Howard Hickman Movies

In this tuneful programmer a singer, believing that her husband, a Marine pilot accused of treason, has died in the Pacific, takes a job singing in Shanghai. There she see spies a certain handsome dancer in the club show who looks exactly like her late spouse. The resemblance is too uncanny for him to be anyone else. Surmising that he has amnesia, the singer decides she must somehow get him back and prove his innocence. But this is easier said than done as she soon discovers. ~ Sandra Brennan, All Movie Guide

An actor creates a devious murder plot in this suspenseful, ironic drama. For many years, the aging thespian has been confessing to homicides he never committed. Naturally the cops think he is bonkers so that when he really does kill his victim, no one believes he did it. Unfortunately, his lies work against him when something goes horribly wrong. ~ Sandra Brennan, All Movie Guide

Actual footage of the 1936 Berlin Olympics is rabbeted into the action of this superior Charlie Chan entry. Assigned by the U.S. Navy to track down a gang of international spies, Charlie Chan (Warner Oland) heads to Berlin, where as luck would have it his son Lee (Keye Luke) is representing the United States as a member of the Olympic swimming team. Among Lee's teammates is Richard Masters (Allan Lane), who has unfortunately fallen under the spell of the alluring Yvonne Roland (Katherine De Mille), much to the dismay of his sweetheart Betty Adams (Pauline Moore). What no one knows (but Chan suspects) is that Yvonne is one of the spies, in league with the mysterious Arthur Hughes (C. Henry Gordon). Yvonne hides a stolen secret weapon in Betty's luggage, leading to a not-so-merry chase through Berlin, and the ultimate kidnapping of Lee Chan by the villains. Plus, there's a murder to be solved, and Berlin police chief Strasset (Fredrick Vogeding) isn't about to let Charlie Chan get the credit. Ironically, Charlie travels from New York to Berlin via the dirigible Hindenburg -- which crashed into flames the same week that Charlie Chan at the Olympics was released (PS: The Nazi swastika on the tail of the airship was matted out by the special-effects crew). ~ Hal Erickson, All Movie Guide

Jack Benny had one of his first starring film roles in this breezy comedy with plenty of music. Benny plays Mac Brewster, an advertising man trying to hold on to his biggest client, a silver company run by Alan Townshend (Richard Arlen). Elsewhere in the office, Paula Sewell (Ida Lupino) longs to compete in the Artists and Models Ball and win the title of Queen. However, professional models are frowned upon at the Ball, and all entrants must be debutantes, which is two strikes against Paula; besides, snooty Cynthia Wentworth (Gail Patrick) looks to be a shoo-in to win. But Paula has a plan, and if it works she'll have won more than a crown at the end of the night. Comedy stars Ben Blue and Judy Canova highlight the supporting cast; the great Louis Armstrong performs a tune with Martha Raye. ~ Mark Deming, All Movie Guide

Hell-Ship Morgan (George Bancroft) is the brawny skipper of a small fishing schooner. Supplying fish for a San Francisco cannery, Morgan works hard and relaxes even harder, boasting not one but several girls in every port. Our hero's roving days come to an end when he marries Mary (Ann Sothern), who agrees to a honeymoon on Morgan's schooner. Once on the high seas, Mary can't help but fall in love with Morgan's first mate Jim (Victor Jory), but before Morgan can take retaliatory action, the tiny vessel is hit by a hurricane. In trying to save his crew from drowning, Morgan is crippled for life. Realizing now that he will never be a "complete" husband to Mary, he obligingly removes himself from the scene in a startlingly abrupt and permanent manner. A mainstay of early television, Hell-Ship Morgan is one of a handful of Columbia programmers currently available on the public-domain videocassette market. ~ Hal Erickson, All Movie Guide

In this drama, a group of young cadets in a military academy struggle to overcome their personal problems and make it through school. One of the lads is particularly troubled because he feels abandoned by his dad. In the end, the despondent youth nearly commits suicide by trying to paddle his canoe over a dam. Fortunately, his father realizes his mistakes and shows up in time to save the boy. Look carefully for Frances Farmer in a bit part as a colonel's kindly daughter. ~ Sandra Brennan, All Movie Guide

Chesterfield Films, one of the busiest (though not necessarily one of the best) poverty-row operations of the 1930s, was responsible for the amiable comedy August Week-End. 19-year-old Valerie Hobson is top-billed, but the film's real star is G. P. Huntley Jr., playing a British business entrepreneur. Deciding that he's outgrown his bourgeois wife and family, Huntley spends a summer weekend living the high life in the company of adventuress Hobson. He sees the error of his ways when he runs afoul of the IRS. Though partially financed by British investors, August Week-End was lensed in Hollywood over a period of six or seven days. The film was based on a short story by Faith Baldwin. ~ Hal Erickson, All Movie Guide

Spencer Tracy, Myrna Loy, and William Powell star in this crackling screwball comedy about a cut-throat newspaper editor's scheme to prevent a libel suit that ends up exploding in everybody's face. Tracy plays Warren Haggerty, the managing editor of a newspaper that mistakenly prints a story declaring the rich Connie Allenbury (Myrna Loy) has stolen away another woman's husband. Connie retaliates by suing the paper for $5 million. This happens right before Warren is about to marry his fiancee Gladys (Jean Harlow). As he has done several times in the past, Warren delays the wedding in order to stop the libel suit. Warren hires Bill Chandler (William Powell), a former employer who is desperate for a job, to marry Gladys in name only and then court Connie. That way, Gladys can sue Connie for alienation of affections and get Connie to agree to drop her lawsuit if Gladys will drop hers. Bill hops an ocean liner to accompany Connie and her father (Walter Connolly) back to the United States, but along the way Bill and Connie fall in love and Bill tries to convince Gladys to drop her suit so it won't hinder his relationship with Connie. ~ Paul Brenner, All Movie Guide

Admidst a sea of melodramatic and unbelievable courtroom dramas, Career Woman is distinguished by its comparative realism. Law school graduate Carroll Aiken (Claire Trevor) is idealistic; her colleague Barry Conant (Michael Whalen) is cynical and mercenary. Despite their ethical differences, they team up to defend downtrodden Gracie Clay (Isabel Jewell) on a charge of murdering her sadistic father. The grandstanding Conant reprimands the jury for their prejudices against the poor, but this strategy fails miserably. Carroll is forced to apologize to the court, then goes on to win the case through the simple expedient of sticking to the facts. Career Woman well be the best "lady lawyer" film of the 1930s, with characters acting like human beings instead of Hollywood stereotypes. ~ Hal Erickson, All Movie Guide

Universal contractee Henry Hunter never became a big star, but during his brief stay at the studio he appeared in a quite a few interesting films. Adapted from a novel by Rufus King, Love Letters of a Star casts Hunter as John Aldrich, the husband of the unfortunate Jenny Aldrich (Mary Alice Rice). When Jenny dies under mysterious circumstances, it is revealed that she was being blackmailed with a packet of love letters she'd written to Broadway celebrity Meredith Landers (Ralph Forbes). No sooner has Jenny's death been ruled a suicide than her blackmailer is murdered, immediately casting suspicion about the girl's grieving husband John. For a while, wealthy Artemus Todd (Samuel S. Hinds) is led to believe that he was the killer, but there's many another surprise twists before the final fadeout. ~ Hal Erickson, All Movie Guide

Jack Benny is cast against type as a small-time con man in this lightweight MGM programmer. Whenever he manages to outsmart himself, Calvin (Benny) returns to his ever-patient wife Alice (Una Merkel) to bail him out. In dutch with the law again -- this time he's managed to offend the IRS! -- Calvin and his cohort McGurk (Ted Healy) try to make their escape in a stratospheric balloon. Incredibly, this impromptu flight results in a government contract to produce a whole fleet of similar balloons, which manages to rescue Calvin from the clutches of cloddish treasury agent Henry Potke (Nat Pendleton). Though it earned back its cost, It's in the Air was Jack Benny's final film for MGM. ~ Hal Erickson, All Movie Guide

Feeling stifled by her wealthy existence, flighty heiress Kay (Joan Crawford) falls in love with poor archaeologist Terry (Brian Aherne). The couple seems happiest when they're yelling at one another, indicating perhaps that screenwriter Joseph L. Mankiewicz was none too fond of either character. Anyway, Terry decides that a marriage to Kay would be a big mistake, so he talks her into jilting him at the altar, thereby making a public declaration that their romance is through. But Kay "double-crosses" Terry by showing up at the wedding anyway, allowing the couple to live scrappily ever after. It's hard to tell if this is supposed to be a rip-off of It Happened One Night, but it sure plays that way in the first few reels. ~ Hal Erickson, All Movie Guide

In this thriller, a young woman marries a dashing young man who, unbeknownst to her, is a jewel thief. After his latest job, he takes off and leaves her to take the rap. In court she is found guilty. She is riding a train en route to prison when the train crashes. Her identity is confused with that of a wealthy young man's fiancee. The two soon fall in love. They are later confronted by the real fiancee, her thieving husband, the fiancee's brother and the police. Somehow the girl is extricated from the mess with her name and reputation intact. ~ Sandra Brennan, All Movie Guide