Riley Hill Movies

When tough gambler Beaudray Demerille (Peter Fonda) wins young Wanda Nevada (Brooke Shields) in a poker game, he discovers that his new possession might be more of a hindrance than a help. Setting off to search for gold in the Grand Canyon, Beaudray and Wanda must work together to avoid falling into the hands of a group of criminals who are also after their treasure. ~ Iotis Erlewine, All Movie Guide

Having struck pay dirt with his 1958 western Rio Bravo, Howard Hawks more or less remade the picture twice in the 1960s. The first of these rehashes was El Dorado, with Rio Bravo star John Wayne back for more. Wayne plays a gunfighter who rides into El Dorado to link up with his old pal, sheriff Robert Mitchum ("It's the big one with the big two!" declared the film's advertisements). Wayne has turned down a job with evil land baron Ed Asner, who'd hoped to drive a family off the land that he needed for its water. That family, headed by R.G. Armstrong, is convinced that Wayne is working with Asner; when Armstrong's son Johnny Crawford dies, Wayne is held responsible, earning him a bullet in the spine from Crawford's sister Michele Carey. A year passes: Wayne returns to El Dorado, in the company of his new saddle pal James Caan. They find that Asner is still up to his old tricks, and that Mitchum has descended into alcoholism. Several plot twists and power shifts ensue, leading to the slam-bang climax, with the partially paralyzed Wayne, the newly crippled Mitchum (on crutches), and the concussion-suffering Caan battling together to stave off Asner's minions. The final long-shot, of Wayne and Mitchum limping off together arm-in-arm, is one of the most enduring images in the entire Hawks canon. If they loved it twice they'll love it thrice: in 1969, John Wayne and Howard Hawks teamed up for a third Rio Bravo derivation, Rio Lobo--which, like the first two films, was scripted by Leigh Brackett. Incidentally, that's famed artist Olaf Weighorst (whose paintings appear in the title sequence) in a cameo as the gunsmith. ~ Hal Erickson, All Movie Guide

This is an uneven melodrama on the tragic life of Pima Indian Ira Hayes, one of the men who raised the U.S. flag on Iwo Jima. The story picks up with Hayes (Tony Curtis) leaving his reservation in Arizona to join the Marines, enter boot camp, and start to adapt to the life of a Marine. Hayes becomes good friends with Sorenson (James Franciscus), and it is this friendship that sustains him in a white man's world. But as time goes by and the moment immortalized on Iwo Jima ends, Hayes goes into a decline, being unconvinced there was any heroism involved in his actions during the war and never being able to adjust to civilian life. At this point in time, no one recognized the afflictions common to all soldiers after long years in battle, and the death of Sorenson is blamed for Hayes' downfall. ~ Eleanor Mannikka, All Movie Guide

Set in Texas during the late 1860s, Rio Bravo is a story of men (and women) and a town under siege. Presidio County Sheriff John T. Chance (John Wayne) is holding Joe Burdette (Claude Akins), a worthless, drunken thug, for the murder of an unarmed man in a fight in a saloon -- the problem is that Joe is the brother of wealthy land baron Nathan Burdette (John Russell), who owns a big chunk of the county and can buy all the hired guns he doesn't already have working for him. Burdette's men cut the town off to prevent Chance from getting Joe into more secure surroundings, and then the hired guns come in, waiting around for their chance to break him out of jail. Chance has to wait for the United States marshal to show up, in six days, his only help from Stumpy (Walter Brennan), a toothless, cantankerous old deputy with a bad leg who guards the jail, and Dude (Dean Martin), his former deputy, who's spent the last two years stumbling around in a drunken stupor over a woman that left him. Chance's friend, trail boss Pat Wheeler (Ward Bond), arrives at the outset of the siege and tries to help, offering the services of himself and his drovers as deputies, which Chance turns down, saying they're not professionals and would be too worried about their families to be good at anything except being targets for Burdette's men; but Chance does try to enlist the services of Wheeler's newest employee, a callow-looking young gunman named Colorado Ryan (Ricky Nelson), who politely turns him down, saying he prefers to mind his own business. In the midst of all of this tension, Feathers (Angie Dickinson), a dance hall entertainer, arrives in town and nearly gets locked up by Chance for cheating at cards, until he finds out that he was wrong and that she's not guilty -- this starts a verbal duel between the two of them that grows more sexually intense as the movie progresses and she finds herself in the middle of Chance's fight. Wheeler is murdered by one of Burgette's hired guns who is, in turn, killed by Dude in an intense confrontation in a saloon. Colorado throws in with Chance after his boss is killed and picks up some of the slack left by Dude, who isn't quite over his need for a drink or the shakes that come with trying to stop. Chance and Burdette keep raising the ante on each other, Chance, Dude, and Colorado killing enough of the rancher's men that he's got to double what he's paying to make it worth the risk, and the undertaker (Joseph Shimada) gets plenty of business from Burdette before the two sides arrive at a stalemate -- Burdette is holding Dude and will release him in exchange for Joe. This leads to the final, bloody confrontation between Chance and Burdette, where the wagons brought to town by the murdered Wheeler play an unexpected and essential role in tipping the balance. ~ Bruce Eder, All Movie Guide

Rod Cameron's western vehicles for Monogram were always worth watching, even when Cameron was better than the scripts. In Wagons West, the star plays wagonmaster Jeff Curtis, who guides a group of Easterners to California in the 1870s. Trouble looms in the form of a Cheyenne tribe who is being supplied with weapons by a treacherous white man. Even more trouble comes Curtis' way when he discovers that the gun-runner is a member of his own wagon train. Well-photographed in two-color Cinecolor, Wagons West boasts an above-average supporting cast, ranging from bucolic Noah Beery Jr. to steely-eyed Henry Brandon. ~ Hal Erickson, All Movie Guide

Gene Autry and Pat Buttram are innovatively cast as Gene Autry and Pat Buttram in Night Stage to Galveston. Set during the wild-and-wooly days when the Texas Rangers were supplanted by various local corrupt police officials, the story finds Gene at odds with crooked police chief Gen. Slaydon (Robert Livingston). Our Hero's task herein is to stem Slaydon's underhanded activities, and to restore the Rangers to their former glory. Meanwhile, his sidekick Buttram makes with the comic songs and the slapstick sequences. The feminine interest is provided by Virginia Huston, cast as the daughter of crusading journalist Thurston Hall. ~ Hal Erickson, All Movie Guide

Tim Holt and Richard Martin ride again in the RKO budget western Target. The story is nothing new: Tim (Holt) and Chito (Martin) take on a band of criminals who've been flummoxing local ranchers out of their land. The film's novelty value is the presence of a lady marshal, played by Linda Douglas. In typical 1950s fashion, of course, Douglas isn't quite as effective at keeping the peace as her two male co-stars. The supporting cast of Target is comprised of the usual western regulars, including Walter Reed, Lane Bradford and Riley Hill; also appearing in a sizeable role is John Hamilton, best-known as Perry White on TV's Superman. ~ Hal Erickson, All Movie Guide

Whip Wilson only gets to crack his trademark weapon once in this economic Western filmed in toto at the Iverson Movie Ranch in Chatsworth, CA. A government agent, Wilson arrives in the near ghost town of Tunis, where his friend (Jim Bannon) is in trouble with a couple of horse thieves. The latter are also terrorizing a homesteader, Texas Milburn (Fuzzy Knight), and his wife, Ruth (Barbara Woodell), and when the female sheriff Alice Long (Phyllis Coates) interferes, she finds herself taken hostage. Using a bit of trickery, Wilson, Bannon, and Texas manage to outwit the gang and arrest their leader, Sam Wellman (I. Stanford Jolley). ~ Hans J. Wollstein, All Movie Guide

In this Lash LaRue western, Our Hero aligns himself with the Pinkerton Detective Agency ("We Never Sleep") to capture a vicious outlaw gang. No dummies they, these criminals have developed a rather sophisticated communications system, using tin cans and waxed string. But the villains are no match for LaRue and his trusty bullwhip. Al "Fuzzy" St. John, as ever, is on hand for a few laughs. Producer-director Ron Ormond's Lash LaRue western series for Realart release ran hot and cold; Vanishing Outpost can be described as lukewarm, its protracted dialogue sequences jarring against the more exciting action highlights. ~ Hal Erickson, All Movie Guide

I Was an American Spy is a true story, based on a series of autobiographical Reader's Digest articles written by Claire Phillips. Ann Dvorak stars as Ms. Phillips, an American nightclub singer trapped in Singapore when the Japanese march in. Having lost her husband to the Bataan death march, Phillips agrees to join an American secret agent (Gene Evans) in undermining the Japanese occupation troops. She is captured by the enemy, tortured, and sentenced to be shot, but is rescued at the last minute by her American contact. I Was an American Spy handles its more brutal scenes with a marked degree of tastefulness, thanks to the careful direction of Lesley Selander. Just as in their wartime movie appearances, Chinese actor Richard Loo and Korean actor Philip Ahn are eminently hissable as the Japanese villains. ~ Hal Erickson, All Movie Guide

Whip Wilson and Andy Clyde are back and Monogram's got 'em in Fence Riders. The Whipster comes to the aid of beautiful ranch owner Reno Browne, who is being victimized by rustlers Myron Healey and Riley Hill. To get Wilson out of the way, the villains frame him on a murder rap. With the aid of grizzled old Clyde, Wilson escapes to mete out justice. One question: how does one ride a fence? (Ouch!) ~ Hal Erickson, All Movie Guide

Western aficionados tend to regard Short Grass as the best-ever directorial effort by Lesley Selander. Considerably longer than most Monogram westerns (82 minutes), the film never lags, thanks to the expertise of Selander and a top-rank cast. Rod Cameron plays Steve, a drifter who briefly settles down on a ranch. During a range war, Steve comes to blows with avaricious rancher Hal Fenton (Morris Ankrum). Shortly thereafter, a man is killed and Steve is implicated in the crime. He leaves town in a hurry, returning five years later to clear his name and reclaim his land. He finds that his former girl friend Sharon (Cathy Downs) is married to alcoholic newspaperman John Devore (Tris Coffin), and that Fenton now holds the commuity in an iron grip of fear. Lawman Keown (Johnny Mack Brown) can't administer justice because of the political strings pulled by the villains. With Steve's help, Keown and the rest of the town's honest citizens are finally able to swing into action, leading to a superbly staged climax. Comic actor Raymond Walburn essays a relatively straight role as the town's leading citizen. ~ Hal Erickson, All Movie Guide