Russell Hicks Movies

Based on a 1933 play, this mediocre whodunit was independently produced in New York City with a Broadway cast. Lora Baxter plays Elsie Manning, a famous actress who suddenly finds herself stuck with the dead body of her former lover, James Nichols (Russell Hicks). Dr. Gruelle (Leo Carrillo) offers to take the dead man off her shoulders and pretend that Nichols died from natural causes while under his care. But Elsie disagrees with the arrangement that includes part of the 200,000 dollars she stands to inherit. As it turns out, the good doctor proves to be a homicide detective in disguise and the real murderer is unmasked. Before Morning marked the only feature film of stage actress/playwright Lora Baxter and the screen debut of Louis Jean Heydt, a member of the play's original Broadway cast. ~ Hans J. Wollstein, All Movie Guide

James Cagney manages to retain his pre-Code cockiness within post-Code limitations in the likeable St. Louis Kid. Cagney and Allen Jenkins, Eddie Kennedy, and Buck Willetts play long-distance truck drivers who get entangled in a battle between a crooked trucking firm and striking milk farmers (a plot thread based on actual events). When one of the dairymen is killed by a hired goon, Eddie is accused of the crime. He breaks out of jail to track down the real killer then has to rescue his girlfriend Ann (Patricia Ellis), who's been kidnapped by henchmen of the truck company. It takes a bit of clever brainwork between Eddie and Buck, but our hero manages to flummox the bad guys and rescue the girl. James Cagney's sheer star power is such that the audience is willing to forgive the fact that, in the early passages of the film, his character is nothing more or less than a "scab." St. Louis Kid is the picture in which Cagney, tired of playing characters who settle differences with their fists, hit upon the novel idea of incapacitating his screen rivals by butting his forehead against theirs, knocking them cold without laying a hand on them! ~ Hal Erickson, All Movie Guide

The late "B"-picture historian Don Miller once referred to the "teenage sex" exploitationers of the 1930s as the "Enlighten Thy Daughter-type film." A remake of the 1917 picture of the same name, the 1934 version of Enlighten thy Daughter stars Herbert Rawlinson as Dr. Richard Stevenson, who for the edification of the audience relates the tale of two daughters. Ruth (Beth Barton), the offspring of Stevens' hypocritical brother (Russ Hicks), is neglected by her parents in matters of sex education; as consequence, she trods the primrose path, ending up pregnant, then dead. But Dr. Stevens' own daughter Alice (Claire Whitney), is told the facts of life early on, and as a result makes responsible romantic decisions in her later life. Enlighten thy Daughter was distributed on a States' Rights basis by -- who else? -- Exploitation Pictures Inc. ~ Hal Erickson, All Movie Guide

Film historian William K. Everson once referred to Warner Bros.' Gentleman are Born as an all-male precursor to Mary McCarthy's The Group. The story focuses on a tight-knit quartet of friends, all of whom graduate from college on the same day. Determined to "change the world" while keeping their friendship intact, the foursome is forced to weather some harsh realities during the early years of the Depression. Smudge Casey (Nick -- later Dick -- Foran) whose dream was to become an athletic coach, ends up as a tank-town boxer and petty thief. Wealthy Fred Harper (Robert Light) is wiped out financially and emotionally when his embezzler father commits suicide. Tom Martin (Ross Alexander), married early on to Trudy Talbot (Jean Muir), has to take an entry-level brokerage job to make ends meet. Only wisecracking Bob Bailey (Franchot Tone) achieves happiness, not only landing a high-paid job as a journalist, but also winning the film's heroine, Harper's socialite sister Joan (Margaret Lindsay). ~ Hal Erickson, All Movie Guide

Josephine Hutchinson is a beautiful heiress bored by her stifling lifestyle. She bolts her family mansion on New Years' Eve and heads for a boisterous nightclub, where she meets blue-collar worker Dick Powell. Hutchinson pretends to be poor, and soon she and Powell are pitching woo. Powell has ambitions to go into business for himself, so Josephine secretly pulls strings to help him get ahead. But when Powell finds out, he renounces the girl and breaks up the relationship. Hutchinson returns to a loveless engagement with a society type, but her father has grown fond of Powell and arranges a reconciliation. Happiness Ahead isn't exactly a musical, though Dick Powell does sing the title song during the opening credits and later introduces the Warner Bros. cartoon perennial "Pop Goes Your Heart." ~ Hal Erickson, All Movie Guide

Based on a mystery novel by Mignon Eberhardt, While the Patient Slept stars Aline MacMahon as Eberhardt's middle-aged amateur sleuth, Nurse Sarah Keate. Our heroine is summoned to the home of millionaire Adolphe Federie (Robert H. Barrat), who has suffered a stroke. Federie sleeps through an incredible series of intrigues involving family secrets, stolen heirlooms, and other such niceties. When a murder occurs, it's up to the efficient Nurse Keate to solve the mystery. Still, nursie finds time to pursue a cute romance with cherubic Lance O'Leary (Guy Kibbee). While the Patient Slept was part of Warner's brief "Clue Club" series, which also included the studio's Perry Mason mysteries (Incidentally, Hollywood's subsequent "Sarah Keate" films tended not only to alter the name of the nurse protagonist, but also her age: In one picture, she was played by "oomph girl" Ann Sheridan!) ~ Hal Erickson, All Movie Guide

In this drama, an amateur pilot is driven to living life in the fast lane after he pilots that plane that crashed and killed his parents and his sister. He goes on to marry. He and his new wife live in terrible conditions until he suddenly inherits $8,000 which he uses to buy a plane and start up a commuter service. Unfortunately, he finds himself again in debt. His disgusted wife leaves, but when he is hurt in a car crash, she eventually returns. ~ Sandra Brennan, All Movie Guide

Warner Bros.' Devil Dogs of the Air is very much a "formula" picture -- but what a wonderful formula it is! James Cagney plays reckless stunt flyer Tommy O'Toole, who is encouraged to join the Marine Flying Corps by his old Brooklyn buddy Lt. William Brannigan (Pat O'Brien). An undeniably talented flyboy, Tommy is also brash, obnoxious and pugnacious, quickly earning the enmity of his fellow trainees. He even falls out with Brannigan over the affections of pretty waitress Betty Roberts (Margaret Lindsay). Very nearly "washing out" of the service, Tommy is eventually brought into line by the combined efforts of Brannigan, Betty, and the rest of the "devil dogs." After earning oodles of money for Warners during its first release, Devil Dogs of the Air proved equally as successful when it was reissued six years later, just before America's entry into WW II. ~ Hal Erickson, All Movie Guide

Broadway legend Al Jolson and his second wife Ruby Keeler costarred in this thin backstage musical. In keeping with Jolson's earlier starring films, the plotline is melodramatic to the point of risibility. Jolson plays an irresponsible performer whose unprofessional antics incur the wrath of Actor's Equity. Suspended from the stage, Jolson spends all his money on gambling, but is "cured" after his wife (Ruby) is wounded when Jolson shoots it out with a rival. Musical highlights include "A Latin From Manhattan", "A Quarter to Nine" (Jolie's at his best here) and the title number. The script of Go Into Your Dance is predictably full of references to the offstage Jolson/Keeler relationship; reportedly, Al's on-set adlibs became more insulting and abusive as the marriage deteriorated. ~ Hal Erickson, All Movie Guide

Hoping to finish his latest play in peace, writer Ricardo Souchet (Gilbert Roland) loses his train of thought when dizzy blonde reporter Rita (Mona Barrie) invades his apartment. Before long, Rita has gotten Ricardo involved in a series of murders amongst the theater folk. When the police prove ineffective, our hero is obliged to turn detective himself. Laughs are provided by Herbert Mundin as Ricardo's super-efficient butler, while menace is provided by practically everyone else in the cast. Ladies Love Danger was based on a story by 23-year-old stage actress Ilya Zorn, who may very well have intended the film as a vehicle for herself. ~ Hal Erickson, All Movie Guide

Rudy Vallee made his third feature-film starring appearance in the breezy Warner Bros. musical Sweet Music. Vallee is appropriately cast as singer-bandleader Skip Houston, who falls in love with aspiring dancer Bonnie Haydon (Ann Dvorak). Though Bonnie feels the same way about Skip, the two leads indulge in a movie-long quarrel before the long-awaiting final clinch. This is one musical comedy where there's definitely more comedy than music, what with a chucklesome supporting cast including Ned Sparks, Allen Jenkins, Alice White and veteran vaudevillians Joseph Cawthorn and Al Shean (of "Gallegher and Shean" fame). Despite such heady competition, the film is stolen by the hilarious Frank and Milt Britton Band, a zany precursor to the Spike Jones aggregation. ~ Hal Erickson, All Movie Guide

Carnival barker Spencer Tracy befriends elderly concessionaire Henry B. Walthall, who owns a picturesque but stodgy display depicting Dante's Inferno. Walthall is more interested in the spiritual aspects of Man's fascination with Hell, but Tracy uses hoopla and exaggeration to get the suckers into the Inferno. His interest isn't altruistic; Tracy is enamored of Walthall's niece, Claire Trevor. Through his publicity savvy, Tracy builds the Inferno into a major attraction, complete with full orchestra and scantily clad "devil girls". He also buys up the rest of the carnival, using cold-blooded tactics that result in the suicide of a fellow concessionaire. Within five years, Tracy is a millionaire tycoon of the Entertainment industry. While loved by his wife (Trevor) and son (Scotty Beckett), Tracy conducts his business ruthlessly, bribing a city official to look the other way regarding structural defects in his Inferno display. When this duplicity results in a disastrous accident at the exhibit, the bribed official kills himself. Tracy is exonerated thanks to legal chicanery, but his wife is fed up; she walks out on him, taking their son along. Injured in the accident, Inferno creator H. B. Walthall warns Tracy of the pitfalls of success, using an illustrated edition of Dante to make his point. For nearly ten minutes, the movie audience is treated to a lavish depiction of Hell, magnificently photographed by Rudolph Mate. When the plot resumes, Tracy is on hand for his latest venture, a sumptuous gambling ship. Thanks to the drunken negligence of the crew, the ship catches fire, and it is only upon learning that his son has sneaked aboard that Tracy realizes the consequences of his greed. Tracy labors heroically to rescue the passengers--and, incidentally, to atone for his past sins. ~ Hal Erickson, All Movie Guide

After wrapping up his last case in Egypt, Charlie Chan (Warner Oland) heads to Shanghai for a well-deserved rest. It isn't long, however, before Chan has been summoned by the local constabulary to help smash an international dope ring. He is aided by erudite American intelligence agent James Andrews (Russell Hicks) and to a lesser extent by his overeager Number-One-Son Lee Chan (Keye Luke). The film is structured more like a serial than a mystery, with Chan and his friends escaping death and/or abduction at every turn. Only after rounding up the smugglers does Charlie reveal the well-concealed identity of the criminal mastermind behind it all. The nominal romantic lead is played by Charles Locher, who went on to greater fame as Jon Hall. ~ Hal Erickson, All Movie Guide