Marianna Hill Movies

When Dr. Peter Fales's (Klaus Kinski) patients start getting annhilated by an unknown serial killer, he and his daughter Alison (Donna Wilkes) both come under suspicion. Part slasher film and part psychological thriller, Schizoid co-stars Marianna Hill as Julie, a syndicated "Dear Abby"-style columnist who also happens to be in one of Dr. Fales's therapy groups. After she receives several ominous letters she not only wonders if Dr. Fales might be behind the killings, she also starts to suspect her estranged husband. ~ Eleanor Mannikka, All Movie Guide

Native American actor Will Sampson is top-billed as an Arizona state trooper, known to his companions as "Relentless" because of his dogged determination in bringing in lawbreakers. Sampson is on the trail of a gang of well-armed bank bandits, who have murdered his uncle and taken a woman (Marianna Hill) hostage. Encamping in the mountains during a raging blizzard, and keeping their hostage in full view of their pursuers as a human shield, the robbers are certain that they'll be allowed to escape. But they've reckoned without Sampson, who knows the mountain country better than any man in the state. Adapted from a novel by Brian Garfield, Relentless was the pilot film for a never-sold series starring Sampson, who'd recently attained celebrity for his costarring role in the Oscar-winning One Flew Over the Cuckoo's Nest (1975). ~ Hal Erickson, All Movie Guide

TV-movie perennial Ted Post served as director for the low-budget theatrical feature The Baby. Ruth Roman plays a boozy nutcase who, out of hatred for the husband who ran out on her years earlier, forces her teenaged son (David Manzy) to dress and behave like an infant. Social worker Ann Gentry (Anjanette Comer), understandably put off by the sight of a fully grown boy chewing on his toes in a playpen, sets about to rescue him. When sinister forces try to claim the "baby" from Ann, she resorts to murder. ~ Hal Erickson, All Movie Guide

"I love to shoot film" is the sanguine motto of TV lensman John Cassellis (Robert Forster) in Haskell Wexler's 1969 Medium Cool, a semi-documentary investigation of image-making and politics. With his soundman, Gus (Peter Bonerz), John films such events as gruesome car wrecks with frosty detachment, considering himself a mere recorder of circumstances, his only responsibility to get his film in on time. Even his girlfriend, Ruth (Marianna Hill), cannot understand or penetrate John's complacency. Encounters with signs of the late '60s times, however, raise John's consciousness about the implications of his job, as he films a verbal attack by black militants on the media's racism, gets fired after he objects to having that footage turned over to the FBI, and meets Vietnam War widow Eileen (Verna Bloom). John witnesses the violence of the state firsthand as he and Eileen search for her son amidst the real-life demonstrations and riots at the 1968 Chicago Democratic Convention. Even though he realizes the political power of pointing a camera at anything, John finally cannot extricate himself or his loved ones from a culture obsessed with recording any sensational, gory incident. Scripted (from a novel by Jack Couffer), directed, and shot by Oscar-winning cinematographer and political activist Wexler, Medium Cool systematically questions the ideological power of images by combining documentary techniques such as "talking heads" and cinéma vérité with staged scenes between the actors. By the time Wexler and his crew start filming Forster and Bloom among the actual events at the convention, all barriers between fiction and fact are broken down, as Wexler's assistant can be heard warning, "Watch out, Haskell, it's real," when tear gas is thrown. The footage of cops clubbing people in the crowd is real, but Wexler's presence also turns it into part of a fictional story, revealing filmed "reality" to be as artificially constructed as any other fiction, subject to the interpretation of whoever holds the camera and, perhaps, to larger institutions of power.

Funding Medium Cool partly out of his own resources, Wexler had free reign during production, but when the execs at Paramount saw the result, they were not pleased. Despite the timely subject matter, Paramount delayed and then curtailed the film's release, tempering its impact on critics and audiences. Regardless of that record, Medium Cool stands as a vital late-'60s film for its incisive narrative and formal dissection of the visual politics of "truth," and its awareness of how coolly seductive televised violence might be as entertainment, especially in a historical moment marked by incendiary images of political assassinations, the Vietnam War, the civil rights movement, and counterculture protests. ~ Lucia Bozzola, All Movie Guide

Like the first-season Mission: Impossible episode "The Ransom," the second-season installment "The Condemned" is an unusual departure from the series' format. Racing against the clock, Jim Phelps hopes to save the life of his close friend Kevin Hagen, who has been convicted of murder and sentenced to die in a Spanish prison. Unbeknownst to anyone, the "murder victim" is actually alive and well and living under an assumed name. Other plot wrinkles include the disappearance of a diamond tiara and the curious behavior of Webster's ex-sweetheart Luisa Rojas (Mariana Hill). First telecast January 28 1968, "The Execution" was written by Laurence Heath. ~ Hal Erickson, All Movie Guide

Rick Richards (Elvis Presley) is a helicopter pilot who is grounded when his chopper runs federal aviation official Donald Beldon (John Doucette) off the road in Paradise, Hawaiian Style. Already suspended as a airline pilot, he and partner Danny Kohana (James Shigeta) struggle to keep their business flying. Suzanna Leigh plays the pretty secretary, but Elvis does not limit his affections to just one girl. Technical credits and locations scenes of the beautiful islands are the highlight of the film. Presley warbles his usual slew of songs, but most are unremarkable. ~ Dan Pavlides, All Movie Guide

Charlie Rogers (Elvis Presley) is a coffeehouse singer who joins a financially troubled carnival in Roustabout. He is hired by owner Maggie Morgan (Barbara Stanwyck) and soon catches the eye of his pretty female co-worker Cathy Lean (Joan Freeman). Cathy's irate father Joe (Leif Erickson) clashes with Charlie when he tries to romance his daughter, but Charlie's singing helps bring in the much-needed money for the failing carnival and keeps the wolves from the big tent show. A disagreement has Charlie joining another carnival before things are smoothed out. Watch for Raquel Welch and Terry Garr in bit parts. Presley delivers 11 songs, the highlight being the Mike Leiber/Jerry Stoller tune"Little Egypt". ~ Dan Pavlides, All Movie Guide

Two years after the success of The Interns (1962) came this follow-up tale of medical interns during their first year working in a hospital. Ranging from comedy to melodrama, three main stories are woven around the principal characters. Functioning as the group's advisor, Dr. Alec Considine spends much of his time chasing women--one of which (an early role from Barbara Eden) may or may not wrangle a ring from him. Then there is a struggling married couple (played by Stefanie Powers and Dean Jones) who must face the possibility of never having children. Thirdly, Dr. Tony Parelli (George Segal in his film debut), coming from a gritty past, falls in love with social worker Nancy (Inger Stevens). Unfortunately Nancy has recently been sexually brutallized by three violent men and does not respond favorably to Dr. Parelli's attentions. Also starring are Telly Savalas and Kay Stevens, who, with Powers and Callan, appeared in the original and more successful Interns. ~ Kristie Hassen, All Movie Guide

Middle-aged sculptor John Kenyon (John Larkin) falls hopelessly in love with his young model Theba (Marianna Hill), demonstrating his ardor by making a "goddess" statue of her. Unfortunately, Theba's Medusa-like mother Cleo (Faith Domergue) would rather than she marry someone her own age--and more specifically, someone with more money. Inevitably, Cleo is murdered, and Kenyon is spotted apparently disposing of the body. Among those scrutinized by Perry Mason (Raymond Burr) in his efforts to save Kenyon from the gas chamber is one George Spangler, played by future Oscar winner George Kennedy. ~ Hal Erickson, All Movie Guide

In this drama, high-school sweethearts elope while still in school, and later have a second ceremony to please their parents. When reality sets in, the new husband abandons his dream of becoming a doctor to become a mechanic. They then move into the father of the bride's home where he lays down strict rules. When the groom gets involved with auto thieves, trouble ensues until both sets of in-laws team up to send him to college where he belongs. ~ Sandra Brennan, All Movie Guide

Two aspiring real estate moguls try to convince the Polynesian chief Zabu (Manu Topou) into going along with their harebrained scheme in this uneven comedy. Ben (Allen Garfield) and his partner Sammy (Zack Norman) offer Zabu lucrative concessions in exchange for bribes that will get the island tribe into the United Nations. Sammy dreams of doing stand-up comedy in Vegas while Ben aspires to get married and become a politician in Beverly Hills. ~ Dan Pavlides, All Movie Guide

Francis Ford Coppola's legendary continuation and sequel to his landmark 1972 film, The Godfather, parallels the young Vito Corleone's rise with his son Michael's spiritual fall, deepening The Godfather's depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro's business. With Fanucci gone, Vito's communal stature grows, but it is his family (past and present) who matters most to him -- a familial legacy then upended by Michael's (Al Pacino) business expansion in the 1950s. Now based in Lake Tahoe, Michael conspires to make inroads in Las Vegas and Havana pleasure industries by any means necessary. As he realizes that allies like Hyman Roth (Lee Strasberg) are trying to kill him, the increasingly paranoid Michael also discovers that his ambition has crippled his marriage to Kay (Diane Keaton) and turned his brother, Fredo (John Cazale), against him. Barely escaping a federal indictment, Michael turns his attention to dealing with his enemies, completing his own corruption. ~ Lucia Bozzola, All Movie Guide