Patricia Hilliard Movies

In this mystery, a millionaire vanishes right before he is to marry. To find him, his sister hires a detective who is, after encountering many corpses, lead to "The Panda," the perpetrator of the crime. The investigator soon discovers that millionaire's fiancee is behind it all. ~ Sandra Brennan, All Movie Guide

A wealthy man's valet, Blore, concocts a blackmail scheme about an attempted poisoning when his employer passes out at a party in this farcical comedy. ~ All Movie Guide

Farewell Again is a multiplotted British comedy/drama about soldiers on leave and the people they've left. Given a six-hour pass after a tour of duty in India, several British Tommies (among them Robert Newton, Sebastian Shaw and Anthony Bushell) try to unravel their domestic tribulations before having to ship out again. American expatriate Tim Whelan was the directorial hand who kept the various plot threads from entangling, while another Hollywood vet, James Wong Howe, manned the cameras. The film became instantly dated with the advent of World War II, but in its own time Farewell Again was a box-office smash. The film was issued in the US as Troopship. ~ Hal Erickson, All Movie Guide

H. G. Wells was both the author of the original source -- an essay, rather than an actual novel, concerning mankind's future -- and the screenplay (in conjunction with Lajos Biro) of this epic science fiction tale, but it was producer Alexander Korda who framed the terms on which it is presented, vast and elegant, and visually striking. Opening in the year 1940, we see the next century of human history unfold, initially with amazing prescience. In Everytown (a stand-in for London) in 1940, the people prepare to celebrate Christmas amid rumors and rumblings of war -- forward-thinking pacifists like John Cabal (Raymond Massey) try to raise concerns amid a populace either too fearful to think about the risks, or so pleased with business conditions that they're oblivious to the downside of war. And then it comes, devastating Everytown (in scenes shockingly close to the actual World War II London blitz, a half-decade away when these scenes were written) and the country, and finally the world. After 30 years, the war goes on, except that there are no more nations to fight it, only isolated petty fiefdoms ruled by brigand-like strongmen, running gangs organized like tiny armies. Among the most ruthless and successful of them is Rudolph (Ralph Richardson), who runs what's left of Everytown. He keeps his people in line by force, and his war with his neighbors going with his bedraggled troops, while pressuring the tiny handful of scientists, mechanics, and pilots to keep as many of the aging, decrepit planes as they can operating. A few educated men around him -- whom he doesn't really trust -- try to resist the worst of his plans and orders, while going through the motions of carrying them out. And then, one day, out of the sky comes a plane the like of which they've never seen before, sleek and fast, and piloted by a mysterious man whom Rudolph orders imprisoned. It is John Cabal, older but just as dedicated to the cause of peace, and ready to fight for it. He announces the existence of a new order, run by a society of engineers and scientists, called Wings Over The World, here to re-establish civilization. Rudolph will hear none of it, thinking instead to use Cabal's plane and those of any of his friends who follow as weapons of war -- but Rudolph's wife Roxana (Marguerite Scott) sees the wisdom of what Cabal offers and helps him. The bombers of Wings Over The World drop the Gas of Peace, which puts the entire population of Everytown to sleep -- all except Rudolph, who goes down fighting and dies -- allowing the army of the Airmen to enter and free the city. Seventy years go by, during which the Earth is transformed and a new civilization rises, led by scientists and engineers. Immense towers now rise into the sky, and the population is freed from most of the concerns that ever led to it war. In fact, a new complacency starts to take hold amid a populace for whom most needs are now easily met -- all except the leaders, engineers who keep advancing, year after year, with new projects and goals. And now, having conquered the Earth and all of the challenges it has to offer, Oswald Cabal (Raymond Massey), the great-grandson of John and the current leader, is about to embark on the grandest project of all, moving into deep space. The first launch of a manned vehicle, fired by the Space Gun, is about to take place. But there is discontent being spread by the sculptor Theotocopulos (Cedric Hardwicke), who is weary and distressed from this constant push toward new advances and progress -- he wants mankind to reassert itself over this ever-advancing technology, and sees the Space Gun and all it represents as a new threat. In a speech, he exhorts the restive populace to stop the launch. They proceed, en masse, to attack the Space Gun, while Cabal struggles to beat them to their objective and take the next bold step into space. "All of the Universe," he declares, "or nothing -- which shall it be?" ~ Bruce Eder, All Movie Guide

Wealthy American Joe Martin (Eugene Pallette) purchases an ancient Scottish castle and then has it dismantled and transferred to his Florida estate where he plans to reconstruct the castle brick by brick. Martin is unaware that his new acquisition comes equipped with an 18th-century ghost, played by Robert Donat. As the spectre, who feels as though his honor has been besmirched, flits around haunting one and all, Martin's daughter Peggy (Jean Parker) carries on a romance with the ghost's descendant, also played by Donat. It is only natural that the "live" and "dead" Donat will become mixed up, and this comedy of errors dominates the final scenes of The Ghost Goes West. The film was the first English-language production of French director René Clair -- and almost the last, due to producer Alexander Korda's insistence upon tampering with the original concept as laid down by Clair and screenwriter Robert E. Sherwood. ~ Hal Erickson, All Movie Guide

Producer and director (Alexander Korda) followed up The Private Life of Henry VIII (one of the first internationally successful British films) with this historical comedy. After years in exile, the great lover Don Juan (Douglas Fairbanks) returns to Seville, the city of his salad days. However, Don Juan is now married and middle-aged, and his days as a spoiler of women seem to be behind him. When he learns that a young man in town (Barry McKay) has been posing as him and making time with the local ladies, Don decides to prove who the great lover truly is and attempts the seduction of Antonia (Merle Oberon), a beautiful dancer. However, Don's doctor informs him that girl-hunting will tax his fragile health, and his wife Dolores (Benita Hume) will no longer turn a blind eye to his infidelity. When the impostor is killed by a jealous husband, Don is relieved, as his "death" allows him to retire from his career as a rake with his reputation intact. But when the old itch returns, Don makes the sad discovery that if he can't convince women he's Don Juan, they simply aren't interested in him. The Private Life of Don Juan provided one of the few speaking roles for silent screen swashbuckler Douglas Fairbanks, and proved to be his last picture. ~ Mark Deming, All Movie Guide