Gillian Hills Movies
Hammer Films apply their characteristic Gothic touch to this offbeat psychological thriller about a bombastic 19th-century Baron (Robert Hardy) who keeps his two adult offspring imprisoned in the family estate, convinced they are afflicted by an evil curse of madness passed down from their late mother. Unfortunately, they're not the only ones to worry about: it seems a spate of recent murders in the surrounding village are being committed by his son (Shane Briant), who is being manipulated by his father's deranged will to leave the castle and act out Dad's twisted, violent fantasies. Superb photography and good use of locations lend a rich atmosphere to this psycho-costume-drama, and Patrick Magee turns in a good performance as the family doctor (somewhat reminiscent of his role in Coppola's Dementia 13). Director Peter Sykes keeps the horror fairly subdued until the bloody "shock" ending, which seems to spoil the mood a bit. ~ Cavett Binion, All Movie Guide
Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess's novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," such as terrorizing a writer, Mr. Alexander (Patrick Magee), and gang raping his wife (who later dies as a result). After Alex is jailed for bludgeoning the Cat Lady (Miriam Karlin) to death with one of her phallic sculptures, Alex submits to the Ludovico behavior modification technique to earn his freedom; he's conditioned to abhor violence through watching gory movies, and even his adored Beethoven is turned against him. Returned to the world defenseless, Alex becomes the victim of his prior victims, with Mr. Alexander using Beethoven's Ninth to inflict the greatest pain of all. When society sees what the state has done to Alex, however, the politically expedient move is made. Casting a coldly pessimistic view on the then-future of the late '70s-early '80s, Kubrick and production designer John Barry created a world of high-tech cultural decay, mixing old details like bowler hats with bizarrely alienating "new" environments like the Milkbar. Alex's violence is horrific, yet it is an aesthetically calculated fact of his existence; his charisma makes the icily clinical Ludovico treatment seem more negatively abusive than positively therapeutic. Alex may be a sadist, but the state's autocratic control is another violent act, rather than a solution. Released in late 1971 (within weeks of Sam Peckinpah's brutally violent Straw Dogs), the film sparked considerable controversy in the U.S. with its X-rated violence; after copycat crimes in England, Kubrick withdrew the film from British distribution until after his death. Opinion was divided on the meaning of Kubrick's detached view of this shocking future, but, whether the discord drew the curious or Kubrick's scathing diagnosis spoke to the chaotic cultural moment, A Clockwork Orange became a hit. On the heels of New York Film Critics Circle awards as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar nominations in all three categories. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Malcolm McDowell, Patrick Magee, (more)
- 1970
A dedicated priest in frail health takes over a church attended by peasants who rejoice in the human love life has to offer them. Mouret (Francis Huster) is at odds with the wrathful rector (Andre Lacombe), who instills fear in the parishioners and takes exception to Mouret's embracing of the Virgin Mary. Mouret tries to mediate when the peasants fight over the belongings of a deceased woman. When he is taken ill and suffers short term memory loss, he is cared for at the house of his atheistic uncle and his servant girl. She cares for Mouret, who forgets his calling to God and falls for the young girl. She nurses him back to health and he returns to the church, but the rector drives the young girl from the parish and constantly reminds Mouret of his sin during his amnesia. When the young girl dies, Mouret buries her in consecrated ground despite the objections of the despotic rector. ~ Dan Pavlides, All Movie Guide
- Starring:
- Francis Huster, Gillian Hills, (more)
- 1969
- R
Bert (Robie Porter) and Taylor (Sam Waterston) are two Americans who set out for a tour of France and Italy by auto. They meet a pretty female hitchhiker named Marty (Charlotte Rampling) and agree to allow her to travel with them. They agree not to become romantically involved with Marty to insure there is no conflict. When Bert goes off with a French woman for a night of love and romance, Marty makes a move on Taylor. Keeping in mind the pact with his friend, he refuses to get involved with the woman. Bert eventually returns and forgets his promise to Taylor as he makes a pass at the willing, wanton woman. Soon Taylor is left behind to ponder his fate as the two lovers resume the proposed tour. ~ Dan Pavlides, All Movie Guide
- Starring:
- Charlotte Rampling, Robie Porter, (more)
- 1968
Based on a play by John Osborne, this is one of those movies where the audience pulls for the protagonist but has a hard time actually saying that he IS a protagonist. A highly unlikeable fellow, this protagonist is an attorney in all the ways that make this more an epithet than a profession. He's hated by his office personnel as much as his associates. He's unfaithful to his wife, lousy to his clients, and miserable with his children. Surprisingly, though, Nicol Williamson has taken this nasty person and made us still somewhat care what happens to him. Quite an accomplishment considering the lack of anything at all to love about this misanthrope, but somehow we see just a glimmer of humanity. ~ Tana Hobart, All Movie Guide
- Starring:
- Nicol Williamson, Eleanor Fazan, (more)
Italian director Michelangelo Antonioni's first English-language production was also his only box office hit, widely considered one of the seminal films of the 1960s. Thomas (David Hemmings) is a nihilistic, wealthy fashion photographer in mod "Swinging London." Filled with ennui, bored with his "fab" but oddly-lifeless existence of casual sex and drug use, Thomas comes alive when he wanders through a park, stops to take pictures of a couple embracing, and upon developing the images, believes that he has photographed a murder. Pursued by Jane (Vanessa Redgrave), the woman who is in the photos, Thomas pretends to give her the pictures, but in reality, he passes off a different roll of film to her. Thomas returns to the park and discovers that there is, indeed, a dead body lying in the shrubbery: the gray-haired man who was embracing Jane. Has she murdered him, or does Thomas' photo reveal a man with a gun hiding nearby? Antonioni's thriller is a puzzling, existential, adroitly-assembled masterpiece. ~ Karl Williams, All Movie Guide
- Starring:
- David Hemmings, Vanessa Redgrave, (more)
- 1962
The French omnibus feature Tales of Paris is made of four separate romantic playlets, each with its own cast, director, and scenarist. "The Tale of Ella," directed by Jacques Poitrenaud, stars Dany Saval as an ambitious nightclub performer who very nearly messes up her chances for success by bullying a mild-looking but important producer. "The Tale of Antonia," directed by Michel Boisrond, finds housewife Dany Robin exacting a sweet revenge on her cheating husband. "The Tale of Francoise," directed by Claude Barma, concerns the efforts of Francoise Arnoul to test the fidelity of her best friend's lover. And "The Tale of Sophie," directed by Marc Allegret, features Catherine Deneuve as a goody-two-shoes who fabricates a torrid romance in order to be accepted by her sexually knowledgeable schoolmates. ~ Hal Erickson, All Movie Guide
- Starring:
- Françoise Arnoul, Françoise Brion, (more)
A rebellious teenager runs away from home and joins the SoHo beatniks when her widowed father remarries a much younger woman. But beatnik life isn't all it seems and she ends up hanging out as a stripper in a sleazy club, hoping to learn about her mom. There the creepy club owner attempts to seduce her, and his lover gets jealous and stabs him. Now the two must do something fast. The film is also known as Wild for Kicks, and features music from rocker Adam Faith, the John Barry Seven, and other beatnik acts. ~ Sandra Brennan, All Movie Guide
- Starring:
- David Farrar, Noëlle Adam, (more)
- 1959
Pierre Ambroise Francois Choderlos de Laclos's 18th century novel Les Liaisons Dangereuses was filmed several times. In Roger Vadim's version, Jeanne Moreau coerces her husband Gerard Philippe into ruining the reputation of pious Annette Vadim (the director's wife at the time). Philippe spoils Moreau's nasty little plan by falling in love with his intended victim. While the novel merely humiliated Moreau's character for her misdeeds, Vadim comes up with a far more painful and permanent punishment. Since the release of the 1988 Dangerous Liaisons, Vadim's film has travelled under the title Dangerous Liaisons 1960 (even though it was technically completed in 1959, and released to the U.S. in 1961). ~ Hal Erickson, All Movie Guide
- Starring:
- Gérard Philipe, Jeanne Moreau, (more)
