Russell Hicks Movies

Based on the novel by Vincente Blasco Ibanez, Blood and Sand is the beautifully rendered story of the rise and fall of a young, cocksure Spanish bullfighter, played by Tyrone Power. Working his way slowly up the ladder to success, Power achieves fame when he is praised to skies by fatuous, fickle critic Laird Cregar. A country boy at heart, Power finds himself way over his head with sophisticates, and is soon torn between his pious and faithful wife Linda Darnell and sexy, mercenary Rita Hayworth. It is Darnell, however, who comforts Power after his final, fatal goring in the bull ring. The film's best scenes depict the curious combination of horror and fascination with which bullfighting aficionados treat this most barbaric of "sports." Blood and Sand was previously filmed in 1922 with Rudolph Valentino; a Valentino contemporary, Alla Nazimova, plays Power's mother in the remakes. Portions of this film turned up as stock footage in the 1945 Laurel and Hardy comedy The Bullfighters. ~ Hal Erickson, All Movie Guide

Originally slated as a Boris Karloff-Bela Lugosi vehicle, Man Made Monster emerged on screen as a tour de force for Lon Chaney Jr. (in his first horror-film starring role) and Lionel Atwill. Chaney plays Dynamo Dan the Electric Man, a sideshow performer whose talent for absorbing mass quantities of electricity enables him to emerge virtually unscathed when a bus crashes into a pylon. Dan recuperates in the home of Dr. Rigas (Lionel Atwill), a demented scientist ("Mad? Of course I'm mad!") who hopes to create a race of electric-powered supermen. Using Dan as his unwitting guinea pig, Rigas zaps the poor man's energy even as he injects more and more electricity into his system. Suspecting something is amiss when rabbits and goldfish die suddenly at his touch, Dan nonetheless continues to submit to Rigas' treatment. When the doctor's colleague Lawrence (Samuel S. Hinds) figures out what's going on, he confronts Rigas with a "You're mad! I'm going to notify the police!"-whereupon Rigas picks up his cue by ordering the now-zombiefied Dan to kill Lawrence and confess to the murder. The unfortunate fellow is convicted and sentenced to the electric chair, much to the delight of Rigas, who can now put his theories to the ultimate test. Surviving the death-house jolt, Dan absorbs the entire electrical current and becomes a walking, glowing human power plant, killing the warden and the guards and escaping into the countryside. Slowly dying, Dan finally regains a shred of his humanity by rescuing heroine June Lawrence (Anne Nagel) from the clutches of Regas, then puts a permanent end to the mad doctor's evil designs before spectacularly expiring himself. A prime example of Universal's B-picture unit at its peak, Man Made Monster is among the finest of the studio's second-echelon horror product. The film was re-released in the late 1940s under the timely cognomen The Atomic Monster. ~ Hal Erickson, All Movie Guide

Strawberry Blonde is the second, and by far the most well-regarded, of the three film versions of James Hogan's play One Sunday Afternoon. James Cagney stars as Biff Grimes, a turn-of-the-century dentist married to onetime suffragette Amy Lind (Olivia de Havilland). A former convict, Biff has great difficulty keeping his temper--and when alderman Hugo Barnstead (Jack Carson), the man responsible for Cagney's unjust prison term, shows up one Sunday afternoon to have a tooth pulled, the pugnacious dentist begins developing homicidal urges. In a lengthy flashback, we learn that Biff and Hugo, once the best of friends, were business partners in a construction firm. When one of their buildings collapsed due to shoddy materials, Biff was sent to jail for five years, while Hugo escaped scot-free. Even worse, Hugo stole Biff's girlfriend Virginia Brush (Rita Hayworth), the "strawberry blonde" of the title. The flashback over, Biff sharkishly welcomes Hugo into his office, fully intending to bump off his old enemy. But during a reunion with his "dream girl" Virginia, Biff realizes for the first time that Amy was the right girl for him all along, and that Hugo did him a favor by taking the strident, shrewish Virginia off his hands. Letting Hugo off with little more than a sore jaw, Biff takes Amy in his arms--but not before settling a few old accounts with his fists, just for old time's sake. ~ Hal Erickson, All Movie Guide

In this drama an eager-beaver reporter loses his job when he prints a false story about a society girl. The unemployed reporter, anxious to redeem himself, then gets involves in a gangster backed smuggling operation. Meanwhile the wronged socialite falls in love with him. Unfortunately, he will not marry her because she is to wealthy. But when the gangsters kidnap her, he comes to her rescue and eventually becomes her husband. ~ Sandra Brennan, All Movie Guide

Midnight Angel was the title of this Paramount actioner when it was first released in December of 1941. But by the time the film reached the hinterlands, America had entered WW2, and thus it was that Midnight Angel was rechristened Pacific Blackout, which remained its title to this very day. Falsely convicted of murder (in one of those movie trials that takes only a few minutes!), young Robert Draper (Robert Preston) escapes custody during a practice blackout drill. Under cover of darkness, Draper hopes to find the real killer, who turns out to be a member of a Nazi sabotage ring. Our hero is helped along by Mary (Martha O'Driscoll), one of the most refreshingly self-reliant heroines in B-picture history. Among the secondary players are a young Hungarian immigrant named Eva Gabor and a portly German refugee named John Banner. ~ Hal Erickson, All Movie Guide

The down-home Weaver family stars in this countrified drama set in Peaceful Valley where if things went any slower they'd be going backwards. Things pick up a bit when someone steals $50 from a widow. The townsfolk are outraged and Judge Weaver finds himself accusing the widow's cleaning lady of the crime. Unfortunately, the judge is very wrong. ~ Sandra Brennan, All Movie Guide

A gangster and his mob buy a small-town in this warm comedy. They, tired of trying to make it as big city hoods, buy the town to use as a hideout. The leader of the gang begins to have a change of heart after he begins falling for a local girl. He decides to use the "protection money" his gang has been pocketing to benefit the townsfolk. This feels good to the tough and thug-like gangsters who begin embracing the ideals of good citizenship in favor of a life of crime. ~ Sandra Brennan, All Movie Guide

From first frame to last, foxy Charles Coburn thoroughly dominates the proceedings in the bubbly RKO Radio comedy Unexpected Uncle. Living in retirement in Florida, ex-tycoon Seton (Charles Coburn) gets bored with sitting around doing nothing, and decides to extend himself to others for the first time in his life. Deftly pulling strings behind the scenes, Seton manipulates the budding romance between lingerie saleswoman Kathleen (Anne Shirley) and young millionaire Johnny (James Craig). Figuring that Kathleen will be a more desirable bride if Johnny's family thinks that she's rich herself, Seton poses as the girl's uncle, a guise that leads to all sorts of hilarity, including a chucklesome drunk scene. Ernest Truex tries to steal a scene or two as Johnny's manservant, but it's Charles Coburn's show all the way. ~ Hal Erickson, All Movie Guide

Lieutenant Commander Joe Blake (Fred MacMurray), Lt. Tim Griffin (Regis Toomey), and Lt. Swede Larson (Louis Jean Heydt) are longtime US Navy flying buddies, about to be transferred to different posts when Larson suffers a blackout during high-altitude maneuvers and cracks up. Navy doctor Douglas Lee (Errol Flynn) insists on trying to save him with an immediate operation, and the mortally injured pilot dies on the table. This sets the stage for a long, lingering, and bitter hatred between Blake and Lee -- which is only exacerbated when Lee chooses to become a flight surgeon so he can help to find a solution to the problem of high altitude blackout. Lee is assigned to medical research with Lt. Cdr. Lance Rogers (Ralph Bellamy), a flight surgeon whose dedication to high-altitude research has left him unfit for further flying. Their work proceeds through small triumphs and terrible tragedy, and Lee and Blake keep crossing paths, unwillingly -- they not only don't like each other personally, but end up competing for the attentions of the same woman (Alexis Smith) at one point. But they're forced to work together for the good of the service, even after Lee grounds Tim Griffin as medically unfit to keep flying. A fresh tragedy shows Blake that Lee has always been looking out for the best interests of the pilots, and they begin working together in earnest, at last. Blake pushes his piloting skills to their limit and beyond, and he soon finds a purpose and dedication that he's never known before -- and then he learns that he may have to be grounded because of his own deteriorating medical condition. While Lee frets over having to give the news to his friend, the only question for Blake is whether he will be able to see the final test of Lee's high-altitude pressure suit through to the end. ~ Bruce Eder, All Movie Guide

Hold That Ghost was the second of Abbott and Costello's starring films, but was held back from release in favor of their third picture, the more "topical" In the Navy. In Ghost, Bud and Lou play a couple of service-station owners who happen to be hanging around when gangster Moose Mattson (William B. Davidson) is killed. According to the terms of Mattson's will, whosoever is present when "the coppers dim my lights for the last time" will inherit his estate, which consists of a deserted mansion in the middle of nowhere. Crooked attorney Russell Hicks, who knows that Mattson has hidden hundreds of thousands of dollars somewhere in the lodge, dispatches sinister Charlie Smith (Marc Lawrence) to escort Abbott and Costello to the house, with instructions to "take care" of the trusting boys once they've arrived. Charlie charters a bus to take A&C out to the mansion; also on board, going off to various other destinations, are handsome Dr. Jackson (Richard Carlson), lovely Norma Lind (Evelyn Ankers) and professional radio screamer Camille Brewster (Joan Davis). It is inevitable that this disparate group is stranded along with Abbott and Costello in the forbidding mansion on a dark and stormy night. Charlie Smith is promptly murdered by parties unknown; throughout the rest of the film, Charlie's body pops up at the most inopportune moments, reducing the already tremulous Costello to a quivering mass of jello. The plot is merely an excuse to showcase Abbott and Costello's superbly timed cross-talking routines, a riotous impromptu dance performed by Costello and Joan Davis, and, of course, the legendary "moving candle" bit, which may well be Costello's funniest-ever screen scene. Hold That Ghost was originally designed and previewed as a 65-minute programmer title Oh, Charlie, but Universal decided to expand the length and throw in a few guest stars to secure top-of-the-bill bookings. This is why Hold That Ghost begins and ends with barely relevant musical numbers featuring Ted Lewis and the Andrews Sisters. ~ Hal Erickson, All Movie Guide

In their first 20th Century-Fox vehicle, Stan Laurel and Oliver Hardy are cast respectively as the butler and chauffeur of wealthy young Dan Forrester (Dick Nelson). Tired of being pampered and coddled by his overprotective aunts (Mae Marsh, Ethel Gryffies), Dan is delighted when he is drafted into the Army. To make certain that no harm will befall their "frail" master, Stan and Ollie also don uniform and accompany Dan to US Cavalry training camp. While the boys get mixed up in one disaster after another-at one point, they find themselves behind a moving target on the rifle range-Dan pursues a romance with photo-shop proprietor Ginger Hammond (Sheila Ryan), much to the consternation of Ginger's erstwhile beau Sergeant Hippo (Edmund MacDonald). Convinced that Ginger is a gold-digger, Stan and Ollie try to break up the romance, to no avail. All plotlines are resolved during a climactic "sham battle", wherein Dan proves his courage and grit while Laurel & Hardy end up captured by the "enemy". Obviously inspired by the success of Abbott & Costello's Buck Privates (it's even more obvious in the earlier drafts of the script), Great Guns is a major letdown from Laurel & Hardy's previous starring features at Hal Roach Studios, with Stan and Ollie looking most uncomfortable as they mouth the inanities written for them by Lou Breslow. Still, a few good bits emerge, including a surrealistic routine with a faulty light bulb and an amusing bridge-building sequence. Watch for Alan Ladd in a jaunty bit role as a camera-store customer. ~ Hal Erickson, All Movie Guide

The marvelous rapport between stars Clark Gable and Lana Turner makes MGM's Honky Tonk seem far more substatianal than it really is. About to be tarred and featherd by an angry mob, frontier con artists Candy Johnson (Gable) and his pal Sniper (Chill Wills) manage to make a quick getaway via train. While on board, Candy strikes up a friendship with Boston-bred Lucy Cotton (Turner), whose "respectable" daddy Judge Cotton (Frank Morgan) turns out to be as big of a sharpster as Candy. For Lucy's sake, Candy decides to use his huckstering skill to good use by helping to build a small-town church, but soon he's up to his old tricks, managing a dance hall and gambling emporium. Growing more ambitious by the minute, Candy intends to take over the whole town with the covert assistance of Judge Cotton. But when Candy marries Lucy (who still doesn't know that he's really a crook at heart!), the enraged Judge exposes Candy's takeover scheme, only to be shot down by the gambling hall's straw boss Hearn (Albert Dekker). In his efforts to set things right and atone for past misdeeds, Candy is separated from Lucy time and time again, but there's never any doubt that a happy ending awaits them both. A TV remake of Honky Tonk surfaced in 1974, with Richard Crenna in the Gable role. ~ Hal Erickson, All Movie Guide

In this drama, set in New York City, two brothers fight it out over a girl. The boys were raised by their Italian mother. The younger brother is adopted and they grow up to pursue very different life directions. The adopted brother goes to college, but the older brother gets involved with crime and ends up going to San Quentin. He is released from prison just as the younger brother graduates. Later the older brother returns home with his girlfriend. It is not long before he is in trouble with the local syndicate. Meanwhile, the girl and the other brother fall in love and decide to marry. The older brother is not amused. Still, when the mob bursts in at the wedding, it is the older brother who keeps them at bay until the ceremony is completed. ~ Sandra Brennan, All Movie Guide