John Cameron Movies

The somber fifth-season continuity of Hercules: The Legendary Journeys is briefly interrupted with this comic episode spotlighting those lovable rapscallions Autolycus (Bruce Campbell) and Salmoneus (Robert Trebor). Stealing a magic lantern, the boys conjure up a sexy genie named -- what else? -- Jinni (Hilary Thompson). Alas, the curvaceous bottle imp can't seem to get any of the boys' wishes right -- .and besides, this is an exercise in "Be careful what you wish for." The highlight occurs when Salmoneus, unable to make up his mind what he wants from genie, is split into two halves: "Cry Baby Sal" and "Hyper Sal." ~ Hal Erickson, All Movie Guide

This auspicious feature debut from Sam Raimi -- shot on 16mm in the woods of Tennesse for around $350,000 -- secured the young director's cult status as a creative force to be reckoned with. The nominal plot involves five vacationing college kids -- Ash (Bruce Campbell), his girlfriend Linda (Betsy Baker), and their classmates Cheryl (Ellen Sandweiss), Scott (Hal Delrich) and Shelly (Sarah York) -- making an unplanned stopover in an abandoned mountain cabin surrounded by impenetrable woods. Before settling in for the night, they come across an ancient-looking occult tome filled with dense hieroglyphics and macabre illustrations, a dagger fashioned from human bones, and a reel-to-reel tape recorder. The taped message, dictated by a professor of archaeology, describes the contents of the Sumerian "Book of the Dead," filled with incantations used to bring otherworldly demons to life, giving them license to possess the living. The message goes on to explain that those possessed by these demons can only be stopped by total bodily dismemberment. When played among the group later that evening, the professor's recorded translations of the ritual chants traumatize the strangely prescient Shelly ... and simultaneously release an ominous presence from the depths of the forest. The evil spirits take to their dirty work with gusto, first assuming control of Shelly and transforming her into a cackling, murderous hag with superhuman strength; the others imprison her in the fruit cellar and chain the trapdoor shut. The spirits then begin to possess the other women, including Linda -- who immediately turns on Ash with a barrage of punches and sadistic taunts. Unable to bring himself to chop up his lover's corpse, Ash gives her a more customary burial in the woods -- which proves to be a big mistake. As the others succumb to demonic influence, Ash's horrific predicament becomes increasingly grim until, when all hope seems lost, he stumbles upon a final, desperate solution to the ghoulish onslaught ... well, maybe not. Despite the shoestring production values, Raimi has fashioned a tight, lightning-paced fever dream of a movie, filled with operatic overacting and outrageously gory effects that give the project a comic-book feel. Based on an earlier 8mm short titled Within the Woods, this feature version was fraught with distribution difficulties before finding its first audience overseas. After considerable word of mouth (and a glowing endorsement from horror author Stephen King), the film became a hit on home video, where it achieved further notoriety thanks to its highly-publicized banning in Britain amid the notorious "Video Nasties" censorship campaign. Raimi, along with producer Robert Tapert, writer Scott Spiegel and much of the same crew, cranked up the story's comic aspects several dozen notches for the rollicking semi-remake, Evil Dead 2: Dead by Dawn. ~ Cavett Binion, All Movie Guide

One of the best-loved films from the idiosyncratic British film studio Ealing Pictures gets an update from the equally idiosyncratic filmmaking team of Joel and Ethan Coen in this offbeat comedy. Marva Munson (Irma P. Hall) is a spry, elderly woman who attends church regularly, doesn't care for loud noises or harsh language, and is looking for a tenant for the spare room in her house. Enter Goldthwait Higginson Dorr (Tom Hanks), a silver-tongued college professor who moves in and gains Munson's permission to use the basement for rehearsals with his "medieval music ensemble." What Munson doesn't know is that Dorr's latest project is not academic, but criminal. Dorr is masterminding the robbery of a riverboat casino, and the fellow musicians in his ensemble are actually the crew he's assembled to pull off the job: foul-mouthed "inside man" Gawain (Marlon Wayans), clumsy demolitions expert Pancake (J.K. Simmons), quiet strong-arm man Lump (Ryan Hurst), and logistical expert The General (Tzi Ma). Despite the best efforts of Dorr and his cohorts (which aren't very impressive), Munson finds out about their scheme, and when she refuses to accept a share of the take in exchange for her silence, Dorr decides the best solution is to silence her permanently. The gospel tunes which grace the soundtrack to The Ladykillers were coordinated by T-Bone Burnett, who also helped assemble the acclaimed song score for the Coen brothers' O Brother, Where Art Thou?. ~ Mark Deming, All Movie Guide

Set in a sleepy Northern California town in the 1940s, Joel Coen and Ethan Coen's The Man Who Wasn't There stars Billy Bob Thornton as Ed Crane, a humble barber who suspects his hard-hearted and hard-drinking wife Doris (Frances McDormand) of having an affair with her boss (James Gandolfini). When a jocular stranger (Jon Polito) breezes into town hinting at the fortune to be made investing in an outlandish-sounding new invention called dry cleaning, Ed hatches a blackmail scheme he hopes will make him rich and get him some revenge at the same time. His plan goes horribly awry when he accidentally commits a murder for which Doris ends up being blamed, landing her in the slammer and Ed at the mercy of blowhard big-city lawyer Freddy Riedenschneider (Tony Shalhoub). Filmed in black-and-white by three-time Oscar-nominated cinematographer Roger Deakins, The Man Who Wasn't There was inspired by the seedy crime novels of James M. Cain, putting a distinctly Coen brothers' spin on the film noir tradition. Though spiked with their characteristic humor, its moody atmosphere hearkens back to the darker moments of Blood Simple and Fargo -- a marked departure from the high-spirited slapstick of O Brother Where Art Thou. ~ Tom Vick, All Movie Guide

After the highly acclaimed independent film Bottle Rocket, director Wes Anderson followed up with a quirky Touchstone Studios film entitled Rushmore. Written by Anderson and friend Owen Wilson (an actor in Armageddon and Anaconda), they created the story of Max Fischer, a highly eccentric 15-year-old boy who attends the tenth grade at Rushmore Academy. Played by Jason Schwartzman (Talia Shire's son and Francis Ford Coppola's nephew), Max is a poor student with big dreams and a love of extracurricular activities. Max is editor of the school newspaper and yearbook, president of the chess, astronomy, French, and German clubs, captain of the fencing team, and director of the school play. Max is also a compulsive liar, telling everyone that his barber father (Seymour Cassel) is really a brain surgeon. Suddenly Max falls in love with Miss Cross (Olivia Williams), a first-grade teacher at the school. He also makes a new friend in business tycoon Mr. Blume (Bill Murray), an eccentric millionaire who also loves Miss Cross. The love triangle heats up as Max refuses to believe that his age has anything to do with Miss Cross refusing his romantic advances. Also Max's scheme to erect an aquarium on the school baseball diamond gets him booted out of Rushmore Academy. As his life crumbles around him, he is forced to grow up and accept the consequences of his actions and his lies. He throws himself more into his extracurricular activities, hoping to redeem himself by staging the most ambitious school play ever attempted. ~ Arthur Borman, All Movie Guide

Director Sam Raimi brings his trademark comic book-influenced visual panache to this post-modern Western. Sharon Stone stars as Ellen, a mysterious female gunslinger who arrives in the frontier hamlet of Redemption for a contest pitting quick-draw artists against each other. The event is the brainchild of Redemption's evil, corrupt mayor, Herod (Gene Hackman), a criminal who has taken over the town and charges a 50% tax on local businesses. The pot for Herod's deadly game has swollen, attracting numerous colorful gunfighters from around the territory. As each battle thins the ranks of players, the pasts of several participants are revealed. Ellen is seeking revenge on Herod for a heinous past injustice. The fast-talking braggart known as "The Kid" (Leonardo DiCaprio) may in fact be Herod's son. The pacifist Reverend Cort (Russell Crowe), who refuses to participate in the bloodshed, is the fastest draw in the West and a former colleague of Herod's. After several spectacular slayings, Ellen and Herod stage a final showdown, but not before he has made her an unexpected proposal. The Quick and the Dead (1995) is dedicated to veteran Western actor Woody Strode, who appears in a cameo as Redemption's coffin maker, his final performance. ~ Karl Williams, All Movie Guide

Neglecting Julie (Frances McDormand), his lawyer lady friend, Dr. Peyton Westlake (Liam Neeson) works feverishly to perfect his latest invention -- artificial skin that could be used to treat burn victims. Peyton himself falls victim to an explosion when one of Julie's crooked clients sends his henchmen to sniff out an incriminating document that's been left in Westlake's lab. Hideously disfigured and left for dead, the good doctor receives an experimental medical treatment that renders him super-strong, impervious to pain and prone to heightened fits of rage. Rebuilding his lab into an underground hideout, Westlake begins using his synthetic skin to impersonate various characters and engineer his revenge against those who destroyed his life. Reconnecting with Julie, however, becomes the unsightly vigilante's biggest challenge. ~ Brian J. Dillard, All Movie Guide

An interracial couple moves into their California dream home, only to find themselves the target of their volatile next-door neighbor -- a racist LAPD officer -- in this tightly wound thriller starring Samuel L. Jackson and Kerry Washington. Newlyweds Chris and Lisa seem like they have the perfect marriage and now, with their new home in the exclusive community Lakeview Terrace, the perfect life as well, but things soon turn ugly in the posh neighborhood when they begin to receive threats from their neighbor Abel, a middle-aged LAPD officer who has obvious objections to the couple's interracial marriage. What starts as an attitude problem soon morphs into full-on harassment, and before long the couple finds that their worries go far beyond their property values -- or the encroaching California wildfire burning in view of their community -- as they begin to fear for their lives. ~ Jason Buchanan, All Movie Guide

H.G. Bissinger's best-selling true-life account of a few months in the life of a high-school football team comes to the screen in this adaptation written and directed by Peter Berg. Odessa, TX, is an oil town in the western part of the state that's home to the Permian High School Panthers, the football team with the best winning record in the state. Odessa is a town with more than its share of problems; the decline of the oil business in Texas has set the city's economy into a tailspin, and racial tensions still erupt into violence on occasion. But football is the one thing that brings all the people of Odessa together, and on Friday nights every fall, as many as 20,000 people fill Permian's football stadium to watch Coach Gary Gaines (Billy Bob Thornton) and his boys try to lead the team to victory. As Gaines works to build a winning team in a town where victory is prized above all else, however, his players struggle through the emotional trials common to any teenager and ponder the fact that there is little future in their hometown...and that a championship season can be as much a burden as a triumph. Friday Night Lights also stars Lucas Black, Derek Luke, Jay Hernandez, and country singer-turned-actor Tim McGraw. ~ Mark Deming, All Movie Guide

The writing, directing, and producing team of Joel Coen and Ethan Coen created this picaresque comedy (inspired in part by Homer's The Odyssey) set in the Deep South during the Depression. Suave and fancy-talking Everett Ulysses McGill (George Clooney), dim-witted Delmar (Tim Blake Nelson), and easily-excitable Pete (John Turturro) are serving time together on a prison chain gang. Everett knows where $1.2 million is hidden that's theirs for the taking, and the three manage to escape; however, a stranger soon warns them that they'll find treasure, but not the sort they're looking for. As Everett and his partners hit the road, they happen upon a gluttonous bible salesman, Big Dan Teague (John Goodman); meet up with Baby Face Nelson (Michael Badalucco) as he robs a bank; encounter three Sirens doing their washing; run into Everett's estranged wife Penny (Holly Hunter), who has told everyone her husband was killed in a train wreck; find themselves in the middle of a heated campaign between political boss Pappy O'Daniel (Charles Durning), and reformist candidate Homer Stokes (Wayne Duvall); and even find time to make a hit record as The Soggy Bottom Boys. Noted songwriter T-Bone Burnett helped compile the songs (combining vintage country blues tunes with originals in the same style), while Carter Burwell composed the background score. Incidentally, the title O Brother, Where Art Thou? is a reference to the classic Preston Sturges comedy Sullivan's Travels, in which a director plans to make a serious "message picture" with that name. ~ Mark Deming, All Movie Guide

Good gorillas meet bad gorillas while human beings search for treasure in this jungle advnture saga. R.B. Travis (Joe Don Baker) is the ruthless head of Travi-Com, a telecommunications firm on the cusp of a major breakthrough in laser communications technology. However, Travis needs diamonds to finish the project, so he sends a group of men to Zaire, where he's told that a large supply of the gems can be easily found. When the men go missing, Travis sends his trusted assistant Karen Ross (Laura Linney), a one-time CIA associate, into the jungle to find both his staff and the jewels. Hoping to keep her mission a secret, Karen travels to Zaire in the company of Peter (Dylan Walsh), a researcher on primate development who is hoping to return Amy, a gorilla who has been taught sign language and can "speak" English with the help of a glove-controlled computer device. Also travelling with them is Herkermer (Tim Curry), a Romanian with a secret agenda: he's convinced that Amy can guide him to the Lost City of Zinj, where he believes that King Solomon's Mines are located. Upon arrival, the group is met by Monroe Kelly (Ernie Hudson), a self-described "great white hunter who happens to be black," and they discover that the jungle holds a menace that they weren't counting on: a tribe of bloodthirsty gray gorillas. Congo was based on the best-selling novel of the same name by Michael Crichton. ~ Mark Deming, All Movie Guide

Even today, the Australian outback (the never-never of the title) is a daunting place to be left alone. In 1901, it was even more rugged and wild. In this artful drama, Jeannie Gunn (Angela Punch McGregor), a very genteel and citified Victorian-era newlywed, joins her husband in the Northern Territory to help manage a station ("station" is Aussie for "a large ranch"). There she gradually sheds her prim ways and, thanks to her friendship with the local Aborigines, becomes a representative of an entirely new class, sometimes called "Australian outback women." In addition to chronicling the transformation of a Victorian woman, this film offers insight into the situation of Aborigine society at the time, and it received high praise from Australian reviewers. It is based on the diaries of Jeannie Gunn herself. ~ Clarke Fountain, All Movie Guide