John Hillerman Movies
Natty, mellifluous character actor John Hillerman may have spoken on screen with a pure Mayfair accent, but he hailed from Denison, Texas. Hillerman first gained notice for his fleeting appearances in the films of Peter Bogdanovich: The Last Picture Show (1971), What's Up Doc (1973), At Long Last Love (1975). He was also a semi-regular for director Mel Brooks, prominently cast in Blazing Saddles (1975) and History of the World, Part I (1981). A veteran of dozens of television series, John Hillerman was cast as the insufferable criminologist Simon Brimmer on Ellery Queen (1975), the star's director (and ex-husband) in The Betty White Show (1975), and most memorably as the ultra-correct Jonathan Quayle Higgins II, major domo to never-seen mystery writer Robin Masters, on Magnum PI (1980-88). ~ Hal Erickson, All Movie Guide
- 1978
The made-for-TV Guide for the Married Woman was conceived by screenwriter Frank Tarloff as an "answer" to his frolicsome 1968 theatrical feature Guide for the Married Man. If the sequel isn't quite as much fun as the original, it may be because what was deemed "risque" in 1968 was kid's stuff in 1978. In her TV-movie debut, Cybill Shepherd plays a bored housewife who yearns for romance and excitement. With the help of a steady stream of celebrity guest stars, Shepherd is able to fantasize about extramarital hijinks to her heart's content. The supporting cast includes such luminaries as Peter Marshall, Eve Arden, John Beradino, John Byner, Bill Dana, Bonnie Franklin, George Gobel, Tom Poston, Barbara Feldon and Chuck Woolery (the guest-star list of the original Guide for the Married Man included Art Carney, Jack Benny, Lucille Ball, Carl Reiner, Terry-Thomas, Joey Bishop and Jayne Mansfield: guess which film had the bigger budget?) Guide for the Married Woman originally aired October 13, 1978. ~ Hal Erickson, All Movie Guide
Like its lively predecessor, The Brady Bunch Movie (1995), this mild comic send-up takes its characters and situations from the popular family sitcom of the 1970s, The Brady Bunch. Set in the '90s, it is filled with in-joke references to American pop culture. However, one need not be familiar with the original series in order to enjoy this film. Bad guy Trevor Thomas (Tim Matheson) is posing as supermom Carol Brady's long-dead first husband Roy Martin. He claims to have been amnesiac and made unrecognizable by plastic surgery after suffering disfiguring injuries, but in truth, he is on the hunt for a very valuable artifact, an ancient Chinese horse carving which Roy sent to his family from the field. Because of the family's sheer niceness, they could never imagine such deception, and husband Mike Brady (Gary Cole) welcomes him into their midst. This causes Roy no end of frustration, as not only must he live with this incredibly sweet and cheerful family while he searches for the carving, but he must endure having his ill-tempered sarcastic jibes go completely unrecognized. When Carol (Shelley Long) is kidnapped, the whole family goes a-hunting. ~ Clarke Fountain, All Movie Guide
- Starring:
- Shelley Long, Gary Cole, (more)
Pierce Brosnan stars as adventurer Phineas Fogg in this adaptation of Jules Verne's classic story, in which to win a wager he must travel around the globe in 80 days or less. However, Fogg has been blamed for the theft of a large amount of money, and a detective (Peter Ustinov) is hot on his trail trying to catch him before he reaches the finish line. The supporting cast includes Eric Idle, Lee Remick, Roddy McDowall, and Christopher Lee. ~ Mark Deming, All Movie Guide
- Starring:
- Pierce Brosnan, Eric Idle, (more)
- 1987
One can only hope that the real-life marriage of actors Michael Tucker and Jill Eikenberry is more harmonious than the one depicted in the made-for-TV Assault and Matrimony. Tucker plays a meek New England accountant and Eikenberry portrays his nitpicking wife-who becomes even nitpickier when the couple purchases a historic home. When he's driven to distraction by Eikenberry's nagging, Tucker hatches a murder scheme. At the same time, she comes up with a plot to bump off her husband. Adapted from James Anderson's novel by John Binder, this frenetic farce first aired September 28, 1987. ~ Hal Erickson, All Movie Guide
- 1975
- G
Peter Bogdanovich's attempt to direct a homage to the great musicals of the 1930s is now remembered as one of the embarrassments of the 1970s. The film's thin plot, standard for the genre, centers on the romantic entanglements and misunderstandings among six stock characters: the bored playboy (Burt Reynolds), his never-ruffled valet (John Hillerman), the debutante (Cybill Shepherd), the Broadway diva (Madeline Kahn), her gambler boyfriend (Duilio Del Prete), and her maid (Eileen Brennan). All six are likely to burst into song and dance at any time, and they often do (the performances were recorded live on the set, not pre-recorded), but sixteen Cole Porter tunes, lavish sets and costumes, and an expensive production cannot hide the fact that Reynolds and Shepherd, the two leads, are way out of their depth. A notorious failure, At Long Last Love left a permanent stain on Bogdanovich's career. ~ Don Kaye, All Movie Guide
- Starring:
- Burt Reynolds, Cybill Shepherd, (more)
Audrey Rose is a "thinking man's" horror film, which in a way is unfortunate, since it tended to be ignored amidst the many spell-it-all-out scarefests of the late '70s. Marsha Mason and John Beck play Janice and Bill Templeton, a happily married couple, the parents of well-adjusted preteen Ivy (Susan Swift). Their family security is disrupted by the arrival of a mysterious stranger, Elliot Hoover (Anthony Hopkins). At first mistaken for a potential child molester, Hoover explains that his obsessive interest in young Ivy is actually paternal. It is Hoover's contention that their daughter is the reincarnation of his own child, who died in a horrible accident. This information is dismissed out of hand-and then strange things begin happening. Directed by Robert Wise (who had previously helmed the psychological thriller The Haunting), Audrey Rose was adapted by co-producer Frank de Felitta from his own novel. ~ Hal Erickson, All Movie Guide
- Starring:
- Marsha Mason, Anthony Hopkins, (more)
- 1978
The second TV-movie to bear the title Betrayal stars Lesley Ann Warren and Rip Torn. Warren plays Julie Roy, a sensitive young woman seeking solace through therapy. Torn co-stars as Julie's psychiatrist Dr. Hartogs. It turns out that the far-from-ethical Hartogs has a hidden agenda: while pretending to minister to Julie's needs, he inveigles her into a sexual relationship. First telecast November 13, 1978, Betrayal was based on an actual case and adapted from a book co-written by the real-life Julie Roy. ~ Hal Erickson, All Movie Guide
Vulgar, crude, and occasionally scandalous in its racial humor, this hilarious bad-taste spoof of Westerns, co-written by Richard Pryor, features Cleavon Little as the first black sheriff of a stunned town scheduled for demolition by an encroaching railroad. Little and co-star Gene Wilder have great chemistry, and the delightful supporting cast includes Harvey Korman, Slim Pickens, and Madeline Kahn as a chanteuse modelled on Marlene Dietrich. As in Young Frankenstein (1974), Silent Movie (1976), and High Anxiety (1977), director/writer Mel Brooks gives a burlesque spin to a classic Hollywood movie genre; in his own manic, Borscht Belt way, Brooks was a central player in revising classic genres in light of Seventies values and attitudes, an effort most often associated with such directors as Robert Altman and Peter Bogdanovich . Some of this film's sequences, notably a gaseous bean dinner around a campfire, have become comedy classics. ~ Robert Firsching, All Movie Guide
- Starring:
- Cleavon Little, Gene Wilder, (more)
"You may think you know what you're dealing with, but believe me, you don't," warns water baron Noah Cross (John Huston), when smooth cop-turned-private eye J.J. "Jake" Gittes (Jack Nicholson) starts nosing around Cross's water diversion scheme. That proves to be the ominous lesson of Chinatown, Roman Polanski's critically lauded 1974 revision of 1940s film noir detective movies. In 1930s Los Angeles, "matrimonial work" specialist Gittes is hired by Evelyn Mulwray (Faye Dunaway) to tail her husband, Water Department engineer Hollis Mulwray (Darrell Zwerling). Gittes photographs him in the company of a young blonde and figures the case is closed, only to discover that the real Mrs. Mulwray had nothing to do with hiring Gittes in the first place. When Hollis turns up dead, Gittes decides to investigate further, encountering a shady old-age home, corrupt bureaucrats, angry orange farmers, and a nostril-slicing thug (Polanski) along the way. By the time he confronts Cross, Evelyn's father and Mulwray's former business partner, Jake thinks he knows everything, but an even more sordid truth awaits him. When circumstances force Jake to return to his old beat in Chinatown, he realizes just how impotent he is against the wealthy, depraved Cross. "Forget it, Jake," his old partner tells him. "It's Chinatown." Reworking the somber underpinnings of detective noir along more pessimistic lines, Polanski and screenwriter Robert Towne convey a '70s-inflected critique of capitalist and bureaucratic malevolence in a carefully detailed period piece harkening back to the genre's roots in the 1930s and '40s. Gittes always has a smart comeback like Humphrey Bogart's Sam Spade and Philip Marlowe, but the corruption Gittes finds is too deep for one man to stop. Other noir revisions, such as Robert Altman's The Long Goodbye (1973) and Arthur Penn's Night Moves (1975), also centered on the detective's inefficacy in an uncertain '70s world, but Chinatown's period sheen renders this dilemma at once contemporary and timeless, pointing to larger implications about the effects of corporate rapaciousness on individuals. Polanski and Towne clashed over Chinatown's ending; Polanski won the fight, but Towne won the Oscar for Best Screenplay. Chinatown was nominated for ten other Oscars, including Picture, Director, Actor, Actress, Cinematography, Art Direction, Costumes, and Score. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Jack Nicholson, Faye Dunaway, (more)
- 1975
Ellery Queen (also known as Too Many Suspects) was the 78-minute pilot film for a TV series based on the fictional intellectual author/sleuth created by cousins Frederick Dannay and Manfred Lee. Jim Hutton plays Ellery (the tenth actor to do so on screen!), while David Wayne is his police inspector father. The plot, set in 1947 Manhattan, involves the murder of a fashion model. Fifteen minutes before the fade-out, Ellery turns to the audience, presents the clues, and asks us to solve the murder--a cute if unnecessary trick, since Ellery's got the case all worked out and the killer is no surprise to anyone who's watched TV murder mysteries in the last 25 years (the actor in question has said "I did it!" so often that it's a wonder he can walk the streets without being apprehended). Ellery Queen was a pet project of the TV writing team of Richard Levinson and William Link (of Columbo) fame. After the subsequent Queen TV series expired after a single season, Levinson and Link revived the notion of a murder-solving novelist and changed the gender of the protagonist--and the result was Murder She Wrote. ~ Hal Erickson, All Movie Guide
In this entry in the continuing exploits of Sherlock Holmes, the great detective must track down his nemesis Professor Moriarty after the villain kidnaps Holme's brother Mycroft. The evil doctor is forcing his captive to decode highly classified military documents. The film is also called Hands of a Murderer. ~ Sandra Brennan, All Movie Guide
- Starring:
- Edward Woodward, John Hillerman, (more)
"Who are you?" the dwarf Mordecai (Billy Curtis) asks Clint Eastwood's Stranger at the end of Eastwood's 1973 western High Plains Drifter. "You know," he replies, before vanishing into the desert heat waves near California's Mono Lake. Adapting the amorally enigmatic and violent Man With No Name persona from his films with Sergio Leone, Eastwood's second film as director begins as his drifter emerges from that heat haze and rides into the odd lakefront settlement of Lago. Lago's residents are not particularly friendly, but once the Stranger shows his skills as a gunfighter, they beg him to defend them against a group of outlaws (led by Eastwood regular Geoffrey Lewis) who have a score to settle with the town. He agrees to train them in self-defense, but Mordecai and innkeeper's wife Sarah Belding (Verna Bloom) soon suspect that the Stranger has another, more personal agenda. By the time the Stranger makes the corrupt community paint their town red and re-name it "Hell," it is clear that he is not just another gunslinger. With its fragmented flashbacks and bizarre, austere locations, High Plains Drifter's stylistic eccentricity lends an air of unsettling eeriness to its revenge story, adding an uncanny slant to Eastwood's antiheroic westerner. Seminal western hero John Wayne was so offended by Eastwood's harshly revisionist view of a frontier town that he wrote to Eastwood, objecting that this was not what the spirit of the West was all about. Eastwood's audience, however, was not so put off, and an exhibitors' poll named Eastwood a top box-office draw for 1973. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Clint Eastwood, Verna Bloom, (more)
- 1981
- R
- Add History of the World -- Part I to QueueAdd History of the World -- Part I to top of Queue
Mel Brooks produced, directed, wrote, and starred in this episodic comedy in the spirit of Monty Python and the 1957 studio travesty The Story of Mankind. The film is divided into five sequences that play like blue-toned Eddie Cantor vaudeville sketches -- "The Dawn of Man," "The Stone Age," The Spanish Inquisition," "The Bible," and "The Future." Also included is a Brooksian depiction of The Last Supper and a long-winded sequence about the French Revolution. The film starts with a 2001: A Space Odyssey parody, narrated by Orson Welles, in which a collection of ape-men learn to stand erect (in more ways than one). The Stone Age reveals the origins of both the first homo sapien and homosexual marriages. Brooks then appears in an Old Testament sequence as Moses, descending from Mount Sinai with three heavy stone tablets bearing the 15 Commandments; after he drops one of these tablets, the laws of God become 10 Commandments. The Roman period picks up with Brooks as Comicus, attempting to get a gig as a "stand-up philosopher" at Caesar's Palace. The Spanish Inquisition is a musical production number with monks torturing Jews to lively Broadway musical strains. The final French revolution section is a broad parody of The Man in the Iron Mask story. The film closes with coming attractions of "History of the World, Part II" that features a rousing Star Wars parody (anticipating Space Balls) called "Jews in Space" that includes a jaunty theme song. ~ Paul Brenner, All Movie Guide
- Starring:
- Mel Brooks, Dom DeLuise, (more)
- 1979
Big-time movie director Kenneth Annakin called the shots in this TV pilot film. "Institute for Revenge" is the nickname for a computer known as IFR 7000 (voice by John Hillerman). The computer is employed by a large foundation dedicated to righting wrongs, albeit nonviolently. Sam Groom, Lauren Hutton and Robert Coote are the good guys who go after a charity swindler (special guest star George Hamilton). While it may sound a lot like a high-tech Mission: Impossible, Institute for Revenge bears a closer resemblance to the 1973 theatrical feature The Sting, a resemblance driven home by the presence of Sting costar Ray Walston in a supporting role. ~ Hal Erickson, All Movie Guide
- 1977
The story of "red light bandit" Caryl Chessman, previously dramatized in the 1955 film Cell 2455, Death Row (based on Chessman's own book), was adapted for television as Kill Me If You Can. In a radical departure from his usual duties as MASH's Hawkeye Pierce, Alan Alda plays Chessman, who in 1948 was found guilty of robbery, kidnapping and sexual assault. Under the laws of the era, Chessman was sentenced to die in the gas chamber. But by studying the law and publishing four books on his plight, the brilliant (albeit still repugnant) Chessman managed to forestall his execution for 12 years. Though no effort is made in the film to make the sociopathic Chessman any better than he was, John Gay's script comes out squarely in opposition of capital punishment. Kill Me If You Can first aired on September 25, 1977. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Alda, Talia Shire, (more)
- 1974
Kojak (Telly Savalas) makes it his personal mission to help little David Hecht (Lee H. Montgomery) find his missing father Simon (Joshua Bryant). What the viewer knows (but Kojak doesn't, at least not at first) is that Simon is being held by a group intending to use him as a decoy to locate a thief who has absconded to Brazil with $25 million--and then kill Simon when his usefulness is at an end. A pre-Magnum P.I. John Hillerman is prominently featured in this final episode of Kojak's first season. ~ Hal Erickson, All Movie Guide
In Lawman, Burt Lancaster is Jered Maddox, a dedicated marshal with an inflexible adherence to upholding the law at all costs. Riding into a nearby town to pick up a group of local carousers who, during a drunken spree, killed an old man, Maddox meets up with Vincent Bronson (Lee J. Cobb). Bronson is the local town boss, and Maddox discovers that the men he is looking for work for him. Unlike most western heavies, Maddox, although he is powerful and unscrupulous, abhors violence. But violence is something Maddox cultivates. A major confrontation between the reluctant Bronson and the intransigent Maddox builds -- particularly when Maddox enlists the help of weak-willed local sheriff Cotton Ryan (Robert Ryan). ~ Paul Brenner, All Movie Guide
- Starring:
- Burt Lancaster, Robert Ryan, (more)
- 1984
Little Gloria...Happy at Last is the two-part TV adaptation of Barbara Goldsmith's 1980 best-seller. The film concerns the true-life custody battle over the daughter of millionaire Reggie Vanderbilt (Christopher Plummer) and his "child bride," Gloria Morgan (Lucy Gutteridge). When the over-imbibing Reggie dies, Gloria enjoys the high life as a wealthy widow, leaving her daughter in the care of her sister-in-law, Gertrude Vanderbilt Whitney (chillingly portrayed by Angela Lansbury in her TV-movie debut). Gloria's personal income, predicated on the child's inheritance, is severely cut, whereupon Gloria sues the indomitable Vanderbilts for custody of her daughter. We won't tell you the outcome, but we can tell you that "Little Gloria," the ten-year-old focus of the custody fight, grew up to be the same Gloria Vanderbilt who went into the designer jeans business. Little Gloria...Happy at Last was originally telecast October 24 and 25, 1982. ~ Hal Erickson, All Movie Guide
- 1978
Perennial busybody Harriet Oleson (Katherine MacGregor) inaugurates a gossip column in the local Walnut Grove newspaper. With her usual sensitivity toward other people's feelings, she uses her column to malign a local farming family -- for no other reason than they are recent immigrants from Germany. Acting as the church's lay minister while Rev. Alden is away, Charles (Michael Landon) uses his sermon to teach Mrs. Oleson a lesson. Meanwhile, Charles' daughter Laura (Melissa Gilbert) and foster son, Albert (Matthew Laborteaux), decide to employ Harriet's journalistic methods to hoist her on her own petard. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael Landon, Karen Grassle, (more)
- 1975
- PG
During the Prohibition era, Walker (Burt Reynolds) and Kibby (Gene Hackman) run a liquor smuggling operation in Mexico; they team up with Claire (Liza Minnelli), a cabaret entertainer who has an "in" with several big-time nightclub owners. Complications ensue when both men fall in love with Claire, and she can't make up her mind between them. Escaping both the law and a murderous gang of rival crooks, the threesome set sail on a small boat called the "Lucky Lady." ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Hackman, Liza Minnelli, (more)
- 1983
Owing his life to washed-up pugilist Leon Platt (Denny Miller), T.C. (Roger E. Mosley) enters a bare-knuckle boxing match, intending to use the prize money to save Leon and his daughter Ima (a pre-Beverly Hills 90210 Shannen Doherty) from being tossed into the street. Figuring that T.C. hasn't got a chance, Higgins summons aid from Magnum--who happens to be several thousand miles away on assignment in his home town of Detroit. Even so, Magnum is able to save the day with the eleventh-hour assistance of two celebrity benefactors. And wait until you see what sweet little Ima Platt does to Higgins' prize dobermans Zeus and Apollo! ~ Hal Erickson, All Movie Guide
- 1985
Filmed on location, this first episode of Magnum, P.I.'s two-part Season Six opener (originally telecast in a single two-hour timeslot) finds Magnum (Tom Selleck) and Higgins (John Hillerman) journeying to London at the behest of their boss, novelist Robin Masters. As Higgins explains the duties of managing Masters' new British estate to caretaker Ian MacKerras (Peter Davison), Magnum looks an old war buddy, Geoffrey St. Clair. The detective has been plagued of late by eerie premonitiions suggesting that Geoffrey has met with disaster--and sure enough, no sooner has he arrived than Magnum is informed that Geoffrey has died. Against his better judgement, our hero finds himself falling in love with his unfortunate friend's widow Penelope (Francesca Annis). Meanwhile, Higgins braces himself for a visit with his father, whom he hasn't seen nor spoken to in over thirty years. ~ Hal Erickson, All Movie Guide
- 1985
In the conclusion of Magnum, P.I.'s two-part Season Six opener (originally telecast as a single two-hour episode), Magnum (Tom Selleck) and Higgins (John Hillerman) are still in London, still battling their inner demons. Having had premonitions of the death of his friend Geoffrey St. Clair, Magnum finds himself drawing ever closer to Geoffrey's widow Penelope--which opens the floodgates for even more disturbing visions of the past and the future when the detective discovers that his late friend had been a member of a gang specializing in political assassinations. Meanwhile, Higgins comes face to face with his stern, unforgiving father Albert (also played by John Hillerman), with whom he hasn't spoken since being expelled from Sandhurst in 1934. ~ Hal Erickson, All Movie Guide
- 1980
In the opening two-part episode of Magnum, P.I. (originally telecast as a single two-hour "TV movie"), Hawaii-based private detective and former Naval Intelligence officer Thomas Magnum (Tom Selleck) is already comfortably installed as head of security at the lavish estate of wealthy mystery writer Robin Masters, and well into his genially adversarial relationship with Jonathan Higgins (John Hillerman), the never-seen Masters' snobbish manservant. Despite his cushy surroundings, Magnum isn't averse to accepting "outside" assignments--nor is he immune to trouble being thrust upon him unexpectedly. That's what happens on this occasion, when Magnum's old Vietnam buddy Dan Cook (Allen Williams) turns up dead, with ten bags of cocaine in his stomach. Refusing to believe the offical report that Cook was involved in a drug-smuggling ring, Magnum conducts his own investigation, despite being warned off on several occasions by the authorities--and sure enough, he uncovers a frameup and a widespread conspiracy! Featured in the guest cast is ex-Playboy playmater Lillian Muller, here billed as "Yuliis Ruval." ~ Hal Erickson, All Movie Guide
- 1984
In the conclusion of Magnum, P.I.'s two-part Season Five opener, Magnum (Tom Selleck) doesn't know who to believe when twin sisters Diane and Deidre Dupres (both played by a pre-Basic Instinct Sharon Stone) accuse each other of having murderous intentions. Meanwhile, Higgins (John Hillerman) has managed to wriggle out of his engagement to Lady Ashley (Carolyn Seymour), but it may be more difficult to shed his other "fiancee" Agatha Chumley (Gillian Dobb). The climax of this episode is one of the most shocking in the series' history--and that's all you're going to get out of us! ~ Hal Erickson, All Movie Guide
