Lloyd Bridges Movies

The title of this series entry may strike some as a tad redundant: After all, isn't crook-turned-sleuth Michael Lanyard, aka the Lone Wolf, always taking a chance? On this occasion, Lanyard (Warren William) and his trusty valet Jamison (Eric Blore) are framed on a murder charge. The actual miscreants are a gang of counterfeiters, shipping their plates into the country in a thief-proof carrier invented by Johnny Baker (Lloyd Bridges). In the course of clearing their names, Lanyard and Jamison are sealed up with poor Johnny in one of his own carriers, which is then filled with poison gas. Will they escape? Is there really any doubt? ~ Hal Erickson, All Movie Guide

Robert Montgomery plays saxophone-playing boxer Joe Pendleton, who insists upon piloting his own plane, much to the consternation of his manager Max Corkle (James Gleason). Just before a championship bout, Joe's plane crashes. When he revives, he finds he has been whisked away to Heaven by the overanxious Messenger #7013. Checking with the man in charge, one Mr. Jordan (Claude Rains), Pendleton discovers that he isn't scheduled to die for another 50 years. Joe heads back to earth, only to learn to his chagrin that his body has been cremated. Mr. Jordan is obliged to find Joe a new body; the "candidate" is a business mogul named Farnsworth, who is in the process of being murdered in his bath by his wife (Rita Johnson) and her lover (John Emery). Joe takes over Farnsworth's body, astonishing the murderers by emerging from the bathroom, very much alive (while Joe still looks like Joe to himself and the audience, he looks like Farnsworth to everyone else). Still desirous of winning the upcoming championship, Joe begins to whip Farnsworth's body into shape, even hiring Max Corkle to manage him. It takes some doing, but Joe convinces Max that he is indeed Joe and not Farnsworth (their scenes together are priceless, far better seen than described). Meanwhile, Joe has fallen in love with Bette Logan (Evelyn Keyes), a woman whose father had been ruined by the real Farnsworth. For her sake, he pays back millions of dollars that the crooked Farnsworth had finagled out of his investors. This prompts Mrs. Farnsworth and her lover to kill "Farnsworth" again, and once more Joe Pendleton is without a body. How Mr. Jordan arranges for Joe to win the championship, expose the murderers and walk off arm and arm with Bette is a bit too complex to detail here. Here Comes Mr. Jordan is one of the most consistently clever romantic comedies of the 1940s, and richly deserving of the Oscars won by screenwriters Sidney Buchman, Seton I. Miller and Harry Segall. A sequel, Down to Earth, was filmed in 1947, with Roland Culver as Mr. Jordan; and in 1978, the original Jordan was remade by Warren Beatty as Heaven Can Wait. ~ Hal Erickson, All Movie Guide

Faith, Hope and Charity motivate the wacky storyline of Columbia's Three Girls About Town--or to be more exact, gorgeous sisters Faith, Hope and Charity Banner, played respectively by Binnie Barnes, Joan Blondell and Janet Blair. Faith and Hope are gainfully employed as New York hotel hostesses, whose job it is to entertain wealthy out-of-town conventioneers (but no hanky panky, if you please!) They've remained in this profession in order to afford the expensive private-school education of their sister Charity, who shows up in the Big Apple in pursuit of her own career, or a wealthy husband, or both. Charity's arrival coincides with several big-time conventions, one of which is being covered by Faith's newspaper-reporter boyfriend Tommy Hopkins (John Howard). Things get dicey when the three girls discover a corpse in one of the hotel rooms. Certain that they'll be blamed for the death (or at the very least fired from their jobs!), the sisters conspire with Tommy to hide the body from the cops. Trouble is, the body just won't stay hidden, not even when our heroines try to dispose of the awkward stiff in one of the coffins brought into the hotel for an undertaker's convention. Blessed with a generous supply of belly-laughs and an unending stream of familiar character actors, Three Girls About Town sustains a proper level of zaniness right up to the cop-out finale. ~ Hal Erickson, All Movie Guide

Bill Elliot took time out from his "Wild Bill Hickok" westerns series to essay the title role in Son of Davy Crockett. During the Reconstruction era, Davy Jr. (Elliot) is hired by President Grant (Harrison Greene) to convince the residents of a small territory on the Texas border to align themselves with the United States. Opposing this move is local outlaw leader King Canfield (Kenneth MacDonald), who wants nothing to interfere with his dictatorial hold over the territory. For a while, it looks as though young Crockett has cast his lot with Canfield, but his true loyalties are revealed at a crucial plot juncture. Despite its potential, Son of Davy Crockett falls short due to his overabundance of dialogue and its paucity of action. ~ Hal Erickson, All Movie Guide

Medico of Painted Springs was the first of western hero Charles Starrett's appearances as frontier doctor Steven Monroe. Riding into a small town, Dr. Monroe finds himself smack-dab in the middle of a range war between cattlemen and sheepmen. It doesn't take long for Monroe to figure out that the trouble has been stirred up by a gang of crooks, who hope to play one side against the other so that they can move in and take over. When the time is ripe, the doc lays down his thermometer and stethoscope and comes out fighting-just as he would in all future "Dr. Monroe" epics. ~ Hal Erickson, All Movie Guide

Two Latins From Manhattan was Columbia's 1941 contribution to the "Good Neighbor Policy" towards South America. Joan Davis heads the cast as pushy nightclub press agent Joan Daley, while Jinx Falkenberg and Joan Woodbury are costarred as Joan's roommates, aspiring showgirls Jinx Terry and Lois Morgan. Having heavily promoted the upcoming nightclub appearance of a famous Cuban singing-sister team, Joan is left in the lurch when the sisters fail to show up. But not to worry: our heroine gives Jinx and Lois a crash course in Cuban dialects, and in a twinkling the two Manhattanites are successfully posing as the Cubanos. The fun begins when the real Cubans show up unannounced. Evidently, Columbia was so enamored with this plotline that the studio used it again, with only minimal changes, as Two Senoritas From Chicago (1942), which also featured Joan Davis and Jinx Falkenberg. ~ Hal Erickson, All Movie Guide

The best of Joe E. Brown's Columbia starring vehicles, Shut My Big Mouth is also one of Joe's funniest efforts since his heyday at Warner Bros. Brown is cast as wealthy easterner Wellington Holmes, who heads to the Wild West in search of peace and quiet (!) When Wellington's stagecoach is held up by masked bandit Buckskin Bill (Victor Jory), our hero accidentally fires off a lucky shot that sends the villain and his minions scurrying off into the hills. The local townsfolk appoint Wellington sheriff, failing to inform him that this "honor" is tantamount to a death sentence in these here parts. Several unbelievable complications and coincidences later, Wellington dresses up as a Mexican senorita in order to rescue heroine Conchita Montoya (Adele Mara) from Buckskin Bill's clutches. Incredibly, the villain falls madly in love with the disguised Wellington, resulting in the film's biggest bellylaughs. Though pushing fifty, Joe E. Brown could still pull off his "babe in the woods" act, which he does with finesse in Shut My Big Mouth. The film also served as stepping stones in the careers of up-and-coming Columbia contractees Lloyd Bridges and Forrest Tucker, billed eleventh and twelfth respectively. ~ Hal Erickson, All Movie Guide

In this western, a rancher is ambushed, killed, and robbed, but for some reason the killers through his money pouch in the bushes without opening it. Later a woman happens upon the cash and finds herself a prime suspect in the killing. Fortunately, a survey engineer proves her innocence, and they begin looking for the real villains. Action and romance ensue. ~ Sandra Brennan, All Movie Guide

George Stevens' Talk of the Town is a quick-witted comedy driven by wonderful performances by Cary Grant, Ronald Colman and Jean Arthur. Michael Lightcap (Colman) is a stuffy law professor in line to a Supreme Court appointment, who is spending the summer at the house of schoolteacher Nora Shelley (Arthur). But Lightcap is not the only guest at the house. Shelley has also let Leopold Dilg (Grant)--a man who had recently escaped from prison, where he was serving a sentence for false accusations of immolating a local factory--stay at the house, telling Lightcap that he is a gardener. In addition to striking up a friendship, Lightcap and Dilg also compete for the affections of Shelley. Eventually, the professor learns of Dilg's true identity, finding out that Leopold was framed by a crooked government, led by the foreman of the factory, who supposedly died in the fire. When Dilg is captured by the police, Lightcap comes to his defense, bringing the still-alive foreman out of hiding and, in the process, clearing Leopold of all the charges. Talk of the Town received Academy Award nominations for Best Picture, Best Screenplay, Best Original Story, Best Score, Best Editing, and Best Interior Decoration, yet it lost in all of the categories. ~ Stephen Thomas Erlewine, All Movie Guide

Another timely entry from the Columbia assembly line, Canal Zone stars Chester Morris as flight instructor "Hardtack" Hamilton (his nickname sums up his personality with sublime perfection). Our hero's students will eventually help ferry bombing planes across the Atlantic-with the possible exception of stuck-up civilian pilot Harley Ames (John Hubbard), who shows no signs of acquiring discipline and responsibility. When the chips are down, however, Ames proves he's got the Right Stuff, rescuing Hardtack after a particularly nasty plane crash. The heroine is Harriet Hilliard, later beloved by millions as one-half of TV's "Ozzie and Harriet", while one of the pilots is portrayed by future Jolson Story star Larry Parks. ~ Hal Erickson, All Movie Guide

Columbia Pictures evidently felt that ex-boxer "Slapsy" Maxie Rosenbloom was the funniest man on earth, despite the fact that he consistently proved otherwise in vehicles like Harvard, Here I Come. This little masterpiece finds Rosenbloom, playing himself, receiving an award from the satirical Harvard Lampoon for his well-known stupidity. Instead of being enrage, Slapsie Maxie is delighted by the "honor", and promptly tries to enroll at the ivy-league university. Upon arriving on campus, our punchy hero is pounced upon by a group of eccentric scientists led by Professor Alvin (Byron Foulger), who is convinced that Rosenbloom is the "missing link" that science has long been searching for. The professors subsidize Maxie's education, which seems to consist exclusively of fraternity hazings and product endorsements! Though a zaftig Yvonne de Carlo shows up in several publicity stills for Harvard, Here I Come, she is nowhere to be seen in the film itself; instead, the leading-lady duties were handled by Marie Wilson, whose character comes across as even dumber than Maxie Rosenbloom, if such a thing is possible. ~ Hal Erickson, All Movie Guide

Columbia's belated effort to cash in on the popularity of Abbott & Costello's Buck Privates was the raucous and generally amusing wartime comedy Tramp, Tramp, Tramp. Jackie Gleason (the same!) and Jack Durant are teamed for the first and only time as Hank and Jed, a pair of dimwitted barbers who are forced into bankruptcy because all their customers have marched off to war. Figuring that if you can't beat 'em, join 'em, Hank and Jed try to join the Army themselves, only to be rejected for a variety of reasons (When asked to read the eye-chart, Hank says he can't-not because he can't see, but because he can't read). Still wishing to serve their country, our heroes set up a "home guard" unit, and in this capacity manage to trap a gang of homicidal crooks. To his credit, Jackie Gleason does not try to imitate his idol Lou Costello, but the A&C influence is felt throughout this trivial little laughspinner. ~ Hal Erickson, All Movie Guide

In this musical comedy, an agent for an advertising agency begins trying to push a new "Blind Date" service and so engages two popular USO singers to perform for the Navy. He hides the young women and keeps their looks a secret because the two singers are terribly unattractive. To keep the sailors from booing them off the stage, the adman decides to have two prettier models lip-sync the songs. Unfortunately, the ad agent's plans go awry when the homely singers decide to elope with two nice sailors. Songs include: "I Surrender Dear" (Harry Barris, Gordon Clifford), "We Did It Before and We Can Do It Again," "All Over the Place" (Charles Tobias, Cliff Friend), and "When Johnny Comes Marching Home." ~ Sandra Brennan, All Movie Guide