Russell Hicks Movies

Future blacklistee John Howard Lawson co-wrote this remake of Samuel Goldwyn's 1920 drama Earthbound, presented here as a rather more straightforward morality tale/fantasy. Warner Baxter and Andrea Leeds star as Nick and Ellen Desbrough, a seemingly happily-married couple celebrating their fifth anniversary at the outset of the movie. But Nick hasn't been nearly as faithful as Ellen believes, and his one-time romance with Linda Reynolds (Lynn Bari) has come back to haunt him. He believed the relationship was safely ended long ago, and Linda to be in love with his longtime friend Jeffrey Reynolds (Henry Wilcoxon) -- but she still wants Nick, and when he rejects her, she shoots him in a fit of jealous rage. Jeff takes the blame for the murder and is put on trial, while Nick -- now a wraith-like figure caught between heaven and earth -- tries desperately to communicate with Ellen or anyone else, to no avail, to tell them of Jeff's innocence. The only person with whom he can communicate is a mysterious man (Charles Grapewin) who seems to know a great deal about where Nick has been and also where he might -- or might not -- end up. Confronted in death by all of the unhappiness that his faithless life has caused, Nick vows to try and repair some of the damage, but it may take a miracle for that to happen. ~ Bruce Eder, All Movie Guide

W.C. Fields plays Egbert Souse, a bibulous denizen of Lompoc who supports his family by winning radio contests. When a fleeing bank robber is knocked cold upon tripping over the park bench where Egbert sits, Souse is hailed as a hero and offered the job of bank guard. The next day, he is approached by one J. Frothingham Waterbury (Russell Hicks), who offers to sell Egbert shares in the Beefsteak Mines. Souse raises the necessary money by convincing bank clerk Og Oggilby (Grady Sutton), the fiance of Egbert's daughter Myrtle (Una Merkel), to "borrow" some funds from the bank; it isn't really embezzling, explains Egbert, because the mine is bound to pay off. Unfortunately, bank examiner J. Pinkerton Snoopington (Franklin Pangborn) comes calling, spelling possible trouble for Souse. ~ Hal Erickson, All Movie Guide

Edith Fellows and Billy Lee, two of Hollywood's most talented second-echelon child stars, are teamed in the Columbia tearjerker Nobody's Children. The film was inspired by Walter White Jr.'s popular human-interest radio series, which ran from 1939 to 1941. The radio version of Nobody's Children was dedicated to finding loving homes for the orphaned and abandoned kids under the care of the Children's Home Society of Los Angeles. White himself appears in the film in the "framing" scenes, ostensibly taking place during one of his broadcasts. The story proper deals with the plight of orphaned siblings Pat (Fellows) and Tommy (Lee), whose efforts at finding adoptive parents have been thwarted by the fact that Pat is crippled. Many adults have offered to adopt Tommy alone, but he loyally refuses to be separated from his sister?and the plot wends its sentimental way from there. ~ Hal Erickson, All Movie Guide

This British-American, coproduction was released in England by Pathe, and in the US by Monogram. Blind Fools is the old bromide about all those parents who are too rich and busy to pay attention to their teenaged children. The kids' restlessness translate into Big Trouble, culminating in the standard-issue courtroom scene. The veteran actors in the cast-Herbert Rawlinson, Clare Whitney, Russell Hicks-are far more interesting than young nonentities playing their offspring. The lurid advertising campaign accompanying Blind Fools is offset by the film's austere approach to its material. ~ Hal Erickson, All Movie Guide

Love Thy Neighbor was produced to capitalize on the famous radio feud between comedians Jack Benny and Fred Allen. The two stars (actually friends in real life) play "themselves," constantly at each other's throats due to real and imagined slights. Benny complicates matters by falling in love with Allen's niece, played by Mary Martin. The battling comics briefly patch up their differences when Benny rescues Allen from an out of control motorboat, but the truce doesn't last long. The final scene takes place during a musical revue starring Benny, which Allen tries to break up with a slingshot. The Benny-Allen feud was already old news by the time of Love Thy Neighbor, and the film is merely an uninspired attenuation of a threadbare premise. The result is a letdown for fans of both Jack Benny and Fred Allen--though there are a handful of genuinely funny one-liners, as well as adroit supporting contributions from Mary Martin and Eddie "Rochester" Anderson. The best scene in Love Thy Neighbor is the animated opening-credits sequence, produced by Warner Bros.' "Looney Tunes" mentor Leon Schlesinger. ~ Hal Erickson, All Movie Guide

Santa Fe Trail, Errol Flynn's third western, has precisely nothing to do with the titular trail. Instead, the film is a simplistic retelling of the John Brown legend, with Raymond Massey playing the famed abolitionist. The events leading up to the bloody confrontation between Brown and the US Army at Harper's Ferry, Virginia, are treated in a painstakingly even-handed fashion: Brown's desire to free the slaves is "right" but his methods are "wrong." Whenever the leading characters are asked about their own feelings towards slavery, the response is along the noncommittal lines of "A lot of people are asking those questions," "I don't have the answer to that," and so forth. Before we get to the meat of the story, we are treated to a great deal of byplay between West Point graduates Jeb Stuart (Flynn) and George Armstrong Custer (Ronald Reagan), who carry on a friendly rivalry over the affections of one Kit Carson Halliday (Olivia DeHavilland). Just so we know that the picture is meant to be a follow-up to Warners' Dodge City and Virginia City, Flynn is saddled with Alan Hale and "Big Boy" Williams, his comic sidekicks from those earlier films. Despite its muddled point of view, Santa Fe Trail is often breathtaking entertainment, excitingly staged by director Michael Curtiz. The film's public domain status has made Santa Fe Trail one of the most easily accessible of Errol Flynn's Warner Bros. vehicles. ~ Hal Erickson, All Movie Guide

Directed in 1940 by S. Sylva Simon, Sporting Blood stars Robert Young as racing stable owner Myles Vanders. Shortly after traveling back to his ramshackle family estate in Virginia, he stirs up a long-term family rivalry with Davis Lockwood (Lewis Stone), who runs a neighboring stable. Vanders (Young), in order to get under Lockwood's (Stone) skin, initiates a romance with Lockwood's daughter Linda (Maureen O'Sullivan. As the big race approaches, however, Vanders slowly realizes he truly loves Linda. Though a stable fire harms his best racing prospect, Vanders' cockiness has waned significantly, and he enters Linda's best nag in the race against her father's stable. Following the competition, Vanders attempts to mend fences between himself and Lockwood. ~ Tracie Cooper, All Movie Guide

This Technicolor sequel to 1939's Jesse James does without the services of the earlier film's star Tyrone Power, who after all was shot dead by that "dirty little coward" Bob Ford (John Carradine). Repeating his portrayal of western outlaw Frank James, Henry Fonda is promoted to top billing here. As depicted by scenarist Sam Hellman, Frank has retired from his life of crime to become a peaceful farmer, though he has never given up his search for the treacherous Ford. The killer and his cohorts are eventually rounded up, but are pardoned due to political intervention. That's when Frank slaps on six-guns once more to seek his own form of justice. Featured in the cast is Henry Hull as a top-of-his-lungs crusading newspaperman and Jackie Cooper as a headstrong young sprout who pays the ultimate price for his bullheadedness. Making her screen debut is Gene Tierney, in the role of an Eastern reporter who wants to tell Frank's true story to the world. ~ Hal Erickson, All Movie Guide

When Darryl F. Zanuck's arrangement to loan Shirley Temple to MGM as star of The Wizard of Oz fell through, Zanuck hastily assembled a lavish Technicolor vehicle for his diminutive star which, he hoped, would match Wizard in popularity and appeal. The result was The Blue Bird, adapted from the allegorical stage play by Maurice Maeterlinck (previously filmed by director Maurice Tourneur in 1918). In emulation of The Wizard of Oz, The Blue Bird was bookended with black-and-white sequences, reserving Technicolor for the fantasy "body" of the film; similarly, Gale Sondergaard, who had been the first choice to play the Wicked Witch of the West in Wizard, was cast as Blue Bird's nominal villainess. Set in mid-Europe sometime in the late 18th century, the story concerns Mytyl (Temple and Tyltyl (John Russell), the children of a woodchopper (Russell Hicks) who has been called to fight in a faraway war. Heartbroken, the kids decide to run away from home in search of the Bluebird of Happiness, which will ostensibly solve all their problems. Falling asleep, Mytyl and Tyltyl dream that the good fairy Berylune (Jessie Berylune) is leading them on that search, accompanied by their household pets Tylo (a dog) and Tylette (a cat), who have assumed human form (and as such are repectively played by Eddie Collins and the aforementioned Gale Sondergaard). Before arriving at the far-from-unexpected realization that the elusive Bluebird of Happiness is no further than their own backyard, the two kiddies undergo a variety of astonishing experiences, including a raging forest fire (a triumph of 20th Century-Fox special-effects master Fred Sersen) and an oddly unsettling visit to "The Land of the Unborn". Rather heavy going for its intended family audience, The Blue Bird proved to be Shirley Temple's biggest flop, and a subsequent 1976 US-Soviet version starring Elizabeth Taylor fared no better at the box office. ~ Hal Erickson, All Movie Guide

For the purposes of this inconsequential 61-minute musical, Paramount Pictures shelled out a great deal of money to film on location at showman Earl Carroll's Hollywood cabaret, and to highlight several of the performers appearing therein on a nightly basis. Since Carroll claimed to have "The Most Beautiful Girls in the World" in his chorus line, audiences could be forgiven if they didn't remember the particulars of the film's plotline. For the record, the story hinges on the kidnapping of Carroll and his star players so that the show won't go on. But retired showgirl Ramona Lisa (Rose Hobart) and press agent Barney Nelson (Ken Murray) save the day by slapping together an "instant" floor show featuring an entourage of veteran vaudevillians. Heavy doses of politically incorrect humor are provided by comic drunk Jack Norton and by Blanche Stewart and Elvia Allman in their radio characterizations of man-hungry spinsters Brenda and Cobina. ~ Hal Erickson, All Movie Guide

Bing Crosby plays a tune-happy cab driver who finds himself the reluctant recipient of an abandoned baby. Together with his roommate, dour doorman Mischa Auer, Crosby offers care and shelter to the infant until he can locate the parents. The baby brings in some unwanted publicity for Crosby, which costs him his job--no real problem, in that a happy ending is obviously in the offing. East Side of Heaven was the first of a two-picture deal between Bing Crosby and Universal Pictures, which turned out to be a smart move money wise for both parties. Crosby's leading lady is the vivacious Joan Blondell, who later characterized her costar as "Aloof...I think he was born that way." The infant in the story is played by Baby Sandy (Sandra Henville), who was subsequently launched into a brief "B" series of her own before retiring at the advanced age of four. ~ Hal Erickson, All Movie Guide

Hollywood Cavalcade was a fictionalized history of silent films and the growth of the movie industry. Don Ameche portrays a character based on equal portions of Mack Sennett and D. W. Griffith, while Alice Faye's silent star is an amalgam of Mabel Normand and Gloria Swanson. Ameche breaks into pictures with slapstick comedies, initiating the first "pie throwing" scene, with Buster Keaton the thrower and Alice Faye the throw-ee. Thanks to Ameche, Faye becomes a major comedy star, appearing in wild Keystone Kops chase comedies. But success goes to Ameche's head, and soon he's staging elaborate Intolerance-like historical spectacles. As Ameche's artistic aspirations climb, his relationship with the faithful Alice deteriorates. She finds solace with her young leading man (Alan Curtis) and becomes a top dramatic star. Having made and lost several fortunes, Ameche talks Alice into appearing in his "comeback" picture, but shortly before filming ends, she and her husband are in a serious auto accident. The husband is killed, and as Faye recuperates, Ameche agonizes over how he'll save his uncompleted masterpiece. He witnesses the premiere of Al Jolson's part-talking The Jazz Singer and decides to risk everything by scrapping his film and remaking it as a talkie. Faye, who's never really stopped loving Ameche, agrees to star in this new project. On a level of accuracy, Hollywood Cavalcade is for the birds, but it scores on its energetic performances and nostalgic appeal. As a bonus, several past movie greats appear in cameos: Al Jolson, Buster Keaton, Mack Sennett, Ben Turpin, Chester Conklin, Jimmy Finlayson, Hank Mann and even Rin Tin Tin Jr. ~ Hal Erickson, All Movie Guide

This Damon Runyon yarn features William Gargan and Ann Sothern as Brooklynites Joe and Ethel Turp. The Turps are up in arms when their faithful old mailman (Walter Brennan) is fired. Unable to get satisfaction on a municipal level, Joe and Ethel plead their mailman's case to the President himself--not Roosevelt, of course, but MGM's idea of a president, as played by Lewis "Judge Hardy" Stone. Joe Turp gilds the lily by giving the President some Brooklynese advice on how to deal with certain foreign dictators. Joe and Ethel Turp Call on The President is at its best in its flashback sequences, depicting the aged Walter Brennan as a handsome young man (with teeth!) ~ Hal Erickson, All Movie Guide