Gregory Hines Movies
Involved in show business since toddlerhood, Gregory Hines has grown up to be a highly acclaimed tap dancer, choreographer, dramatic and comic actor, singer, and director. Hines is the brother of actor/dancer Maurice Hines. When Hines was two, his father employed him in a dance act with his older brothers. The child honed his dancing skills with master tap dancer Henry Le Tang. He was five when his father teamed him with his big brother, Jake, to form the Hines Kids. The brothers spent much of their early careers dancing at the Apollo Theater and learned much from such famed fellow performers as the Nicholas Brothers and Sandman Sims. At age eight, he debuted on Broadway in the musical The Girl in Pink Tights (1954). When the boys reached adolescence, they were called the Hines Brothers. In 1963, they became Hines, Hines and Dad, and started a ten-year stint on the nightclub circuit and on television. They also went abroad. In 1973, he left his brother and father's act to form a jazz-rock group called Severance. He eventually came back to New York, where in 1973, he launched a distinguished Broadway career that garnered him a Tony (for playing Jelly Roll Morton in George C. Wolfe's musical tribute Jelly's Last Jam in 1992), three additional Tony nominations, and a Theater World Award.Hines made his feature-film debut in Mel Brooks' all-star farce The History of the World, Pt. I, replacing an ailing Richard Pryor in the role of Josephus. It was actress Madeline Kahn who suggested Hines for the role. In film, Hines has proven himself a versatile actor and he has starred in everything from musical dramas in which he showed off his dancing ability (The Cotton Club and White Nights, in which he starred opposite ballet superstar Mikhail Baryshnikov), to straight dramas (The Preacher's Wife), comedy (Renaissance Man), sci-fi/horror (Wolfen), and action films (Running Scared). In 1994, Hines made his directorial bow with Bleeding Hearts. He released an album, simply titled Gregory Hines, in 1987. In 1997, he starred in the CBS family comedy The Gregory Hines Show as a single father who has trouble reentering the dating scene. Though that particular series was shortlived, appearances on such popular small screen staples as Will and Grace proved that the years had certainly not dulled Hines comic abilities. In addition, the prepetual entertainer also provided voice work for the Blues Clues adventure Big Blue's Threasure Hunt and the popular children's series Little Bill. Moving into the new millennium Hines appeared in such features as Things You Can Tell Just by Looking at Her (2000) and the made-for-television biopic Bojangles (2001), in which he portrayed the title role of legendary dancer Bill "Bojangles" Robinson. Following a supporting role in the television series Lost at Home, Hines made his final film appearance in the 2003 feature The Root.
On August 9, 2003, Gregory Hines died of cancer in Los Angeles. He was 57, and the lights of Broadway were dimmed in his honor three days after his untimely death. ~ Sandra Brennan, All Movie Guide
Bill Duke directs this quirky film adaptation of Chester Himes' crime novel -- a heavily plotted gangster tale with a sweet love story hidden underneath. The film begins in Natchez, Mississippi in 1956. During a police shoot-out with the mob leader Slim's (Badja Djola) gang, Slim's moll Imabelle (Robin Givens) takes off with a cadre of stolen gold. As a result, Imabelle is chased by Slim's mob from Mississippi to New York. By the time she reaches Harlem, she is broke and has to figure out a way to ditch the trunk full of gold. She finds herself at the annual Undertaker's Ball, where she sees the big and dumb Jackson (Forest Whitaker), a bumbling undertaker's assistant. She spots Jackson as a mark that she can use as a cover and latches onto him immediately. She moves in with him to hide out, but Imabelle becomes taken with his innocence. For his part, Jackson falls head over heels in love with her. But the Mississippi mob catches up with her and takes her away. Jackson calls in his street-wise brother Goldy (Gregory Hines) to help him rescue Imabelle. Jackson fears that Imabelle has been kidnapped. But Goldy knows better -- he still agrees to help him but Goldy wants the gold for himself. ~ Paul Brenner, All Movie Guide
- Starring:
- Forest Whitaker, Gregory Hines, (more)
In this off-beat sci-fi adventure, a female scientist creates a sexy android version of herself and equips it with both the passionate emotions she lacks and a nuclear bomb. The trouble begins when the android is taken out for a test run and it ends up in the midst of a bank robbery where its internal bomb is accidentally activated. Things get worse, when the robot comes emotionally unglued and launches into a destructive rampage while enacting out its repressed creator's darkest desires. ~ Sandra Brennan, All Movie Guide
- Starring:
- Gregory Hines, Renée Soutendijk, (more)
- 1989
- PG13
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Gregory Hines plays the ex-convict son of a famed tap-dancer. Taking over his late father's Harlem dance studio, Hines can't shake memories of his childhood, when he was being touted as a dancing prodigy. Challenged to fulfill his destiny by his dad's old cronies--among them such terpsichorean giants as Sammy Davis Jr., Steve Condos, Jimmy Slyde and Harold Nicholas--Hines does his best to avoid lapsing back into a life of crime. The struggle to save Hines' soul is a titanic one, with Hines' girlfriend Suzzanne Douglas tugging at him from one direction and his old burglary partner Joe Morton yanking from the other. The plotline of Tap is merely an excuse to show off some of the most dazzling footwork ever recorded on film. The director is Nick Castle Jr., who like star Gregory Hines is scion of a legendary dancing family. ~ Hal Erickson, All Movie Guide
- Starring:
- Gregory Hines, Suzzanne Douglas, (more)
Buck McGriff (Willem Dafoe) and Albaby Perkins (Gregory Hines) are military police from the army's Criminal Investigation Department assigned to find a serial killer in 1968 war-torn Saigon. Hookers have been ritualistically murdered, and the two cops spend their final days of active duty in the sleazy back alleys of Saigon tracking down the killer in this military mystery. One by one, possible witnesses who can shed light on the case are systematically murdered. ~ Dan Pavlides, All Movie Guide
- Starring:
- Willem Dafoe, Gregory Hines, (more)
Distinguished by a sharp, witty dialogue between its two cop protagonists, Ray and Danny (Gregory Hines and Billy Crystal), this entertaining crime drama is well worth a visit. Ray and Danny are nearly blown away by super bad guy Julio (Jimmy Smits), and their boss is peeved at them as usual. So the two are given a holiday from their beat in Chicago and travel to the sunny shores of Key West. They like it enough to retire from police work and open a business there. But when the duo returns to the Windy City, Julio is about to pull off a big drug deal and retirement may not be such a good idea. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Gregory Hines, Billy Crystal, (more)
The fancy footwork and star appeal of Gregory Hines as Raymond, an exiled American, and the powerful grace of Mikhail Baryshnikov as Nikolai, a defector, combine with a great production design to carry this otherwise thinly-stretched tale of intrigue. With a stellar supporting cast (Isabella Rossellini as Raymond's wife, Helen Mirren as Nikolai's lover, and Jerzy Skolimowski, the Polish director, as a wily KGB agent), the film has a few excellent moments. Nikolai has defected from the former USSR some time in the past. While on a trip, his plane spectacularly crashes on a runway in Siberia. Trapped in the country he had escaped, he is brought to stay with Raymond, an American who defected during the Vietnam war. Nikolai desperately wants to get out of the country, but the Russians have other plans. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Mikhail Baryshnikov, Gregory Hines, (more)
Combining electric song and dance performances with drama (both on and off screen), Francis Ford Coppola's The Cotton Club (1984) looks back to the 1920s-1930s peak of the legendary Harlem nightclub where only blacks performed and only whites could sit in the audience. Mixing historical figures with characters loosely based on actual people, Coppola and co-writers William Kennedy and The Godfather's Mario Puzo create a panorama of love, crime, and entertainment centered on the Club. Among them are cornet player Dixie Dwyer (Richard Gere, playing his own solos), who escapes psycho gangster "benefactor" Dutch Schultz (James Remar) for a George Raft-type Hollywood career as a gangster film star; Schultz's nubile mistress Vera Cicero (Diane Lane), who loves Dixie against her mercenary instincts; Cotton Club Mob owner Owney Madden (Bob Hoskins) and close associate Frenchy Demarge (Fred Gwynne); Vincent (Nicolas Cage), Dixie's no-good Mad Dog Coll-esque brother; Club tap star Sandman Williams (Gregory Hines), who woos ambitious light-skinned Club singer Lila Rose Oliver (Lonette McKee); and cameos by Charles "Honi" Coles and Cab Calloway impersonator Larry Marshall. Complementing the period story, Coppola evokes the style of '30s gangster movies and musicals through an array of old-fashioned devices like montages of headlines, songs and shoot-outs. Conceived by producer Robert Evans as his crowning achievement and directorial debut, Evans had to hand over the troubled production to Coppola, but the budget spiraled out of control as the script was repeatedly re-written throughout the chaotic shoot. By the time it was released, The Cotton Club's epic production story of power struggles, financial bloat, and even a murder overshadowed the "reunion" of The Godfather's creative team. Neither a Heaven's Gate-sized failure nor a wallet-saving hit like Coppola's Apocalypse Now, The Cotton Club got some favorable critical notices (although it drew fire for subordinating the African American stories). It did not, however, find a large enough audience to justify its expense and controversy, becoming another mark against 1970s "auteur" cinema in increasingly blockbuster-driven 1980s Hollywood. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Richard Gere, Gregory Hines, (more)
- 1984
Ben Vereen stars as the clever title character in this delightful episode of Shelley Duvall's made for cable series Faerie Tale Theatre. A quick-witted talking cat dons boots, a cloak, and a hat in order to carry out his plan to turn his master -- a poor peasant played by Gregory Hines -- into a nobleman. In the process, the cat and his master must defeat an angry ogre and win the heart of a beautiful princess Alfre Woodard. ~ Carrie Downes, All Movie Guide
The humor in this Chevy Chase comedy lies solely in the eyes of the beholder. The comic plays Eddie Muntz, an arms dealer looking to make a big sale of war planes to a South American dictator. In order to do so, his girlfriend (Sigourney Weaver) has to sleep with the dictator and his friend (Gregory Hines) has to be convinced to do one more killing. Eddie's archenemy is Stryker (Vince Edwards) who wants to make that deal himself and will stop at nothing to obtain his ends. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Chevy Chase, Sigourney Weaver, (more)
- 1982
Eubie! began life as a Broadway musical, celebrating the life and work of legendary black entertainer/composer Eubie Blake. This taped version was specially prepared for cable TV in 1981, then released on videocassette a few years later. Gregory and Maurice Hines head the exuberant, toe-tapping cast. Among the highlights are such Blake standards as "I'm Just Wild About Harry". The race issue is brought into play every once in a while, but never in such an omniprescent fashion as to dampen the spirits of this sparkling example of Broadway at its best. ~ Hal Erickson, All Movie Guide
- 1981
- R
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Mel Brooks produced, directed, wrote, and starred in this episodic comedy in the spirit of Monty Python and the 1957 studio travesty The Story of Mankind. The film is divided into five sequences that play like blue-toned Eddie Cantor vaudeville sketches -- "The Dawn of Man," "The Stone Age," The Spanish Inquisition," "The Bible," and "The Future." Also included is a Brooksian depiction of The Last Supper and a long-winded sequence about the French Revolution. The film starts with a 2001: A Space Odyssey parody, narrated by Orson Welles, in which a collection of ape-men learn to stand erect (in more ways than one). The Stone Age reveals the origins of both the first homo sapien and homosexual marriages. Brooks then appears in an Old Testament sequence as Moses, descending from Mount Sinai with three heavy stone tablets bearing the 15 Commandments; after he drops one of these tablets, the laws of God become 10 Commandments. The Roman period picks up with Brooks as Comicus, attempting to get a gig as a "stand-up philosopher" at Caesar's Palace. The Spanish Inquisition is a musical production number with monks torturing Jews to lively Broadway musical strains. The final French revolution section is a broad parody of The Man in the Iron Mask story. The film closes with coming attractions of "History of the World, Part II" that features a rousing Star Wars parody (anticipating Space Balls) called "Jews in Space" that includes a jaunty theme song. ~ Paul Brenner, All Movie Guide
- Starring:
- Mel Brooks, Dom DeLuise, (more)
Wolfen, a frightening horror movie based upon a novel by Whitley Strieber, is an absorbing update on the werewolf legend. Detective Dewey Wilson (Albert Finney) is assigned to investigate the strange murder of a millionaire and his wife in a downtown park. Wilson and his friend, city coroner Whittington (Gregory Hines), aided by criminal psychologist Rebecca Neff (Diane Venora) connect the killing to those of several others, primarily winos, drug addicts and derelicts, all of whom seem to have been mutilated by wild animals. Their search leads them to a group of Native Americans led by Edward James Olmos who tell them of a legend of a superior species that once roamed the area, but now are living and hunting in the slums of New York. The film is engrossing, frightening and intelligent, with sensational special effects. Director Michael Wadleigh uses these effects to great advantage, frequently showing the movements of the characters through the eyes of the "Wolfen." This film is also the screen debut of Gregory Hines. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Albert Finney, Diane Venora, (more)
- 1979
This 1979 episode of Saturday Night Live is hosted by actor Gary Busey and features Gregory Hines and Eubie Blake as the musical guests. ~ Stephen Thomas Erlewine, All Movie Guide
- Starring:
- Gary Busey, Gregory Hines, (more)
