William Hickey Movies

Several noted American actors dot this autobiographical feature from Hungarian filmmaker Gabe Von Dettre (also know as Gabor Dettre) about the difficulty of getting a break in the movie industry. Brad Dourif plays a filmmaker who often talks to the audience about the main question on his mind -- why can't he get a project financed when so many people with less talent and fewer credentials are working steadily? This film (which was many years in production, as evidenced by the presence of several actors who are no longer living) was shown as part of the 1999 Hungarian Film Week Festival. ~ Mark Deming, Rovi

Mystery and romance and political commentary are combined in this drama set in post-Communist Prague. When Orf sees the young and beautiful Sarka whistling and singing upon the rooftops he falls immediately in love. But just as their romance heats up, Orf leaves her to become heir to a large and rare collection of erotic art. The art was hidden from the Nazis and the Red Army for many years and was protected by an aging major domo. Suddenly the guardian is murdered and the paintings are stolen. Orf sets off to find the treasures, gets framed for murder by others desiring the paintings, escapes with the assistance of two musicians, regains and smuggles his paintings back to Prague, and renews his relationship with Sarka. ~ Sandra Brennan, Rovi

William Hickey returns in the role of crabby oldster Carlton Blanchard, a character he introduced in the previous season's episode "Das Plane." In a variation on The Man Who Came to Dinner, Carlton tumbles down the stairs while visiting Fay (Rebecca Schull) -- and, to quote the classic commercial, he's fallen and can't get up. Threatening to call his lawyer son and file a huge lawsuit, Carlton installs himself in Fay's living room and demands to be waited upon hand and foot. ~ Hal Erickson, Rovi

John Savage plays a roving reporter on assignment in Africa. While nosing around in the jungle, Savage stumbles upon an unregenerate Nazi war criminal. As he mulls over what do with this information, the Nazi continues laying the groundwork for a worldwide neofascist conspiracy. Despite the presence of such thespic heavyweights as William Hickey and Ernest Borgnine, Any Man's Death never quite lives up to its potential. ~ Hal Erickson, Rovi

Actress Theda Blau is well on the wrong side of forty, but she's gamely pretending to be thirty. Though it's hard to believe, she nonetheless manages enough of the ancient siren's song to get a middle-aged producer of TV commercials to come back to her apartment with her. She gets him to stay by "accidentally" spilling water on him - but she's not trying to get him into bed. Her game is to get him to stick around long enough to read the screenplay she's written, and maybe (just maybe) decide that he's good for more than just making commercials. ~ Clarke Fountain, Rovi

The hobo in the made-for-TV A Hobo's Christmas is played by Barnard Hughes. Drifting from place to place, Hughes finds himself in his hometown of Salt Lake City at Christmastime. Here he hopes to close old wounds and be reunited with his unforgiving son Gerald McRaney, and get to know the grandchildren he has never met. McRaney, still resenting the fact that Hughes ran out on his family 25 years earlier, gives his father only one day with his grandkids; after that, he's expected to leave and never come back. Everything that usually happens in a feel-good film of this nature does happen, but getting there is half the fun. If you missed the location-filmed A Hobo's Christmas when it was first telecast on December 6, 1987, despair not: the film is sure to pop up again on cable during the Yuletide season. ~ Hal Erickson, Rovi

The PBS series Great Performances first presented the made-for-TV feature Seize the Day. The time is the success-driven '50s; Robin Williams plays Tommy Wilhelm, a middle-ager who has just lost his salesman's job. Margaret, his wife (Katherine Borowitz), is on the verge of divorce and fully intends to take him to the cleaners whether he has an income or not. Doctor Adler (Joseph Wiseman), Tommy's judgmental father, cannot abide having a failure in the family and refuses to lend his son a single penny. In desperation, Tommy heads to New York City, where his old wheeler-dealer pal Dr. Tamkin (Jerry Stiller) has promised him a job. Even there, however, Tommy is defeated by the cold-shoulder treatment afforded him by the people whose opinions he values most. Seize the Day was adapted by Ronald Ribman from the novel by Saul Bellow. ~ Hal Erickson, Rovi

In this film that seeks to make a comedy about obscene telephone callers, several callers and their victims are shown. Most of the film is about one of the callers who is so beguiling that before long, many of his victims are hoping that he will call them back. Indeed, one of his victims is so entranced that she exerts considerable effort trying to find him, not for prosecution, but to see how his real-life virility compares with his virtuoso telephoning. One interesting sidelight is that the film contains three members of Andy Warhol's art-gang (including Ultra Violet). ~ Clarke Fountain, Rovi

A rape victim goes through inner turmoil in the days following her suffering the brutal assault. Mary Ann (Carroll Baker) leaves her middle class New York home to wander the mean streets of Manhattan. She is isolated and lonely in spite of being surrounded by people. A kindly garage mechanic befriends the troubled woman on the brink of self destruction - but soon
Mary Ann must ask herself if she can really trust him. Musical score provided by American legend Aaron Copeland. ~ Dan Pavlides, Rovi

Romeo and Juliet gets updated -- and played for laughs -- in this romantic comedy set in the City Island section of the Bronx. Mike and Sadie Cappamezza (Joseph Bologna and Lainie Kazan) are a hard-working couple who have run a family-style Italian restaurant for years. The Cappamezzas' fiercest rivals have long been Count and Countess Malacici (Paul Sorvino and Barbara Carrera), who operate a pretentiously upscale Neapolitan eatery (and whose titled nobility seems to be in question). The Malacicis don't like the Cappamezzas any more than the Cappamezzas like them, and for years they've been trying to run each other out of business. So no one is pleased when Rosario Cappamezza (Nathaniel Marston), Mike and Sadie's son, and Gina Malacici (Angelina Jolie), the daughter of the Count and Countess, are cast in a student production of Romeo and Juliet -- and annoyance gives way to shock when Rosario and Gina fall in love offstage as well as on. The husband and wife team of Joseph Bologna and Renee Taylor co-wrote and co-directed this film; Taylor also appears in a small role as a psychic. While completed in 1994, Love Is All There Is didn't enjoy a theatrical release until 1996. ~ Mark Deming, Rovi

Two guys from Queens wind up in trouble with the mob because of their fondness for prank phone calls in this quickie comedy. Stars Johnny Brennan and Kamal Ahmed first found fame as "The Jerky Boys" thanks to a series of comedy albums featuring real prank calls in which the duo assumed a variety of abrasive and often extremely foul-mouthed characters. Playing characters based on themselves, they reprise many of these same routines in this debut film, linking the comic bits together through a loose plot concerning local organized crime. It seems the boys have used their phone skills to trick a local mobster (Alan Arkin) into thinking that they are notorious Chicago hoods, only to have to go on the run when their scheme is discovered. Made to capitalize on a Jerky Boys fad, the film failed to attract much of an audience beyond their existing fans. ~ Judd Blaise, Rovi

This gangster satire involves a boss (William Hickey) who turns over the reins of his organization to an incompetent son (Eddie Deezen). ~ John Bush, Rovi