Bill Hickman Movies

This was the only directorial effort of Philip D'Antoni, producer of the action classic Bullitt (1968). Roy Scheider stars as Buddy Manucci, a New York City Police Department investigator running a task force charged with taking down criminals guilty of offenses that would get them a minimum sentence of seven years in prison upon conviction. Manucci's best street informant is Vito Lucia (Tony Lo Bianco), who double-crosses Manucci by using the lawman's secret list of Mob loan sharks to kidnap the crooks on the list and hold them for ransom. When the scheme results in the death of Ansel (Ken Kercheval), one of Manucci's men, the tough cop and his team, including Barilli (Victor Arnold) and Mingo (Jerry Leon), wage war on the city's underworld. As they bend the law in whatever violent shape they see fit in order to track Lucia down, grisly deaths and a heart-stopping highway car chase along the Hudson River ensue. ~ Karl Williams, Rovi

The stars of the witty TV series I Spy were reunited for this downbeat crime thriller, which takes a much darker and more violent look at the lives of two detectives for hire. Al Hickey (Bill Cosby) and Frank Boggs (Robert Culp) are a pair of private eyes who are approached by an attorney to find his girlfriend, who has gone missing. Their investigation leads them to a large sum of money from a Pittsburgh bank robbery. It seems that the woman in question has married the leader of a leftist radical group, which is now trying to find a buyer for the tainted money. An attempt to recover both the money and the girl goes awry when Hickey and Boggs infiltrate a meeting with the radicals; the girl slips away and takes the burgled cash with her. Adding to the disaster, the meeting tips off the identity of the detectives to mobsters dealing with the radicals, and the gangsters execute Hickey's wife in an effort to keep him away from their activities. Hickey and Boggs also features Rosalind Cash, Michael Moriarity, Vincent Gardenia, Isabel Sanford, and James Woods. ~ Mark Deming, Rovi

This gritty, fast-paced, and innovative police drama earned five Academy Awards, including Best Picture, Best Adapted Screenplay (written by Ernest Tidyman), and Best Actor (Gene Hackman). Jimmy "Popeye" Doyle (Hackman) and his partner, Buddy Russo (Roy Scheider), are New York City police detectives on narcotics detail, trying to track down the source of heroin from Europe into the United States. Suave Alain Charnier (Fernando Rey) is the French drug kingpin who provides a large percentage of New York City's dope, and Pierre Nicoli (Marcel Bozzuffi) is a hired killer and Charnier's right-hand man. Acting on a hunch, Popeye and Buddy start tailing Sal Boca (Tony Lo Bianco) and his wife, Angie (Arlene Faber), who live pretty high for a couple whose corner store brings in about 7,000 dollars a year. It turns out Popeye's suspicions are right -- Sal and Angie are the New York agents for Charnier, who will be smuggling 32 million dollars' worth of heroin into the city in a car shipped over from France. The French Connection broke plenty of new ground for screen thrillers; Popeye Doyle was a highly unusual "hero," an often violent, racist, and mean-spirited cop whose dedication to his job fell just short of dangerous obsession. The film's high point, a high-speed car chase with Popeye tailing an elevated train, was one of the most viscerally exciting screen moments of its day and set the stage for dozens of action sequences to follow. And the film's grimy realism (and downbeat ending) was a big change from the buff-and-shine gloss and good-guys-always-win heroics of most police dramas that preceded it. The French Connection was inspired by a true story, and Eddie Egan and Sonny Grosso, Popeye and Buddy's real life counterparts, both have small roles in the film. A sequel followed four years later. ~ Mark Deming, Rovi

The FBI is summoned to a ranching community to investigate a possible Civil Rights violation. Sheriff William Temple (James Olson) has been accused of excessive brutality and attempted murder by Peter Griffith (Bill Hickman), who has been arrested for smuggling illegal aliens. Faced with overwhelming evidence, Inspector Erskine (Efrem Zimbalist Jr.) has no choice but to place Temple in custody--but Erskine can't shake the feeling that the sheriff is being framed by his longtime enemy, rancher Cliff Wyant (J.D. Cannon). ~ Hal Erickson, Rovi

Psychologist Don Murray investigates the claim of Nobel prize winning scientist Ray Milland, who insists he has spoken to his young daughter. The thing of it is, the daughter has been dead for several weeks. At first dismissing the claims as the delusions of a grief-stricken man, Murray decides to stick with the case when he notices that the Government is acutely interested in Milland's ethereal "conversations". As the story unfolds, we learn that the apparitions are tied in with a complicated espionage plot. Daughter of the Mind was one of the first high-quality offerings of ABC's Movie of the Week series. The film also represented the TV-movie debut of Gene Tierney, as the other woman in the scientist's life. ~ Hal Erickson, Rovi

Based on Donald E. Westlake's novel The Hunter, John Boorman's gangster film hauntingly merges a generic revenge story with a European art cinema sensibility. In Alcatraz to divvy up the spoils from a robbery, thief Walker (Lee Marvin) is instead shot point blank by his double-crossing friend Mal Reese (John Vernon) and left to die while Reese takes off with Walker's wife Lynne (Sharon Acker) and his $93,000. Resurrected, the stone-faced Walker returns to Los Angeles a couple of years later to seek revenge on Mal with the help of the enigmatic Yost (Keenan Wynn) and Lynne's sister Chris (Angie Dickinson). Wanting little but his cash, Walker implacably penetrates Mal's lair and the hierarchy of the shady "Organization," registering no emotion about the string of murders left in his wake, as his thoughts repeatedly return to the past that brought him there. In his first American feature, Boorman transforms a stripped-down revenge plot into a surreal meditation on the gangster's spiritual demise, using flashbacks and startling shifts in setting to interweave Walker's fractured memories with his extraordinarily photographed odyssey through L.A. Marvin's chillingly stoic presence further hints at the ambiguities in Chris's observation that Walker "died at Alcatraz, all right." Brutal in the violence that it shows and suggests, Point Blank opened in the U.S. in the same period as Bonnie and Clyde, becoming one more testament to the genre-bending and ground-breaking possibilities of the nascent Hollywood New Wave. Although Point Blank was mostly overlooked in 1967, Boorman's visual adventurousness, and Marvin's amoral and apathetic antihero, have since made Point Blank seem one of the key films of the mid-late '60s, a precursor to revisionist experimentations from Martin Scorsese to Quentin Tarantino. It was remade as the 1999 Mel Gibson vehicle Payback. ~ Lucia Bozzola, Rovi

Under the alias "Alan Mitchell", Richard Kimble (David Janssen) links up with another fugitive from justice, Joe Tucker (Fritz Weaver). Falsely accused of embezzlement, Tucker has returned to his home to town for the purpose of killing the man whose testimony sent him to prison. Normally, Kimble would do everything in his power to prevent Joe from ruining what is left of his life by committing murder; unfortunately, "our" fugitive is currently behind bars and is helpless to intervene. ~ Hal Erickson, Rovi

While there are many people who hate accused coward Jason McCord (Chuck Connors), few are as vehement in that hatred as ranch owner Christina Adams (Kathryn Hays). Unfortunately for her, Christina needs Jason's testimony in a lawsuit to keep from losing her land. Will Jason do the "right thing", or has he at last come to the end of his patience for people who refuse to give him the benefit of the doubt concertning the battle of Bitter Creek? Featured in the cast as Thomas Teal is Bing Russell, the father of film star Kurt Russell. ~ Hal Erickson, Rovi

Perennial loser Claude Miller (John Fiedler) becomes a winner overnight when he strikes a rich silver lode. Determined to get even with the people who had previously subjected him to ridicule, Claude buys out his tormentors' mortgages. Alas, once a loser, always a loser: Claude's plans for revenge are undermined by his new partner, a crooked deputy. The supporting cast includes Florence Sundstrom as Daisy, J. Pat O'Malley as Clancy, Jay Lanin as Slauson, Ken Mayer as Tarbosh, and Ken Drake as Claude. First shown on May 12, 1963, "Rich Man, Poor Man" was scripted by Richard P. McDonagh and Barbara and Milton Merlin, from a story by Arnold Belgard and Robert Fresco. ~ Hal Erickson, Rovi

Cary Grant scored still another box-office smash with his 1958 vehicle Houseboat. Grant plays a widowed father who packs himself and his spoiled kiddies off to a ramshackle houseboat. Enter Sophia Loren, who is attempting to break loose from her tyrannical father's (Eduardo Cianelli) iron grip. She hires on as Grant's housekeeper and his children's governess. Though Grant struggles valiantly to maintain a "hands off" policy, he and Loren are billing and cooing by fadeout time--but not before plenty of reversals, recriminations and sitcom-style mishaps. As a bonus, the kids end up behaving like little angels (not surprising, since Loren has threatened from time to time to turn them into genuine angels if they don't toe the line). According to most sources, the on-screen romance between Cary Grant and Sophia Loren in Houseboat spilled over into their private lives as well, though Sophia put an end to this dalliance when she married Italian movie mogul Carlo Ponti. ~ Hal Erickson, Rovi

Arrogant Mike Brannan (Clark Gable) is a famous driver of midget race cars and is the type of man crowds love to hate. He earned his bad-boy image after he is blamed for causing a fatal crash during a race. Wanting to see if all the hoopla is true, tough columnist Regina Forbes (Barbara Stanwyck) tries to interview her, but Mike refuses. Later she watches as he is involved in another deadly crash. Believing he deliberately caused the accident, she rakes him over the coals in her column and this leads to his disbarment from the racing circuit. In order to make ends meet, the disgraced Mike begins driving in a stunt show. Eventually, he earns enough money to allow him to buy a full-sized race car. The film's exciting finale was shot at the Indianapolis Speedway. ~ Sandra Brennan, Rovi