Holly Becker Movies

Mark Christopher - writer-director of the hit Miramax drama 54 (1998) - returns to the helmer's chair for the first occasion in eight years with the indie comedy Pizza, from IFC Films. An unofficial homage to mid-80s teen films, the picture concerns Cara-Ethyl (Kylie Sparks), an overweight high-schooler whose mom (screen vet Julie Hagerty) lost her sight in a baking accident. Despondent and lonely as her eighteenth birthday arrives and passes - not to mention embarrassed by her lack of friends - Cara attempts to save face by lying to her mother and pretending that she's expecting a whole host of guests. She then impersonates the "friends" one at a time in front of her mother. When thirty-something pizza delivery guy Matt turns up, Cara falls instantly in love; he then invites her to accompany him, into the night, on his pizza route. As Matt inducts Cara into the area's social realm - replete with bed-hopping flatmates, deadhead teenage addicts and obstinate employers - a friendship forms between the two. Joey Kern, Alexis Dziena and Judah Friedlander co-star. ~ Nathan Southern, All Movie Guide

A man with a "doormat" personality tries standing up for himself for a change in this comedy. Mild mannered tax accountant Elliot Sherman (Michael Showalter) is what he calls a "Baxter": the kind of calm, unexciting fellow who "wears sock garters" and "enjoys raking leaves." Loved by bosses and parents, Elliot is a perfectly nice guy. And that's his problem -- he's safe and pleasant, but not very interesting, so as a consequence he hasn't had much luck with long-term relationships, and more than one woman has abandoned him for someone more exciting. Elliot believes his luck has finally changed for the better when he becomes engaged to Caroline Swann (Elizabeth Banks), a smart and attractive editor at a successful magazine. However, a few weeks before the wedding, who should come back into Caroline's life but Bradley Lake (Justin Theroux), her high school sweetheart and, according to many, the great love of her life. Bradley quickly makes it clear that he wants to win Caroline back, and generally in such circumstances Elliot would politely step aside, but just this once Elliot decides to fight for the woman he loves. Elliot gains an unexpected champion in Cecil Mills (Michelle Williams), a frumpy but adorable temp employee at his office who encourages Elliot to develop a take-charge attitude, though the results aren't quite what he expects. The Baxter was written and directed by Michael Showalter, who also plays Elliot; Showalter was a member of the sketch comedy troupe the State, and also works with the comedy performance trio Stella, whose other members, Michael Ian Black and David Wain, also appear in the movie. ~ Mark Deming, All Movie Guide

A handful of disparate characters, both adults and children, find themselves navigating the tricky waters of intimacy in this award-winning independent comedy drama. Richard (John Hawkes) is a recent divorcé who is alternately exhilarated and terrified with his life and the world around him. While he believes great things are in store for him, he's also become so despondent about his wife's departure that he attempts to set his hand on fire. Richard meets Christine (Miranda July) at the shoe store where he works; Christine likes to paint a picture of herself as a stylish and confident video artist, but in truth she supports herself as a driver with a car service for the elderly, and she'd very much like to meet someone special. As Richard and Christine fumble their way into a relationship, Richard's two sons have issues of their own. Seven-year-old Robby (Brandon Ratcliff) has met someone in an Internet chat room who responds to his naïve and scatological perceptions of sex, while 14-year-old Peter (Miles Thompson) finds himself on the receiving end of unusual and unexpected attention from two girls in his class. Me and You and Everyone We Know was the first feature film written and directed by noted performance artist Miranda July; the picture won prizes in 2005 at the Cannes Film Festival and Sundance Film Festival. ~ Mark Deming, All Movie Guide

The down-and-dirty side of building management in pre-gentrification Manhattan sets the stage for this dark comedy. It's 1981, and Joe Peltz (David Krumholtz) runs a newsstand in New York City, where he has recently married Annabelle (Clara Bellar), an exotic dancer from France who isn't in love with Joe but asked for his hand so she could get a Green Card. When Annabelle discovers she's pregnant, the couple decides they need a larger apartment, and Joe finds a flat in the East Village that's on the same block where his great-great-grandparents lived when they first came to America. However, the neighborhood is decaying and ridden with crime, and when Joe and Annabelle move into their new apartment, he's immediately drafted onto the building's co-op board, where he has to deal with a variety of eccentrics of various stripes and must often sleep in the lobby armed with a baseball bat to ward off junkies and burglars. But by far his biggest problem is Carlos DeJesus (Paul Calderon), a bully who has been squatting in the building for eight years with his roughneck teenage son, Segundo (Jon Budinoff). Carlos sees no reason why he should start paying rent, and he's made enemies with practically everyone who lives in the building, wasting no time in adding Joe and Annabelle to that list. So when a gasoline fire guts Carlos' apartment, the question is not who wanted him out, but who actually had the nerve to start the blaze. Based on a novel by Joel Rose, Kill the Poor was written for the screen by Daniel Handler, best known as the author of the popular "Lemony Snicket" books. ~ Mark Deming, All Movie Guide

In 2000, director Michael Almereyda brought his film crew to San Francisco to document the rehearsal process for the Magic Theater's production of Sam Shepard's play The Late Henry Moss, as directed by the playwright himself. The resulting film, This So-Called Disaster, is partly a study of the magic of theater, as well as a study of the fascinating Shepard, who is nearly universally considered one of the most influential American dramatists of the past century. Shepard and Almereyda's first collaboration came via the former's adaptation of Hamlet, in which Shepard played the part of the Ghost of Hamlet's father. Shepard, in turn, invited Almereyda to film the rehearsal process for his latest play, The Late Henry Moss, a 16-year labor of love for Shepard that relates a fictional recounting of the playwright's own relationship with his late father. Following the cast -- which includes such luminaries as Sean Penn, Nick Nolte, Cheech Marin, and Woody Harrelson -- and the crew until the production's opening night, Almereyda observes the minutiae involved in leading up to the first curtain, as well as some private moments with Shepard as he recounts some of his personal history as related to The Late Henry Moss. This So-Called Disaster was included in the programs for the 2003 Rotterdam International Film Festival and the Tribeca Film Festival. ~ Ryan Shriver, All Movie Guide

Drawn into a menacing underground world of the New Orleans elite while searching for her missing sister, Muriel (Shalom Harlow), Amelia (Liane Balaban) is aided in her investigation by ex-CIA agent Bill (Clarence Williams III) in this effort from Nadja director Michael Almereyda. Soon discovering mysterious webcam footage on Muriel's laptop computer that will seemingly aid them in finding Amelia's sister, the duo is confronted with shifting identities in a scene where no one is quite who they appear to be on the surface. An obscure and disturbing study in the nature of avatars in the age of technological isolation, Almereyda's haunting drama soon leads Amelia and Bill into a complex web buried deep in the underground of a mysterious and sometimes menacing city. ~ Jason Buchanan, All Movie Guide