Mary Hinton Movies

The British Something Money Can't Buy offers a few smaller-scale variations on themes previously explored in the 1946 Hollywood Oscar-winner The Best Years of Our Lives. Harry Wilding (Anthony Steel), a high-ranking wartime military officer, has trouble adjusting to his go-nowhere civilian job and the monotony of his home life. Harry's wife Anne (Patricia Roc) tries to make things easier for her husband, but there are no easy answers to his plight. The inherent drama of the situation is leavened by moments of gentle humor, not to mention the warm rapport between stars. The supporting cast includes hirsute comic actor (and longtime David Niven crony) Michael Trubshawe and the venerable A. E. Mathews, at the time billed as England's oldest working actor. Director Pat Jackson co-authored the perceptive screenplay of Something Money Can't Buy with James Lonsdale Hudson. ~ Hal Erickson, Rovi

White Corridors was based on Yeoman Hospital, a novel by Helen Ashton. Told episodically, the story concentrates on the day-to-day activities in a busy hospital, where research pathologist Neil Marriner (James Donald) conducts experiments in the hopes of curing diseases impervious to penicillin. Marriner is aided in this endeavor by lady surgeon Dr. Sophie Dean (Googie Withers), who happens to be in love with him. After a tragedy occurs for which Marriner holds himself responsible, the film builds steadily to an exciting climax involving a untested -- and potentially dangerous -- serum. The top-rank British supporting cast includes Barry Jones, Moira Lister, Petula Clark, Basil Radford, Dagmar (later Dana) Wynter, Bernard Lee, and, in a minor role, future "Dr. Who" Patrick Troughton. ~ Hal Erickson, Rovi

The Gay Lady is better known by its British title, Trottie True. Jean Kent stars as Trottie, a turn-of-the-century British music-hall performer who works her way up the ladder from chorus girl to headliner. As her fame increases, Trottie has no time for true love, preferring instead the attentions of men of nobility and wealth who can advance her career. But it's not enough, and at the end Trottie trots back to her husband. Based on the play by Caryl Brahms and S.J. Simon, The Gay Lady is best seen in its original Technicolor British release version, which unlike some American prints leaves most of the musical numbers intact. ~ Hal Erickson, Rovi

Based on the infamous Archer-Shee case of 1912, The Winslow Boy features Neil North as the 14-year-old title character. Accused of a petty theft, North is expelled from Naval College. His father, retired bank official Sir Cedric Hardwycke, is prevented by existing British law to clear his son's name. He engages attorney Robert Donat, who successfully petitions for the right to sue the Admiralty and make this august organization prove its charges in court. Public opinion, however, is strongly against Hardwycke and his family: particularly effected is Hardwycke's daughter Margaret Leighton, whose fiance breaks off their engagement. For dramatic purposes, Margaret finds solace in a romantic relationship with barrister Donat. Terrence Rattigan worked on the cinemadaptation of his own play, which was later restaged on American television. ~ Hal Erickson, Rovi

The first of three well-received "omnibus" films hosted by Somerset Maugham, Quartet features four of Maugham's most celebrated stories, each introduced by the author himself. In "The Facts of Life," a seemingly innocent British youth (Jack Watling) is targeted for a shakedown by a beautiful adventuress (Mai Zetterling), while Basil Radford and Naunton Wayne perform their usual brilliant byplay. In "The Alien Corn," a young aristocrat (Dirk Bogarde) hopes to become a professional concert pianist. "The Kite" tells the story of a preoccupied inventor (George Cole) who places his hobbies ahead of his wife (Susan Shaw) as an indirect means of defying his dominating mother (Hermione Badderly). The film concludes with "The Colonel's Lady," wherein the title character (Nora Swinburne) embarrasses her stuffy husband (Cecil Parker) by publishing a torrid volume of romantic poetry. Each of the short tales in Quartet possesses its own mood, pace and rhythm, and each is a gem in its own right. The popularity of Quartet resulted in two more Maugham compendiums, Trio and Encore, not to mention the multistoried American film O. Henry's Full House. ~ Hal Erickson, Rovi

Paramount Pictures' British division was responsible for this adaptation of A.J. Cronin's novel Hatter's Castle. Robert Newton is appropriately mean-spirited as an 1890s hatter, James Brodie, who is anxious to claw his way up from poverty. Desperate to make himself socially acceptable as his income increases, Brodie proceeds to make life miserable for those closest to him: his wife (Beatrice Varley) and daughter (Deborah Kerr). For all his blinkered social climbing, Brodie can never truly escape his true station in life -- a moral better suited to the class-conscious British audiences than the equal-opportunity Americans. Hatter's Castle was well distributed in the U.S. through Paramount's intimidatingly efficient studio-owned theater circuit. ~ Hal Erickson, Rovi

In this psychological drama set in a small English village, the villagers become hysterical after a series of damning anonymous letters are posted accusing different residents of scandalous acts. The townsfolk are soon so panicked that murder and suicide ensue until the police hire an expert to analyze the handwriting. The results lead to the vicar's spinster sister--a virtuous, and highly respected local philanthropist. ~ Sandra Brennan, Rovi