Wendy Hiller Movies
Educated at Winceby House, a girl's school in Sussex, British actress
Wendy Hiller made her stage debut at age 18 with the Manchester Repertory troupe. Her stardom came as a result of her performance in the popular London "everyday folks" drama
Love on the Dole in 1935 (written by her future husband
Ronald Gow), later repeating this triumph on Broadway. Wendy's stage performance in
George Bernard Shaw's St. Joan prompted Shaw to recommend her for the role of Eliza Doollittle in the film version of
Pygmalion (1938). The actress was nominated for an Oscar (well deserved, since the film was actually made twice, one version "sanitized" for American audiences), but for many years thereafter her performance was unseen due to legal tangles arising from the musical remake of
Pygmalion,
My Fair Lady. Wendy later starred in another filmization of a Shaw play,
Major Barbara (1941). Though she preferred the stage, Wendy would return to films sporadically if the part offered was worthwhile; she finally won an Oscar for her supporting role in
Separate Tables (1958), and would rack up a future nomination for
A Man For All Seasons (1966). She received the Order of the British Empire in 1966 and was made a Dame of the Empire in 1975, all the while plying her acting trade in a brilliantly workmanlike fashion. Most of her 1970s roles weren't up to her earlier appearances, but she gave her all to such parts as the foredoomed Lawyer Crosbie (a role originally written for a man!) in the 1978 remake of Cat and the Canary.
Dame Wendy Hiller also did a great deal of television both in England and America; she was starred in a 1964 episode of Profiles in Courage, played a pivotal role in the 1982 TV movie
Witness for the Prosecution, and headlined "All Passion Spent," a three-part 1989 offering of PBS'
Masterpiece Theatre. ~ Hal Erickson, Rovi

- 1991
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- 1991
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Made for British television, this is a black comedy/drama concerning the exploits of five elderly people whose friendship during one long Christmas holiday is sorely tested. The film features a notable cast of distinguished performers from stage and film. ~ Mark Hockley, Rovi
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- 1987
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- Add Anne of Green Gables: The Sequel to Queue
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An Emmy-winning adaptation of Lucy Maud Montgomery's novel by the same name, this is a Canadian TV production which follows the life of a feisty young girl who is adopted by a bachelor farmer and his sister who have decided to adopt a boy and have several surprises due them when Anne arrives. Part of a series that goes through her winning a place in their hearts and home, it continues on through her youth and the blossoming of young love. This particular episodes deals with her first tentative encroachments into social functions and dealing with the loss of a loved one. ~ Tana Hobart, Rovi
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- Starring:
- Megan Follows

- 1986
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- Add All Passion Spent to Queue
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The adaptation of Vita Sackville-West's novel stars Wendy Hiller as Lady Slane, an elderly woman whose husband dies. Her children orchestrate how the rest of her life will be lived, but she takes control of her own future much to their consternation. She develops new friends, and considers the possibility of a new love. All the while she suffers through the complaints of her children who feel she is spending their inheritance. ~ Perry Seibert, Rovi
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- Starring:
- Wendy Hiller

- 1986
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Based on what some consider to be Elizabeth Bowen's best novel, The Death of the Heart focuses on one of her primary themes, a young woman's first love. Portia Quayne (Jojo Cole) is orphaned, and at the age of 16 she must go live with her relatives, Anna (Patricia Hodge) and Thomas Quayne (Nigel Havers). The time is 1937, and this upper-crust couple are a bit too selfish and amoral (Anna) or just aloof (Thomas) for Portia; she cannot relate to them. Complicating matters is young Eddie (Daniel Chatto), a high-society do-nothing who awakens Portia's romantic ardor and then makes fun of her in front of her friends. Besides, he is interested in Anna. Portia cannot tolerate either her home environment or her mistreatment at the hands of Eddie, and she runs away looking for help from a sympathic Major Brutt (Robert Hardy). ~ Eleanor Mannikka, Rovi
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- Starring:
- Jojo Cole, Patricia Hodge, (more)

- 1985
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- Add Lord Mountbatten: The Last Viceroy to Queue
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Lord Mountbatten: The Last Viceroy was a 6-part British miniseries, first telecast in the US on PBS' Masterpiece Theatre. The series covers the years 1946 through 1947, during which time the British government granted independence to India. War hero Lord Mountbatten (Nicol Williamson), although considered a political lightweight, is appointed the task of overseeing the transition of power. It is the sort of test that separates the Lords from the boys: Mountbatten must not only unite the squabbling factions within India, but also counteract the rhetoric of Winston Churchill (Malcolm Terris), who is dead set against losing the Empire's "jewel of the crown." Once independence is officially granted, Mountbatten is challenged with open combat between the Hindus, Muslims and Sikhs, as well as territorial demands from Pakistan and the Kashmir. Also appearing in this epic production is Sam Dastor as Gandhi, Ian Richardson as Nehru, and Vladek Sheybal as Jinnah. Lord Mountbatten: The Last Viceroy was first seen on Masterpiece Theatre from January 26 through March 2, 1986. ~ Hal Erickson, Rovi
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- Starring:
- Nicol Williamson, Malcolm Terris, (more)

- 1982
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From its humble beginnings as a four-character short story, Agatha Christie's Witness for the Prosecution matriculated into a long-running London and Broadway stage hit, as well as a masterful 1957 film version directed by Billy Wilder. The 1982 TV version of Witness was overseen by Briton Norman Rosemont, who made remakes of earlier films his life's work in the 1980s (Hunchback of Notre Dame, Little Lord Fauntleroy). Sir Ralph Richardson heads the cast as prominent barrister Sir Wilfred Robarts, who takes on the case of Leonard Vole (Beau Bridges), a likeable chap accused of murdering a rich old lady. Sir Wilfred is shocked to discover that Vole's German-born wife (Diana Rigg) is prepared to divorce her husband and appear as witness for the prosecution; it is the first of many surprises for the aging lawyer, the cleverest of which occur just minutes before the end of the story. Deborah Kerr costars as Sir Wilfred's remonstrative nurse--a character that appears in neither the original story nor the play, but was created for Elsa Lanchester in the 1957 film version (which starred Lanchester's husband Charles Laughtonas Sir Wilfred). For playing an eleventh-hour addition, Ms. Kerr was awarded with an Emmy. Another reliable British favorite, Wendy Hiller, appears briefly as a post-deaf witness. Adapted for television by John Gay, Witness for the Prosecution was originally a Hallmark Hall of Fame presentation. ~ Hal Erickson, Rovi
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- 1980
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Originally made for television, the film centers on an Egyptian archaeological expedition, and the discovery of the tomb of the famed Pharaoh. After it is opened, disturbing events mark the trip. ~ John Bush, Rovi
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- 1979
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A quarrel erupts between the Duke of Hereford, Henry Bolingbroke (Jon Finch), and the Duke of Norfolk, Thomas Mowbray (Richard Owens). According to Bolingbroke, Mowbray misappropriated government money and plotted the death of the Duke of Gloucester. Mowbray denies the charges, accusing Bolingbroke of being a slanderous coward. King Richard II (Derek Jacobi) first approves their proposal to settle their differences in a jousting duel, then decides to banish both of them -- Norfolk for life and Bolingbroke for six years. The lighter sentence for Bolingbroke masks Richard's hatred of Henry, who is so popular with the people that he poses a threat to the crown. While Bolingbroke is in exile, his father, the much-loved John of Gaunt (Sir John Gielgud), dies, and Richard appropriates his estate -- Henry's inheritance -- to help pay for a military campaign he personally conducts against rebels in Ireland. Nobles protest seizure of the inheritance, siding with Bolingbroke. Heartened, Bolingbroke returns from exile, organizes his supporters, and executes two of Richard's friends. Richard returns from Ireland to defend his realm. But after 20,000 Welsh troops desert to Bolingbroke, Richard takes refuge in Flint Castle, then surrenders to his foe. After being forced to give up the throne, Henry imprisons Richard in the Tower of London and announces his own coronation. ~ Mike Cummings, Rovi
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- Starring:
- Derek Jacobi, John Gielgud, (more)

- 1970
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- Add David Copperfield to Queue
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This lackluster 1970 version of Charles Dickens' classic novel, David Copperfield (made as a film twice before) turns Dickens' picaresque tale into an extended flashback, with David Copperfield (Robin Phillips) as a young man, brooding on a deserted beach, recalling his youth. The characters are all trotted out in choppy flashbacks as David remembers his life as a young orphan, brought to London and passed around from relatives, to guardians, to boarding school. ~ Paul Brenner, Rovi
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- Starring:
- Richard Attenborough, Cyril Cusack, (more)

- 1963
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Julian Berniers (Dean Martin ) return from Illinois with his young bride Lily (Yvette Mimieux) to the family in New Orleans. Sisters Carrie (Geraldine Page) and Anne (Wendy Hiller) welcome the couple, who arrive with expensive gifts for the spinsters. The sisters hope brother Julian will help with much needed expenses, and he tells them his profitable factory went out of business but that he managed to save some money. It turns out Julian pulled of a real estate scam and took off with the dough. Carrie wishes to welcome her brother back with more than just her open arms. Carrie's jealousy of Lily pushes her to discover the shady land deal for herself as she tries to wreck the marriage. Lily returns to her mother Albertine (Gene Tierney), and is horrified to find her having an affair with their black chauffeur Henry (Frank Silvera). This film version of the Lillian Hellman play proves that Tennessee Williams is not the only playwright mining the twisted psychological profiles of characters from the deep South. ~ Dan Pavlides, Rovi
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- Starring:
- Dean Martin, Geraldine Page, (more)

- 1960
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The Motion Picture Production Code was still in effect (albeit weakly) when Sons and Lovers was filmed in 1960, so don't expect a thoroughly frank and faithful adaptation of the D.H. Lawrence novel. Set in an English mining town, the film focuses on Paul Morel (Dean Stockwell), the sensitive son of a roughhewn, alcoholic miner (Trevor Howard) and his gentle, repressed wife (Wendy Hiller). Intent on becoming an artist, Paul is not above depending upon the financial kindnesses of the young women of the town. Many of the girls carry a torch for him, but his strong bonds to his mother leave him emotionally sapped. Freddie Francis's evocative, grimy industrial-town cinematography won him an Academy Award. Despite censorial restrictions, this admirably captures the essence of the dour Lawrence original. ~ Hal Erickson, Rovi
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- Starring:
- Trevor Howard, Dean Stockwell, (more)

- 1959
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Newly hired at a private school, teacher Laura Siddons (Wendy Hiller) suspects that one of her students, a girl named Gloria (Gigi Perreau), is having a clandestine romance. Laura and her gentleman friend, Ben (Robert H. Harris), eventually catch up with Gloria and confirm their suspicions: the girl is not only in love, but also married! Gloria begs Laura not to tell Gloria's mother for fear that the old woman will have a heart attack, whereupon Laura promises to keep the girl's secret -- but things take a sinister turn from this point forward. ~ Hal Erickson, Rovi
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- 1958
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- Add Separate Tables to Queue
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Based on Terence Rattigan's play, Separate Tables is about a number of characters and their adventures at a British seaside hotel. Among the guests are an alleged war hero (David Niven), a timid spinster (Deborah Kerr) and her domineering mother (Gladys Cooper), and a divorced couple (Burt Lancaster, Rita Hayworth) trying to re-ignite their romance despite the presence of his mistress (Wendy Hiller). All of the characters' lives become intertwined in the course of the film as the story examines love affairs and secrets. Separate Tables is a fine, textured drama, filled with terrific performances and was nominated for several Academy Awards, including Best Picture, Best Actress (Deborah Kerr), Best Actor (David Niven), Best Supporting Actress (Wendy Hiller), Best Screenplay From Another Medium, Best Cinematography and Best Music. Niven and Hiller won Oscars for the film. ~ Stephen Thomas Erlewine, Rovi
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- Starring:
- Rita Hayworth, Deborah Kerr, (more)

- 1957
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This satire takes a sharp poke at the intrinsic laziness of British aristocracy who would rather die of starvation than perform an honest day's work. The tale begins when a destitute nobleman conspires to murder his rich Canadian uncle for the inheritance. Unfortunately he continually fails in his efforts to off him. Instead he winds up killing his own family one-by-one. In the end, the slightly addled fellow offs himself when he walks into one of his own traps which he had set in his uncle's room. The uncle is then arrested for his nephew's murder. Fortunately an elderly aunt manages to clear the Canadian's name. ~ Sandra Brennan, Rovi
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- Starring:
- Nigel Patrick, Charles Coburn, (more)

- 1957
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The literalism of writer-director Richard Brooks serves him well in this meticulously faithful adaptation of the Robert Ruark novel Something of Value. Filmed on location in Africa, this is the story of the Mau Mau uprising in Kenya, as seen through the eyes of a handful of protagonists. Virtually alone in a sea of racist British colonialism, gentleman farmer Peter McKenzie (Rock Hudson) strives to understand the demands of freedom and equality made by Kenya's black population in particular and his childhood friend Kimani (Sidney Poitier) in particular. Ultimately, however, McKenzie and Kimani find themselves on opposite sides of the fence when the latter aligns himself with the Mau Mau. Without advocating the terrorism of this controversial movement, the screenplay is careful to deal the ongoing iniquities and frustrations that forced men like Kimani to take arms against their white brethren. There were a few theatres in the American south who, feeling that the racial tensions inherent in Something of Value hit too close to home, refused to book this fascinating, thought-provoking, often startlingly brutal film. ~ Hal Erickson, Rovi
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- Starring:
- Rock Hudson, Dana Wynter, (more)

- 1953
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- Add Sailor of the King to Queue
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Jeffrey Hunter plays a young British sailor, the out-of-wedlock son of a high-ranking naval officer (Michael Rennie). Hunter's ship is torpedoed, leaving him stranded on a German-occupied island. Armed with only a rifle, Hunter is able to shoot at a German cruiser docked for repairs, and to slow down its departure. The British Navy then moves in and sinks the ship. Hunter is decorated for valor by the squadron commander--his own father. Though set during World War II, Sailor of the King was adapted from C. S. Forester's World War I novel Brown on Resolution (previously filmed in 1935, with John Mills in the lead). This 1953 20th Century-Fox production was released in Britain as Single Handed. ~ Hal Erickson, Rovi
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- Starring:
- Michael Rennie, Wendy Hiller, (more)

- 1952
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Partially filmed on location in Ceylon (now Sri Lanka), Outcast of the Islands is a reasonably faithful adaptation of Joseph Conrad's novel. Trevor Howard plays a degenerate British expatriate who wanders aimlessly around a Malayan island. Most of the film involves the search for Howard by those on whom he's turned his back. None of the characters is particularly likable; even Howard loses audience sympathy for his plight by betraying one of his closest friends (Ralph Richardson), a ship's captain who'd raised Howard from boyhood. The unrelenting pessimism of Outcast of the Islands was such that the American distributors felt the need to ease the characters' pain by editing the picture down from 102 minutes to 94. ~ Hal Erickson, Rovi
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- Starring:
- Ralph Richardson, Trevor Howard, (more)

- 1945
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- Add I Know Where I'm Going! to Queue
Add I Know Where I'm Going! to top of Queue
While awaiting access to England's Technicolor cameras for their upcoming super-production Stairway to Heaven, the producer-director team of Michael Powell and Emeric Pressburger dashed off a delightful "personal" project, I Know Where I'm Going. Young middle-class Englishwoman Joan Webster (Wendy Hiller) is determined to have the finer things in life, and to that end she plans to marry Sir Robert Bellinger (Norman Shelley), a wealthy, middle-aged industrialist whom she does not love. En route to the Island of Mull, where her future husband resides, Joan is stranded in a colorful Scottish seacoast town. Inclement weather keeps her grounded for a week, during which time she falls in love with young, insouciant naval officer Torquil McNeil (Roger Livesey). Ignoring the dictates of her heart (not to mention common sense), Joan stubbornly insists upon heading out to sea towards her marriage of convenience, but the exigencies of Mother Nature finally convince her that her future resides on the Mainland. A winner all the way, I Know Where I'm Going is full of large and small delights, including a wonderful sense of regional detail and endearing, three-dimensional characterizations (even the mercenary heroine is a likeable character). The film is easily one of the best of the Powell-Pressburger films of the 1940s, and arguably the team's all-time best romantic drama. ~ Hal Erickson, Rovi
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- Starring:
- Wendy Hiller, Roger Livesey, (more)

- 1941
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George Bernard Shaw's satiric comedy about wealth and poverty is brought to the screen with wonderful performances by Rex Harrison and Wendy Hiller. Hiller plays Major Barbara Undershaft, a major in the Salvation Army who is also a socialist and stridently attacks capitalists -- in particular her father Andrew (Robert Morley), the head of a munitions plant. In love with Barbara is the young Greek scholar Adolphus Cusins (Rex Harrison), whose attentions go unreturned since Barbara spends all her time on her crusade against wealth. To show up his daughter, Andrew donates 50,000 pounds to the Salvation Army which, to Barbara's horror, the Army's general (Sybil Thorndike) happily accepts. Barbara, in protest, quits her post and it is left to Adolphus to take her on a tour of her father's munitions plant and prove to her the benefits of capitalism. ~ Paul Brenner, Rovi
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- Starring:
- Wendy Hiller, Rex Harrison, (more)

- 1938
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- Add Pygmalion to Queue
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Leslie Howard and Wendy Hiller star in Anthony Asquith's and Leslie Howard's classic version of George Bernard Shaw's satiric comedy. Henry Higgins (Howard) is an upper class phonetics professor who encounters low-class guttersnipe Eliza Doolittle (Hiller) and bets his friend Colonel Pickering (Scott Sunderland) that he can pass her off as a duchess within three months. Pickering accepts Higgins' bet, with Eliza readily agreeing to the proposal, since she will get to live in Higgins' fancy home. Once in Higgins' house, Eliza is subjected to intensely repetitive phonetics lessons in an effort to transform her Cockney accent into the speech of proper English. Things are a bit rocky at first, with Eliza blurting out "Not bloody likely" at a tea party. But when Eliza is presented at the Ambassador's Ball, she is not only accepted as a princess but is the talk of the ball, everyone in attendance commenting on her charm, beauty, and poise. Relishing his success, Higgins abruptly dismisses her. But Eliza has fallen in love with Higgins and is aghast at her cursory treatment by him. She tells him, "I sold flowers. I didn't sell myself. Now you've made a lady of me, I'm not fit to sell anything else." When Eliza leaves, Higgins realizes that he loves her too, but Eliza has announced to Higgins that she plans to marry high society playboy Freddie Eynsford-Hill (David Tree). ~ Paul Brenner, Rovi
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- Starring:
- Wendy Hiller, Leslie Howard, (more)

- 1937
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In this British comedy, a working-class father wins a fortune on the football pools and ends up buying a tiny tea shop in the high-class section of town. Both he and his daughter enjoy the high life, especially after she falls in love with a handsome aristocrat. Naturally, his snooty mother is appalled by the romance until at last all is resolved and the class differences cease to matter. ~ Sandra Brennan, Rovi
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