Robyn Hilton Movies

This routine erotic spy tale stars Darby Hinton as Cody Abilene, a private eye who teams up with the Contessa Luciana (Sybil Danning) and policewoman Beverly McAfee (Lori Sutton) to infiltrate a mansion and discover who is sending computer secrets to the Russians. The Contessa's friend Lady Lillian Chamberlain (Niki Dantine) runs the mansion, where sex is the presiding activity. The chauffeur is busy bedding down both a nephew and niece of Lady Lillian, as well as the nephew's wife; fortunately, driving is not a taxing activity. While four Playboy playmates cavort in various degrees of undress (no full frontal nudity), the mystery of who is selling computer secrets manages to also get uncovered. ~ Eleanor Mannikka, Rovi

George Pal's final film is a kiddie action saga based on the popular comic strip and action book series by Kenneth Robeson. Ron Ely is all flash and charmless brawn as the blonde-haired superhero Doc Savage, the Man of Bronze. When his father is mysteriously murdered, Savage gathers together five of his cronies -- The Amazing Five -- to head off on an expedition to South America to find some answers. There he battles Captain Seas (Paul Wexler) and "the green death." Along the way, he charms native girl Mona (Pamela Hensley), who immediately falls for the blonde chiselhead. ~ Paul Brenner, Rovi

The Mad, Mad Movie Makers is the alternate title of The Last Porno Flick. The plot (yes, there is a plot!) concerns a pair of two-bit movie producers who are anxious to cash in on the Deep Throat craze (the film, not the Watergate informant). They end up producing a lampoon of Deep Throat, meaning that they've produced a lampoon of a lampoon. Setting this one apart from the usual sleaze is its cast, peopled with such respectable names as Michael Pataki, Mike Kellin, Mariana Hill, and Anthony Carbone. At 88 minutes, The Mad, Mad Movie Makers wears out its welcome long before the final fadeout. ~ Hal Erickson, Rovi

Vulgar, crude, and occasionally scandalous in its racial humor, this hilarious bad-taste spoof of Westerns, co-written by Richard Pryor, features Cleavon Little as the first black sheriff of a stunned town scheduled for demolition by an encroaching railroad. Little and co-star Gene Wilder have great chemistry, and the delightful supporting cast includes Harvey Korman, Slim Pickens, and Madeline Kahn as a chanteuse modelled on Marlene Dietrich. As in Young Frankenstein (1974), Silent Movie (1976), and High Anxiety (1977), director/writer Mel Brooks gives a burlesque spin to a classic Hollywood movie genre; in his own manic, Borscht Belt way, Brooks was a central player in revising classic genres in light of Seventies values and attitudes, an effort most often associated with such directors as Robert Altman and Peter Bogdanovich . Some of this film's sequences, notably a gaseous bean dinner around a campfire, have become comedy classics. ~ Robert Firsching, Rovi