Erica Hiller Movies

Illeana Douglas delivers a superb performance as Denise Waverly, a fictional singer and songwriter whose life bears more than a passing resemblance to that of real-life pop star Carole King. Edna Buxton, the daughter of a Philadelphia steel tycoon, aspires to a career as a singer, and when against her mother's bidding she sings a sultry version of "Hey There (You With the Stars in Your Eyes)" (instead of Mom's choice, "You'll Never Walk Alone") at a talent contest, she wins a recording contact and moves to New York City. She cuts a record and gains a new stage name, Denise Waverly; however, she soon finds that girl singers are a dime a dozen in the Big Apple and her career as a vocalist goes nowhere. But she has a knack for writing songs, and eccentric producer Joel Milner (John Turturro) asks her to pen some songs for his upcoming projects. Teamed with Howard Caszatt (Eric Stoltz), a hipster songwriter who wants to express his political and social ideals through pop tunes, she finds both a successful collaborator and husband. While her work with Howard gains Denise writing credits on a string of hit records and respect within the industry, their marriage falls apart, and she becomes involved with Jay Phillips (Matt Dillon), the gifted but unstable leader of a popular West Coast surf music combo. Students of pop music history will have a ball with the various characters modeled after real-life rock legends, and the 1960s-style song score includes numbers written by Joni Mitchell and J. Mascis (of the band Dinosaur Jr.), as well as one-time King collaborator Gerry Goffin; a collaboration between Elvis Costello and Burt Bacharach, "God Give Me Strength," led to a full album written by the two great tunesmiths. ~ Mark Deming, All Movie Guide

John Goodman is cast as the Sultan of Swat, whose excesses -- especially drinking -- and private demons can (in this context) be excused in view of his genuine love of baseball. The facts never get in the way of a good story for screenwriter John Fusco; we're even offered the umpteenth rehash of "Little Johnny", the largely fanciful tale of the invalid boy who promises to get well if Babe hits him a homer (as in Pride of the Yankees, the cured Johnny makes return a appearance as grownup). The most amusing fabrication is the casting of narrow James Cromwell as the Babe's orphanage mentor Brother Mathias, who in real life weighed 300 pounds. Many of the characters are composites, notably Bruce Boxleitner's Jumpin' Joe Dugan. At least Ruth's two wives--Trini Alvarado as Helen, who suffers Babe's many peccadilloes and dies under strange circumstances, and Kelly McGillis as Claire, who keeps Babe on a very short leash-are depicted with a modicum of accuracy. The baseball sequences are well handled (though there could have been less slo-mo) while Elmer Bernstein's charmingly old-fashioned musical score is right in tune with the film's approach to its subject. The Babe is rated PG; had this been the whole truth and nothing but, and R rating would probably have been in order. ~ Hal Erickson, All Movie Guide

Phoebe (Mary Steenburgen) and Jason (Dudley Moore) are a pair of Broadway playwrights who are partners in their chosen profession, but in spite of a definite inclination, they remain unpartnered (for a long time) in any other way. Phoebe is an aspiring playwright from the Northwoods and Jason is just getting married when the two meet for the first time and decide to collaborate. As their relationship produces first a failure and then a string of successes, their repartée remains sharp and witty -- and their unrequited interest in each other gathers energy over a nine-year period, until some resolution is finally in sight. ~ Eleanor Mannikka, All Movie Guide