Chuck Hicks Movies

A disturbing videotape appears to hold the power of life and death over those who view it in this offbeat thriller. A strange videotape begins making the rounds in a town in the Pacific Northwest; it is full of bizarre and haunting images, and after watching it, many viewers receive a telephone call in which they are warned they will die in seven days. A handful of teenagers who watched the tape while spending a weekend at a cabin in the mountains scoff at the threat, but as predicted, they all die suddenly on the same night. Rachel Keller (Naomi Watts), the aunt of one of the ill-fated teens, is a journalist who has decided to investigate the matter and travels West with her young son, Aidan (David Dorfman), a troubled child who has been drawing pictures of strange and ominous visions. Rachel managed to find the cabin in the woods and watches the video herself; afterward, she receives the same phone call, and realizes she must solve the puzzle of the video and the person or persons behind it within a week. Rachel turns to her ex, Noah (Martin Henderson), an expert in video technology, who at first is convinced the story is a hoax until he digs deeper into the mystery. The Ring was adapted from a 1996 Japanese film by Hideo Nakata, which became a massive box-office success in Asia and spawned two sequels. ~ Mark Deming, Rovi

Embarking upon another robbery investigation, Novak (Lauren Lane) is joined by her reporter friend Amy Rivers (Kelly Curtis). To enhance the excitement of the job at hand, Amy resorts to sniffing cocaine. Not surprisingly, Amy's ever-increasing dependency on the drug not only jeopardizes her life, but Novak's as well--and Hunter (Fred Dryer) may not be able to come to the rescue this time. ~ Hal Erickson, Rovi

Steve Railsback, the star of the cult favorite The Stunt Man, carries the ball in Assassin. Railsback plays a CIA agent, assigned to protect a senator. When the politician is killed, the principal suspect is Our Hero. Left to his own devices, Railsback unearths one of those government conspiracies so beloved of quickie filmmakers. While the plot of Assassin is as full of holes as the senator, the action highlights are fine and dandy. ~ Hal Erickson, Rovi

The first two episodes of the syndicated Star Trek: The Next Generation were originally telecast in tandem as a two-hour "TV movie" on September 30, 1987. After the obligatory introductions of the new crew of the Enterprise, the starship sets sail for the planet Daneb IV, for the purpose of investigating the new Farpoint starbase. Halfway to their destination, the crew is captured by obstreperous alien life form "Q" (John de Lancie) and placed on trial for all the crimes previously committed by the Human Race. One of the stars of the original Star Trek makes a surprise appearance in octogenarian makeup (Hint: He doesn't get to say, "He's dead, Jim"). "Encounter at Farpoint" was cowritten by Gene Roddenberry and D.C. Fontana. ~ Hal Erickson, Rovi

Brian Dennehy plays a Wambaugh-type cop who has flourished as a novelist. At the moment, however, Dennehy is suffering from a profound case of writer's block. Coming to the rescue, as it were, is professional hit man James Woods. Recently dumped by his boss, above-suspicion business executive Paul Shenar, Woods is anxious to tell his life story to Dennehy, in hopes of striking it rich with a tell-all bestseller. Shenar, however, takes a dim view of Woods' indiscretions, and for a while it looks as though it's curtains for both Dennehy and his teenaged daughter Allison Balson. Screenwriter Larry Cohen has claimed that Best Seller was based on Strangers on a Train. ~ Hal Erickson, Rovi

This standard, tongue-in-cheek, gangsters and good guys saga is carried on the star power and screen presence of Clint Eastwood as Lt. Speer, a taciturn, tough, play-it-by-the-book cop, and on Burt Reynolds as Mike Murphy, Speer's old friend in the force, now turned private eye but still a captivating rogue at heart. With a sub-text of playing their well-known screen personas off each other, Eastwood and Reynolds provide more than a surface interpretation of the characters that made them famous. After Murphy's partner is murdered, he focuses on pitting one mob boss against another in an attempt to have both mobsters kill each other. In the meantime, Lt. Speer -- who has never approved of Murphy's private detective business -- does not really know if Murphy is for or against the two top gangsters. Set in the era of speakeasies and Prohibition, an added layer of "film noir" can be discerned under the complex plot, verbal repartée, and episodes of toned-down violence (a kind of parody in themselves). Although this may not be the best film either star has made, it is still interesting to see them together on screen. ~ Eleanor Mannikka, Rovi

When last we left the crew of the star ship Enterprise, they were heading home following a skirmish with the despotic Khan. The unpleasant incident had cost the life of Mr. Spock (Leonard Nimoy)--or so it seemed. Admiral Kirk (William Shatner) is informed by Spock's father Sarek (Mark Lenard) that his son is being kept alive in the thoughts of one of the crew members. It now becomes necessary to search for Spock's body, so that flesh and soul can be rejoined on Vulcan. It turns out that Spock's spirit is residing within the mind of the Vulcan's longtime shipmate, "Bones" McCoy (DeForrest Kelley). Finding the body is another matter, since the Enterprise has been consigned to the trash heap and thus is out of Kirk's jurisdiction. ~ Hal Erickson, Rovi

Director Robert Aldrich's last film, All the Marbles stars Peter Falk as a "win-at-all-costs" type manager of a ladies tag-team wrestling combo. These girls are good and Falk wants them great. And he doesn't really care what they've got to do to get there. (This film's "R" rating is not for Raunchy, but it could be for "Revealing.") Following sort of a Rocky theme, this film finds our ladies tag team climbing its way to the top of the women's wrestling world where they face off against the world's best. ~ Rovi

Star James Caan made his directorial debut in the fact-based Hide in Plain Sight. Caan plays a divorced husband and father who comes to visit his ex-wife and children, only to discover that they've evidently disappeared from the face of the earth. Running up against the stonewall tactics of the authorities, Caan eventually learns that his wife's present husband is a witness against the mob, and that his family members have been given a new home and new identities via the Justice Department's new witness relocation program. Denied information concerning his children's whereabouts, Caan desperately attempts to find them himself. Hide in Plain Sight was adapted by Spencer Eastman from the book by Leslie Waller. ~ Hal Erickson, Rovi

Marred by prejudice and derogatory stereoptypes of gays and Hispanics, this subpar drama by Ken Annakin does not treat women or men well either. Bill (Mac Davis) is a detective who has just been hired by a tough lawyer, K.D. Locke (Tovah Feldshuh) to check up on some deadbeat ex-spouses who are ignoring their alimony payements. Soon Bill is caught in two complicated investigations, one focuses on a storekeeper, and the other on a sex doctor who just happens to be Locke's husband. ~ Eleanor Mannikka, Rovi

This spoof of a "typical" double-feature bill of the 1930s is introduced by George Burns, who explains that we're about to see two classic films produced by the legendary Warren Brothers. The first, "Dynamite Fists," is a black-and-white takeoff of such boxing dramas as Golden Boy. Harry Hamlin plays a John Garfield-like pugilist who is brought along by a tough-but-lovable fight promoter George C. Scott. Nasty gangster Eli Wallach attempts to compromise Hamlin by offering him the delectable Trish VanDevere, but Hamlin proves loyal to Scott. When Scott is killed by Wallach, Hamlin vows to become an attorney and bring the murderer to justice -- which he does in the space of one year. Along the way, Hamlin's gangster brother-in-law secures an eye operation for his nearly blind sister Kathleen Beller (whose bump-in-the-wall myopia is good for several laughs). After "Dynamite Fists," we are treated to a coming-attractions trailer for a Dawn Patrol-style aviation epic, again starring George C. Scott. The last segment, "Blansky's Beauties of 1933," is an all-stops-out Technicolor lampoon of Busby Berkeley musicals. Told by doctor Art Carney that he is dying, Broadway impresario Blansky (George C. Scott again) determines to produce one last spectacular show before the curtain goes down for good. The highlights in "Blansky's Beauties" are too numerous to mention here: memorable bits include composer Barry Bostwick's rooftop number, and the opening dialogue exchange between Carney and Scott (told that he has a month to live, Scott philosophically replies that at least he has 30 days left -- whereupon Carney dolefully reminds his patient that it's February). An additional sequence, parodying the Republic serials of the era, was filmed for Movie, Movie but cut from the final release print. Michael Kidd, who plays "Pop Popchick" in "Dynamite Fists," handled the choreography in "Blansky's Beauties." On the videocassette version of Movie, Movie, "Dynamite Fists" has been reprocessed in color. ~ Hal Erickson, Rovi

Having published absolutely nothing since his bestseller "Freefall to Destiny", hard-drinking writer Jack Skowran (Anthony Zerbe) pins his future career hopes on his next book, which he claims will be a "Where Are They Now?" tome about a group of high schoolers who used to hang around the same drive-in back in the early 1960s. Asked to help Jack research the book, Jim is unaware that the author is actually endeavoring to solve a 17-year-old murder which took place on the yacht of a prominent publisher. Not surprisingly, there are some very powerful people who don't want the murder case reopened--and they hire a professional hit man to throw Jim off the trail for keeps. ~ Hal Erickson, Rovi