Lise Hilboldt Movies

Maverick writer-director Walter Hill's version of the famous Wild Bill Hickok legend is a dreamscape western that is told entirely in flashback. Hickok's friend Charley Prince (John Hurt) narrates the events of Wild Bill's life while sitting at Bill's graveside. Hickok is played by Jeff Bridges as a mean, high-spirited, but gallant outlaw. He wanders the West, adding to his reputation with some well-chosen gunfights, and he meets up with characters such as Calamity Jane (Ellen Barkin), who becomes his sidekick for a time. After becoming a legend, Hickok signs up for a stint with Buffalo Bill Cody's traveling variety show. Eventually, he falls in love with Susannah Moore (Diane Lane), and his love leads him to tragedy in the town of Deadwood, SD. ~ Michael Betzold, All Movie Guide

As the real-life Carpenters singing group is heard on the sound track, Cynthia Gibb stars as Karen Carpenter, with Mitchell Anderson costarring as her brother Richard. Karen's rise to the top is dutifully detailed, while Richard's brief flirtation with drug addiction is handled with discretion. The film takes a tragic turn when Karen's anorexia nervosa overcomes her ability to function, and finally kills her. The Karen Carpenter Story was a ratings winner, encouraging other less tasteful producers to overload the market with bad to indifferent made-for-TV life stories. The film was coproduced by the real Richard Carpenter, who has made the telling of his sister's story something of a lifetime mission. ~ Hal Erickson, All Movie Guide

The 100th episode of Murder She Wrote gets under way when a derelict is found dead in a New York alley. At first glance, it appears that the dead man succumbed to alcoholism, but the other clues--including several conspicuously missing items--don't add up. Jessica Fletcher (Angela Lansbury) teams with ulcerated NYPD lieutenant Hanratty (Barney Martin) to make sense of the case, leading both sleuths to a group of disreputable doctors. ~ Hal Erickson, All Movie Guide

Alan Alda wrote, directed, and starred in this satirical film about the corruption of the film industry's approach to history. Alda plays Michael Burgess, a college professor who has written a historical novel about the American Revolution. The book has been turned into a script, and a Hollywood film crew descends on his North Carolina hometown to make the movie. Predictably, the director and actors make a mess of his concept, and Burgess becomes frustrated as the town is turned upside down. Desperately, he tries to salvage his concept with some last-minute script changes. To make things more complicated, Burgess falls in love with the glamorous female lead in the film, Faith Healy (Michelle Pfeiffer). Meanwhile, his long-time girlfriend, Gretchen (Lise Hilboldt) is pressuring him to get married. The film's male star, Elliott James (Michael Caine), finally shows up in town and becomes Burgess's rival for Faith's affections. Silent film star Lillian Gish appears as Burgess's smother. ~ Michael Betzold, All Movie Guide

Anthony Hopkins essayed the title role in the four-part British miniseries A Married Man. During his annual holiday, contentedly married barrister John Strickland (Hopkins) found himself casually entering into a brief extramarital affair. As noted by author Piers Paul Read, upon whose novel the miniseries was based, to fully understand the disastrous events following Strickland's indiscretion, one must have a basic knowledge of the English Legal Profession. By the time the story had ended, there was nary a viewer who didn't possess that knowledge. Co-produced by Channel 4 and London Weekend Television, A Married Man first aired in 1983. ~ Hal Erickson, All Movie Guide

The exquisitely beautiful Catherine Deneuve plays Miriam, a centuries-old vampire capable of bestowing the gift of immortality on her lovers -- namely her current partner John (David Bowie). To sustain their sanguinary requirements, the pair cruises New York nightclubs in search of victims (as illustrated in a stunning opening sequence to the accompaniment of "Bela Lugosi's Dead" performed by seminal Goth band Bauhaus). When John awakens one morning to discover telltale signs of aging, it is revealed that his own sustained youth is not permanent, and his physical decrepitude begins to increase at an incredible rate. In a panic, John visits the clinic of scientist Sarah Roberts (Susan Sarandon), who has recently published a book on reversing the aging process, but she initially dismisses him as a crank, leaving him to sit in the lobby for several hours... during which his body ages several decades. After learning of his condition, Sarah traces John to his uptown flat. John is nowhere to be found, having been consigned by Miriam to a box in the attic with her legions of undead loves, leaving Miriam to deal with Sarah -- which she does quite effectively, seducing her into a steamy lesbian tryst. Their passion is consummated by a mingling of Miriam's blood with Sarah's, which later manifests itself as a psychic link between the two women and leaves Sarah with a rapidly-increasing appetite for blood. ~ Cavett Binion, All Movie Guide

Richard Donner's big-budget blockbuster Superman: The Movie is an immensely entertaining recounting of the origin of the famous comic book character. Opening on Krypton (where Marlon Brando plays Superman's father), the film follows the Man of Steel (Christopher Reeve) as he's sent to Earth where he develops his alter-ego Clark Kent and is raised by a Midwestern family. In no time, the movie has run through his teenage years, and Clark gets a job at the Daily Planet, where he is a news reporter. It's there that he falls in love with Lois Lane (Margot Kidder), who is already in love with Superman. But the love story is quickly sidetracked once the villainous Lex Luthor (Gene Hackman) launches a diabolical plan to conquer the world and kill Superman. Superman: The Movie is filled with action, special effects and a surprising amount of humor. ~ Stephen Thomas Erlewine, All Movie Guide