Barbara Hicks Movies

This comedy of manners from playwright Michael Frayn, author of Noises Off (1992), was based on his teleplay for "Jamie, On a Flying Visit," a 1968 episode of the legendary BBC television series The Wednesday Play (1964-70). Middle class couple Ian (Rik Mayall) and insurance adjuster Lorna (Imelda Staunton) have their troubles, including a rebellious teenage daughter who's dating a car thief, Lorna's frustrated dreams of being a writer, and Ian's joblessness. Then Jamie (Robert Lindsay) appears on their doorstep. An ex-boyfriend that Lorna hasn't seen in twenty years, Jamie's keeping a few secrets past and present, all of which emerge to the chagrin of Ian and Lorna, as Jamie and his buxom girlfriend Georgina (Natalie Walker) are invited to share dinner and then stay the night. ~ Karl Williams, All Movie Guide

Based on a novel by Muriel Spark (The Prime of Miss Jean Brodie), the British TV drama Memento Mori boasts an impressive cast of veterans, including Maurice Denham, Cyril Cusack, Sir Michael Hordern, Renee Ashershon, and Maggie Smith. The story concerns an eccentric group of senior citizens who are being plagued by a cryptic phone caller. The mystery man (or woman) says only "Remember, you must die!" before hanging up. For a while, it seems as though the domineering Ms. Smith is the instigator of the crank calls, but don't be too sure. Memento Muri premiered in the US as a two-part installment of Masterpiece Theatre, telecast October 25 and November 1, 1992. ~ Hal Erickson, All Movie Guide

One of the best Ismail Merchant/James Ivory films, this adaptation of E. M. Forster's classic 1910 novel shows in careful detail the injuriously rigid British class consciousness of the early 20th century. The film's catalyst is "poor relation" Margaret Schlegel (Emma Thompson), who inherits part of the estate of Ruth Wilcox (Vanessa Redgrave), an upper-class woman whom she had befriended. The film's principal characters are divided by caste: aristocratic industrial Henry Wilcox (Anthony Hopkins); middle-echelon Margaret and her sister Helen (Helena Bonham Carter); and working-class clerk Leonard Bast (Sam West) and his wife (Nicola Duffett). The personal and social conflicts among these characters ultimately result in tragedy for Bast and disgrace for Wilcox, but the film's wider theme remains the need, in the words of the novel's famous epigram, to "only connect" with other people, despite boundaries of gender, class, or petty grievance. Filmed on a proudly modest budget, Howards End offers sets, spectacles, and costumes as lavish as in any historical epic. Nominated for 9 Oscars, including Best Picture and Best Director, the film took home awards for Thompson as Best Actress, Ruth Prawer Jhabvala's adapted screenplay, and Luciana Arrighi's art direction. ~ Hal Erickson, All Movie Guide

Independent filmmaker Sally Potter's gender-bending epic, which views four centuries of sexual politics through the eyes of a sex-switching main character, is based on the 1928 novel by Virginia Woolf. The androgynous title character is played with delicate quietude by Tilda Swinton. The story begins during the reign of the aging Queen Elizabeth I (Quentin Crisp, in a droll turn recalling his The Naked Civil Servant). Queen Elizabeth takes a shine to the attractive young Orlando and seeks out his sexual favors. In return, Elizabeth grants him a large estate, commanding him, "Do not fade, do not wither, do not grow old." Orlando takes the queen at her word and doesn't. When Elizabeth dies, Orlando becomes attracted to Sasha (Charlotte Valandrey), the daughter of a Russian diplomat, but she rebuffs his advances. Crushed, Orlando accepts an ambassadorship to Constantinople. After witnessing the killing of a man in battle, Orlando undergoes a change of sex, becoming a woman and returning to England, where she hobnobs with 18th-century geniuses like Jonathan Swift, Alexander Pope, and John Addison. Walking through a garden labyrinth, the time frame shifts to the 19th century, and Orlando falls in love with a handsome American (Billy Zane). Now in the 20th century, Orlando gives birth to his child and continues on. ~ Paul Brenner, All Movie Guide

Produced for London Weekend Television, Wilt is based on the novel of the same name by Tom Sharpe. Griff Rhys Jones and Mel Smith, stars of the internationally popular TV series Not Necessarily the News, head the cast as Henry Wilt and Inspector Flint. Though master of his own destiny on the lecture circuit, Wilt is a natural-born doormat in his day-to-day life. He also has a bad habit of inadvertently gumming up the various investigations conducted by Inspector Flint. Things come to a head when the hapless Wilt is implicated in a murder, allowing the zealous Flint to persecute -- er, prosecute -- the poor man to the full limit of the law. With its parade of eccentric character and Gilbert & Sullivan-style plot complications, Wilt can't help but raise chuckles. ~ Hal Erickson, All Movie Guide

Brazil constitutes Terry Gilliam's enormously ambitious follow-up to his 1981 Time Bandits. It also represents the second installment in a trilogy of Gilliam films on imagination versus reality, that began with Bandits and ended in 1989 with The Adventures of Baron Munchausen. To create this wild, visually audacious satire, Gilliam combines dystopian elements from Orwell, Huxley and Kafka (plus a central character who mirrors Walter Mitty) with his own trademark, Monty Python-esque, jet black British humor and his gift for extraordinary visual invention. The results are thoroughly unprecedented in the cinema.

Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. It's a world marred by oppressive automatization and towering bureaucracy, and populated by tyrannical guards who strongarm lawbreakers. And Lowry is stuck in the middle of this nightmare. Whenever real life becomes too oppressive, Sam fantasizes (to the tune of Ary Baroso's 1930s hit "Brazil") about sailing through the clouds as a winged superhero, and rescuing beautiful Jill Layton (Kim Greist) from a giant, Samurai warrior. The omnipresent computer that controls everything in the "real" world malfunctions, causing an innocent citizen to be arrested and tortured to death. When Sam routinely investigates the error, he meets - and pursues Jill , literally the girl of his dreams. But in real life, she's a tough-as-nails truck driver who initially wants nothing to do with him. It turns out that she is suspected of underground activities, in connection with a terrorist network wanted for bombing public places. The price Sam pays for his association with her is a close encounter with the man in charge of torturing troublesome citizens (Michael Palin). He is rescued - at the last minute - by maintenance man Harry Tuttle (Robert de Niro) who moonlights as a terrorist, but that only represents the beginning of his plight, for now the "system" is onto him.

Gilliam ran into enormous problems with Brazil. Universal - which produced the picture - originally slated it for release in 1984, but the studio - intimidated by the film's whopping length of 142 minutes - demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam's insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work; many critics regarded it at the time as the best film of the eighties. ~ Nathan Southern, All Movie Guide

This Graham Greene story is a bout a boy who has trouble moving beyond his father's death. ~ All Movie Guide

Based on the acclaimed novel by Doris Lessing, this dystopian science fiction tale concerns a woman struggling to make her way in a post-apocalyptic society. D (Julie Christie) is living in a city that's at the point of collapse following a catastrophic nuclear war; lawlessness and violence rule the day, and gangs of brutal youth roam the streets. With the help of her teenage companion Emily (Leonie Mellinger), D tries to make her way, and in order to cope, she often escapes into a fantasy world in which she lives in genteel Victorian surroundings in the 19th century. Memoirs of a Survivor received the International Fantasy Film Award and the Audience Jury Award at Portugal's 1982 Fantasporto Film Festival. ~ Mark Deming, All Movie Guide

TV commentator Stephen Boyd doesn't believe the official verdict of suicide in the death of a famed London psychiatrist. Boyd tries to get to the truth by studying a list of the shrink's patients. While interviewing three of these worthies (Jack Hawkins, Diane Cilento and Richard Attenborough), Boyd discover that each has a deep dark secret that the psychiatrist was privy to. The best-kept secret concerns the schizophrenia of the dead man's teenaged daughter (Pamela Franklin)--a fact that provides the key to mystery. The Third Secret originally featured Patricia Neal as one of the suspects, but her scenes were cut from the final release print. ~ Hal Erickson, All Movie Guide

The "WHO" in A Matter of Who isn't a "who" but a "what". The word is an anagram for the World Health Organization, a curious subject for a British comedy--especially one which utilizes a communicable disease as a plot device! WHO operatives Terry-Thomas and Alex Nicol trace the outbreak of a smallpox epidemic to ruthless oil millionaire Guy Deghy. Offsetting the (literal) unhealthiness of the plotline is Terry-Thomas' romance with Sonja Ziemann, the widow of a smallpox victim. A Matter of WHO was picked up for U.S. distribution by MGM. ~ Hal Erickson, All Movie Guide

This scattered, slightly anarchic and uneven comedy stars the inimitable Terry-Thomas as Reggie Blake, a writer whose books are created by the adventures he experiences, thanks to the brainstorms of his editor. His latest adventure finds him truly lost in the desert and adopted by a tribe of Bedouins before he is finally rescued and brought home. His adventure is a bust from all angles; first his editor rejects the book that came of it, and secondly his wife (Janette Scott) rails against his newfound "self" (he has adopted Bedouin dress). The result is that the couple split their living space and their responsibilities down the middle, providing a series of ludicrous situations spoofing the gender assumptions in marriage. ~ Eleanor Mannikka, All Movie Guide

Set in an anti-aircraft station along the British coast, this light comedy features Donald Sinden as Lt. Gordon Brown and Barbara Murray as his wife, Private Betty Brown. When a group of female recruits are posted to the base, the handsome lieutenant attracts their attention, especially the attention of blonde charmer Private Marge White (Carole Lesley). Then Lt. Brown's wife Betty gets posted to the base as well, and that causes no end of trouble. Regulations require that they cannot be working out of the same place, and so they hide their relationship. Meanwhile, the enamored Marge does not have a clue and neither does Major Pym (Naunton Wayne). The good Major then gives the flummoxed lieutenant leave to go visit his wife, and matters deteriorate even more. ~ Eleanor Mannikka, All Movie Guide

Sailor Beware was originally released in England as Panic in the Parlour. The panic begins when a sailor named Albert (Ronald Lewis) plans to get married to a gal named Shirley (Shirley Eaton). On the day of the ceremony, Albert gets cold feet when he discovers that Shirley's gorgonlike mother Emma (Peggy Mount) has bought a house just three doors away from their honeymoon cottage. The question now is: how long will it be before the worm turns and Emma is put in her place by both her prospective son-in-law and her henpecked husband? Based on a popular stage comedy, Sailor Beware is worth watching today to spot an unbilled Michael Caine in a bit part as one of Albert's fellow seamen. ~ Hal Erickson, All Movie Guide