia Braga, Ruben Blades, and rapper Fat Joe. ~ Mark Deming, Rovi

Richard Schenkman, who debuted with the disappointing The Pompatus of Love (1996), returned with this comedy-drama, set on the streets of Brooklyn. When young Richie (Rafael Baez) vanishes, rumor has it that he went insane at Coney Island, so pizza guy Stan (Rick Stear) and pawnshop clerk Daniel (Jon Cryer, who co-scripted with Schenkman) spend a winter's day searching for their childhood friend through the deserted amusement park. They encounter a variety of locals in their wanderings, while flashbacks fill in the story of past events, including Stan's alcoholic escapades which ended his relationship with Gabby (Ione Skye). Shown at the 1998 L.A. Independent Film Fest. ~ Bhob Stewart, Rovi

In this sequel to the fifth-season episode "Coma," Larry Miller reprises the role of sleazy former comedy-club owner Michael Dobson. Having been acquitted of murdering his first wife, Dobson ends up the prime suspect when his second wife is killed while jogging in Central Park. Determined to nail Dobson once and for all, the detectives and the D.A.'s office hitch their hopes to a Columbian coin which has been illegally used as a subway token. ~ Hal Erickson, Rovi

Hangin' with the Homeboys follows four young men--two Black, two Puerto Rican--over the course of one night in the Bronx. During the night, they have several misadventures as they talk, argue, play and get into accidents. This coming-of-age film was directed by the late Joseph B. Vasquez and features an early performance by John Leguizamo. ~ Stephen Thomas Erlewine, Rovi

Sea of Love is a sexy, atmospheric thriller, very much in the style of Alfred Hitchcock, with involving characters, steamy love scenes, and surprising plot twists. Frank Keller (Al Pacino), is a lonely, tired, disillusioned, police detective, who has a problem with alcohol. Frank is investigating a serial killer, whom he believes finds victims by using personal ads in magazines, killing them while playing the old record "Sea of Love." In a scene both amusing and touching, Frank and his partner, Sherman (John Goodman) --aided by Frank's father (William Hickey in a lovely cameo) place a personal ad, hoping to lure the killer. Helen Cruger (Ellen Barkin), a tough, sexy single mother answers the ad and begins an affair with Frank, despite the fact that she is one of the prime suspects in the case. The suspense builds as Frank, though deeply drawn to Helen, becomes more and more suspicious of her. In a splendidly crafted script from Richard Price, the plot is compelling, with plenty of action, terrific authentic dialogue and superb characterization. Ellen Barkin gives a marvelous performance as an independent, sensual and intriguing femme fatale; John Goodman is excellent as Sherman, giving a likable, shrewd, and subtly comic performance; and Pacino, in perhaps his best performance since Dog Day Afternoon, plays Frank as a man on the edge, reckless and self-destructive, lost and alone. Frank falls in love with Helen, in spite of himself, because of his loneliness and need. Pacino's skill in showing the vulnerability and neediness of Frank explains the somewhat implausible actions of his character in continuing their affair despite the mounting evidence against Helen. Harold Becker directs with great flair, bringing the story believability, without lapsing into false sentimentality. ~ Linda Rasmussen, Rovi